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One of Rossini’s finest and most brilliant operas in the semi-serious genre, La gazza ladra (The Thieving Magpie) is based on a true story. A French servant girl was tried and executed for theft, but the real culprit was later discovered to be a magpie. Gherardini’s libretto combines both dramatic and comic elements, and Rossini’s music moves from a light-hearted, pastoral tone to one of deep tragedy and back.            This affordable paperback reprint of Alberto Zedda’s critical edition contains the full orchestral score, together with an abridged introduction and critical notes in Italian and English. 

Unread book in perfect condition.

(LKM Music). The work is based on two of Rossini's most moving dramatic arias and remains one of the most popular virtuosic works for clarinet to this day. This critical edition by celebrated clarinetist Charles Neidich takes a fresh approach to this work, blending the 19th Century bel canto traditions which emphasize the emotional context of the arias in the musical notation with a master's perspective on modern clarinet technique. Detailed annotations and historical background equip the clarinetist with an in-depth musical and technical facility to authentically convey the characteristic elegance and drama of Rossini's style. The edition also includes a new cadenza by Neidich, selected from four of his original cadenzas as the one that best embraces the essence of the original work and aria inspiration.

Rossini's musical wit and zest for comic characterisation have enriched the operatic repertoire immeasurably, and his overtures distil these qualities into works of colourful orchestration, bravura and charm. From his most popular, such as La scala di seta (The Silken Ladder) and La gazza ladra (The Thieving Magpie), to the rarity Matilde of Shabran, the full force of Rossini's dramatic power is revealed in these masterpieces of invention. Each of the four discs in this set has received outstand

Set in medieval Italy, Rossinis rarely performed Adelaide di Borgogna is based on dramatic historical events that led to Otto the Great (Ottone) of Germany conquering the Kingdom of Italy. Despite its political and warlike subject, Adelaide di Borgogna is full of beautiful music, Rossini using lyrical moments to emphasize emotions and express the triable of passionate love and rivalry between Adelaide, Ottone and Adelberto. Adelaide is bel canto in its purest form and was held in high regard by

Rossini: Petite Messe Solennelle (IMPORT) Michel Piquemal - CD 028947606024

(...) the musicians in this recording do a superb job of capturing all these disparate elements of the mass. The chorus is crisp and the soloists strong - especially tenor Roberto Sacci, who gives an expressive, clear-voiced, and assured performance. In fact, all of the singers summon grace when called for, and bravura when needed. - Engineer and producer Andreas Spreer presents the listener with an extremely natural sound. All in all, a distinguished accomplishment. (Stereophile) Although the

Petite Messe Solennelle Ebbe Munk - CD 716043212224

Petite Messe Solennelle Tito Ceccherini - CD 8011570339430

Vinyl LP pressing. Abbados recordings of Rossini Overtures from the early 1970s are among the most sparkling interpretations of these works. Marking the 150th anniversary of Gioachino Rossinis death, DG commemorates Claudio Abbados unforgettable interpretations of the composers music by releasing the recording back on vinyl with original artwork.

Best remembered for such light-hearted works as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious French operas after his move to Paris in 1824 which overwhelmed audiences with their musical power, and responded to the French Restoration. Rather than presenting a traditional account of Rossini's life and works, Benjamin Walton traces instead the shifting patterns of Rossinian criticism from before the composer's arrival in Paris to the end of the 1820s, outlining a type of musical history that uses immersion in a narrow time period as a way to reconceive the relationships between opera and the wider currents of life outside the opera house. In place of the comic Rossini of later memory, this book argues for a composer whose music resonated with the experience of contemporary life, and was integrally bound up in the struggle to define French romanticism at the time.

Best remembered for such light-hearted works as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious French operas after his move to Paris in 1824 which overwhelmed audiences with their musical power, and responded to the French Restoration. Rather than presenting a traditional account of Rossini's life and works, Benjamin Walton traces instead the shifting patterns of Rossinian criticism from before the composer's arrival in Paris to the end of the 1820s, outlining a type of musical history that uses immersion in a narrow time period as a way to reconceive the relationships between opera and the wider currents of life outside the opera house. In place of the comic Rossini of later memory, this book argues for a composer whose music resonated with the experience of contemporary life, and was integrally bound up in the struggle to define French romanticism at the time.

Gioachino Rossini was one of the most influential, as well as one of the most industrious and emotionally complex of the great nineteenth-century composers. Between 1810 and 1829, he wrote 39 operas, a body of work, comic and serious, which transformed Italian opera and radically altered the course of opera in France. His retirement from operatic composition in 1829, at the age of 37, was widely assumed to be the act of a talented but lazy man. In reality, political events and a series of debilitating illnesses were the determining factors. After drafting the Stabat Mater in 1832, Rossini wrote no music of consequence for the best part of twenty-five years, before the clouds lifted and he began composing again in Paris in the late 1850s. During this glorious Indian summer of his career, he wrote 150 songs and solo piano pieces his 'Sins of Old Age' and his final masterpiece, the Petite Messe solennelle. The image of Rossini as a gifted but feckless amateur-the witty, high-spirited bon vivant who dashed off The Barber of Seville in a mere thirteen days-persisted down the years, until the centenary of his death in 1968 inaugurated a process of re-evaluation by scholars, performers, and writers. The original 1985 edition of Richard Osborne's pioneering and widely acclaimed Rossini redefined the life and provided detailed analyses of the complete Rossini oeuvre. Twenty years on, all Rossini's operas have been staged and recorded, a Critical Edition of his works is well advanced, and a scholarly edition of his correspondence, including 250 previously unknown letters from Rossini to his parents, is in progress. Drawing on these past two decades of scholarship and performance, this new edition of Rossini provides the most detailed portrait we have yet had of one of the worlds best-loved and most enigmatic composers.

Rossini: La Gazzetta Rossini, Gioachino / Marabelli / Rocha - DVD 8007144377427

2018 marks 250 years since Gioachino Rossini's death in 1868. Messa per Rossini was composed in his memory by Verdi and 12 other notable Italian composers. Verdi himself composed the concluding Libera me, which he later used in his own Messa da Requiem. Conducted by Riccardo Chailly, this rare performance represents the work's triumphant return to the spiritual home of Verdi and Rossini: the Teatro alla Scala in Milan.

A requiem for Gioachino Rossini composed by 13 Italian composers in 1869. Verdi's noble plan required each of the chosen composers to contribute a movement free of charge. It was then to be performed on the anniversary of Rossini's death in the church of San Petronio in Bologna, generally deemed to be Rossini's musical home.

The Petite messe solennelle, Gioachino Rossini's last composition, which has been elevated to the rank of a kind of Last Work and Testament, is pre...

This Title Comes In Quantities Of Five (5) Copies(1 Order=5 Copies) The William Tell Overture Composer: Gioachino Rossini Gioachino Rossini...

Petite Messe Solennelle Rossini Critical Edition Series III, Vol. 4 Publisher: Ricordi Category: Band/Orchestra/Ensemble Series: CRITICAL EDIT...

Composer: Gioacchino Rossini Petite Messe Solennelle Publisher: Eulenburg Category: Band/Orchestra/Ensemble Series: Study Score Format: Soft...