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La Gran Enciclopedia Vasca . Bilbao . 1976. 24 cm. LIX, 348 p. Encuadernación en tapa dura de editorial. Rodríguez Ferrer, Miguel ( 1815-1889). Con una introducción del Excmo. Sr. D. Antonio Cánovas del Castillo. Reprod. facs. de la ed. de:. Madrid : J. Noguera, 1873. Lengua vasca. Historia. País Vasco .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 84-248-0310-8

24 cm. Friedrich, Jörg 1944-. Traducción de Irene Pérez Michael y Miguel Sauras Rodríguez-Olleros. Taurus historia. Bibliografía: p. 543-552. Índice. Traducción de: Der Brand. Bombardeos. Alemania. Guerra mundial, 1939-1945. Operaciones aéreas. BUEN ESTADO. 574 p. 1 mapa páginas

“If you want to know who you are and where you come from, follow the maíz.” That was the advice given to author Roberto Cintli Rodriguez when he was investigating the origins and migrations of Mexican peoples in the Four Corners region of the United States. Follow it he did, and his book Our Sacred Maíz Is Our Mother changes the way we look at Mexican Americans. Not so much peoples created as a result of war or invasion, they are people of the corn, connected through a seven-thousand-year old maíz culture to other Indigenous inhabitants of the continent. Using corn as the framework for discussing broader issues of knowledge production and history of belonging, the author looks at how corn was included in codices and Mayan texts, how it was discussed by elders, and how it is represented in theater and stories as a way of illustrating that Mexicans and Mexican Americans share a common culture. Rodriguez brings together scholarly and traditional (elder) knowledge about the long history of maíz/corn cultivation and culture, its roots in Mesoamerica, and its living relationship to Indigenous peoples throughout the continent, including Mexicans and Central Americans now living in the United States. The author argues that, given the restrictive immigration policies and popular resentment toward migrants, a continued connection to maíz culture challenges the social exclusion and discrimination that frames migrants as outsiders and gives them a sense of belonging not encapsulated in the idea of citizenship. The “hidden transcripts” of corn in everyday culture—art, song, stories, dance, and cuisine (maíz-based foods like the tortilla)—have nurtured, even across centuries of colonialism, the living maíz culture of ancient knowledge.  

In Nahuatl yolqui is the idea of a warrior brought back from the dead. For author and activist Roberto Cintli Rodríquez, it describes his own experience one night in March 1979 after a brutal beating at the hands of L.A. sheriffs. Framed by Rodríguez’s personal testimony of police violence, this book offers a historia profunda of the culture of extralegal violence against Red-Black-Brown communities in the United States. In addition to Rodríguez’s story, this book includes several short essays from victims and survivors that bring together personal accounts of police brutality and state-sponsored violence. This wide-ranging work touches on historical and current events, including the Watts rebellion, the Zoot Suit Riots, Operation Streamline, Standing Rock, and much more. From the eyewitness accounts of Bartolomé de las Casas to the protestors and allies at Standing Rock, this book makes evident the links between colonial violence against Red-Black-Brown bodies to police violence in our communities today. Grounded in the stories of the lives of victims and survivors of police violence, Yolqui, a Warrior Summoned from the Spirit World illuminates the physical, spiritual, and epistemic depths and consequences of racialized dehumanization. Rodríguez offers us an urgent, poignant, and personal call to end violence and the philosophies that permit such violence to flourish. Like the Nahuatl yolqui, this book is intended as a means of healing, offering a footprint going back to the origins of violence, and, more important, a way forward. With contributions by Raúl Alcaraz-Ochoa, Citalli Álvarez, Tanya Alvarez, Rebekah Barber, Juvenal Caporale, David Cid, Arianna Martinez Reyna, Carlos Montes, Travis Morales, Simon Moya Smith, Cesar Noriega, Kimberly Phillips, Christian Ramirez, Michelle Rascon Canales, Carolyn Torres, Jerry Tello, Tara Trudell, and Laurie Valdez.

Originally published in two parts in 1605 and 1615 and often considered “the first modern novel,” Miguel de Cervantes’s Don Quixote is undoubtedly the most influential work in the Spanish literary canon. In this groundbreaking graphic adaptation, cultural commentator Ilan Stavans and illustrator Roberto Weil reimagine Cervantes’s masterpiece in ways that are both faithful and whimsically irreverent.In these pages, Stavans and Weil pay tribute to Cervantes’s novel as well as its complex resonances in the centuries since its publication. The dauntless “mad knight” Don Quixote and his hapless squire, Sancho Panza, encounter the infamous windmills, contend with disbelieving peasants and noblemen, and seek relentlessly for Quixote’s imaginary love, Dulcinea. They also confront their own creators and adapters—Cervantes, Salvador Dalí, Franz Kafka, and Stavans and Weil themselves—and try to make sense out of the madness of drones, taxicabs, and their own literary immortality. The result is an ambitious and compelling graphic novel that reveals Don Quixote as un libro infinito—a work that reflects the past, present, and future of the human condition.Available in both English and Spanglish editions, this inspired and audacious interpretation of one of the greatest novels ever written is sure to be savored by generations to come.

“If you want to know who you are and where you come from, follow the maíz.” That was the advice given to author Roberto Cintli Rodriguez when he was investigating the origins and migrations of Mexican peoples in the Four Corners region of the United States. Follow it he did, and his book Our Sacred Maíz Is Our Mother changes the way we look at Mexican Americans. Not so much peoples created as a result of war or invasion, they are people of the corn, connected through a seven-thousand-year old maíz culture to other Indigenous inhabitants of the continent. Using corn as the framework for discussing broader issues of knowledge production and history of belonging, the author looks at how corn was included in codices and Mayan texts, how it was discussed by elders, and how it is represented in theater and stories as a way of illustrating that Mexicans and Mexican Americans share a common culture. Rodriguez brings together scholarly and traditional (elder) knowledge about the long history of maíz/corn cultivation and culture, its roots in Mesoamerica, and its living relationship to Indigenous peoples throughout the continent, including Mexicans and Central Americans now living in the United States. The author argues that, given the restrictive immigration policies and popular resentment toward migrants, a continued connection to maíz culture challenges the social exclusion and discrimination that frames migrants as outsiders and gives them a sense of belonging not encapsulated in the idea of citizenship. The “hidden transcripts” of corn in everyday culture—art, song, stories, dance, and cuisine (maíz-based foods like the tortilla)—have nurtured, even across centuries of colonialism, the living maíz culture of ancient knowledge.  

Publisheado originalmente en two partes en 1605 y 1615 y often considereado “the first novela moderna,” Don Quixote de Miguel de Cervantes es indudablemente el libro más influencial del canon literario hispánico. En esta adaptación groundbreakeadora, el comentarista cultural Ilan Stavans y el ilustrador Roberto Weil reimaginan la masterpiece de Cervantes en ways que son a la vez faithfules y whimsicamente irreverentes.En estas páginas, Stavans y Weil payean tributo a la novela de Cervantes así como a sus resonancias complexas en los centuries desde su publicación. El dauntlesseado “mad knight” Don Quixote y su haplesseado squire, Sancho Panza, encuentran los infamosos molinos de viento, contendean con campesinos y nobles disbelieveadores, y seekean relentlesmente al amor imaginario de Don Quixote, Dulcinea. También confrontean a sus propios creadores y adaptadores—Cervantes, Salvador Dalí, Franz Kafka y los propios Stavans y Weil—y tratan de hacer sense de la locura de los drones, taxis y su propia inmortalidad. El resultado es una novela gráfica ambiciosa y compelleante que revela a Don Quixote as “un libro infinito”—una obra que reflectea el pasado, presente y futuro de la condición humana.Availeable en Inglés y Spanglish, esta adaptación inspirada y audaz de una de las great novelas ever escritas seguramente será savoreada por generaciones to come.

In Nahuatl yolqui is the idea of a warrior brought back from the dead. For author and activist Roberto Cintli Rodríquez, it describes his own experience one night in March 1979 after a brutal beating at the hands of L.A. sheriffs. Framed by Rodríguez’s personal testimony of police violence, this book offers a historia profunda of the culture of extralegal violence against Red-Black-Brown communities in the United States. In addition to Rodríguez’s story, this book includes several short essays from victims and survivors that bring together personal accounts of police brutality and state-sponsored violence. This wide-ranging work touches on historical and current events, including the Watts rebellion, the Zoot Suit Riots, Operation Streamline, Standing Rock, and much more. From the eyewitness accounts of Bartolomé de las Casas to the protestors and allies at Standing Rock, this book makes evident the links between colonial violence against Red-Black-Brown bodies to police violence in our communities today. Grounded in the stories of the lives of victims and survivors of police violence, Yolqui, a Warrior Summoned from the Spirit World illuminates the physical, spiritual, and epistemic depths and consequences of racialized dehumanization. Rodríguez offers us an urgent, poignant, and personal call to end violence and the philosophies that permit such violence to flourish. Like the Nahuatl yolqui, this book is intended as a means of healing, offering a footprint going back to the origins of violence, and, more important, a way forward. With contributions by Raúl Alcaraz-Ochoa, Citalli Álvarez, Tanya Alvarez, Rebekah Barber, Juvenal Caporale, David Cid, Arianna Martinez Reyna, Carlos Montes, Travis Morales, Simon Moya Smith, Cesar Noriega, Kimberly Phillips, Christian Ramirez, Michelle Rascon Canales, Carolyn Torres, Jerry Tello, Tara Trudell, and Laurie Valdez.

La Noche (Spanish for 'The Night') presents pieces by Singaporean and Spanish composers especially written for Roberto Alvarez (Flute) and Katryna Tan (Harp). This CD marks a milestone in the Flute and Harp reperoire, including music by Mara Dolores Malumbres, Miguel Prida, Chen Zhangyi, Ignacio Rodrguez Guerra, Fernando Ageria, Ho Chee Kong, Robert Casteels and Jorge Muiz. Roberto Alvarez Flute, Piccolo and Alto Flute Born in Asturias, on the Northern coast of Spain, Roberto lvarez began h

In Weekend in Havana, host Geoffrey Baer travels to Havana to explore Cuba alongside the people who live there. Join him with three young and high-octane local guides: architect and restorations Daniel de la Regata; one of Cuba's top flamenco dancers, Irene Rodriguez; and Grammy-nominated jazz pianist Roberto Fonseca as they take you on a tour of Cuba's fascinating and colorful history. Dubbed: English Run Time: 60 minutes