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Offers a portrait of American literary giant Carl Sandburg, whose career encompassed newspaper copywriting, biographies, children's stories, and poetry, for which he won the Pulitzer prize

Biography about the American writer and social critic, Carl Sandburg. Giant-sized paperback (9 x 6 x 2 1/4") includes Preface; Part I: The Prairie Years (1869-1911); Part II: The Chicago Years (1912-1926); Part III: The Lincoln Years (1926-1945); Part IV: The Connemara Years (1945-1967); and an epilogue, source notes, bibliography, permissions, and index. Illustrated with black-and-white photographs.

"The surrealistic illustrations, which appear to be rendered in pastels, are appealing; the soft edges and warm tones work well with Sandburg's imaginery."--SLJ. "The full-color illustrations are nothing short of breathtaking."--Parents. "...displays the range of everyday topics in which Sandburg found beauty, humor, or pathos....Unfamiliar words are helpfully defined in footnotes...and an introductory biographical essay establishes a context for the poems. Arcella makes a grand debut; his intensely colored sculptural forms, carved from dramatic shadows, have a distinctly '30s look to them...."--Kirkus Reviews. 48 pages (all in color), 8 1/2 x 10.

Offering cultural insights on the pre-World War One era, this book acts as a kind of moral and philosophical tonic, making one believe in the possibilities for art, love, and social reform.

Carl Sandburg is most remembered as a biographer of Lincoln, as the author of such schoolroom poems as "Chicago" and "Fog," and as a popular-culture hero who lent his name, fame, and homey charm to the political campaigns of Franklin Roosevelt, Harry Truman, Adlai Stevenson, and John F. Kennedy.One midcentury commentator called him America's "cultural sweetheart." Adlai Stevenson said that Sandburg was the "epitome" of the American dream.Such is the traditional portrait.However, there is another Sandburg, a figure who does not at all resemble the comfortable, comforting persona most of his readers recognize. During the first two decades of his long career, the "other" Carl Sandburg was deeply involved in left-wing politics. This eye-opening book affords a revealing look at that Sandburg. It throws an illuminating light on his involvement in the internal history of the American left, his association with Bolshevism and domestic politics of the Great War, and his hard-nosed, sometimes scurrilous journalism written under his own name and various pseudonyms during the intense class warfare of the years from 1915 to 1920.This picture of the Sandburg few of us know is based on an extraordinary amount of research in government surveillance archives, in the Carl Sandburg Collection at the University of Illinois, and in labor histories, histories of American radicalism, and American literary history.

With the publication of Chicago Poems in 1916, Carl Sandburg became one of the most famous poets in America: the voice of a Midwestern literary revolt, fusing free-verse poetics with hard-edged journalistic observation and energetic, sometimes raucous protest. By the time his first book appeared, Sandburg had been many things—a farm hand, a soldier in the Spanish-American War, an active Socialist, a newspaper reporter and movie reviewer—and he was determined to write poetry that would explode the genteel conventions of contemporary verse. His poems are populated by factory workers, washerwomen, crooked politicians, hobos, vaudeville dancers, and battle-scarred radicals. Writing from the bottom up, bringing to his poetry the immediacy of America’s streets and prairies, factories and jails, Sandburg forged a distinctive style at once lyrical and vernacular, by turns angry, gritty, funny, and tender. Paul Berman takes a fresh look at Sandburg’s work and what it can tell us about twentieth-century America in a volume that draws on such volumes as Cornhuskers, Smoke and Steel, and Slabs of the Sunburnt West.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

Drawing on the extensive archives of the Sandburg Collection, this sweeping portrait of the distinguished American poet follows Sandburg from his 1878 birth, through his private life, to the heights of his literary fame

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

The story of the First Christmas is full of radiant inspiration that shines with all the brilliance of the star of Bethlehem. Now, your Nativity display can sparkle just as brightly with The Jeweled Nativity Figurine Set, a first-ever available exclusively from The Bradford Exchange, Hawthorne Village Division. Inspired by the grandeur and artistry of Peter Carl Faberge, this Nativity set includes lavishly detailed figurines of Mary and Baby Jesus, Joseph, King Balthazar, King Caspar and King Melchoir.Each of the Peter Carl Faberge-inspired figurines in this set sparkles with multitudes of hand-set genuine crystals and gold- and silver-tone accents. The classic jewel-tone colors are created through the use of specially formulated, hand-applied glazes to capture the luster of fine porcelain. Exquisite swirls of fleur-de-lis patterns adorn each figure's flowing robes, evoking the look of brocaded fabrics. Iridescent highlights add even more regal touches - a fitting tribute to the Prince of Peace. Strong demand is expected for this remarkable Nativity figurine set, so don't wait. Order now!

This gorgeous new edition of the first, and some say the only, genuinely American fairy tales contains a full-color, full-page plate for each of the twenty-four stories.

A newly-illustrated edition of Sandburg's fanciful, humorous tales peopled with such characters as the Potato Face Blind Man, the Blue Wind Boy, and many others.

Carl Sandburg had three daughters and he loved telling them irrepressible, zany tales. He disliked the European fairy stories that involved kings and princesses and thought American tales should be more relevant to the world around his children, but of course made rather fantastic. So the stories are populated with trains on zig-zag tracks, skyscrapers, animals wearing bibs, corn fairies, not to mention the Village of Cream Puffs which floats in the wind. They have become firm favourites for generations of children. This edition of Rootabaga Stories features the original black and white illustrations by Maud and Miska Petersham.

The whimsical, sometimes melancholy stories, which often use nonsense language, were originally created for his own daughters. Gimme the Ax decided to let his children name themselves. "The first words they speak as soon as they learn to make words shall be their names," he said. "They shall name themselves." When the first boy came to the house of Gimme the Ax, he was named Please Gimme. When the first girl came she was named Ax Me No Questions. And both of the children had the shadows of valleys by night in their eyes and the lights of early morning, when the sun is coming up, on their foreheads. And the hair on top of their heads was a dark wild grass. And they loved to turn the doorknobs, open the doors, and run out to have the wind comb their hair and touch their eyes and put its six soft fingers on their foreheads.

This second volume of unique fairy tales includes stories originally published in 1923. Each reflects the warmth of a midwestern childhood, a zest for life, and a love of the American language that has never been equaled.

The whimsical, sometimes melancholy stories, which often use nonsense language, were originally created for his own daughters. Gimme the Ax decided to let his children name themselves. "The first words they speak as soon as they learn to make words shall be their names," he said. "They shall name themselves." When the first boy came to the house of Gimme the Ax, he was named Please Gimme. When the first girl came she was named Ax Me No Questions. And both of the children had the shadows of valleys by night in their eyes and the lights of early morning, when the sun is coming up, on their foreheads. And the hair on top of their heads was a dark wild grass. And they loved to turn the doorknobs, open the doors, and run out to have the wind comb their hair and touch their eyes and put its six soft fingers on their foreheads.

Welcome to Rootabaga Country--where the railroad tracks go from straight to zigzag, where the pigs wear bibs, and where the Village of Cream Puffs floats in the wind. You'll meet baby balloon pickers, flummywisters, corn fairies, and blue foxes--and if you're not careful, you may never find your way back home! These beautiful new editions retain the original illustrations by Maud and Miska Petersham, and feature gorgeous new jackets by acclaimed illustrator Kurt Cyrus. Carl Sandburg's irrepressible, zany, and completely original Rootabaga Stories and More Rootabaga Stories will stand alone on children's bookshelves--when they aren't in children's hands.

Carl Karcher found the Great American Dream. How he started a business and turned problems into opportunities. How a $326 hot dog stand into the largest privately-owned, non-franchised restaurant chain. Learn an example of what can be done if a person is willing to "make it happen."

346 pages. 11.00x8.50x0.78 inches. This item is printed on demand.

Since major league baseball began in 1871, there have been roughly thirty million pitches thrown to batters. Only one of them killed a man. This is the story of Ray Chapman of the Cleveland Indians, a popular player struck in the head and killed in August 1920 by a pitch thrown by Carl Mays of the New York Yankees. Was it, as most baseball observers thought at the time, a tragic but unavoidable accident? Mike Sowell's brilliant book investigates the incident and probes deep into the backgrounds of the players involved and the events that led to one of baseball's darkest moments. "The best baseball book no one has read."―ESPN Magazine"Splendidly researched and vivid as today. The portraits of baseball as it was, the tragedy itself, and the glowering character of Carl Mays are remarkable."―Roger Kahn

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1838 Excerpt: ... vast lake and marsh, which, occupying a space of nearly three hundred miles in extent, and in very rainy seasons almost completely inundated, presented, amidst the thousand islands which its bosom conceals, fruitful and inviting materials for inquiry and adventure. Girt in with interminable forests, the space of which was completely filled up with umbrageous vines and a thick underwood, the trial was one of no little peril, and called for the exercise of stout heart, strong hand, and a world of fortitude and patience. It was also the abidingplace of the wild boar and the panther--the southern crocodile howled nightly in its recesses--and the coiled snake, ever and anon, thrust out its venomous fangs from the verdant bush. With w ords of cheer and mutual encouragement, the young hunters made their way. They were well armed and prepared for all chances; and fondly did they anticipate the delight which they would entertain, on relating their numerous adventures and achievements, by field and flood, to the assembled nation, on the return of the ensuing spring. They took with them no unnecessary incumbrances. The well tempered bow, the chosen and barbed arrows, the curved knife, suited to a transition the most abrupt, from the scalping of the enemy to the carving of the repast, and the hatchet, fitted to the adroit hand of the hunter, and ready at his back for all emergencies, were the principal accoutrements of the warriors. They troubled themselves not much about provisions. A little parched corn supplied all wants, and the dried venison in their pouches was a luxury, taken on occasion only. They knew that, for an Indian, the woods had always a pregnant store; and they did not doubt that their own address, in such matters, would at all times enable them to co...