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In the age of revolutions, at the end of the eighteenth century, the mental and spiritual life of North America and Europe began to undergo a historic and irreversible change. The ideas of spontaneity, direct expression and natural feeling transformed the arts, encouraging artists to explore the extremes in human nature, from heroism to insanity and despair. Widely praised on its previous appearance as Romantic Art and now revised, William Vaughan's classic study analyzes the achievement of the leading artists of the age - masters such as Goya, Blake, Gericault, Turner and Delacroix - and sets in context a host of fascinating figures in painting, sculpture and architecture: Palmer, Runge, Soane, Gros, Overbeck, Schinkel, Flaxman, Pugin, Bingham and many more. The result is an invaluable account of a dramatic and contradictory artistic epoch.

A digital copy of "Gothic Romanticism" by Tom Duggett. Download is immediately available upon purchase!

Romanticism: The RIAS Amadeus Quartet Recordings, Vol. 5 Brahms / Aronowitz / Geuser - CD 4022143214256

In Romanticism and the Rise of History, Bann argues that history came of age in Europe during the period following the French Revolution through the end of the nineteenth century, becoming an object of widespread desire. As one perhaps mildly astonished scholar noted later, it was a time when "the most simple-minded farmhand" was "able to distinguish an old belfry from a new one," and, Bann might add, perceive value in the old one.To draw the reader into his exploration of the nineteenth century's "discovery of history," Bann presents twenty-five images from the period - engravings, oil paintings, sculptures, watercolors - that appear to both represent and interact with the past. Does the suit of armor standing at Walter Scott's shoulder in Sir John Watson Gordon's portrait validate the image of the author as rightful custodian of the past and its relics, or is it Scott who through his imaginative interpretation of history imbues this shell of knighthood with lasting significance?

 Grounded in the thought of Samuel Taylor Coleridge, Romanticism and Transcendence explores the religious dimensions of imagination in the Romantic tradition, both theoretically and in the poetry of Wordsworth and Coleridge. J. Robert Barth suggests that we may look to Coleridge for the theoretical grounding of the view of religious imagination proposed in this book, but that it is in Wordsworth above all that we see this imagination at work. Barth first argues that the Romantic imagination—with its profound symbolic import—of its very nature has religious implications, and notes parallels between Coleridge’s view of the imagination and that of Ignatius Loyola in his Spiritual Exercises. He then turns to the role of religious experience in Wordsworth, using The Prelude as a privileged source. Next, after comparing the conception of humanity and God in Wordsworth and Coleridge, Barth considers the role of religious experience and imagery in two of Coleridge’s central poetic texts, The Rime of the Ancient Mariner and Christabel. Finally, Barth examines the continuing role of the Romantic idea of the religious imagination today, in literature and all the arts, linking it with the thought of theologian Karl Rahner and literary critic George Steiner. Romanticism and Transcendence brings together literary theory, poetry, and religious experience, areas that are interrelated but are often not seen in relationship. By exploring levels of Wordsworth’s and Coleridge’s poetry that are often ignored, Barth provides insight into how and why the imagination was so important to their work. He also demonstrates how rich with religious value and meaning poetry and the arts can be. The interdisciplinary nature of this important new study will make it useful not only to Wordsworth and Coleridge scholars and other Romantic specialists, but also to anyone concerned with the intellectual history of the nineteenth century and to theologians in general.

Through a close analysis of the pamphlets, reviews, lectures, journalism, editorials, poems, and novels surrounding the introduction of the gold standard in 1816, this book examines the significance of monetary policy and economic debate to the culture and literature of Britain during the age of Romanticism.

The persistence of Romantic thought and literary practice into the late twentieth century is evident in many contexts. Though the precise meaning of the Romantic legacy is contested, it remains stubbornly difficult to move beyond. This collection of essays by prominent critics and literary theorists explores the continuing impact of romanticism on a variety of authors and genres, including John Barth, William Gibson, and John Ashbery, while writers from the Romantic and Victorian period include Wordsworth, Byron and Emily Brontë. This book considers the mutual impact of postmodernism and Romanticism.

Drawing on a wide range of source material, the book situates canonical Romantic writers within a nuanced, and highly detailed ideological context, while challenging our inherited understanding of the Romantic tradition itself as the social conscience of nineteenth-century capitalism.

A wide-ranging collection of the key contextual documents which inform the Romantic period.  It includes material on fiercely debated areas such as the French Revolution, women, the slave trade, science and religion.  Documents are supported by substantial editorial material, drawing connections to the major Romantic texts.

Through a close analysis of the pamphlets, reviews, lectures, journalism, editorials, poems, and novels surrounding the introduction of the gold standard in 1816, this book examines the significance of monetary policy and economic debate to the culture and literature of Britain during the age of Romanticism.

Traces the split during the early nineteenth century between avant-garde and academic art, examines the work of Caspar David Friedrich, Thomas Bewick, and Thomas Couture, and discusses the impact of photography on art

Each title in this series examines the history, development, and people integral to the evolution of American literature in an attempt to place popular American literature in its historical and cultural context.

From the ballad-seller to the Highland bard, from 'pot-house politics' to the language of low and rustic life, the writers and artists of the British Romantic period drew eclectic inspiration from the realm of plebeian experience, even as they helped to constitute the field of popular culture as a new object of polite consumption. Representing the work of leading scholars from both Britain and North America, Romanticism and Popular Culture in Britain and Ireland offers a series of fascinating insights into changing representations of 'the people', while demonstrating at the same time a unifying commitment to rethinking some of the fundamental categories that have shaped our view of the Romantic period. Addressing a series of key themes, including the ballad revival, popular politics, urbanization, and literary canon-formation, the volume also contains a substantial introductory essay, which provides a wide-ranging theoretical and historical overview of the subject.

This is a study of religious thought and life in America in the generation before the Civil War. It focuses on Nevin and Schaff, who pioneered in America the theological reinterpretations stimulated by German idealism in philosophy and the new theories of historical development. They were also spokesmen of the romantic interest in Christian traditions, community, and sacraments and in this interest opposed the antihistorical individualism predominant in American religion. Charles Hodge, Orestes Brownson, Horace Bushnell, R. J. Wilberforce, and the American Lutherans all debated with them. Nevin and Schaff were the chief nineteenth-century American prophets of the contemporary ecumenical movement.

The renowned scholar Rüdiger Safranski’s Romanticism: A German Affair both offers an accessible overview of Romanticism and, more critically, traces its lasting influence, for better and for ill, on German culture. Safranski begins with the eighteenthcentury Sturm und Drang movement, which would sow the seeds for Romanticism in Germany. While Romanticism was a broad artistic, literary, and intellectual movement, German thinkers were especially concerned with its strong philosophical-metaphysical and religious dimension. Safranski follows this spirit in its afterlife in the work of Heinrich Heine, Richard Wagner, Friedrich Nietzsche, Thomas Mann, and through the later artistic upheavals of the twentieth century. He concludes by carefully considering Romanticism’s possible influence in the rise of National Socialism and the student revolt of 1968.Romanticism: A German Affair is essential reading for anyone interested in the power of art, culture, and ideas in the life of a nation.

Art for life's sake became the watchword of the French Romantics. Arguing that they transferred their idealism to art in reaction to the anti-heroism of the Enlightenment and French Revolution, a London art historian traces the movement's evolution by examining this change in outlook in the work and views of Gros, de Mussett, Baudelaire, Delacroix, Ingres, the Goncourt brothers, Zola, and Huysmans. Includes 41 color and b&w plates. References are interspersed throughout the text. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Colonial experience was profoundly structured by disease, as expansion brought people into contact with new and deadly maladies. Pathogens were exchanged on a scale far greater than ever before. Native populations were decimated by wave after wave of Old World diseases. In turn, colonists suffered disease and mortality rates much higher than in their home countries. Not only disease, but the idea of disease, and the response to it, deeply affected both colonizers and those colonized.In Romanticism and Colonial Disease, Alan Bewell focuses on the British response to colonial disease as medical and literary writers, in a period roughly from the end of the eighteenth century to the middle of the nineteenth century, grappled to understand this new world of disease. Bewell finds this literature characterized by increasing anxiety about the global dimensions of disease and the epidemiological cost of empire. Colonialism infiltrated the heart of Romantic literature, affecting not only the Romantics' framing of disease but also their understanding of England's position in the colonial world.The first major study of the massive impact of colonial disease on British culture during the Romantic period, Romanticism and Colonial Disease charts the emergence of the idea of the colonial world as a pathogenic space in need of a cure, and examines the role of disease in the making and unmaking of national identities.

'Romanticism Comes of Age' centers on the question; What is the creative imagination and in what way is it true? Owen Barfield insightfully explores the role of imagination in Romantic philosophy and literature, particularly in the work of Coleridge and of Goethe. Barfield also traces the evolving nature of the creative imagination from primordial times to the present, drawing on a wide array of examples including the language of ancient Greece, Dante's 'Commedia', and Shakespeare's 'Hamlet'. The book brilliantly demonstrates that the Romantic Movement's core elements and aspirations have "come of age" in anthroposophy, the spiritual science inaugurated by Rudolf Steiner.

"This stylish and erudite thematic study of the influence Romanticism exerts upon Western culture and particularly the visual arts is the companion volume to Honour's equally valuable Neo-classicism.... The text is supported by a useful selection of illustrations Excellent footnotes and a good index. Finely produced, Romanticism will stimulate the graduate and inform the undergraduate." ―Choice "An interpretation that rings true for our own time.... His approach to his vast subject is essentially cool, analytic and balanced This is a book that covers an immense amount of material with a freshness of touch." ―John Russell, The New York Times "A book of great interest and quality which gives form to a subject that is often treated very vaguely." ―Kenneth Clark

Feminism and literature in Great Britain during the 19th century.