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An account of the crimes of Ross Michael Carlson describes how actor Carlson killed his parents in cold blood and then convinced lawyers that he suffered from multiple personality disorder. Reprint.

An account of the crimes of a man with Multiple Personality Disorder describes how Ross Michael Carlson brutally shot his parents and discusses the justice in holding someone responsible for a crime committed by an alternate personality.

In Founding Federalist, Michael C. Toth provides an in-depth look at the life and work of Oliver Ellsworth, a largely forgotten but eminently important Founding Father. The American Founding was the work of visionaries and revolutionaries. But amid the celebrated luminaries, the historic transformations, the heroic acts, and unforgettable discourses were practical politicians, the consensus builders who made the system work. Oliver Ellsworth—Framer, senator, chief justice, diplomat—was such a leader. Founding Federalist brings to life a figure whose contributions shape American political life even today. Vividly capturing the pivotal debates at Philadelphia in the summer of 1787, Toth shows how Ellsworth was a vital force in shaping the Constitution as a Federalist document, one that did not extinguish the role of the states even as it recognized the need for national institutions. The author illuminates what Ellsworth and other Founders understood to be the meaning of the new constitutional order—a topic highly relevant to twenty-first-century debates about the role of government. Toth, an attorney, also brilliantly analyzes Ellsworth’s most important legislative achievement: the creation of the U.S. federal court system. With this insightful new biography, Michael Toth has reclaimed a figure who made crucial contributions to a lasting creation: a federal republic. 

InAmerican political fantasy, the Founding Fathers loom large, at once historicaland mythical figures. In The Traumatic Colonel, Michael J. Drexler andEd White examine the Founders as imaginative fictions, characters in thespecifically literary sense, whose significance emerged from narrative elementsclustered around them. From the revolutionary era through the 1790s, the Founderstook shape as a significant cultural system for thinking about politics, race,and sexuality. Yet after 1800, amid the pressures of the Louisiana Purchase andthe Haitian Revolution, this system could no longer accommodate the deepanxieties about the United States as a slave nation.Drexlerand White assert that the most emblematic of the political tensions of the timeis the figure of Aaron Burr, whose rise and fall were detailed in theliterature of his time: his electoral tie with Thomas Jefferson in 1800,the accusations of seduction, the notorious duel with Alexander Hamilton, hismachinations as the schemer of a breakaway empire, and his spectacular treasontrial. The authors venture a psychoanalytically-informed exploration of post-revolutionaryAmerica to suggest that the figure of “Burr” was fundamentally a displacedfantasy for addressing the Haitian Revolution. Drexler and White expose how thehistorical and literary fictions of the nation’s founding served to repress thelarger issue of the slave system and uncover the Burr myth as the crux of thatrepression. Exploring early American novels, such as the works of CharlesBrockden Brown and Tabitha Gilman Tenney, as well as the pamphlets, polemics,tracts, and biographies of the early republican period, the authors speculatethat this flourishing of political writing illuminates the notorious gap inU.S. literary history between 1800 and 1820.

"The leaders of the American Revolution were not, like the leaders of the French revolution, secularists. They did not set out to erase religion. Quite the opposite." Michael Novak points out in this brilliant book about the birth of the American idea that the very first act of the Continental Congress in September, 1774, was to pray to Divine Providence for insight on how to respond to news of the British bombardment of Boston. In setting a course for republican self-government, the founders not only believed that they were acting reasonably but that they were carrying out God's commandment. As Benjamin Franklin said, "Rebellion against tyrants is obedience to God." Of course there had been religious peoples before in history-including Jews and Christians-who did not see in faith the beacon of civil liberty. Novak points out that the American eagle could not have risen without the empirical turn of mind embodied in John Locke's teaching on the ends of government and the consent of the governed. Yet as he also shows, the founders believed that liberty depended on certain habits of the heart-and that these in turn depended on faith as well as reason. Novak probes the innermost convictions of Washington, Jefferson, Madison and the others who helped the American eagle to take wing. He shows how they were able to find common ground by appealing to the God of the Hebrews. He traces what happened to this "Hebrew metaphysics" as the world of the founders became the world of modernity. In the course of his career, Michael Novak has written several prize-winning books on theology and philosophy. Now, in "On Two Wings," he has written a profound work on American history and on human nature and destiny as well.

This hugely entertaining biography of the founding editor of The New Yorker tells the diverting story of how Ross and the brilliant group of people he gathered around him--including James Thurber, Charles Addams, Dorothy Parker, and John O'Hara--devised the formula that made the magazine such a popular and critical success. Photos & cartoons.

McCorkle crosses over into the Soviet Bloc in search of his friend Michael Padillo, a part-time tavern owner and full-time spy who has disappeared in East Germany

Australian born and bred Michael Guy Chislett is a founding member, lead guitarist and celebrated producer for Christian worship band Hillsong Unit...

Australian born and bred Michael Guy Chislett is a founding member, lead guitarist and celebrated producer for Christian worship band Hillsong Unit...

Icons and Legends spans the career of American photographer Michael Childers, including many photographs that are published for the first time. Childers was one of the founding photographers for Andy Warhol’s magazine Interview; he photographed magazine covers for Elle, Life, and Vogue; and he worked as a special photographer for films and London National Theater productions. Working mostly with black and white film, Childers has captured the icons and legends of popular culture and the art world. His stunning portraits include Natalie Wood, Robert Wagner, Clint Eastwood, Catherine Deneuve, Rock Hudson, and Carol Channing. Several portraits are of special importance because they were taken early in the actors' careers, before they became celebrities: Sissy Spacek, Demi Moore, Mel Gibson, John Travolta, Richard Gere, and Arnold Schwarzenegger. Equally important are portraits of the great film industry legends who helped establish and build the stars' careers, including film directors Billy Wilder and John Schlesinger and costume designer Edith Head. In addition to stars of the film world, Childers has produced portraits of contemporary artists, architects, writers, and musicians. These include a series of photographs of Andy Warhol in his New York studio and Paris apartment, and a series of David Hockney in his Hollywood and London studios. Other portraits include artists Sam Francis, Edward Ruscha, Robert Graham, and Ed Moses; architects Richard Meier and E. Stewart Williams; musicians Ringo Starr, Cat Stevens, Grace Jones, and Rod Stewart; and writers Tennessee Williams, Micky Spillane, and Christopher Rice.

Concert Band - Grade 3 Recorded by Motown luminaries Marvin Gaye and Diana Ross, and most recently by Michael McDonald, this R&B classic sounds...

Recorded by such greats as Marvin Gaye, Diana Ross, and most recently Michael McDonald, this rockin' Motown classic will sound great with your begi...

Young Jazz Ensemble - Grade 3 This motown classic has provided hit material for greats such as Marvin Gaye, Diana Ross, and most recently Michael M...

CLASSIC EARLY HORROR IN THE STYLE OF MR JAMES BY A FRIEND AND COLLEAGUE The haunted house story becomes a real nerve-shredder... ‘Adrian Ross’ was a great name to conjure with in the early years of the 20th century. A founding father of ‘musical comedy’, this celebrated librettist wrote over two thousand lyrics and worked on around sixty popular musicals, including the hugely successful English versions of The Merry Widow and Lilac Time. In his completely different earlier life, under his own name of Arthur R. Ropes, he was a multi-talented Cambridge don, a Senior Fellow at King’s College during the 1880s, alongside M.R. James. He composed two impressive works of supernatural horror fiction – both narrated by Cambridge scholars – which appear here together in one volume for the first time. Ross and James were among the first writers of the late nineteenth century who moved away from the familiar traditional Victorian ghosts to the much stranger world of centuries-old demons, all extremely dangerous and horrifying, defying any clear description. For example, the traditional haunted house tale takes a hideous descent into grave terror here. While the Collected Ghost Stories of M.R. James have been widely available for decades, it is now time for the collected horror fiction of ‘Adrian Ross’ to be available for the present 21st century generation. OTHER RARE, CLASSIC HORROR LITERATURE FROM OLEANDER RANDALLS ROUND by Eleanor Scott (Cut & Paste 9780900891953 to search) TEDIOUS BRIEF TALES OF GRANTA AND GRAMARYE by Ingulphus (Cut & Paste 9780906672860 to search) STONEGROUND GHOST TALES by EG Swain (Cut & Paste 9780906672433 to search)

From the inimitable veteran New Yorker journalist Lillian Ross—a stunning collection of Ross’s iconic New Yorker pieces.A staff writer for The New Yorker since 1945, Lillian Ross is one of the few journalists who worked for both the magazine’s founding editor, Harold Ross, and its current editor, David Remnick. Ross invented the entertainment profile. She was the first person to write journalism in “scenes” as novelists do, and her profiles are full of humor and details that bring her subjects alive on the page. Her style has been studied and imitated by numerous writers. But there is only one Lillian Ross: spirited, funny, factual, and unforgettable. Reporting Always collects a wide range of Lillian Ross’s New Yorker articles and “Talk of the Town” pieces spanning sixty years, bringing readers into Robin Williams’s living room; Harry Winston’s office; the afterschool hangouts of Manhattan private-school children; the hotel rooms of Ernest Hemingway, John Huston, and Charlie Chaplin; onto the tennis court with John McEnroe; and into the lives of many other famous and not-so-famous characters. Ross’s portraits are filled with rich details that reveal her subjects in amusing and perceptive ways. A foreword by David Remnick discusses Ross’s trademark style and her important place in the history of The New Yorker.

CLASSIC EARLY HORROR IN THE STYLE OF MR JAMES BY A FRIEND AND COLLEAGUE The haunted house story becomes a real nerve-shredder... ‘Adrian Ross’ was a great name to conjure with in the early years of the 20th century. A founding father of ‘musical comedy’, this celebrated librettist wrote over two thousand lyrics and worked on around sixty popular musicals, including the hugely successful English versions of The Merry Widow and Lilac Time. In his completely different earlier life, under his own name of Arthur R. Ropes, he was a multi-talented Cambridge don, a Senior Fellow at King’s College during the 1880s, alongside M.R. James. He composed two impressive works of supernatural horror fiction – both narrated by Cambridge scholars – which appear here together in one volume for the first time. Ross and James were among the first writers of the late nineteenth century who moved away from the familiar traditional Victorian ghosts to the much stranger world of centuries-old demons, all extremely dangerous and horrifying, defying any clear description. For example, the traditional haunted house tale takes a hideous descent into grave terror here. While the Collected Ghost Stories of M.R. James have been widely available for decades, it is now time for the collected horror fiction of ‘Adrian Ross’ to be available for the present 21st century generation. OTHER RARE, CLASSIC HORROR LITERATURE FROM OLEANDER RANDALLS ROUND by Eleanor Scott (Cut & Paste 9780900891953 to search) TEDIOUS BRIEF TALES OF GRANTA AND GRAMARYE by Ingulphus (Cut & Paste 9780906672860 to search) STONEGROUND GHOST TALES by EG Swain (Cut & Paste 9780906672433 to search)

East End of Long Island, New York Artists shown in catalogue: Alice Aycock, Lynda Benglis, Ross Bleckner, Barbara Bloom, Trisha Brown, Vija Celmins, John Chamberlain, Chuck Close, Michael Combs, Jessica Craig-Martin, Robert Dash, Rafael Ferrer, Eric Fischl, Connie Fox, Jane Freilicher, Barnaby Furnas, Robert Gober, April Gornik, Michael Halsband, Robert Harms, Mary Heilmann, Tony Just, Ilya and Emilia Kabakov, Bill Komoski, Barbara Kruger, Ibram Lassaw, Donald Lipski, Donald, Moffett, Malcom Morley, Tony Oursler, Jorge Pardo, Elizabeth Peyton, David Salle, Matthew Satz, Arden Scott, Cindy Sherman, Alan Shields, Keith Sonnier, Michelle Stuart, Billy Sullivan, T.J. Wilcox, Sue Williams, Jane Wilson and Joe Zucker. This catalogue was for an exclusive exhibit from May - September, 2004. The cover is a thin hardcover without a jacket. The are sent individually wrapped.

When Michael Ross decided to go backpacking across Europe, he had no inkling that his vacation would lead to a life tracking down the world’s most dangerous terrorists. In Israel, out of money and alone, Ross began working on a Kibbutz—and fell in love with both the country and an Israeli woman. After converting to Judaism, Ross was recruited by the country’s secret service—the Mossad—as an undercover agent. In the years that followed, he played a significant role in capturing al-Qaeda members responsible for the embassy bombings in Kenya and Tanzania, and worked jointly with the FBI and CIA to uncover a senior Hezbollah terrorist living in the United States. His never before revealed story makes an action-packed biography.

THE NEW YORK TIMES BESTSELLER * Winner of the Financial Times & McKinsey Business Book of the Year Award * Bronze Medal, Arthur Ross Book Award (Council on Foreign Relations)Part John le Carrà and more parts Michael Crichton . . . spellbinding. The New Yorker"Written in the hot, propulsive prose of a spy thriller" (The New York Times), the untold story of the cyberweapons market-the most secretive, government-backed market on earth-and a terrifying first look at a new kind of global warfare.Zero day: a software bug that allows a hacker to break into your devices and move around undetected. One of the most coveted tools in a spy's arsenal, a zero day has the power to silently spy on your iPhone, dismantle the safety controls at a chemical plant, alter an election, and shut down the electric grid (just ask Ukraine).For decades, under cover of classification levels and non-disclosure agreements, the United States government became the worlds dominant hoarder of zero days. U.S. government agents paid top dollar-first thousands, and later millions of dollars- to hackers willing to sell their lock-picking code and their silence.Then the United States lost control of its hoard and the market.Now those zero days are in the hands of hostile nations and mercenaries who do not care if your vote goes missing, your clean water is contaminated, or our nuclear plants melt down.Filled with spies, hackers, arms dealers, and a few unsung heroes, written like a thriller and a reference, This Is How They Tell Me the World Ends is an astonishing feat of journalism. Based on years of reporting and hundreds of interviews, The New York Times reporter Nicole Perlroth lifts the curtain on a market in shadow, revealing the urgent threat faced by us all if we cannot bring the global cyber arms race to heel.