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A modern take on the classic lantern style chandelier, the Richard 4-light pendant offers plenty of light. Defined by an antique black open work frame, this chandelier features 4 E12 candelabra style bulbs (not included) encased in a clear glass cylinder shade. This sleek cage pendant light is perfect for traditional, transitional and farmhouse interiors. Place this lantern pendant light above the entryway, kitchen table or dining room to grace your home with minimalist style and bright illumination. For ease of installation, this light fixture comes equipped with a 40 in. chain that may be shortened by removing some links to suit a variety of ceiling heights and room sizes. This light is also compatible with a dimmer switch when installed with dimmable bulbs, allowing you to adjust your light levels accordingly.

The MaxiFlex Ultimate gloves deliver an exceptional grip and abrasion resistance, making them ideal for various tasks. Our patented micro-foam nitrile coating provides unmatched 360° breathability, setting a new standard for glove comfort. These gloves have a slim, form-fitting design that reduces hand fatigue, and a knit wrist to keep dirt and debris at bay. These gloves also offer touchscreen compatibility, allowing you to operate your devices without removing them. Size: medium. Color: Gray. Gender: male. Age Group: adult.

David Lloyd Glover has a 25-year international reputation exhibiting in major galleries in the US, Canada, Mexico, and Japan. His works have been acquired by collectors all over the world. Glover creates masterworks in watercolor on paper, gouache on paper, oil on canvas and acrylic on canvas with equal facilities. Color: Blue.

A rare, wonderful British Heritage design, first produced in 1964, this iconic Richard Allan scarf is a beautifully drawn pen line work of favourite London landmarks offset with trees from London’s beloved parks. Both scarf, and art print which is also available, are accompanied by a guide so you need never be tripped up by admiring, curious friends! Available in 2 colours, ginger, brown and silver grey or crisp navy and white with a beautiful sky blue, our London square is the most elegant accessory to elevate your look for daytime or evening. Designed and made in England, from pure silk twill and finished with hand rolled hems. Hand rolled finishing. Handmade in England. 100% Silk Twill Printed. Dry clean only.

A rare, wonderful British Heritage design, first produced in 1964, this iconic Richard Allan scarf is a beautifully drawn pen line work of favourite London landmarks offset with trees from London’s beloved parks. Both scarf, and art print which is also available, are accompanied by a guide so you need never be tripped up by admiring, curious friends! Available in 2 colours, crisp navy and white with a beautiful sky blue, or ginger, brown and silver grey, our London square is the most elegant accessory to elevate your look for daytime or evening. Designed and made in England, from pure silk twill and finished with hand rolled hems. Hand rolled finishing. Handmade in England. 100% Silk Twill Printed. Dry clean only.

Illuminate your gathering moments with the Richard kitchen island chandelier. This linear chandelier features 5 E26 medium base bulbs (not included) encased in seeded glass shades surrounded by an antique black open work frame. The sleek cage design makes this light fixture perfect for traditional, transitional or farmhouse interiors. Place this light fixture above the breakfast bar or dining room to add an abundance of light. For ease of installation, this light comes with three 12 in. and one 6 in. rods that may be used separately or combined to create a custom hanging height. This rectangular chandelier is compatible with a dimmer switch and dimmable bulbs allowing you to customize your light levels accordingly.

VEVOR 2Hp Belt Grinder Constant Speed 2 X 82 inch Belt Disc Sander with 3 Grinding Wheel 110V Bench Sander 12 inch Wheel and Flat Platen Tool Rest for Knife MakingVersatile Grinding OptionsEfficient Copper MotorSturdy Steel ConstructionAdjustable Work TableWide Range of ApplicationsUser-Friendly DesignRotating Speed: 2800r/min,Concare Wheel Diameter: 0.98"/25 mm, 1.57"/40 mm,Aluminum Contact Wheels: 2.5" x 2"/6.35 x 5.08 cm,Rubber Contact Wheel: PH 427 x 12"/PH 427 x 30.5 cm,Motor: 110V, 2 HP,Belt: 2" x 82"/5.08 x 208.28 cm,Aluminum Flat Platen: 2.5 x 2.5"/6.35 x 6.35 cm (Big Wheels),Aluminum Tracking Wheel: 4" x 2"/10.16 x 5.08 cm,Aluminum Drive Wheel: 4" x 2"/10.16 x 5.08 cm,Toothed Rubber Tire: 11.8"/300 mm

Poems written over twenty years deal with nature, travel, art, the past, mortality, friendship, marriage, and memory

Unread book in perfect condition.

A comprehensive survey of the fields that deal with human prehistory explains the techniques used in the study of the life, appearance, and evolution of human and prehuman ancestors

The definitive collection of a major American poet’s work. Richard Hugo was, in James Wright’s words, “a great poet, true to our difficult life.” Making Certain It Goes On brings together, as Hugo wished, the poems published in book form during his lifetime, together with the new poems he wrote in his last years.

A revelatory account from a Washington insider of how modern presidents have succeeded—and failed—in making foreign policy. An important contribution in the wake of recent American experiences abroad, and an essential book for the new administration, here is a fascinating, in-depth look at what actually happens in the Oval Office from a respected expert who has held high-level positions in several governments.Illuminating the qualities of personal leadership—character, focus, determination, persuasiveness, and consistency—that determine a president’s ability to guide his staff, Peter W. Rodman makes clear how these qualities shape policy and determine how this policy is implemented. With telling anecdotes and trenchant analysis, he reminds us of the importance of a president’s vision for the world and of his ability to make this vision a reality.Rodman’s tour through the past forty years recounts both high points and dismal lows. He shows how Nixon’s deep knowledge of the world combined with his personal paranoia to produce great victories (China) and deep failures (the demoralization of State and other departments). He demonstrates how Carter suffered from his own indecisiveness, and how Reagan’s determined focus in dealing with the Soviets contrasted with his lack of attention to the Middle East, which helped lead to the disastrous events in Beirut. And, finally, he illustrates how George W. Bush put too much stock in bureaucratic consensus and, until the surge, failed to push hard enough for new strategies in Iraq.Rodman offers an original and telling survey of modern presidential policy-making, challenging many conventional accounts of events as well as many standard remedies. This is a vivid story of larger-than-life Washington personalities in action, an invaluable guide for our new president, and a deeply insightful primer on executive leadership.

Poems written over twenty years deal with nature, travel, art, the past, mortality, friendship, marriage, and memory

All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.

All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.

A leading figure in the New British Sculpture movement of the early 1980s, Richard Wentworth (born 1947) uses photography to register chance encounters of oddities and discrepancies in the modern landscape, expanding the possibilities of sculpture into the public realm. Documenting Wentworth’s ongoing series Making Do and Getting By, the book’s 750 images document excess--a creativity beyond functionality, something transformative that lurks beneath the surface intention in acts of ordering and repair. In one image, a car door serves to mend a fence; in another, wooden crates are wedged into a doorway. Wentworth seizes on this rupture between object and intended function, object and meaning. In Making Do and Getting By, Wentworth redefines the art of the human hand with a light and witty touch.

Taking its title from a line in The Dream of Gerontius, Elgar's masterpiece which Richard Lewis made his own. There Will I Sing is the official biography of Great Britain's first international tenor. He enjoyed renown not only in Great Britain, where he was a regular performer at Covent Garden and Glyndebourne, but also in Europe, Australia and New Zealand, and in America, where he was lionised as a star.Starting from his childhood as Tom Thomas in Manchester, There Will I Sing traces the development of both the man and the singer, using Richard's diaries, which he kept meticulously throughout his life, and calling on the memories of the many people who knew, loved and respected him: his family, his fellow performers, the conductors with whom he worked. A picture emerges not just of a great and professional artist, but of the person behind the headlines: the man whom few people knew.

As the notorious "Jaws," Richard Kiel took on James Bond in The Spy Who Loved Me. A startling and unusual villian, Jaws proved to be so popular on his first appearance that the character returned for a second tilt at 007 in Moonraker—turning into a hero in the process. Although he is most famous as James Bond's nemesis, Richard Kiel is an accomplished actor, writer, and producer, and has worked in almost every aspect of the movie business. In this revealing autobiography he tells the story of his career from his early extra, prop, and stunt work, through his TV roles in The Man From U.N.C.L.E., The Wild Wild West, The Monkees and other classic series, as well as films as varied as The Nutty Professor, Silver Streak, and Pale Rider.

An official in the Nixon, Ford, Reagan, and both Bush administrations, Peter W. Rodman draws on his firsthand knowledge of the Oval Office to explore the foreign-policy leadership of every president from Nixon to George W. Bush. This riveting and informative book about the inner workings of our government is rich with anecdotes and fly-on-the-wall portraits of presidents and their closest advisors. It is essential reading for historians, political junkies, and for anyone in charge of managing a large organization.

On his death in 2007, Richard Rorty was heralded by the New York Times as “one of the world’s most influential contemporary thinkers.” Controversial on the left and the right for his critiques of objectivity and political radicalism, Rorty experienced a renown denied to all but a handful of living philosophers. In this masterly biography, Neil Gross explores the path of Rorty’s thought over the decades in order to trace the intellectual and professional journey that led him to that prominence.The child of a pair of leftist writers who worried that their precocious son “wasn’t rebellious enough,” Rorty enrolled at the University of Chicago at the age of fifteen. There he came under the tutelage of polymath Richard McKeon, whose catholic approach to philosophical systems would profoundly influence Rorty’s own thought. Doctoral work at Yale led to Rorty’s landing a job at Princeton, where his colleagues were primarily analytic philosophers. With a series of publications in the 1960s, Rorty quickly established himself as a strong thinker in that tradition—but by the late 1970s Rorty had eschewed the idea of objective truth altogether, urging philosophers to take a “relaxed attitude” toward the question of logical rigor. Drawing on the pragmatism of John Dewey, he argued that philosophers should instead open themselves up to multiple methods of thought and sources of knowledge—an approach that would culminate in the publication of Philosophy and the Mirror of Nature, one of the most seminal and controversial philosophical works of our time.In clear and compelling fashion, Gross sets that surprising shift in Rorty’s thought in the context of his life and social experiences, revealing the many disparate influences that contribute to the making of knowledge. As much a book about the growth of ideas as it is a biography of a philosopher, Richard Rorty will provide readers with a fresh understanding of both the man and the course of twentieth-century thought.