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In his verse romance "Erec", Hartmann von Aue was the first German poet to recount the legend of King Arthur and the Knights of the Round Table. The introduction first provides a detailed analysis of the contents, and goes into peculiarities of the portrayal of the characters, the narrative stance and the relationship to the French source. Further chapters deal with the history of the text, the structure and poetics of the romance, the narrative style, the material and sources, and the history of its reception and influence.

In this commented anthology of Latin prose, Michael von Albrecht selects texts from a span of Roman literature covering four centuries. A summary of the contents will indicate its range and variety: M. Porcius Cato (the preface to De agricultura , a passage from the speech for the Rhodians of 167 B.C., and a section from the Origines ); republican oratory (C. Gracchus, from De legibus promulgatis of 122 B.C. and Cicero from In Verrem II ); Caesar as orator and historian; two passages of Sallust; a comparison of Claudius Quadrigarius and Livy as historiographers; philosophical texts from Cicero and the Younger Seneca; and chapters on Petronius, Tacitus, Pliny the Younger, and Apuleius. The method of the book is practical, based on actual interpretation of specific texts rather than on literary theory (ancient or modern). Each text (printed first in Latin and then in English) is followed by a detailed and flexible discussion, somewhere between essay and commentary. No set pattern is imposed - rather the nature of the text governs the shape of its analysis - but Professor von Albrecht's vivid scholarly exposition covers most dimensions of the art of Latin prose-writing. The book's variety of texts and close treatment of specific Latin passages make it an ideal coursebook for the study of Latin prose. But behind its accessibility lies scholarship of the highest order: Professor von Albrecht's exemplary erudition reveals itself in the extensive annotation underpinning his main text; and researchers in any of the fields covered by Latin prose-writers - philosophy, politics, history, letters, practical handbooks, entertainment - will find this book a valuable resource. This book was originally published in German ( Meister römischer Prosa von Cato bis Apuleius , 1971). It has been accurately and sympathetically translated by Neil Adkin.

Provocative, informative recollections of the varied and colorful life of the great pianist-composer, dictated to his close friend, with an Introduction by Daniel Gregory Mason CONTENTS: Happy Childhood in the Country; The St. Petersburg Conservatoire; Moscow - Sverev and Arensky; A Dramatic Incident - The Moscow Conservatoire; The "Free Artist" - First Symphony; Serious Mental Shock and Final Recovery; Growing Popularity; An Idyll in Dresden; The Summit of Life; War and Revolution; America 21919; Rachmaninoff as Composer; Notes on the Family of Rachmaninoff; List of Works; Index. Illustrated.

For the first time, this edition provides a modern reproduction of the Shrovetide plays ascribed to Hanz Folz and his circle, one that meets the demands of scholarship and diplomtics. Final commentaries examine issues of authorship and place the thematic content in its literary-historical context. The text commentaries offer assistance with translation and help make the texts accessible for teaching.

10. Auflage, besorgt von Georg Wissowa. Aalen : Scientia Verlag, 1979. Reprint 1921-1923 edition. 4 Volumes. Orig. cloth bindings. xxxiv,490; viii,383; viii,372; viii,372 pp. Contents. Band 1 : Die Stadt Rom. Der Hof. Die drei Stände. Der gesellige Verkehr. Die Frauen. Das Verkehrswesen. Die Reisen der Touristen; Band 2 : Die Schauspiele. Die Musik. Die schöne Literatur. Der Luxus; Band 3 : Die bildenden Künste. Die religiösen Zustände. Die Philosophie als Erzieherin zur Sittlichkeit. Der Unsterblichkeitsglaube; Band 4 : Anhänge. Condition : new copy. ISBN 9783511011307. Keywords : CLASSICAL ANTIQUITY, popular culture

Original publisher's dark-brown cloth hardback, gilt title spine, cream dustjacket, thick large 8vo: portrait tipped-in, xij, 498pp., foreword, 25 contributions with footnotes & references, tabula gratulatoria, table of contents. Very fine copy - as new.

For the first time, this edition provides a modern reproduction of the Shrovetide plays ascribed to Hanz Folz and his circle, one that meets the demands of scholarship and diplomtics. Final commentaries examine issues of authorship and place the thematic content in its literary-historical context. The text commentaries offer assistance with translation and help make the texts accessible for teaching.

Contents: Vorwort * Von der Notenschrift * Von der Bratsche * Zeichenerklarung * Die ersten Bogenubungen auf leeren Saiten * Ubungen fur den Saiten...

1971 copyright. Hardcover.307 pages. New edition, revised and updated. Dr. Wernher Von Braun, Deputy Associate Administrator of National Aeronautics and Space Administration, discusses second decade of the space age. CONTENTS include: 1) Launch and Ascent, 2) Flight Through Space 3) Safety in Space 4) Stations in Space 5) Flight to the Moon 6) Bonanzas on the Way to the Moon 7) To the Planets and Beyond. B&W photos.

Contents: At last (So willst du des Armen) Care selve (Come beloved) The Chestnut (Der Nussbaum)Endless pleasure, endless loveA Farewell (Ich schwebe)Gentle Shepherd (Se tu m'ami) Gretchen at the Spinning Wheel (Gretchen am Spinnrade)He is noble, he is patient (Er, der Herrlichste von allen) How calm is my spirit (Ridente la calma) How fair this spot! (Tout est si beau!)I have twelve oxen Let me wander not unseenLone and joyless (Infelice)The Loreley (Die Lorelei) Lullaby (Wiegenlied) A Lullaby The Novice (Die junge Nonne) O, bid your faithful Ariel fly Omnipotence (Die Allmacht) Should he upbraidThe Singer Solveig's Song So sweet is thy discourse Spring Suleika's Song (Lied der Suleika) The Vain Suit (Vergebliches St ndchen)Where the bee sucks (Arne) Where the bee sucks (Sullivan)Why do I love? Without thee! (Ce que je suis sans toi).

(Vocal Collection). (Ger/Eng) Contents: Aeolian Harp * Am Sonntag Morgen * An Den Mond * An Die Nachtigall * An Ein Veilchen * Auf Dem Schiffe * Bei Dir Sind Meine Gedanken * Botschaft * Damm'rung Senkte Sich Von Oben * Der Gang Zum Liebchen * Der Jager * Der Tod, das ist Die Kuhle Nacht * Die Kranze * Die Mainacht * Erinnerung * Es Hing Der Reif * Feldeinsamkeit * Immer Leiser Wird Mein Schlummer * In Waldeseinsamkeit * Komm Bald! * Kommt Dir Manchmal in Den Sinn * Lerchengesang * Liebestreu * The Little Sandman * Madchenlied * Meine Liebe ist Grun * Meine Lieder * Minnelied * Nachtigall * O Kuhler Wald * O Lieliche Wangen * O Wusst' Ich Doch Den Weg * Parole * Rothe Abendwolken Zieh'n * Ruhe, Sussliebchen * Sapphische Ode * Schmied * Sehnsucht * Wiegenlied * Sonntag * Standchen * Therese * Trennung * Treue Liebe * Vergebliches Standchen * Verrath * Von Ewiger Liebe * Wie Bist Du, Meine Konigin * Wie Melodien Zieht Es Mir * Wir Wandelten.

Contents: Roman fundamental theology in the last quarter of the nineteenth century -- The Blondelian challenge -- Alfred Loisy and the radicalization of the modernist movement -- History and dogma: the debate between Alfred Loisy and Maurice Blondel -- Lucien Laberthonnière's "critical mysticism" -- Friedrich Von Hügel: experience and transcendence -- George Tyrrell: revelation as experience -- The integralist response (1): prelude to the Roman condemnation of modernism -- The integralist response (2): Pascendi and after -- Modernism in retrospect -- Appendix 1: Joseph Lemius (1860-1923), draughtsman of Pascendi -- Appendix 2: The anti-modernist oath.

(Vocal Collection). Contents: Bach: Qui sedes, ad dextram, Agnus Dei (Mass in b minor) * Bluss und Reu, Erbarme dich, mein Gott, Konnen Tranen meiner Wangen (St. Matthew Passion) * Von den Stricken meiner Sunden, Est ist vollbracht (St. John Passion) * Bereite dich, Zion, Schlafe, mein Liebster, Schliesse, mein Herze, dies selige Wunder (Christmas Oratorio) Dvorak: Inflammatus et accensus (Stabat Mater) Handel: Virgam virtutis (Dixit Dominus) * Father of Heaven (Judas Maccabaeus) * O thou that tellest good tidings, He was despised, But who may abide, Thou art gone up on High (Messiah) Haydn: Fac me vere (Stabat Mater) Mendelssohn: Woe unto them who forsake him, O rest in the Lord (Elijah) Mozart: Laudamus te (Mass in c minor) Pergolesi: Quae moirebat et dolebut, Eija mater fons amoris, Fac ut portem Christi mortem (Stabat Mater) Purcell: Vouchsafe, O Lord (Te Deum) Rossini: Agnus Dei (Messe Solennelle) * Fac ut portem (Stabat Mater) Verdi: Liber scriptus (Requiem) Vivaldi: Esurientes implevit (Magnificat) * Qui sedes (Gloria).

(Vocal Collection). Contents: Mozart: O Isis und Osiris (Die Zauberflote) * In diesen heil'gen Hallen (Die Zauberflote) Rossini: La calunnia (Il Barbiere di Siviglia) * Miei rampolli femminini (La Cenerentola) C.M. von Weber: Schweig'! schweig'! damit dich Niemand warnt (Der Freischutz) Bellini: Vi ravviso (La Sonnambula) Donizetti: Dalle stanze ove Lucia (Lucia di Lammermoor) * Ah! un faco insolito (Don Pasquale) Meyerbeer: Pour les couvents c'est fini (Piff, paff) (Les Huguenots) Verdi: Infelice! e tuo credevi (Ernani) * Come dal ciel precipita (Macbeth) * O tu, Palermo (I Vespri Sicilianni) * Il lacerato spirito (Simon Boccanegra) Nicolai: Als Bublein klein (Die Lustigen Weiber von Windsor) Gounod: Le veau d'or est toujours debout! (Faust) * Vous qui faites l'endormie (Faust) Bizet: Quand la flamme de l'amour (La Jolie Fille de Perth) Tchaikovsky: Gemin's Aria (Eugen Onegin) Massenet: Epouse quelque brave fille (Manon) Puccini: Vecchia zimarra, senti (La Boheme) Weill: Let Things Be Like They Always Was (Street Scene) Thomson: What, what is it? (The Mother of Us All).

The A tale of the hills and caves of Vermont which are the secret home of a race of beings from the black planet, Yuggoth, and a man who stumbles upon their stunning secrets. CONTENTS Introduction by S. T. Joshi Foreword by Ramsey Campbell The Whisperer in Darkness by H. P. Lovecraft The Whisperer of Images by Pete Von Sholly The Pseudo-Akeley: The Tale of Two Brothers by Robert M. Price Cloaked in Darkness by Robert M. Price Cosmic Trickery by W. H. Pugmire

Composer: Franz Liszt. Edited by: Emil von Sauer. Contents include: 6 Paganini Etudes Concert Etudes No. 1-3 Waldesrauschen Gnomenreigen

(Vocal Collection). Contents: Bach: Cantata No. 21 (Seufzer, Thranen, Kummer, Noth) * Cantata No. 68 (Mein glaubiges Herze) * St. Matthew Passion (Blute nur, du liebes Herz, Ich will dir mein Herze schenken) * St. John Passion (Zerfliesse mein Herze, Ich folge dir gleichfalls) * Christmas Oratorio (Nur ein Wink von seinem Handen) Beethoven: Christus am Olberge (Preist, der Erlosers Gute) Faure: Requiem (Pie Jesu) Handel: Jephtha (Tune the soft melodious lute) * Joshua (Oh! had I Jubal's lyre) * Judas Maccabaeus (O liberty, thou choicest treasure) * Messiah (Rejoice greatly, O daughter of Zion, I know that my Redeemer liveth, If God be for us) * Samson (Let the bright Seraphim) Haydn: The Creation (With verdure clad, On mighty pens) * Die Jahreszeiten (Welche Labung fur die Sinne) * Stabat Mater (Quis non posset) Mendelssohn: Elijah (Hear Ye, Israel) Mozart: Mass in C Minor (Laudamaus te) * Vesperae Solennes de Confessore (Laudate Dominum) Pergolesi: Stabat Mater (Cujus animam gementum, Vidit suum dulcem natum) Purcell: Come Ye Sons of Art (Bid the Virtues, bid the Graces) Rossini: Stabat Mater (Inflammatus et accensus) Vivaldi: Gloria (Domine Deus).

Contents: Roman fundamental theology in the last quarter of the nineteenth century -- The Blondelian challenge -- Alfred Loisy and the radicalization of the modernist movement -- History and dogma: the debate between Alfred Loisy and Maurice Blondel -- Lucien Laberthonnière's "critical mysticism" -- Friedrich Von Hügel: experience and transcendence -- George Tyrrell: revelation as experience -- The integralist response (1): prelude to the Roman condemnation of modernism -- The integralist response (2): Pascendi and after -- Modernism in retrospect -- Appendix 1: Joseph Lemius (1860-1923), draughtsman of Pascendi -- Appendix 2: The anti-modernist oath.

Laminated pictorial boards. 20 x 21 cm. 270, [2] pp, colour ills. An English translation of König's 'Das Stundenbuch der Claude de France Königin von Frankreich.' .The volume includes a full colour reproduction in original size of the book of hours and extensive description and notes on provenance. Contents: A treasure for prayer -- A book made for Claude of France -- The illuminator -- From Bourdichon's specialist of border decoration to the court painter of the queen? -- The sequence of text and image. The calendar -- The Office of the Virgin and the Mixed Hours of the Holy Cross, Hours of the Holy Spirit and the Hours of the Conception of the Virgin -- The penitential Psalms and the litany -- The Office of the Dead -- Annotations -- Résumé in form of a catalogue entry -- Annex I. On the provenance of the Hours of Queen Claude of France -- Annex II. Two printed books of hours from the Bibermühle Collection that are probably related to Claude of France -- Plates. Near Fine.

Composer: Franz Liszt. Edited by: Emil von Sauer. Contents include: 6 Paganini Etudes Concert Etudes No. 1-3 Waldesrauschen Gnomenreigen