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In 1934 four movies—It Happened One Night, Twentieth Century, The Thin Man, and The Gay Divorcee—ushered in the golden age of the Hollywood romantic ("screwball") comedy. Slangy, playful, and "powerfully, glamorously in love with love," the films that followed were unique in their combination of swank and slapstick. Here are the directors—Lubitsch (Trouble in Paradise), Capra (It Happened One Night), Hawks (Bringing Up Baby, His Girl Friday), McCarey (The Awful Truth), La Cava (My Man Godfrey, Stage Door), Sturges (The Lady Eve, The Palm Beach Story, The Miracle at Morgan's Creek)—and their stars—Carole Lombard, Irene Dunne, Cary Grant, Fred Astaire, Clark Gable, Barbara Stanwyck, William Powell, Myrna Loy, among others—all described and analyzed in one comprehensive and delightful volume.

Romantic Comedy Andreas Reihse - LP 880319511110

Romantic comedy is an enduringly popular genre which has maintained its appeal by constantly evolving, from the screwball comedy to the recent emergence of the bromance. Romantic Comedy examines the history of the genre, considering the social and cultural context for key developments in new genre cycles. It studies the key themes and issues at work within romantic comedy films, focusing in particular on the representation of gender and how the genre acts as a barometer for gender politics in the course of the twentieth century. Claire Mortimer provides the reader with a comprehensive overview of the genre, tracing its development, enduring appeal, stars and the nature of its comedy. Mortimer discusses both British and Hollywood classic and contemporary romantic comedies, ranging from canonical films to more recent examples which have taken the genre in new directions. In-depth case studies span a wide variety of films, including: It Happened One Night Bringing Up Baby Annie Hall Four Weddings and a Funeral Bridget Jones’s Diary Wimbledon Knocked Up Sex and the City This book is the perfect introduction to the romantic comedy genre and will be particularly useful for all those investigating this area within film, media or women's studies.

Organized around the directors whose work defined the genre, this study of the romantic comedies of the 1930s and 1940s examines individual films, their director's oeuvre, and the performers most closely associated with romantic comedy

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Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).

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“Writing the Romantic Comedy is so much fun to read it could pop a champagne cork.”—Alexa Junge, writer and producer of FriendsRevised and expanded to celebrate a new generation of romantic comedies, Billy Mernit’s insightful look into the mechanics of writing Hollywood’s most enduring genre features case studies that reveal the screenwriting secrets behind classics new and old.Whether you’re a first-time screenwriter, an intermediate marooned in the rewriting process, or a professional wanting to explore the latest genre trends, this thoroughly charming and insightful guide to the basics of crafting a winning and innovative script will take you step by step from “meet cute” all the way to “joyous defeat.” You’ll learn the screenwriting secrets behind some of the funniest scenes ever written; how to create characters and dialogue that getsparks flying; why some bedroom scenes sizzle and others fall flat; and much more. Written in a refreshingly accessible style and updated and expanded to recognize the contributions of a fresh generation of romantic comedies, this newly revised 20th Anniversary edition of Writing the Romantic Comedy features case studies drawn from beloved romantic classics such as When Harry Met Sally, Annie Hall, Tootsie, and The Lady Eve to modern-day favorites including Hitch, (500) Days of Summer, Bridesmaids, and Silver Linings Playbook. Field-tested writing exercises are also included, guaranteed to short-circuit potential mistakes and ensure inspiration.

Jack is a romantic comedy, the first book in the series For The Love Of A Good Woman. It can be read as a standalone, but the characters are intertwined in the rest of the series.“Do I need to worry about this being poisoned?”Harper turned to me with a glare. “Excuse me?”“Well, I mean, you already told me that you had plans to murder me at work. Figured maybe this was a sneak attack.”Sean turned to Harper. “Seriously? You told him you had plans to murder him?” “No, I was posing a scenario in which we wouldn’t be together anymore.”“And one of those scenarios was you murdering him.” Harper started to get flustered and couldn’t find the right words to say. I inwardly laughed. The guys were just busting her chops, but I thought it was hilarious. She got herself into this and she could get herself out.“I was just... I was saying that people break up and it wasn’t smart to move in together.”Cole was the next to speak up. “So he asks you to move in and you plot to murder him?” Jack I've never been much for relationships. Until I met her. She's feisty, every man's wet dream, and a heap load of trouble. Every instinct in me screams to take care of this woman, but she's independent and won't accept my help. I won't let that get me down though. I have to have this woman and I'll do everything in my power to have her. That is, if I don't f**k it up. But life sometimes throws curve balls that throw the best laid plans off course.HarperHe's the most delectable man I've ever seen and he wants me. The only problem is, he is too overbearing. I don't need a man to take care of me. I'm perfectly capable of providing for myself. My attraction to him is undeniable and our chemistry is off the charts. The more I fight this man, the more I want him. Need him. Our differences may be too big to overcome and he may not want me when he finds out the truth.

The most up-to-date study of the Hollywood romantic comedy film, from the development of sound to the twenty-first century, this book examines the history and conventions of the genre and surveys the controversies arising from the critical responses to these films. Provides a detailed interpretation of important romantic comedy films from as early as 1932 to movies made in the twenty-first century Presents a full analysis of the range of romantic comedy conventions, including dramatic conflicts, characters, plots, settings, and the function of humor Develops a survey of romantic comedy movies and builds a canon of key films from Hollywood's classical era right up to the present day Chapters work as discrete studies as well as within the larger context of the book

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With this year's Culture Festival coming to a close, the Service Club returns to their regular duty, when council president, Meguri Shiromeguri, appears! She wants Hachiman and the rest of the Service Club to make the upcoming Sports Day a success!

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Smut is a standalone, tongue-in-cheek romantic comedy from the NYT bestselling author of The Pact. --What happens when the kink between the pages leads to heat between the sheets?-- All Blake Crawford wants is to pass his creative writing course, get his university degree and take over his dad’s ailing family business. What Amanda Newland wants is to graduate at the top of her class, as well as finish her novel and prove to her family that writing is a respectful career. What Blake and Amanda don’t want is to be paired up with each other for their final project but that’s exactly what they both get when they’re forced to collaborate on a writing piece. Since Amanda thinks Blake is an arrogant jerk (with a panty-melting smirk and British accent) and Blake thinks Amanda has a stick up her (tight, round) bottom, they fight tooth and nail. That is until they discover they write well together. They also might find each other really attractive, but that’s neither here nor there. When their writing project turns out to be a success, the two of them decide to start up a secret partnership using a pen name, infiltrating the self-publishing market in the lucrative genre of erotica. Naturally, with so much heat and passion between the pages, it’s not long before their dirty words become a dirty reality. Sure, they still fight a lot but at least there’s make-up sex now. But even as they fall hard for each other, will their burgeoning relationship survive if their scandalous secret is exposed or are happily-ever-afters just a work of fiction? NOTE ABOUT THE BOOK: Smut has coarse language and many explicit scenes of a sexual nature (sensitive readers be advised). However, the title of Smut is tongue-in-cheek, and this book should not be considering erotica.

Unread book in perfect condition.

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Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.23