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Of Poverty and Plastic applies an interdisciplinary, 'field economics' approach to poverty analysis, using a mix of survey and ethnographic data to challenge received notions of the nature and extent of narrow income poverty and multiple deprivations experienced by those working in the informal waste recovery and plastic recycling economy of Delhi. A detailed analysis of specialization, capital, and value in various segments of this labor-intensive, 'green' informal market is undertaken, with explicit recognition of its wider social and political institutional context, and how it is shaped by unequal interactions with civil society and the state. In particular, the book focuses on the identity and agency of subordinate scheduled caste groups-living literally and metaphorically on the edge of the city-in negotiating 'a decent life' in today's neoliberal environment. The case studies of the ban on recycled polythene bags and the industrial relocation order illustrate the channels through which these actors collectively seek to resist the perceived anti-urban poor status quo, driven by powerful middle class coalitions through legislation or judicial fiat, with varying degrees of success. In doing so, the book exposes the complex, and at times contrary, policy reality binding poverty and deprivation, formal and informal markets, the state and citizenship in contemporary urban India.

This volume applies the interdisciplinary 'field economics' approach to poverty analysis. The work is based on extensive fieldwork in the pre-urban edge of the sprawling metropolis of Delhi It assesses the economic, social, and political institutions and processes that structure the well-being, agency, and activities of the poor who are waste scavengers and involved with plastic recycling. Using a mix of survey and ethnographic data, it tells the complete story of how the waste picker at the lowest level of the chain fares in comparison to other kinds of occupational groups engaged in different parts of the scavenging and recycling chain, as well as in other parts of the informal economy. It focuses on the following themes: how occupational choices are dictated by low caste status; how these groups negotiate and surmount market failures and state failures to create a viable informal economy supporting numerous livelihoods and businesses; and how these groups gain or lose from patronage links at the level of the state government and national political parties.

In December of 2001 Jeff Ferrell quit his job as tenured professor, moved back to his hometown of Fort Worth, Texas, and, with a place to live but no real income, began an eight-month odyssey of essentially living off of the street. Empire of Scrounge tells the story of this unusual journey into the often illicit worlds of scrounging, recycling, and second-hand living. Existing as a dumpster diver and trash picker, Ferrell adopted a way of life that was both field research and free-form survival. Riding around on his scrounged BMX bicycle, Ferrell investigated the million-dollar mansions, working-class neighborhoods, middle class suburbs, industrial and commercial strips, and the large downtown area, where he found countless discarded treasures, from unopened presents and new clothes to scrap metal and even food.Richly illustrated throughout, Empire of Scrounge is both a personal journey and a larger tale about the changing values of American society. Perhaps nowhere else do the fault lines of inequality get reflected so clearly than at the curbside trash can, where one person's garbage often becomes another's bounty. Throughout this engaging narrative, full of a colorful cast of characters, from the mansion living suburbanites to the junk haulers themselves, Ferrell makes a persuasive argument about the dangers of over-consumption. With landfills overflowing, today’s highly disposable culture produces more trash than ever before—and yet the urge to consume seems limitless.In the end, while picking through the city's trash was often dirty and unpleasant work, unearthing other people's discards proved to be unquestionably illuminating. After all, what we throw away says more about us than what we keep.

Avoid all the last-minute stress when batteries go out as well as the fuss with battery replacements, and never go scavenging for batteries again with the new Ozeri ZK27 Kinetic Kitchen Scale, in Stainless Steel. Requiring just a single rotational twist, the Ozeri Kinetic Kitchen Scale converts your kinetic energy into a digital charge so that you can accurately weigh everything from fine ingredients to dietary portions for that next healthy meal. Equipped with high-precision sensors, the Ozeri Kinetic Scale accurately weighs from 5 g to 5000 g (176.4 oz) in graduations of 1 gram or 0.4 oz, immediately displayed on its LCD screen. A short rotational twist of the bezel provides 3 minutes of usage time. The ZK27 Kinetic Kitchen Scale's Unit button lets you convert between g, oz, water-ml, and milk-ml with push-button ease, and its handy Tare button automatically subtracts the weight of any pouch or container to isolate the net weight of the item being weighed. Its Unit and Tare buttons are separated from the main stainless steel weighing platform, which prevents the detection of weight when pressing either button, thereby eliminating the common measurement flicker seen in other scales. The ZK27 Kinetic Kitchen Scale weighing platform utilizes the highest grade SUS304 stainless steel material with a fingerprint resistant coating, and is backed by Ozeri's No-Hassle Warranty.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo's sweltering streets for the stray dog whose desperation has led him to a life of crime. Direction: Akira Kurosawa Actors: Eijiro Tono, Eiko Miyoshi, Fumiko Honma, Special Features: Audio commentary by Stephen Prince, author of the Warrior's Camera: The Cinema of Akira Kurosawa; Akira Kurosawa: It is Wonderful to Create, a 32

In 1875 London, a young boy who lives by scavenging on the banks of the River Thames finds a coin with an image of Queen Victoria and risks his life to meet her in person.

Whether you're hiking, on the run or stranded in the wild, this book tells you how to meet basic survival needs by scavenging and improvising. Includes explicit drawings and complete info on snares, shelter, cooking equipment and more. Get an edge on survival - get Into the Primitive.

Each spring, hundreds of thousands of horseshoe crabs crawl from the bottom of Delaware Bay to lay billions of pearly green eggs on the beaches. Their salty eggs provide a feast for scavenging coastal animals, but billions more are eaten by the flocks of shorebirds that stop to rest and feed each spring after flying north from their homes in South America. In recent years the horseshoe crab population has dwindled. In turn, the number of shorebirds that fly north each year has grown smaller. Illuminated with warm, detailed watercolors, Horseshoe Crabs and Shorebirds demonstrates the delicate relationship between these animals and is an excellent resource for ecology lessons, as well as a dramatic storybook for sharing.

Life as a ship's boy aboard HMS Dolphin is a dream come true for Jacky Faber. Gone are the days of scavenging for food and fighting for survival on the streets of eighteenth-century London. Instead, Jacky is becoming a skilled and respected sailor as the crew pursues pirates on the high seas.There's only one problem: Jacky is a girl. And she will have to use every bit of her spirit, wit, and courage to keep the crew from discovering her secret. This could be the adventure of her life--if only she doesn't get caught. . . .

They are not alone. After most of the world's population was wiped out by a deadly plague five years ago, this small group of children formed a family. They've taken care of each other, scavenging food from deserted supermarkets, fighting off the wild animals that prowl soccer fields and schools. The children thought they were the only ones left. Then they came across the Keepers, the first Grown-ups they'd seen for years, living in an abandoned shopping mall. The Keepers offered fresh food, clean beds, and security. But what looked like safety was instead the worst danger the family had yet faced. Now the family is once again on the road. But if they want to reach the end of their journey, if they want to solve the mystery of what happened and who is to blame, they must head straight into danger -- to Pisgah, the heart of the Keepers' power. In this stunning conclusion to the Fire-us Trilogy, Jennifer Armstrong and Nancy Butcher return to the post-apocalyptic world they created in The Kindling and The Keepers of the Flame, as the family discovers the dark secret that changed their world forever.

Here is a long out-of-print factual account of the most infamous pirate to terrorize the colonial sea-lanes of Virginia and the Carolinas, Blackbeard whose real name was Edward Teach. In the seventeenth century, Blackbeard and numerous other pirates roamed the eastern seaboard, scavenging shipping lanes, terrorizing merchant ships, and confounding authorities. They could be visciously cruel; they could be inexplicably gallant. A century ago a young scholar, Shirley Carter Hughson, wrote of the havoc these pirates caused along the Carolina coast. His work was originaly published in 1894 under the title "The Carolina Pirates and Colonial Commerce, 1670-1740". It is here reissued under the title "Blackbeard and the Carolina Pirates" with an added bibliography, index, illustrations, and icludes a preface by Donald Grady Shomette, well known author of "Pirates of the Chesapeake".

LEGENDS AREN'T BORN. THEY'RE MADE.Dug Sealskinner is a down-on-his-luck mercenary traveling south to join up with King Zadar's army. But he keeps rescuing the wrong people.First Spring, a child he finds scavenging on the battlefield, and then Lowa, one of Zadar's most fearsome warriors, who has vowed revenge on the king for her sister's execution.Now Dug's on the wrong side of the thousands-strong army he hoped to join ­-- and worse, Zadar has bloodthirsty druid magic on his side. All Dug has is his war hammer, one small child, and one unpredictable, highly-trained warrior with a lust for revenge that might get them all killed . . .

Our frequent urban companion, cooing in the eaves of train stations or scavenging underfoot for breadcrumbs and discarded French fries, the pigeon has many detractors—and even some fans. Written out of love for and fascination with this humble yet important bird, Barbara Allen’s Pigeon explores its cultural significance, as well as its similarities to and differences from its close counterpart, the dove. While the dove is seen as a symbol of love, peace, and goodwill, the pigeon is commonly perceived as a filthy, ill-mannered flying rodent, a “rat with wings.”Readers will find in Pigeon an enticing exploration of the historical and contemporary bonds between humans and these two unique and closely related birds. For polluting statues and architecture, the pigeon has earned a bad reputation, but Barbara Allen offers several examples of the bird’s importance—as a source of food and fertilizer, a bearer of messages during times of war, a pollution monitor, and an aid to Charles Darwin in his pivotal research on evolutionary theory. Allen also comments on the literary love and celebration of pigeons and doves in the work of such writers and poets as Shakespeare, Dickens, Beatrix Potter, Proust, and Isaac Bashevis Singer. Along the way, Allen corrects the many stereotypes about pigeons in the hope that the rich history of one of the oldest human-animal partnerships will be both admired and celebrated.

Yemen, 1935. Jama is a “market boy,” a half-feral child scavenging with his friends in the dusty streets of a great seaport. For Jama, life is a thrilling carnival, at least when he can fill his belly. When his mother—alternately raging and loving—dies young, she leaves him only an amulet stuffed with one hundred rupees. Jama decides to spend her life’s meager savings on a search for his never-seen father; the rumors that travel along clan lines report that he is a driver for the British somewhere in the north. So begins Jama’s extraordinary journey of more than a thousand miles north all the way to Egypt, by camel, by truck, by train, but mostly on foot. He slings himself from one perilous city to another, fiercely enjoying life on the road and relying on his vast clan network to shelter him and point the way to his father, who always seems just a day or two out of reach.In his travels, Jama will witness scenes of great humanity and brutality; he will be caught up in the indifferent, grinding machine of war; he will crisscross the Red Sea in search of working papers and a ship. Bursting with life and a rough joyfulness, Black Mamba Boy is debut novelist Nadifa Mohamed’s vibrant, moving celebration of her family’s own history.

Simply because they are large scavenging birds, vultures are often viewed as harbingers of death. But, as Thom van Dooren shows in this cultural and natural history, that dominant association leaves us with a very one-dimensional understanding of a group of actually rather fascinating and diverse creatures.Vulture offers an enlightening new history of this much-misunderstood bird. Vultures vary in type and size, and while some have a diet mainly of bone, others are actually almost completely vegetarian. Most interesting, despite its notorious  association  with death, the vulture very rarely, if ever, kills for itself. In different cultural mythologies, vultures play a role in disposing of the dead and officiating over human sacrifices, but they have often been viewed as courageous and noble creatures as well—believed to be indispensable in the containment of waste and disease and even to be world creators and divine mothers. Van Dooren explores these many histories, from some of the earliest-known Neolithic sites in which vultures are thought to have consumed the dead to contemporary efforts to reintroduce the bearded vulture into the Alps.Highlighting the rich diversity of vultures and the many ways in which people have understood and lived with them, Vulture invites a new appreciation and wonder for these incredible birds.

During WWII, Iowans of the "Mighty Eighth" Air Force were based in England from 1942 to 1946, a year after the end of WWII. Ground crews labored endlessly to keep aircraft flyable by scavenging and often manufacturing parts until supply lines could be established. Aircrews flew in un-pressurized, unheated, piston-engine airplanes where temperatures inside the aircraft reached sixty degrees below zero. Read the experiences of over three hundred Iowa veterans of the greatest air armada ever assembled, "Iowans of the The Might Eighth".

Mary Stiner uses ecological niche theory to analyze and interpret several Middle Paleolithic archaeological and paleontological sites in southern Europe. Her concern is with how the hunting, scavenging and foraging behavior of Neandertals compared and contrasted with the subsistence behavior of other large predators living in the region at the time--lions, hyenas, and wolves, for example--and with how Neandertal subsistence behavior related to the behavior of the anatomically modern humans who subsequently came to dominate the area in the Upper Paleolithic. Her conclusion, very broadly stated, is that Neandertals entered the Middle Paleolithic in direct and successful competition with lions, hyenas, and wolves, but ended the period in direct and ultimately unsuccessful competition for the ecological niche that we came to occupy with our slightly more advanced technology and slightly more sophisticated ambush hunting strategies and techniques.

It's been 10 years since the publication of John Hoffman's cult classic of urban scavenging, The Art and Science of Dumpster Diving. Now the Garbage Guru is back with an advanced course in the unconventional economics of exploring the trash for fun and profit. Just some of the lessons you will learn include: the key secret to dealing with locked dumpsters; how to dive for information and use it to humiliate corporations, politicians and other evil-doers; the unusual profitability of diving for movie and celebrity castoffs; the BIG-bucks potential of industrial diving, including the top 10 most lucrative places to do it; how to sell your dumpster-dived wares through the flea market of the 21st century - eBay; how to parlay dumpster diving consciousness into finding cheap property, supporting radical causes, even landing political office; and much more!

'Appropriation', 'bricolage', 'recording', 'scavenging' - a scenario of image piracy has provided the buzzwords of pop cultural theory for most of the 1980s. while programmes for political action in culture have increasingly taken the form of a romance of buccaneering, the more sedate theoretical disputes about postmodernism have begun to generate a myth that feminists, or even women, have so far said little or nothing about one of the most action-packed debates of the decade. Taking her title from a 1969 film by Nelly Kaplan, Meaghan Morris considers the implications for feminism of a politics which transforms the materials of culture. She also considers the implications for post-modernism and pop theory of recognising the extent to which they already represent a borrowing of feminist thought. In a collection of essays on subjects ranging from blockbuster cinema to art photography, from Foucault to Mary Daly, from Susan Sontag and Jean Baudrillard to Paul Hogan, she argues that a feminist practice of rewriting discourses should emerge from a political critique of the positioning of women, rather than a vague thematics of changing things.

London has been destroyed in a blitz of bombs and disease. The only ones who have survived are children, among them Gwen Darling and her siblings, Joanna and Mikey. They spend their nights scavenging and their days avoiding the ruthless Marauders -- the German army led by Captain Hanz Otto Oswald Kretschmer. Unsure if the virus has spread past England's borders but desperate to leave, Captain Hook hunts for a cure, which he thinks can be found in one of the survivors. He and his Marauders stalk the streets snatching children for experimentation. None ever return. Until the day they grab Joanna. As Gwen sets out to save her, she meets a daredevil boy named Pete. Pete offers the assistance of his gang of Lost Boys and the fierce sharpshooter Bella, who have all been living in a city hidden underground. But in a place where help has a steep price and every promise is bound by blood, it will cost Gwen. And are she, Pete, the Lost Boys, and Bella enough to outsmart Captain Hook?