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Carl Schalk's vast experience as a teacher, author, musicologist, and composer makes him uniquely qualified to present this compact but insightful history of Christian hymnody in the Western Church. In it he guides the reader through the contributions, conflicts, and questions which arose through the successive periods in the development of Christian song from the Old Testament through the twentieth century. Paperback.

Abgesehen von einigen stilistischen Verbesserungen, ist der folgende Text identisch mit dem des Vortrags. Stellen, die beim Sprechen ausgelassen wur­ den, sowie Erläuterungen durch Beispiele stehen unter dem Text, durch ein Sternchen gekennzeichnet, oder im Anhang. Der Vortrag ist Fritz Schalk, der mir den Wiederanschluß an Deutschland in jeder Form möglich gemacht hat, in Verehrung und tiefer Dankbarkeit gewidmet. Que le Poete se fasse entendre, et qu'il dirige le jugement. Saint-John Perse Vents D as Verwenden literarischer Formen in der Darstellung philosophischer und wissenschaftlicher Ideen ist ein Grundzug der europäischen Aufklärung. Eine Reihe von Genres - Theater, Roman, Erzählung, Gedicht, Fabel, Essay, sowie von Darstellungsweisen - Dialog, Brief, Parabel, Paradox - dienen der gefälligen Einkleidung von Gedanken und damit dem Zweck ihrer weiten Verbreitung. Es galt, die öffentliche Meinung, an die man appellierte, auch zugleich zu formen, ein Bewußtsein, eine bestimmte Art des Denkens zu entwickeln, eine allgemein verständliche Sprache zu schaffen, die das Vokabular der neuen Wissenschaft und Technik aufnahm. Die Aufklärung ist erst durch die Literatur zu einer umfassenden und einheitlichen Bewegung geworden; durch sie wurden die verschiedenen Strömungen der Skepsis, des Rationalismus, des Freigeistertums verbunden und wirksam gemacht. Doch handelt es sich nicht nur um die Bildung eines Publikums, sondern auch um den Zusammenschluß der verschiedenen Disziplinen des Geistes und ihrer Vertreter. Hier erfüllt die Literatur ebenfalls ihre verbindende Funktion. Lassen Sie mich diese einzelnen Punkte durch Zitate von Autoren des 18. Jahrhunderts erläutern.

Guitarist and composer Wolfgang Schalk's new album From Here to There is an electrifying statement celebrating the "power of now" in jazz. Schalk's new original compositions - plus a fresh take on Ellington's "Satin Doll" - bring the listener on a swinging spiritual journey from the first note. Available on 160-gram audiophile vinyl with download card.

First published in 1957, My Baseball Diary chronicles James T. Farrell's enduring passion for the game, from his earliest baseball memory at the age of six through his reminiscences of his first World Series game in 1917 to his later meetings with and recollections of Hall of Famers Ray Schalk, Eddie Collins, Red Faber, Ty Cobb, and Gabby Hartnett.  

In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. Jemisin, Shawntelle Madison, and Nalo Hopkinson—where werewolves have obsessive-compulsive-disorder and blind demons can see magic—destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler’s Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts.

On 26 April 1962, Lockheed test pilot Lou Schalk took the first flight in an aircraft at a classified desert test facility in Nevada. The aircraft was far more advanced than anything in the sky, and when made public several years later it would capture the world's fascination like few other aircraft ever have. Three distinct variants were eventually manufactured, but surprisingly, none of them ever had an official name. Unofficially, they have all been referred to as "Blackbirds" and "Habu," the fastest, highest flying air-breathing aircraft in the world. The Lockheed model number of the first variant was A-12, but by a sort of inspired perversity it came to be called Oxcart, a code name also applied to the program under which it was developed. The other two variants carried the Air Force designations YF-12 and SR-71. This is the story of the Lockheed Blackbirds - fifty of the fastest, highest-flying air-breathing aircraft ever developed and deployed. This book is crammed with detailed photos and illustrations and is a fantastic resource for scale model builders.