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Salvator Rosa was one of the boldest and most powerfully inventive artists and personalities of the Italian 17th century. In Britain he is now best known for his wild landscapes, those scenes of which Horace Walpole so memorably wrote: “Precipices, mountains, torrents, wolves, rumblings – Salvator Rosa”. But Rosa was far more than this. He invented a range of new types of painting – novel allegorical pictures, distinguished by a haunting and melancholy poetry; fanciful portraits of romantic and enigmatic figures; macabre and horrific subjects, which give expression to the dark side of 17th-century triumphalism; highly original philosophical subjects, which bring into painting some of the major philosophical and scientific concerns of the age. His mature art is characterized by his dazzlingly free technique, rich chiaroscuro and dark but strong colors. No other artist has created windswept landscapes of such expressive and emotional power, or figures of such brooding intensity.

One of the great landscape and history painters of the seventeenth century, Salvator Rosa was also a talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. This elegantly written biography tells the story of Rosa`s creative life, art, and times; his wayward temperament; his furious insistence on the independence of the artist; and his influence on the art and literature of later centuries.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.28

Salvator, suite et fin des Mohicans de Paris; [suivi de] Monseigneur Gaston Phoebus / par Alexandre DumasDate de l'edition originale: 1863Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Oehms Classics presents a rarely performed work by the Brazilian composer Antonio Carlos Gomes in co-production with NDR Kultur and the Braunschweig State Theatre. Gomes' music is influenced by Brazil, but it's atmosphere is reminiscent of Verdi's "Simon Boccanegra" in many respects, captivating listeners at the start with extraordinarily effective pieces. This production is the recording of the German premiere at the Braunschweig State Theatre in January 2010.

Salvator Rosa Maurizio Benini - CD 8007144604721

Salvator, suite et fin des Mohicans de Paris; [suivi de] Monseigneur Gaston Phoebus / par Alexandre DumasDate de l'edition originale: 1863Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

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Salvator Rosa was one of the boldest and most powerfully inventive artists and personalities of the Italian 17th century. In Britain he is now best known for his wild landscapes, those scenes of which Horace Walpole so memorably wrote: “Precipices, mountains, torrents, wolves, rumblings – Salvator Rosa”. But Rosa was far more than this. He invented a range of new types of painting – novel allegorical pictures, distinguished by a haunting and melancholy poetry; fanciful portraits of romantic and enigmatic figures; macabre and horrific subjects, which give expression to the dark side of 17th-century triumphalism; highly original philosophical subjects, which bring into painting some of the major philosophical and scientific concerns of the age. His mature art is characterized by his dazzlingly free technique, rich chiaroscuro and dark but strong colors. No other artist has created windswept landscapes of such expressive and emotional power, or figures of such brooding intensity.

One of the great landscape and history painters of the seventeenth century, Salvator Rosa was also a talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. This elegantly written biography tells the story of Rosa`s creative life, art, and times; his wayward temperament; his furious insistence on the independence of the artist; and his influence on the art and literature of later centuries.

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The Salvator Mundi is the first Leonardo painting to be discovered for over a century. Following its re-emergence, it played a leading role in the landmark Leonardo exhibition at the National Gallery in London in 2011, after which it was purchased by a Russian oligarch. In 2017 it was auctioned by Christie's in New York, fetching the world record price of $450m, and now forms part of the collection of Louvre Abu Dhabi.The Salvator Mundi may be seen as the devotional counterpart to the Mona Lisa, having an extraordinary, communicative presence. The artist has reformed the very traditional subject matter in a number of ways. The elusiveness of Christ's expression suggests his spiritual origins beyond the world of the senses. The traditional sphere of the earth has been transformed into a rock-crystal orb and signifies a crystalline sphere of the heavens. In addition to its spiritual dimension, the image exploits Leonardo's optical knowledge and his growing sense of the illusiveness of seeing. Only the blessing hand is in reasonably sharp focus, with his features softly veiled. The scintillating curls of his hair are characterised in line with his theory that the physics of the curling of hair is analogous to vortex motion in water.This book looks at evidence of Leonardo's Salvator Mundi in the collections of Charles I and Charles II. It explores the appraisal of works by Leonardo at the Stuart courts, and proposes that how works attributed to Leonardo were first encountered and understood in seventeenth-century Britain would shape the wider evolution of Leonardo as a cultural icon.This volume gives a dramatic first-hand account of the modern-day discovery of the painting, from its purchase in a minor New Orleans auction house, to the cleaning of the picture that would disclose it as Leonardo's startling original, and the research processes that would uncover illustrious and obscure former owners. The book presents the definitive study of the new masterpiece.

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The Italian Rapier has held a special place in the history of European swordsmanship. Famous for generations after his death, Salvatore Fabris became the personal fencing master to the equally famous King Christianus of Denmark. Towards the end of his career, and at the king's request, the great master set down the sum of his art in clear in a clear, concise manual of footwork, guards, attacks, defenses, and conterattacks with the rapier, used alone or with a dagger or cloak. A landmark work brought to English for the very first time, Tomasso Leoni offers a complete translation that accompanies the 200 17th century engravings.

The Salvator Mundi is the first Leonardo painting to be discovered for over a century. Following its re-emergence, it played a leading role in the landmark Leonardo exhibition at the National Gallery in London in 2011, after which it was purchased by a Russian oligarch. In 2017 it was auctioned by Christie's in New York, fetching the world record price of $450m, and now forms part of the collection of Louvre Abu Dhabi.The Salvator Mundi may be seen as the devotional counterpart to the Mona Lisa, having an extraordinary, communicative presence. The artist has reformed the very traditional subject matter in a number of ways. The elusiveness of Christ's expression suggests his spiritual origins beyond the world of the senses. The traditional sphere of the earth has been transformed into a rock-crystal orb and signifies a crystalline sphere of the heavens. In addition to its spiritual dimension, the image exploits Leonardo's optical knowledge and his growing sense of the illusiveness of seeing. Only the blessing hand is in reasonably sharp focus, with his features softly veiled. The scintillating curls of his hair are characterised in line with his theory that the physics of the curling of hair is analogous to vortex motion in water.This book looks at evidence of Leonardo's Salvator Mundi in the collections of Charles I and Charles II. It explores the appraisal of works by Leonardo at the Stuart courts, and proposes that how works attributed to Leonardo were first encountered and understood in seventeenth-century Britain would shape the wider evolution of Leonardo as a cultural icon.This volume gives a dramatic first-hand account of the modern-day discovery of the painting, from its purchase in a minor New Orleans auction house, to the cleaning of the picture that would disclose it as Leonardo's startling original, and the research processes that would uncover illustrious and obscure former owners. The book presents the definitive study of the new masterpiece.

Unread book in perfect condition.

Title: Die Serben an der Adria. Ihre Typen und Trachten. [By Louis Salvator, Archduke of Austria.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF EUROPE collection includes books from the British Library digitised by Microsoft. This collection includes works chronicling the development of Western civilisation to the modern age. Highlights include the development of language, political and educational systems, philosophy, science, and the arts. The selection documents periods of civil war, migration, shifts in power, Muslim expansion into Central Europe, complex feudal loyalties, the aristocracy of new nations, and European expansion into the New World. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++ British Library Anonymous; 1870-78. 9 Lief. ; fol. 10210.g.7.

Il piano complessivo dell'opera si articola in due tomi, tra loro strutturalmente collegati. Il primo, qui presentato, costituisce una vera e propria storia dell'arte nell'Italia del Seicento, in cui la capitale del Viceregno spagnolo, Napoli, appare in competizione e in dialogo costanti con Roma e con l'altro polo spagnolo in Italia, il ducato di Milano. Singolarmente attivo è il ruolo giocato per quasi quarant'anni da Pescocostanzo, località posta in posizione strategica tra le due grandi capitali del Centro e del Sud, polo di attrazione per molti artisti lombardi fin dal Quattrocento; molto articolati si rivelano i movimenti degli artisti, anche stranieri, tra Milano, Roma, Napoli e centri minori del Viceregno; nuova è la ricostruzione completa (poggiata su documenti che si ritenevano perduti) del ruolo che il fondatore dell'Accademia napoletana degli Oziosi, Giovan Battista Manso, ricopre (per volontà esplicita del defunto) nella edificazione del monumento funebre di Giovan Battista Marino. Da Tanzio da Varallo (la cui pala di Pescocostanzo, celebre e misteriosa, viene svelata e restituita alle sue due anime, lombarda e napoletana), a Massimo Stanzione, ai cantieri della grande decorazione e della scultura funebre a Napoli il quadro ricostruito è anche una problematica e ponderosa introduzione a Salvator Rosa, protagonista del secondo tomo dell'opera. cm.16x24, pp.734, 189 figg.a col.nt. Coll.Studi e percorsi storico-artistici. Firenze, Edifir cm.16x24, pp.734, 189 figg.a col.nt. brossura copertina figurata. Coll.Studi e percorsi storico-artistici.

The Hermes Salvator Lizard Mini Constance 18 Bag is a luxurious accessory crafted from green lizard leather with a gold H buckle. It features a green smooth leather lining, a main pocket, a zipped pocket, and additional flat pockets inside and on the back. The versatile shoulder strap can be worn single or double, offering both hand-held and shoulder wear options. A refined blend of style and practicality, this bag is a must-have for any collection. Condition: Excellent. An excellent item will have been worn a couple of times and will be in almost pristine condition as it has been extremely well maintained. May show slight wear such as scratches or wear on the edges from being used but will have no defects.

This Title Comes In Quantities Of Five (5) Copies(1 Order=5 Copies) Salvator Mundi: Greater Love Composer: Paul Mealor Paul Mealor Publishe...