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Flamingo Candles X Chanel Joan Elkayam Chanel Joan Elkayam & Flamingo candles have collaborated together to make a limited edition candle design. Information: Hand-poured in the Uk using 100% soy wax. Burn time – 35-40 hours, wax weight – 150g, total weight – 350g. Several different scents available. Soy Wax Candle

Diamond shaped belt made from our fine round mesh with a ribbon and metal hook clasp. Adds a little definition to plain simple dresses. Adjustable loops with 4 slots. Made in Ghana – handmade. Keep in dust bag and in a cool area.

Diamond shaped belt made from our fine round mesh with a ribbon and metal hook clasp. Adds a little definition to plain simple dresses. Adjustable loops with 4 slots. Made in Ghana – handmade. Keep in dust bag and in a cool area.

The engaging paintings of Joan Snyder have never been easily categorized. Though often placed under various art-movement umbrellas-Abstract Expressionism, lyrical abstractionism, or feminism-it is the changing nature of her work that has kept her in the spotlight since she first rose to prominence in the 1970s.In the first major book on this influential feminist artist, art historian Hayden Herrera explores Snyder's beautiful mixed-medium works and their fascinating combination of personal iconography, female imagery, aggressive brushstrokes, and accomplished formalism. Gorgeously illustrated with 140 images, this lush volume includes decades of Snyder's most important work, including Vanishing Theatre/The Cut, Moonfield, Oratorio, Should You Wonder, and Women Make Lists. This rich collection is sure to become the definitive look at an artist whose unique vision has inspired art lovers for decades. The release of this book accompanies a traveling retrospective exhibition of Snyder's work that is scheduled to open at The Jewish Museum in New York in August 2005.

The engaging paintings of Joan Snyder have never been easily categorized. Though often placed under various art-movement umbrellas-Abstract Expressionism, lyrical abstractionism, or feminism-it is the changing nature of her work that has kept her in the spotlight since she first rose to prominence in the 1970s.In the first major book on this influential feminist artist, art historian Hayden Herrera explores Snyder's beautiful mixed-medium works and their fascinating combination of personal iconography, female imagery, aggressive brushstrokes, and accomplished formalism. Gorgeously illustrated with 140 images, this lush volume includes decades of Snyder's most important work, including Vanishing Theatre/The Cut, Moonfield, Oratorio, Should You Wonder, and Women Make Lists. This rich collection is sure to become the definitive look at an artist whose unique vision has inspired art lovers for decades. The release of this book accompanies a traveling retrospective exh

The engaging paintings of Joan Snyder have never been easily categorized. Though often placed under various art-movement umbrellas-Abstract Expressionism, lyrical abstractionism, or feminism-it is the changing nature of her work that has kept her in the spotlight since she first rose to prominence in the 1970s.In the first major book on this influential feminist artist, art historian Hayden Herrera explores Snyder's beautiful mixed-medium works and their fascinating combination of personal iconography, female imagery, aggressive brushstrokes, and accomplished formalism. Gorgeously illustrated with 140 images, this lush volume includes decades of Snyder's most important work, including Vanishing Theatre/The Cut, Moonfield, Oratorio, Should You Wonder, and Women Make Lists. This rich collection is sure to become the definitive look at an artist whose unique vision has inspired art lovers for decades. The release of this book accompanies a traveling retrospective exh

The engaging paintings of Joan Snyder have never been easily categorized. Though often placed under various art-movement umbrellas-Abstract Expressionism, lyrical abstractionism, or feminism-it is the changing nature of her work that has kept her in the spotlight since she first rose to prominence in the 1970s.In the first major book on this influential feminist artist, art historian Hayden Herrera explores Snyder's beautiful mixed-medium works and their fascinating combination of personal iconography, female imagery, aggressive brushstrokes, and accomplished formalism. Gorgeously illustrated with 140 images, this lush volume includes decades of Snyder's most important work, including Vanishing Theatre/The Cut, Moonfield, Oratorio, Should You Wonder, and Women Make Lists. This rich collection is sure to become the definitive look at an artist whose unique vision has inspired art lovers for decades. The release of this book accompanies a traveling retrospective exhibition of Snyder's work that is scheduled to open at The Jewish Museum in New York in August 2005.

One of the most celebrated women of her time, a spellbinding speaker dubbed the Queen of the Lyceum and America's Joan of Arc, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War and remained in the public eye for the next three decades. J. Matthew Gallman offers the first full-length biography of Dickinson to appear in over half a century. Gallman describes how Dickinson's passionate patriotism and fiery style, coupled with her unabashed abolitionism and biting critiques of antiwar Democrats--known as Copperheads--struck a nerve with her audiences. In barely two years, she rose from an unknown young Philadelphia radical, to a successful New England stump speaker, to a true national celebrity. At the height of her fame, Dickinson counted many of the nation's leading reformers, authors, politicians, and actors among her friends. Among the dozens of famous figures who populate the narrative are Susan B. Anthony, Whitelaw Reid, William Lloyd Garrison, Frederick Douglass, Elizabeth Cady Stanton, and Harriet Beecher Stowe. Gallman shows how Dickinson's life illuminates the possibilities and barriers faced by nineteenth-century women, revealing how their behavior could at once be seen as worthy, highly valued, shocking, and deviant.

The story of how four young would-be bohemians met in Greenwich Village, fell in love, and changed the course of American music. The book describes how folk music crossed with rock'n'roll to form a new musical style and how the young beatniks rose to fame.

Die "Weiße Rose" wurde zum Symbol einer Aktion, mit der einige Münchner Studenten zum Widerstand gegen die Diktatur Hitlers aufriefen. Sie bezahlten dafür mit ihrem Leben: im Februar 1943 fielen sie der Gestapo in die Hände. Die Geschwister Hans und Sophie Scholl waren unter den Hingerichteten. Inge Scholl, die Schwester, erzählt mit Hilfe von geretteten Dokumenten die Vorgeschichte und den Verlauf der Bewegung. Diese Ausgabe enthält außerdem Gerichtsurteile, Pressereaktionen und Augenzeugenberichte.

A reappraisal of Joan of Arc and her legendary deeds, written by the author of "The Chant of Jimmie Blacksmith", "Confederates", "Towards Asmara", "The Playmaker" and "Outback". Keneally won the Booker Prize in 1982 for "Schindler's Ark".

Im ersten Teil dieses Buches untersucht Ernst Rose, inwieweit persische Mystik in Goethes «West-östlichen Divan» eingegangen ist, interpretiert dann Goethes «vollkommenstes Liebesgedicht» und wendet sich schliesslich Goethes Bildungsideal zu. Die Teile II und III legen zum ersten Male gesammelt und in deutscher Sprache Ernst Roses Aufsätze zur literarischen Rezeption des Phänomens «China» im Deutschland des 19. Jahrhunderts vor. Die in jahrzehntelanger Beschäftigung mit den Quellen entstandenen Arbeiten zeigen auch Entwicklungen und Trends auf: das Chinabild wird zum Spiegel für innerdeutsche Denkweisen und Verhältnisse. Mit Lebenslauf und Verzeichnis der Veröffentlichungen von Ernst Rose.

Jay DeFeo (1929–1989) was part of a vibrant community of avant-garde artists, poets, and musicians in San Francisco during the 1950s and 1960s. Her circle included Wallace Berman, Joan Brown, Bruce Conner, Wally Hedrick, Edward Kienholz, and Michael McClure. Although best known for her monumental painting The Rose (1958–66), DeFeo worked in a wide range of media and produced an astoundingly diverse and compelling body of work over four decades. DeFeo's unconventional approach to materials and her intensive, physical method make her a unique figure in postwar American art.In the first comprehensive monograph on DeFeo, Dana Miller looks at the breadth of the artist's work, her cross-disciplinary practice, broad range of interests and influences, as well as pivotal moments in her career. In addition, Miller dispels misconceptions and assumptions about the artist and also offers new insight into her under-recognized works from the 1970s and 1980s. Greil Marcus explores the significance of titles in DeFeo's work; Michael Duncan considers her approach to her career and the marketplace; Corey Keller looks at DeFeo's photographic oeuvre; and Carol Mancusi-Ungaro examines her materials and processes.The book features new photography, archival images, and a number of previously unpublished works. Also included are a biographical chronology, an extensive bibliography, and an exhibition history.

Jay DeFeo (1929–1989) was part of a vibrant community of avant-garde artists, poets, and musicians in San Francisco during the 1950s and 1960s. Her circle included Wallace Berman, Joan Brown, Bruce Conner, Wally Hedrick, Edward Kienholz, and Michael McClure. Although best known for her monumental painting The Rose (1958–66), DeFeo worked in a wide range of media and produced an astoundingly diverse and compelling body of work over four decades. DeFeo's unconventional approach to materials and her intensive, physical method make her a unique figure in postwar American art.In the first comprehensive monograph on DeFeo, Dana Miller looks at the breadth of the artist's work, her cross-disciplinary practice, broad range of interests and influences, as well as pivotal moments in her career. In addition, Miller dispels misconceptions and assumptions about the artist and also offers new insight into her under-recognized works from the 1970s and 1980s. Greil Marcus explores the significance of titles in DeFeo's work; Michael Duncan considers her approach to her career and the marketplace; Corey Keller looks at DeFeo's photographic oeuvre; and Carol Mancusi-Ungaro examines her materials and processes.The book features new photography, archival images, and a number of previously unpublished works. Also included are a biographical chronology, an extensive bibliography, and an exhibition history.

Funny purposely "wrong" answers given by the stars on The Hollywood Squares tv show. Answers from the likes of Paul Lynde, George Gobel, Carol Channing, Karen Valentine, Joan Rivers, Rose Marie, Mel Brooks and many more.

Winner of the Stone Book Award, Museum of African American HistoryWinner of the Joan Kelly Memorial PrizeWinner of the Littleton-Griswold PrizeWinner of the Mary Nickliss PrizeWinner of the Willie Lee Rose PrizeAmericans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock, but it does not end there. Bound in Wedlock is the first comprehensive history of African American marriage in the nineteenth century. Drawing from plantation records, legal documents, and personal family papers, it reveals the many creative ways enslaved couples found to upend white Christian ideas of marriage.“A remarkable book... Hunter has harvested stories of human resilience from the cruelest of soils... An impeccably crafted testament to the African-Americans whose ingenuity, steadfast love and hard-nosed determination protected black family life under the most trying of circumstances.”―Wall Street Journal“In this brilliantly researched book, Hunter examines the experiences of slave marriages as well as the marriages of free blacks.”―Vibe“A groundbreaking history... Illuminates the complex and flexible character of black intimacy and kinship and the precariousness of marriage in the context of racial and economic inequality. It is a brilliant book.”―Saidiya Hartman, author of Lose Your Mother

When their parents fail to pick them up for winter break, Kat (Kiernan Shipka) and Rose (Lucy Boynton) are the only students left at their all-girls Catholic boarding school in Upstate New York. Somewhere nearby, Joan (Emma Roberts) makes her way to the school with the help of troubled couple Linda (Lauren Holly) and Bill (James Remar). A powerful demonic force will cause the lives of these five people to become forever intertwined in this chilling horror tale directed by Oz Perkins (Anthonys s