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Richard Wagner for Violin & Piano Wagner / Schubert / Bartos - CD 9003643990234

Richard Wagner on Record / Various Various Artists - CD 717281894043

, 247 pages, with illustrations throughout, text in German

Il testo è in tedesco. Numerose illustrazioni in b/n. Con cofanetto

Light-Tech – dieser Begriff meint eine leichte, fast gewichtslose Bauweise, mit leichten Materialien und Elementen, in eleganten technischen Konstruktionen. Sie ist für die Details von Möbeln und Inneneinrichtungen ebenso anwendbar wie für Wohnhäuser, Bürobauten oder Brücken. Sie arbeitet mit Materialien wie Aluminium, Glas oder Titan und hinterläßt als ästhetische Wirkung den Eindruck von Beweglichkeit, Offenheit und Transparenz. Dieses Buch stellt erstmals die Light-Tech-Architektur Richard Hordens in einer Monographie umfassend dar. Richard Horden war zunächst in der Marine- und Aerospace-Industrie tätig, hat dann bei Grimshaw & Partner und Norman Foster gearbeitet, aber sich auch von Buckminster Fuller und Jan Kaplicky anregen lassen und leitet inzwischen ein eigenes Architekturbüro in London. Aus dem Inhalt: - Innovative Einflüsse - Unterwegs zur Mikroarchitektur - Experimenteller Technologietransfer - Aerodynamik und Architektur - Neue Formen - Strategie der Transparenz - Haus-Studien - Materialien

Richard Wagner: Die Walkure Wagner / Skelton / Melton / Van Zweden - BR 730099005166

Richard Wagner continues to be the most controversial artist in history, a perpetually troubling figure in our cultural consciousness. The unceasing debate over his works and their impact--for and against--is one reason why there has been no genuinely comprehensive modern account of his musical dramas until now. Dieter Borchmeyer's book is the first to present an overall picture of these musical dramas from the standpoint of literary and theatrical history. It extends from the composer's early works--still largely ignored--to the Ring Cycle and Parsifal, and includes Wagner's unfinished works and operas he never set to music. Through lively prose, we come to see Wagner as a librettist--and as a man of letters--rather than primarily as musical composer.Borchmeyer uncovers a vast field of cultural and historical cross-references in Wagner's works. In the first part of the book, he sets out in search of the various archetypal scenes, opening up the composer's dramatic workshop to the reader. He covers all of Wagner's operas, from early juvenilia to the canonical later works.The second part examines Wagner in relation to political figures including King Ludwig II and Bismarck, and, importantly, in light of critical reactions by literary giants--Thomas Mann, whom Borchmeyer calls "a guiding light in this exploration of the fields that Wagner tilled," and Nietzsche, whose appeal to "philology" is a key source of inspiration in attempts to grapple with Wagner's works.For more than twenty years, Borchmeyer has placed his scholarship at the service of the famed Bayreuth Festival. With this volume, he gives us a summation of decades of engagement with the phenomenon of Wagner and, at the same time, the result of an abiding critical passion for his works.

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In this new biography of Richard Wagner, Joachim Köhler draws on social and political analysis, documentary interpretation, and psychological insights to paint a rounded picture of Wagner as both a controversial historical phenomenon and a complex human being.Köhler’s reading of the letters, diaries, and other documents of the main protagonists, some of them unfamiliar even to seasoned Wagnerians, results in some breathtaking but convincing reappraisals. He examines Wagner’s love affairs with Jessie Laussot, Mathilde Wesendonck, and Judith Gautier and assesses their lasting emotional effect. He re-evaluates Wagner’s relationships with his mother, step-father, sister, and―most revealingly―his wife, Cosima, a relationship seen as based on fear rather than love. Köhler explores the philosophical roots of Wagner’s work, which the composer himself deliberately obfuscated. And he analyzes Wagner’s relationship with King Ludwig, whom Wagner is revealed to have blackmailed, and with Nietzsche, whom he tried to destroy.The traumas of his youth haunted Wagner throughout his life, as his emotional development underlay his notorious anti-semitism. Köhler’s interpretation of Wagner’s dreams, as recorded in Cosima’s diaries, offers astonishing insights into the paranoia and insecurity of a man who was one of the leading composers of his age.

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Text: English, German (translation)

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For some, Richard Wagner is infamous as the favorite composer of Hitler, who seems to have admired Wagner as an early exponent of his own racist ideology and worldview. Impressed by this assumption victims of Hitler have also associated Wagner and his music with Nazism to such an extent that in Israel a ban on public performance of that music is upheld to this day. Jacob Katz, a scholar of international repute, approaches the highly charged issue of Richard Wagner’s anti-Semitism with the tools of a critical historian, asking two central questions: What role did anti-Semitism play in the life and work of Richard Wagner? And how did his anti-Jewish thoughts and sentiments contribute to the development of political anti-Semitism and Nazism? In this first comprehensive and judicious treatment of Wagner’s anti-Semitism, Katz analyzes the composer’s attitudes in their own time and place and in the context of Wagner’s life and aspirations. He traces Wagner’s feelings toward Jews chronologically, showing that the composer was ultimately obsessed by a deep-seated Judeophobia generated by conflict with his Jewish mentors and competitors. But he argues against reading the later emergence of Nazism back into Wagner’s life and work. While not absolving Wagner from responsibility for his views, Katz contends that contemporary Jews have paradoxically and uncritically adopted the Nazis’ assumptions about Wagner. Katz argues that Wagner’s music is untainted by his anti-Semitism, that there is, in fact, very little in Wagner’s art that, without forced speculation, can be related to his racist views.

Ernest Newman's four-volume Life of Wagner, originally published between 1933 and 1947, remains a classic work of biography. The culmination of forty years' research on the composer and his works (Newman's first Study of Wagner was first published in 1899), these books present a detailed portrait of perhaps the most influential, the most controversial and the most frequently reviled composer in the whole history of western music. Newman was aware that no biography can ever claim to be complete or completely accurate: 'The biographer can at no stage hope to have reached the final truth. All he can do is to make sure that whatever statement he may make, whatever conclusion he may come to, shall be based on the whole of the evidence available at the time of writing.' In this aim he triumphantly succeeds. Volume 2 covers the years 1848 to 1860.

Comic-book artist Gil Kane illustrates Richard Wagner's four Ring operas in a graphic style which makes music all its own.

Text: English, German (translation)

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Discusses the distinguished German composer's personal life, musical career, and artistic development in the context of 19th century society

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