32 products were found matching your search for Sacco Joe Paying the in 3 shops:

As the son of WW II-era parents, journalist Joe Sacco was heavily affected by the plight of people around the world forced from their homes while under foreign occupation. His Palestine series of comic books won the National Book Award in 1996, and his Safe-Area Gorazde and The Fixer have earned him a unique place in the world of comics and graphic novels. This book is an intriguing look at a popular writer and includes numerous examples of his color and black-and-white illustrations.

Named a Notable Scholarly Publication of 2015 by the Comics Studies SocietyContributions by Georgiana Banita, Lan Dong, Ann D'Orazio, Kevin C. Dunn, Alexander Dunst, Jared Gardner, Edward C. Holland, Isabel Macdonald, Brigid Maher, Ben Owen, Rebecca Scherr, Maureen Shay, Marc Singer, Richard Todd Stafford, and Øyvind VågnesThe Comics of Joe Sacco addresses the range of his award-winning work, from his early comics stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), to Footnotes in Gaza (2009) and his most recent book The Great War (2013), a graphic history of World War I.First in the series, Critical Approaches to Comics Artists, this edited volume explores Sacco's comics journalism and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco's work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today.Sections focus on how Sacco's comics journalism critiques and employs the standard of objectivity in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important--and necessary--comics today, by one of the most acclaimed journalist-artists of our time.

As the son of WW II-era parents, journalist Joe Sacco was heavily affected by the plight of people around the world forced from their homes while under foreign occupation. His Palestine series of comic books won the National Book Award in 1996, and his Safe-Area Gorazde and The Fixer have earned him a unique place in the world of comics and graphic novels. This book is an intriguing look at a popular writer and includes numerous examples of his color and black-and-white illustrations.

Named a Notable Scholarly Publication of 2015 by the Comics Studies SocietyContributions by Georgiana Banita, Lan Dong, Ann D'Orazio, Kevin C. Dunn, Alexander Dunst, Jared Gardner, Edward C. Holland, Isabel Macdonald, Brigid Maher, Ben Owen, Rebecca Scherr, Maureen Shay, Marc Singer, Richard Todd Stafford, and Øyvind VågnesThe Comics of Joe Sacco addresses the range of his award-winning work, from his early comics stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), to Footnotes in Gaza (2009) and his most recent book The Great War (2013), a graphic history of World War I.First in the series, Critical Approaches to Comics Artists, this edited volume explores Sacco's comics journalism and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco's work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today.Sections focus on how Sacco's comics journalism critiques and employs the standard of objectivity in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important--and necessary--comics today, by one of the most acclaimed journalist-artists of our time.

Paying homage to the great jazz vocalist Joe Williams and recorded by Barbara Morrison on her tribute CD Thinking of You, Joe, here is an adaptatio...

“If you have spent a long time resisting the status quo—whether it’s in art, society, or the political world—what happens when that status quo at last gives way? A universe of possibility opens up.” —Alison Bechdel, from the Introduction Featuring: Gabrielle Bell, Joe Sacco, Dash Shaw, Sabrina Jones, Chris Ware, Jillian Tamaki, Jaime Hernandez, Jeff Smith, Paul Pope, Kevin Huizenga, and others

By Joe Sacco. Quoted at the top of the front cover: "...one of the most profound and compelling treatments of the Middle East...opens a brilliant window on both sides of the tangled crisis."--from the Washington Post, circa 1994.

A collection of comic book journalist Joe Sacco's best shorter pieces. Before Joe Sacco crafted his two major works of "cartoon journalism," Palestine and Safe Area Gorazde, he created a number of shorter pieces, ranging from one-page gags to 30-page "graphic novelettes." This massive book finally collects the entirety of Sacco's earlier journalistic and autobiographical work, plus a sizable serving of his satirical strips, many of them never before collected in book form. The centerpieces in Notes from a Defeatist are a triptych of war stories: "When Good Bombs Happen to Bad People," a history of aerial bombing that specifically targets civilian populations; "More Women, More Children, More Quickly," in which Sacco relates his mother's harrowing experiences during World War II in Malta; and, most personally (and closest to Sacco's later work), "How I Loved the War," Sacco's impassioned but sardonic reflection on the Gulf War, the surrounding propaganda and media circus, and his own ambivalent feelings as both a spectator and commentator: The book derives its title from this sequence, which has acquired a painful new relevance in the past half-year. Notes from a Defeatist also includes a roadie's-eye view of an American punk band's eventful European tour, a reminiscence of an awful season spent in his native Malta, and much more. Notes from a Defeatist is a fantastic primer to Sacco's work. Sacco's previous two books, Safe Area Gorazde and Palestine, have earned international acclaim and accolades from such sources as Edward W. Said, Christopher Hitchens, Time, The New York Times Book Review, and The Washington Post. Black-and-white comics throughout

'This is how an artist resists.' Joe Sacco Palestine in Black and White is an intimate and powerful portrayal of life under occupation from one of the most talented cartoonists working today. Mohammad Sabaaneh has gained worldwide renown for his black and white sketches. His stark geometric figures and landscapes are rich with Palestinian visual traditions and symbols, while his haunting figures depict a vivid perspective of the occupation. This first collection brings together one hundred of Sabaaneh's most striking works, including cartoons that portray the experience of Palestinian prisoners, drawn while Sabaaneh himself was detained in an Israeli prison. The drawings do not flinch from revealing the reality that confronts Palestinians, from Israel's injustices in the West Bank to their military operations on Gaza.

Joe Sacco’s best-selling follow-up to Palestine is now available in a special edition, at a special price. In the wake of his acclaimed Palestine, Joe Sacco spent four months in Bosnia in 1995-1996, immersing himself in the human side of life during wartime, researching stories rarely found in conventional news coverage. The book focuses on the Muslim enclave of Gorazde, which was besieged by Bosnian Serbs during the war; Sacco spent four weeks in Gorazde, entering before the Muslims trapped inside had access to the outside world, electricity or running water. Released in 2000, Safe Area Gorazde confirmed Sacco as one of the preeminent journalists of his time, and earned him a 2001 Guggenheim Fellowship. Now for its 10th anniversary, Fantagraphics is releasing an expanded hardcover edition which, much like 2007’s Palestine: The Special Edition, supplements the original work with page after page of related drawings, on-site sketches, photographs, and transcripts from Sacco’s notes. Black & white illustrations throughout with 8 pages of color

With illustrations by award-winning comic artist Joe Sacco, Chris Hedges portrays a suffering nation on the cusp of widespread revolt and addresses Occupy Wall Street in his first book since the international protests began.  In the tradition of Let Us Now Praise Famous Men, Hedges and Sacco travel to the depressed pockets of the United States to report on recession-era America. What they find in Camden, New Jersey, the devastated coalmines of West Virginia, on the Lakota reservation in South Dakota, and in undocumented farmworker colonies in California is a thriving neofeudalism. With extraordinary on-the-ground reportage and illustration, Days of Destruction, Days of Revolt provides a terrifying glimpse of a future for America and the nations that follow her lead--a future that will be avoided with nothing short of revolution. 

Two years ago, Pulitzer Prize winner Chris Hedges and award-winning cartoonist and journalist Joe Sacco set out to take a look at the sacrifice zones, those areas in America that have been offered up for exploitation in the name of profit, progress, and technological advancement. They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the searing account of their travels.The book starts in the western plains, where Native Americans were sacrificed in the giddy race for land and empire. It moves to the old manufacturing centers and coal fields that fueled the industrial revolution, but now lie depleted and in decay. It follows the steady downward spiral of American labor into the nation's produce fields and ends in Zuccotti Park where a new generation revolts against a corporate state that has handed to the young an economic, political, cultural and environmental catastrophe.

In his remarkable new book Joe Sacco returns to Bosnia, the setting for his first masterpiece, Safe Area Gorazde. In 2001 he went back to Sarajevo to meet up with his old 'fixer', an army veteran called Neven who, for the right price, could arrange anything for the visiting journalist. Sacco gradually realized that Neven's own story - a microcosm of the Balkan conflict itself - might be the most compelling of all. Through Neven, Sacco tells the story of the warlords and gangsters who ran the country during the war, but all the time he - and the reader - never know whether Neven is telling the truth.

Before Joe Sacco crafted his two major works of 'cartoon journalism', "Palestine" and "Safe Area Gorazde", he created a number of shorter pieces, ranging from one-page gags to thirty-page 'graphic novelettes'. This book finally collects the entirety of Sacco's earlier journalistic and autobiographical work, plus a sizeable serving of his satirical strips, many of them never before collected in book form. The centrepieces in "Notes from a Defeatist" are a triptych of war stories: "When Good Bombs Happen to Bad People", a history of aerial bombing that specifically targets civilian populations; "More Women, More Children, More Quickly", in which Sacco relates his mother's harrowing experiences during World War II in Malta; and, most personally (and closest to Sacco's later work), "How I Loved the War", Sacco's impassioned but sardonic reflection on the GulfWar, the surrounding propaganda and media circus, and his own ambivalent feelings as both a spectator and commentator. "Notes from a Defeatist" also includes a roadie's-eye view of an American punk band's eventful European tour, a reminiscence of an awful season spent in his native Malta, and much more.

In late 1991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes. Upon returning to the United States, he started writing and drawing Palestine, which combines the techniques of eyewitness reportage with the medium of comic-book storytelling to explore this complex, emotionally weighty situation. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour. The nine-issue comics series won a 1996 American Book Award. It is now published for the first time in one volume, befitting its status as one of the great classics of graphic non-fiction.

When bombs are falling and western journalism is the only game left in town "fixers" are the people who sell war correspondents the human tragedy and moral outrage that makes news editors happy.It's dangerous, a little amoral and a lot desperate.Award-winning comix-journalist Joe Sacco goes behind the scene of war correspondence to reveal the anatomy of the big scoop. He begins by returning us to the dying days of Balkan conflict and introduces us to his own fixer; a man looking to squeeze the last bit of profit from Bosnia before the reconstruction begins. Thanks to a complex relationship with the fixer Joe discovers the crimes of opportunistic warlords and gangsters who run the countryside in times of war. But the west is interested in a different spin on the stories coming out of Bosnia. Almost ten years later, Joe meets up with his fixer and sees how the new Bosnian government has "dealt" with these criminals and Joe ponders who is holding the reins of power these days...

"The images Sacco draws are so powerful that they burn deep into your retina and reconfigure how you see the world... Journalism displays Sacco at the top of his game."―National Post (Toronto)Over the past decade, Joe Sacco has increasingly turned to short-form comics journalism to report from conflict zones around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today. Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India's "untouchables" to the ordeal of Saharan refugees washed up on the shores of Malta. And in pieces never published before in the United States, Sacco confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history―the torture of detainees.Vividly depicting Sacco's own interactions with the people he meets, the stories in this remarkable collection argue for the essential truth in comics reportage, an inevitably subjective journalistic endeavor. Among Sacco's most mature and accomplished work, Journalism demonstrates the power of our premier cartoonist to chronicle lived experience with a force that often eludes other media.

Paperback. A collection of all-new satirical short fictional comics by the great Joe SaccoJoe Sacco is renowned for his non-fiction books of comics journalism like Palestine, Safe Area Gorazde and Footnotes in Gaza. Now in Bumf he returns to his early days as a satirist and underground cartoonist. In the vein of the old underground comix like ZAP or Weirdo, Bumf will be puerile, disgusting, and beyond redemption. It will go where it wants to go, and do what it wants to do. It will also be very funny. Joe Sacco is renowned for his non-fiction books of comics journalism like Palestine, Safe Area Gorazde and Footnotes in Gaza. In the vein of the old underground comix like ZAP or Weirdo, Bumf will be puerile, disgusting, and beyond redemption. It will go where it wants to go, and do what it wants to do. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

When bombs are falling and western journalism is the only game left in town "fixers" are the people who sell war correspondents the human tragedy and moral outrage that makes news editors happy.It's dangerous, a little amoral and a lot desperate.Award-winning comix-journalist Joe Sacco goes behind the scene of war correspondence to reveal the anatomy of the big scoop. He begins by returning us to the dying days of Balkan conflict and introduces us to his own fixer; a man looking to squeeze the last bit of profit from Bosnia before the reconstruction begins. Thanks to a complex relationship with the fixer Joe discovers the crimes of opportunistic warlords and gangsters who run the countryside in times of war. But the west is interested in a different spin on the stories coming out of Bosnia. Almost ten years later, Joe meets up with his fixer and sees how the new Bosnian government has "dealt" with these criminals and Joe ponders who is holding the reins of power these days...

Follow award-winning cartoon journalist Joe Sacco on one of the most dangerous beats of all: rock 'n' roll! The centerpiece of the book is an expanded version of "In the Company of Long Hair," the early '90s graphic novelette Sacco created on the subject of his raucous European tour with the punk band, the Miracle Workers. "Long Hair" appears here for the first time in an expanded version with an added 15-page section of his original sketches and notes from the time, and a bound-in CD featuring an excerpt from the Miracle Workers' live shows - including a blasting version of the Iggy Pop classic, "I Got a Right." As for the rest of the book: Sacco turns his pitiless pen on all strata of Rock 'n' Roll, from old rockers (two stories on the Rolling Stones) to new; from salacious gossip to how-to ("Woodstock in your Own Home"); from portraits of typical rock creatures ("Record Producer," "The Musician Who Wanted to Save the World," "The Rock Journalist") to self-deprecating autobiographical stories.