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Published on the occasion of Kenny Scharf’s (born 1958) exhibition Kolors at the Paul Kasmin Gallery in New York, this publication presents the artist’s new body of Pop-Surrealist work, which includes monochrome paintings and large-scale sculptures. An in-depth photo essay explores Scharf’s world, while Jeffrey Deitch’s text provides an insider’s view of the artist’s influence in contemporary art. Scharf’s use of airbrush-like oil and acrylic paint embodies the presence of street culture within contemporary art that he helped establish. In his sculptures, Scharf makes use of his iconic imagery, freezing expressive cartoon-like faces in curvilinear three-dimensional reflective forms. Scharf presents larger-than-life versions of three seminal characters from his pantheon of cartoon-like creatures. Two sculptures, “Squirt” and “Red Scary Guy,” embody (respectively) happiness and anger, whereas the “Totem” towers 12 feet to the ceiling, stacking characters that showcase the range and interconnectedness of human emotions.

Premium Thick-Wrap Canvas entitled Empty Tomb And Three Crosses . Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Book of insightful black-and-white sketches and illustrations of London by Scharf that fill the time gap between Hogarth, Rowlandson, and their contemporaries, and the era for photography and pictorial journalism. Scharf's realistic portrayal of London brings to life one of the most fascinating periods of the Capital's history. Hard cover published by John Murray Publishers Ltd., 1987, 154 pages 8" x 10 ½"; First Edition, First Printing.

As one of today’s most exciting artists, Kenny Scharf rose to prominence in the New York art scene in the ’80s as part of a dynamic and influential group of artists that included Andy Warhol, Keith Haring, and Jean-Michel Basquiat. He has since returned to California, but he has retained the playful Pop aesthetic for which he is internationally renowned. This complete new volume covers Scharf’s illustrious career and his experiences and activities in the downtown art scene. His work is instantly recognizable, with idiosyncratic cartoon creatures popping up in the oddest of places: in paintings, on functional objects, or piled up on top of each other to form huge totem-poles. Richard Marshall helps navigate the reader across the decades of Scharf’s career. Carlo McCormick’s essay focuses on Scharf’s fanciful customized cars and installations. Ann Magnuson reminisces about Scharf’s happenings in the East Village and the club scene.

Kenny Scharf's life story is the equivalent of riding a roller coaster. Raised in Southern California, this king of cool eventually packed his bags for New York City, where he became an integral part of an underground East Village art scene that changed the world. His graffiti-inspired paintings, wild performances, and sculptures earned him an international reputation for making art accessible. This meteoric rise involved parties, drugs, sex, and of course rock 'n' roll. Yet there were many unexpected twists and turns, from marriage and family to tragedy and depression. With the advent of AIDS and shifting trends in the art world, Kenny fell from grace and was even mistakenly thought to have passed away along with fellow artists Keith Haring and Jean-Michel Basquiat. Recovering in Florida, raising a family, and eventually returning to California and New York, Kenny Scharf's sporadic, adventurous, and chaotic lifestyle is unimaginable, humbling, yet ultimately redeeming. Patched together like one of his silk screens, this official biography provides a front seat to the glamour, gossip, and the story of an artist who 'made it' once, and his struggle to come back.

Published on the occasion of Kenny Scharf’s (born 1958) exhibition Kolors at the Paul Kasmin Gallery in New York, this publication presents the artist’s new body of Pop-Surrealist work, which includes monochrome paintings and large-scale sculptures. An in-depth photo essay explores Scharf’s world, while Jeffrey Deitch’s text provides an insider’s view of the artist’s influence in contemporary art. Scharf’s use of airbrush-like oil and acrylic paint embodies the presence of street culture within contemporary art that he helped establish. In his sculptures, Scharf makes use of his iconic imagery, freezing expressive cartoon-like faces in curvilinear three-dimensional reflective forms. Scharf presents larger-than-life versions of three seminal characters from his pantheon of cartoon-like creatures. Two sculptures, “Squirt” and “Red Scary Guy,” embody (respectively) happiness and anger, whereas the “Totem” towers 12 feet to the ceiling, stacking characters that showcase the range and interconnectedness of human emotions.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 3.13

Dior Handbag Ltd. Etd. Dior x Kenny Scharf Zip Clutch in Beige/Navy Diorissimo Canvas and Silver hardware. The product is in Perfect Condition (AA).//n Dimension: 27*18*1cm //n Sku: AAX2120//n Serial number: 22-BO-0231//n Accessories Included: None//n Delivery: We have a 5 to 7 business days delivery policy, hassle-free and duties/tariffs included! //n Brand Co Paris finds rare and top condition items at great deals, they are worth your patience!//n Shop with confidence - All Brand Co Paris items are carefully selected and authenticated by our team of experts.//n All the items come with an authenticity certificate and packaging delivered by Brand Co Paris.//n Item Condition Grading Table//n N (Like New)//n AA (Perfect Condition)//n A (Excellent Condition)//n AB (Very Good Condition)//n B (Good/Fair) Condition: Excellent. An excellent item will have been worn a couple of times and will be in almost pristine condition as it has been extremely well maintained. May show slight wear such as scratches or wear on the edges from being used but will have no defects.

Embark on a breath-taking, cutting-edge voyage through the enormity of our reality - travelling one "power of ten" or order of magnitude at a time. Echoing the classic film by Charles and Ray Eames, acclaimed astrobiologist Caleb Scharf and artist Ron Miller guide us from the very edge of the observable universe - about 91 billion light-years away - to the subatomic realm, where the fabric of space-time itself behaves in a way that confounds all the rules of physics we currently know. Gorgeously designed and visually inspiring, The Zoomable Universe takes a truly unique approach toward explaining our place in the universe, charting an unforgettable course through galaxies, black holes, solar systems, stars and planets, oceans, plants and animals, microorganisms, atoms, quantum fields, and much more. Illustrated with stunning colour artwork and infographics, this is an unforgettable journey that will thrill readers who want to discover more about the incredible reality we inhabit.

PLUM CREEK BRIDE Erika Scharf Had Always Followed Her Heart Now it had led her to America, and a tortured man with a motherless infant. But would the widowed Dr. Jonathan Callender ever recover from his grief? Whatever drove him had died with his young wife - or so it seemed to Jonathan Callender. He knew only that nothing mattered anymore - until the day a German whirlwind disguised as the very determined Erika Scharf charged into his life - and made his heart live again.

He may have been the first Delaware historian to take advantage of Charles Gehring's translations of original Dutch documents, and Weslager, of course, also based his thoughtful research on O'Callaghan, Vincent, and Scharf. "The Dutch and Swedes at New Castle" is carefully footnoted, eminently readable and suitable both for academics and the general reader. h-2

Military artists tend to paint the two extremes of the soldiers life; at one end the subject is rendered in his parade best uniform, pressed and spotlessly clean, and at the other extreme locked in heroic combat defeating his enemy. Friedrich Ludwig Scharf took the middle road, painting the troops as they looked going about their daily duties. Scharf, on one hand an artist, had also been a career Jäger enlisted man, rising to the rank of Offizierstellvertrater in 1918. He spent most of his wartime service on the Eastern front where he observed and fought with the Cavalry regiments, as well as the Reserve and Landsturm troops assigned to that front. In his paintings the uniform historian and military modeler will find accurate and sometimes amusing representations of what Scharf actually saw. The ill-equipped Landsturmers with outdated uniforms, the Cavalry still mounted dashing about the Russian front, Flamethrower troops, ski troops and even a Franciscan monk in military service were captured in his watercolors and linoleum block hand-colored prints. This book is a must for the serious student of the uniforms of the German forces from 1910-1939, portrayed in the unique style of Friedrich Ludwig Scharf, 1884-1965.

Jean-Michel Basquiat, Keith Haring, & Kenny Scharf at Lio Malca. Vintage catalogue featuring works by Jean-Michel Basquiat, Keith Haring, & Kenny Scharf's from the Lio Malca exhibition entitled, "In Your Face". In 1997, parallel to the Keith Haring retrospective at the Whitney Museum in New York, Lio Malca produced the show, 'In Your Face'. This show took place in a townhouse across from the museum, including works of Jean-Michel Basquiat, Keith Haring and Kenny Scharf. Lio inaugurated, with these 3 artists, what would become his specialty for the next decade and beyond. 9½" - 11½".

Yehuda Amichai is one of the twentieth century’s (and Israel’s) leading poets. In this remarkable book, Nili Scharf Gold offers a profound reinterpretation of Amichai’s early works and reconstructs his poetic biography. Her close reading of his oeuvre, untapped notebooks, and a cache of unpublished letters to a woman identified as Ruth Z. that Gold discovered convincingly demonstrates how the poet’s German past infused his work, despite his attempts to conceal it as he adopted an Israeli identity.

A teacher of English and English History at the Friends School in Baltimore, Letitia Stockett was inspired to write her whimsical history of the city when a friend told her that nothing much had been done in the way of a history of Baltimore since J. Thomas Scharf's The Chronicles of Baltimore (1874). Rising to the challenge, she spent all of her spare time on the book, telling curious friends and family merely that she "had work to do." Baltimore: A Not Too Serious History was the result, a charming and anecdotal account of the city's history that is as fresh today as it was when first published in 1928."Would you know Baltimore? Then put deliberately out of your mind the fact that the town makes more straw hats than any other city in the world. Aesthetically speaking, that is a fearsome thought. Forget, too, that Baltimore is the centre of the oyster packing industry. Worse, far worse than a straw hat is a packed oyster; Baltimoreans ought to know better. In truth they do; they export the tinned bivalve to the unsuspecting, unsophisticated Westerner. These two enterprises are worthy and profitable, but a knowledge of these facts will not help you understand this city any more truly than the study of those long lists of products once diligently conned in school gave you an inkling of Tunis, Singapore and Wilkes-Barre."―from Baltimore: A Not too Serious History

Hannah Swensen thought she'd finally discovered the recipe for a perfect life. But her sometime beau Norman Rhodes tosses a surprise ingredient into the, mix when he phones to tell her he's just bought a house from local drugstore clerk Rhonda Scharf-which he plans to tear down in order to build the dream home he and Hannah designed. It seems the plan has been cooking for quite some time, and Hannah is shocked-especially since her ring finger is still very much bare. The good news is that the soon-to-be-torn-down house is full of antiques- and Norman has given Hannah and her mother first dibs. They uncover some. gorgeous old furniture, a patchwork quilt...and Rhonda Scharf's dead body. A little more sleuthing turns up the half-eaten remains of a very special dinner for two-and one of The Cookie Jar's famous lemon meringue pies. Now it's up to Hannah to turn up the heat-and get busy tracking down the clues. Starting in her very own kitchen.

Matildas Verstand ist so hell und scharf, dass er selbst den beschränktesten Eltern auffallen müsste. Nur sind Matildas Eltern leider beschränkter als beschränkt. Schlimmer noch ist ihre Schuldirektorin: Frau Knüppelkuh hasst alle Kinder und macht ihnen das Leben zur Hölle. Auch die nette Klassenlehrerin Fräulein Honig hat unter ihr zu leiden. Doch da entdeckt Matilda, dass sie nicht nur ein Wunder-, sondern auch ein Zauberkind ist. Auf ihre Eltern und die fiese Frau Knüppelkuh warten böse Überraschungen . . . 10% der Autorentantieme aus dem Verkauf dieses Buches kommen dem Roald-Dahl-Wohltätigkeitsverein zugute. Informationen dazu siehe innen.