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Book by Ninian, and Richard D. Hecht (editors) S

The Japanese have long sought inspiration and legitimacy from the written record of their ancient past. The shaping of bygone eras to contemporary agendas began at least by the early eighth century, when the first court histories, namely the Kojiki and the Nihon shoki, were compiled.Since the late nineteenth century, historians have extensively mined these texts and other written evidence and by the late 1970s had nearly exhausted their meager sources. Fortunately for all those interested in uncovering the origins of Japanese civilization, archaeologists have been hard at work. Today, thanks to this postwar "archaeology boom," Japan historians have never been closer to recreating the lives of prehistoric peasants, ancient princes, and medieval samurai. Sacred Texts and Buried Treasures offers substantial new insights into early Japanese history (A.D. 100-800) through an integrated discussion of historical texts and archaeological artifacts. It contends that the rich archaeological discoveries of the past few decades permit scholars to develop far more satisfactory interpretations of ancient Japan than was possible when they were heavily dependent on written sources.

These 14 papers present a varied exploration of the ways in which the Hebrew Biblie has influenced the modern world, and the ways in which the modern world has influenced how we read and interpret Sacred Writ.

A perennial best-seller, this collection of readings remains a favorite of teachers of world religions for its impartial tone and its balance of major contemporary religious traditions with primitive, ancient, and esoteric religions.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.56

Sacred Texts: Confessions of St Augustine

Embroidery and Sacred Text introduces nineteen new designs in Judaic and Biblical embroidery, in stunning photographs of Rachel Braun's original and colorful needlework. The author has embellished sacred texts from liturgy, piyyut (prayerful poetry) and Bible in creating her designs, in embroidery canvasses stitched in 'blackwork' embroidery technique. Erudite and insightful commentary accompanying each piece adds a spiritual dimension for appreciating the designs and for understanding the associations of sacred text and art. In addition, Rachel shares forty embroidery motifs for fellow needle artists to incorporate in their own projects, along with ten new embroidery alphabets for Hebrew and English lettering. A chapter explaining the mathematical considerations in embroidery design provides clear, accessible explanations of how geometric and algebraic factors underlie the shape of the embroidery patterns.

Explores such Jewish sacred texts as the Hebrew Bible, the Talmud, the Midrash, and medieval Jewish literature; discusses responsa and the prayer book; and features learning activities throughout.

Book is in NEW condition. 1.17

This anthology brings together over a dozen articles published by David Nimmer over the past decade regarding copyright, together with updated commentary weaving together the various threads running through them. The unifying theme running through the work is the need to reconcile standards in order to protect that most ethereal creation of mankind: the written word. From that unique vantage point the discussion delves into the religious roots and sacred character of the act of creation. Religion and copyright are brought into resonance as issues from one field are deployed to illuminate those in the other. Given its culminating focus on the Digital Millennium Copyright Act this work of necessity drills deeply into current advances in technology, notably the dissemination of works over the internet. The religious perspective shines an unexpected light onto those issues as well.

All the human senses become engaged in ritualizing sacred texts. These essays focus especially on ritualizing the iconic dimension of texts through the senses of sight, touch, kiss, and taste, both directly and in the imagination. Ritualized display of books engages the sense of sight very differently than does reading. Touching gets associated with reading scriptures, but touching also enables using the scripture as an amulet. Eating and consuming texts is a ubiquitous analogy for internalizing the contents of texts by reading and memorization. The idea of textual consumption reflects a widespread tendency to equate humans and written texts by their interiority and exteriority: books and people both have material bodies, yet both seem to contain immaterial ideas. Books thus physically incarnate cultural and religious values, doctrines, beliefs, and ideas. These essays bring theories of comparative scriptures and affect theory to bear on the topic as well as rich ethnographic descriptions of scriptural practices with Jewish, Sikh, Muslim, Christian, Buddhist and modern art and historical accounts of changing practices with sacred texts in ancient and medieval China and Korea, and in ancient Middle Eastern and Mediterranean cultures.

All the human senses become engaged in ritualizing sacred texts. These essays focus especially on ritualizing the iconic dimension of texts through the senses of sight, touch, kiss, and taste, both directly and in the imagination. Ritualized display of books engages the sense of sight very differently than does reading. Touching gets associated with reading scriptures, but touching also enables using the scripture as an amulet. Eating and consuming texts is a ubiquitous analogy for internalizing the contents of texts by reading and memorization. The idea of textual consumption reflects a widespread tendency to equate humans and written texts by their interiority and exteriority: books and people both have material bodies, yet both seem to contain immaterial ideas. Books thus physically incarnate cultural and religious values, doctrines, beliefs, and ideas. These essays bring theories of comparative scriptures and affect theory to bear on the topic as well as rich ethnographic descriptions of scriptural practices with Jewish, Sikh, Muslim, Christian, Buddhist and modern art and historical accounts of changing practices with sacred texts in ancient and medieval China and Korea, and in ancient Middle Eastern and Mediterranean cultures.

Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.68

This now standard text offers engaging readings from a wide variety of sources by and about women. Designed for women's studies and religion courses everywhere.

This anthology brings together over a dozen articles published by David Nimmer over the past decade regarding copyright, together with updated commentary weaving together the various threads running through them. The unifying theme running through the work is the need to reconcile standards in order to protect that most ethereal creation of mankind: the written word. From that unique vantage point the discussion delves into the religious roots and sacred character of the act of creation. Religion and copyright are brought into resonance as issues from one field are deployed to illuminate those in the other. Given its culminating focus on the Digital Millennium Copyright Act this work of necessity drills deeply into current advances in technology, notably the dissemination of works over the internet. The religious perspective shines an unexpected light onto those issues as well.

A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns.

This groundbreaking introductory textbook explores the emergence and development of the Bible, placing it in the broader context of world history. It particularly focuses on the role of a number of empires in the formation of the Biblical canon. Explores the historical role the Bible has played in subsequent empires, and its enduring influence in the contemporary world, resulting in a balanced overview of the historical forces that shaped the canon Explores topics including: the formation of the Pentateuch, the development of the earliest Old Testament stories, the historical study of the Gospel traditions surrounding Jesus; the influence of Roman rule in the provinces where Paul spent much of his ministry; and the interpretation of the Biblical texts and their use by different faith communities Incorporates numerous student-friendly features throughout, including study questions, review sections, bibliographies, timelines, and illustrations and photos

In "GodStories", H. Stephen Shoemaker uses the rabbinic way of storytelling to represent biblical narratives both ancient and modern. Multiple meanings emerge as readers wrestle with these ancient texts, which are terrible and wonderful in their exploration of the human condition. The author captures biblical stories and characters in a set of interpretive essays that span the Bible from Genesis to Revelation.

An internationally respected biblical scholar investigates the origins of the Christian canon. John Barton explores the reasons behind the development of the New Testament and pursues the historical factors involved in combining these books with the Hebrew Scriptures.

A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns.