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Zikr-i-Mir is a rare autobiographical narrative, originally in Persian, written by Muhammad Taqui Mir, considered by many to be the pre-eminent ghazal poet in Urdu.

A fantastic adventure story, based loosely on the exploits of Hamza, an uncle of the prophet Muhammad, who travelled throughout the world spreading the doctrines of Islam, The Adventure of Hamza--also known as Hamzanama--tells of encounters with giants, demons and dragons; of abductions and hair-raising chases; and of believers, as well as those who resisted the truth. The excitement of these ancient tales was best captured in public recitations at coffeehouses from Iran to northern India. Each oration was given a particular flavor by the storyteller, who departed freely from the written text, which itself varies in composition and structure from manuscript to manuscript. An illustrated version of the Hamzanama was commissioned early in the reign of the Mughal Emperor Akbar, in the second half of the sixteenth century, by the teenage emperor himself. Consisting of 1400 paintings of an unusually large format, it was one of the earliest products of the royal Mughal painting atelier, and perhaps the most ambitious. The enormous size of the illustrations, which are nearly two feet high each, can be explained by their role in complementing the recitations; their sometimes broad and animated style conveys the vigor of the tales. Just over a tenth of the 1400 paintings from Akbar's commission survive today, and this publication of The Adventures of Hamza brings together 60 of the greatest of these works from collections all over the world, and places them alongside new translations of the related text passages.

Language: English. About The Book :Aurangzeb was last illustrious king of Mughal Empire. The Mughal Emperors who succeeded him were known as later Mughal. Aurangzeb died of 1707 AD and he was succeeded by his son prince Muazzam who sat of the throne with the Title Bahadur Shah-1. Muhammad Shah, Chabela Ram revolts, Md. Amin Khan, Husain Ali murdered by Haidar Beg, Abdullah crowns Prince Ibrahim at Dihli, Dihli plundered, Muhammad Shah's Reign 1720-1725, Mahrattas in Gujarat, Sarbuland Khan enterd Ahmadabad, Bahora rising, Sarbuland leaves Gujarat, Bundelkhand and Malwa, Nizam invited hy Emperor, Slaughter of the Mughal aristocracy in civil wars, Dihli Government, Afghanistan, Punjab, Nadir conqucis Afghanistan, Nadir Shah's invasion of India, Nadir imprisons Emperor and nobles, Nadir in Dihli : His Return. About The Author : William Irvine (1840 1911) was an administrator of the Indian Civil Service and historian, known for works on the Moghul Empire. He was in British India from 1863 to 1889. Leaving a private school before he was 15, he served a short apprenticeship to business, and after spending some years as a clerk in the admiralty passed for the Indian Civil Service. He landed in Calcutta late in 1863, and was posted to the North-Western Provinces. He served there as a Magistrate and Collector until he retired and left India in 1889. He was employed for eight years in revising the rent and revenue settlement records of the Ghazipur district. The Title 'Later Mughals (1719-1739) written/authored/edited by William Irvine', published in the year 2022. The ISBN 9788121265201 is assigned to the Paperback version of this title. This book has total of pp. 406 (Pages). The publisher of this title is Gyan Publishing House. This Book is in English. The subject of this book is History. Size of the book is 13.34 x 21.59 cms Vol: 2nd 406

A fantastic adventure story, based loosely on the exploits of Hamza, an uncle of the prophet Muhammad, who travelled throughout the world spreading the doctrines of Islam, The Adventure of Hamza--also known as Hamzanama--tells of encounters with giants, demons and dragons; of abductions and hair-raising chases; and of believers, as well as those who resisted the truth. The excitement of these ancient tales was best captured in public recitations at coffeehouses from Iran to northern India. Each oration was given a particular flavor by the storyteller, who departed freely from the written text, which itself varies in composition and structure from manuscript to manuscript. An illustrated version of the Hamzanama was commissioned early in the reign of the Mughal Emperor Akbar, in the second half of the sixteenth century, by the teenage emperor himself. Consisting of 1400 paintings of an unusually large format, it was one of the earliest products of the royal Mughal painting atelier, and perhaps the most ambitious. The enormous size of the illustrations, which are nearly two feet high each, can be explained by their role in complementing the recitations; their sometimes broad and animated style conveys the vigor of the tales. Just over a tenth of the 1400 paintings from Akbar's commission survive today, and this publication of The Adventures of Hamza brings together 60 of the greatest of these works from collections all over the world, and places them alongside new translations of the related text passages.

Imam Muhammad Masoom Faruqi was the successor and third son of Mujaddid Alf Thani Shaykh Ahmed Sirhindi, the reformer of the eleventh century of Islamic calendar. The great Mughal Emperor Aurangzeb Alamgir was his disciple and khalifa. Many rulers of the middle east were his disciples. His direct disciples are approximated to be more than nine hundred thousand, with seven thousand earning the status of a khalifa. Maktubat (letters) of Imam Muhammad Masoom Faruqi are considered a source of great spiritual knowledge and an exegesis of his father's letters. Compiled in three volumes originally in Persian, this book contains excerpts from over fifty letters translated into English by various authors. Translations have been edited to use the standard transliterations of the terms. Original terminology has been preserved and a glossary of terms is also provided. A short biography of the Imam is also included.

Baburnama (Memoirs of Babur) contains the memoirs of Zahir-ud-Din Muhammad Babur (14831530), the founder of the Mughal Empire in India and a great-great-great-grandson of Timur. It is an autobiographical work, written in Turki, the spoken language of the Andijan-Timurids. The prose, though highly Persianized in its sentence structure, morphology and vocabulary, makes an interesting read. It is a widely translated work and is part of textbooks in over 25 countries, mostly in Central, Western, and Southern Asia. It was first translated by John Leyden and William Erskine, and later by the British orientalist scholar, Annette Susannah Beveridge (1842-1929). The book (in two volumes) describes Babur's fluctuating fortunes as a minor ruler in Central Asia, in which he took and lost Samarkand twice, and his move to Kabul in 1504. There is a break in the manuscript for 12 years starting from 1508. By 1519, Babur was established in Kabul and from there he launched an invasion into Northwestern India. The final section of the book covers the years 1525 to 1529 and the establishment of the Mughal empire in India, where Babur's descendants ruled for three centuries.

The great-great-great grandson of Tamerlane, the great Mongol ruler of Samarkand who defeated the Ottomans in 1402, Zahiruddin Muhammad Babur Mirza (1483-1530)--better known as Babur Padisha--was the last Timurid of Central Asia and the first Mughal Emperor of India. In the Baburnama, Babur, a descendant of Genghis Khan and a refined, educated, and well-travelled prince, left behind an unparalled memoir of his life and times--the central document most often quoted by historians and scholars of Mughal India. Now, Wheeler M. Thackston, Jr., has provided a sparkling new translation of this intimate and truthful record in an exquisitely illustrated and produced edition that faithfully preserves the spirit and beauty of the original work. Translated directly from Babur's Chaghatay Turkish, here is not only an extraordinarily detailed picture of life in Central Asia and India during the late fifteenth and early sixteenth centuries, but also the first real autobiography in Islamic literature, in which Babur provides keen insights into his own personality, frank assessments of the deeds and motivations of the people with whom he dealt, and keys to understanding the rise and development of Islamic culture. Readers will note, for example, that the interests Babur so eloquently expresses in his memoirs--his profound curiousity about the natural world and human personalities--also defined the directions that the artists of his time were to follow. This engrossing account is made all the more valuable by its rarity: to have a ruler's perspective on the events to which he is central is extremely unusual in the medieval Islamic world, particularly in an age like Babur's, which saw violent and major dynastic changes throughout Iran, Central Asia, and the Indian subcontinent. An insightful look into a particularly stimulating period in the world's history, Baburnama will garner accolades from historians, students and scholars of the Islamic world, and anyone who loves a good story.

The great-great-great grandson of Tamerlane, the great Mongol ruler of Samarkand who defeated the Ottomans in 1402, Zahiruddin Muhammad Babur Mirza (1483-1530)--better known as Babur Padisha--was the last Timurid of Central Asia and the first Mughal Emperor of India. In the Baburnama, Babur, a descendant of Genghis Khan and a refined, educated, and well-travelled prince, left behind an unparalled memoir of his life and times--the central document most often quoted by historians and scholars of Mughal India. Now, Wheeler M. Thackston, Jr., has provided a sparkling new translation of this intimate and truthful record in an exquisitely illustrated and produced edition that faithfully preserves the spirit and beauty of the original work. Translated directly from Babur's Chaghatay Turkish, here is not only an extraordinarily detailed picture of life in Central Asia and India during the late fifteenth and early sixteenth centuries, but also the first real autobiography in Islamic literature, in which Babur provides keen insights into his own personality, frank assessments of the deeds and motivations of the people with whom he dealt, and keys to understanding the rise and development of Islamic culture. Readers will note, for example, that the interests Babur so eloquently expresses in his memoirs--his profound curiousity about the natural world and human personalities--also defined the directions that the artists of his time were to follow. This engrossing account is made all the more valuable by its rarity: to have a ruler's perspective on the events to which he is central is extremely unusual in the medieval Islamic world, particularly in an age like Babur's, which saw violent and major dynastic changes throughout Iran, Central Asia, and the Indian subcontinent. An insightful look into a particularly stimulating period in the world's history, Baburnama will garner accolades from historians, students and scholars of the Islamic world, and anyone who loves a good story.

Karkhanas were first established in the fourteenth century as art and artisan collectives to produce textiles, weaponry and other objects for South Asian sultanates, particularly of the Mughal empire. This current project, initiated and organized by Pakistani painter Muhammad Imran Qureshi, was inspired by the cooperative nature of miniature painting in those courts. The collaboration began in 2003, when Qureshi, along with five other Pakistani painters Aisha Khalid, Hasnat Mahmood, Nusra Latif Qureshi, Talha Rathore and Saira Wasim began work on 12 paintings. Each artist initiated two pieces on wasli (rag paper), and then sent the paintings by courier in succession to the other five artists in the group, each of whom applied a layer of imagery, marks, or other processes. The series of 12 miniatures that resulted represent a remarkable experiment in avant-garde collaboration. Solo works by the six artists provide comparisons between individual and collective efforts.

Among the magnificent gems and jewels left behind by the great Islamic empires, emeralds stand out for their size and prominence. For the Mughals, Ottomans, and Safavids green was—as it remains for all Muslims—the color of Paradise, reserved for the Prophet Muhammad and his descendants. Tapping a wide range of sources, Kris Lane traces the complex web of global trading networks that funneled emeralds from backland South America to populous Asian capitals between the sixteenth and the eighteenth centuries. Lane reveals the bloody conquest wars and forced labor regimes that accompanied their production. It is a story of trade, but also of transformations—how members of profoundly different societies at opposite ends of the globe assigned value to a few thousand pounds of imperfectly shiny green rocks.

Among the magnificent gems and jewels left behind by the great Islamic empires, emeralds stand out for their size and prominence. For the Mughals, Ottomans, and Safavids green was—as it remains for all Muslims—the color of Paradise, reserved for the Prophet Muhammad and his descendants. Tapping a wide range of sources, Kris Lane traces the complex web of global trading networks that funneled emeralds from backland South America to populous Asian capitals between the sixteenth and the eighteenth centuries. Lane reveals the bloody conquest wars and forced labor regimes that accompanied their production. It is a story of trade, but also of transformations—how members of profoundly different societies at opposite ends of the globe assigned value to a few thousand pounds of imperfectly shiny green rocks.