3 products were found matching your search for Samian in 1 shops:
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Roman Guernsey: Excavations, Fieldwork and Maritime Archaeology 1980â"2015 (Guernsey Museum Monographs)
Vendor: Abebooks.com Price: 31.68 $Before the 1970s, discoveries of Roman material in Guernsey consisted of a few chance finds of coins, plus a handful of sherds of samian pottery from the harbor and from prehistoric megaliths. Since the 1980s, however, two large-scale excavations in the town of St Peter Port, plus accumulated evidence from rescue excavations elsewhere in the island and from underwater discoveries, has demonstrated that there was significant Roman occupation which lasted for several centuries. This volume presents reports of the excavations carried out at La Plaiderie (1983–85) and the Bonded Store (1996–2005) in St Peter Port, together with a gazetteer of all Roman finds recorded from almost one hundred other sites in Guernsey and Herm. It includes a detailed study of the pottery recovered from the two town sites, which demonstrates that Guernsey was a significant port-of-call on the Atlantic trade route and along the length of the Channel. Finds included pottery, including samian, glass, intaglios, metalworking debris, a range of small finds, and environmental data. The volume concludes with a gazetteer of Roman sites and finds on Guernsey and Herm.Table of ContentsList of figuresList of tablesAcknowledgementsI. The excavations1. Introduction: the archaeological evidence for the Romans in Guernsey and the other Channel Islands2. Excavations at La Plaiderie, 1983–1985by Philip de Jersey3. Excavations at the Bonded Store, 1996–2005by Heather SebireII. The finds4. The Roman potteryby Mark Wood and Jason Monaghan5. Other finds6. Gazetteer of Roman sites and finds on Guernsey and Hermby Tanya Walls, Philip de Jersey and Jason MonaghanBibliographyAppendix: pottery codes
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Roman Pottery Production in the Walbrook Valley: Excavations at 20-28 Moorgate, City of London, 1998-2000
Vendor: Abebooks.com Price: 37.37 $Excavations have uncovered important new evidence of the second century AD Roman pottery industry, with up to eight kilns and a probable potters' workshop recorded on the west side of a major tributary of the Walbrook stream. Two distinct phases of production can be seen, and a stock of unused Samian ware from a pit suggests that pottery may have been sold in a shop attached to the production centre. The pottery industry went into decline in the latter half of the second century, though scattered structures, pitting and dumping were associated with the site in the third and fourth centuries. Research shows that the Roman kilns were producing Verulamium region white ware, linking them to the Verulamium industry, one of the most important regional producers of highly Romanised wares and specialist products such as mortaria.
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The Fables of Phaedrus
Vendor: Abebooks.com Price: 27.52 $Animal fables are said to have originated with Aesop, a semilegendary Samian slave, but the earliest surviving record of the fables comes from the Latin poet Phaedrus, who introduced the new genre to Latin literature. This verse translation of The Fables is the first in English in more than two hundred years. In addition to the familiar animal fables, about a quarter of the book includes such diverse material as prologues and epilogues, historical anecdotes, short stories, enlarged proverbs and sayings, comic episodes and folk wisdom, and many incidental glimpses of Greek and Roman life in the classical period. The Fables also sheds light on the personal history of Phaedrus, who seems to have been an educated slave, eventually granted his freedom by the emperor Augustus. Phaedrus' style is lively, clean, and sparse, though not at the cost of all detail and elaboration. It serves well as a vehicle for his two avowed purposes—to entertain and to give wise counsel for the conduct of life. Like all fabulists, Phaedrus was a moralist, albeit on a modest and popular level. An excellent introduction by P. F. Widdows provides information about Phaedrus, the history of The Fables, the metric style of the original and of this translation, and something of the place of these fables in Western folklore. The translation is done in a free version of Anglo-Saxon alliterative verse, a form used by W. H. Auden and chosen here to match the popular tone of Phaedrus' Latin verse.
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