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1975. hardcover. Cloth. Octavo. ccxxxii & 640 pp. Text in German. Mild shelf wear to boards, slight scuffing and toning to spine. Bookplate to front pastedown. Altogether a copy in Very Good condition. Very Good.

1959. hardcover. 1959 printing. Cloth. Octavo. lvi & 273 pp. Text in German. Mild shelf wear to boards. Bookplate to front pastedown. Altogether a copy in Very Good condition. Very Good.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

The origins of early German Romanticism and the philosophical contributions of the movement’s most important philosopher.This book addresses the philosophical reception of early German Romanticism and offers the first in-depth study in English of the movement’s most important philosopher, Friedrich Schlegel, presenting his philosophy against the background of the controversies that shaped its emergence. Elizabeth Millán-Zaibert begins by distinguishing early German Romanticism from classical German Idealism, under which it has all too often been subsumed, and then explores Schlegel’s romantic philosophy (and his rejection of first principles) by showing how he responded to three central figures of the post-Kantian period in Germany―Jacobi, Reinhold, and Fichte―as well as to Kant himself. She concludes with a comprehensive critique of the aesthetic and epistemological consequences of Schlegel’s thought, with special attention paid to his use of irony.

1971. hardcover. Cloth. Octavo. lix & 434 pp. Text in German. Mild shelf wear and toning to boards. Bookplate to front pastedown. Altogether a copy in Very Good condition. Very Good.

Now in its third edition, this catalogue offers a unique insight into the life and work of the French artist, sculptor, and ceramist Valentine Schlegel. It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin. Originally published in 2017 on the occasion of an exhibition at CAC Brétigny, it forms a fitting tribute to Schlegel, who can be considered one of the most important ceramists of 1950s. She conceived her works as sculptures inspired by nature, primitive but sophisticated at the same time. An extensive look at her sculpted interiors and architectural elements in plaster, especially the numerous fireplaces she created, is also featured.

Friedrich Schlegel's Lucinde and the Fragments was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.For the last century and a half, Friedrich Schlegel (1772–1829) has enjoyed a reputation for being the critical grey eminence behind the coming to power of the Romantic Movement. It was Schlegel, in his three series of aphoristic fragments (Lyceum, Athenaeum, and Ideas), who actually first defined and employed the word "romantic" in the present sense; and it was he who in a chaotic, fragmentary, and often mysterious but forceful manner first proclaimed the doctrine that was to usher in the modern age in literature. He too was among the first to put his new program into practice in the shape of his unfinished Lucinde,a work variously denounced as pornography and heralded as a forerunner of modern novelistic experimentation, and probably the most famous novel to come out of German Romanticism.Both the Fragments and Lucinde,along with a brilliant tour de force, the "Essay on Incomprehensibility," are available now for the first time in a complete English translation in this volume, together with a brief scholarly introduction. This translation will enable non-German readers to examine at first hand the work of a man whom Rene Wellck has called "one of the greatest critics of history." At a time when the function of criticism is coming once again under close skeptical scrutiny, Friedrich Schlegel's unorthodox, unsystematic but seminal critical mind—all of literature, philosophy, art, and history were grist to his mill—should find many sympathetic readers. The book will be of particular interest to theorists of literature and fiction, comparative literature scholars, and historians of the intellectual history of Germany, and it is appropriate for course use in German and comparative literature classes.

The origins of early German Romanticism and the philosophical contributions of the movement’s most important philosopher.This book addresses the philosophical reception of early German Romanticism and offers the first in-depth study in English of the movement’s most important philosopher, Friedrich Schlegel, presenting his philosophy against the background of the controversies that shaped its emergence. Elizabeth Millán-Zaibert begins by distinguishing early German Romanticism from classical German Idealism, under which it has all too often been subsumed, and then explores Schlegel’s romantic philosophy (and his rejection of first principles) by showing how he responded to three central figures of the post-Kantian period in Germany―Jacobi, Reinhold, and Fichte―as well as to Kant himself. She concludes with a comprehensive critique of the aesthetic and epistemological consequences of Schlegel’s thought, with special attention paid to his use of irony.

Now in its third edition, this catalogue offers a unique insight into the life and work of the French artist, sculptor, and ceramist Valentine Schlegel. It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin. Originally published in 2017 on the occasion of an exhibition at CAC Brétigny, it forms a fitting tribute to Schlegel, who can be considered one of the most important ceramists of 1950s. She conceived her works as sculptures inspired by nature, primitive but sophisticated at the same time. An extensive look at her sculpted interiors and architectural elements in plaster, especially the numerous fireplaces she created, is also featured.

The origins of early German Romanticism and the philosophical contributions of the movement’s most important philosopher.This book addresses the philosophical reception of early German Romanticism and offers the first in-depth study in English of the movement’s most important philosopher, Friedrich Schlegel, presenting his philosophy against the background of the controversies that shaped its emergence. Elizabeth Millán-Zaibert begins by distinguishing early German Romanticism from classical German Idealism, under which it has all too often been subsumed, and then explores Schlegel’s romantic philosophy (and his rejection of first principles) by showing how he responded to three central figures of the post-Kantian period in Germany―Jacobi, Reinhold, and Fichte―as well as to Kant himself. She concludes with a comprehensive critique of the aesthetic and epistemological consequences of Schlegel’s thought, with special attention paid to his use of irony.

The origins of early German Romanticism and the philosophical contributions of the movement’s most important philosopher.This book addresses the philosophical reception of early German Romanticism and offers the first in-depth study in English of the movement’s most important philosopher, Friedrich Schlegel, presenting his philosophy against the background of the controversies that shaped its emergence. Elizabeth Millán-Zaibert begins by distinguishing early German Romanticism from classical German Idealism, under which it has all too often been subsumed, and then explores Schlegel’s romantic philosophy (and his rejection of first principles) by showing how he responded to three central figures of the post-Kantian period in Germany―Jacobi, Reinhold, and Fichte―as well as to Kant himself. She concludes with a comprehensive critique of the aesthetic and epistemological consequences of Schlegel’s thought, with special attention paid to his use of irony.

1975. hardcover. Cloth. Octavo. xcvi & 391 pp. Text in German. Mild shelf wear to boards, scuffing and toning to spine. Bookplate to front pastedown. Altogether a copy in Very Good condition. Very Good.

Friedrich Schlegel's Lucinde and the Fragments was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.For the last century and a half, Friedrich Schlegel (1772–1829) has enjoyed a reputation for being the critical grey eminence behind the coming to power of the Romantic Movement. It was Schlegel, in his three series of aphoristic fragments (Lyceum, Athenaeum, and Ideas), who actually first defined and employed the word "romantic" in the present sense; and it was he who in a chaotic, fragmentary, and often mysterious but forceful manner first proclaimed the doctrine that was to usher in the modern age in literature. He too was among the first to put his new program into practice in the shape of his unfinished Lucinde,a work variously denounced as pornography and heralded as a forerunner of modern novelistic experimentation, and probably the most famous novel to come out of German Romanticism.Both the Fragments and Lucinde,along with a brilliant tour de force, the "Essay on Incomprehensibility," are available now for the first time in a complete English translation in this volume, together with a brief scholarly introduction. This translation will enable non-German readers to examine at first hand the work of a man whom Rene Wellck has called "one of the greatest critics of history." At a time when the function of criticism is coming once again under close skeptical scrutiny, Friedrich Schlegel's unorthodox, unsystematic but seminal critical mind—all of literature, philosophy, art, and history were grist to his mill—should find many sympathetic readers. The book will be of particular interest to theorists of literature and fiction, comparative literature scholars, and historians of the intellectual history of Germany, and it is appropriate for course use in German and comparative literature classes.

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0889463654

Michael Forster here presents a ground-breaking study of German philosophy of language in the nineteenth century (and beyond). His previous book, After Herder, showed that the eighteenth-century philosopher J.G. Herder played the fundamental role in founding modern philosophy of language, including new theories of interpretation ('hermeneutics') and translation, as well as in establishing such whole new disciplines concerned with language as anthropology and linguistics. This new volume reveals that Herder's ideas continued to have a profound impact on such important nineteenth-century thinkers as Friedrich Schlegel (the leading German Romantic), Wilhelm von Humboldt (a founder of linguistics), and G.W.F. Hegel (the leading German Idealist). Forster shows that the most valuable ideas about language in this tradition were continuous with Herder's, whereas deviations from the latter that occurred tended to be inferior. This book not only sets the historical record straight but also champions the Herderian tradition for its philosophical depth and breadth.

Includes: Schleiermacher's "On the Different Methods of Translation;" Jean Paul's "School for Aesthetics;" Novalis's "Aphorisms and Fragments;" Schlegel's "Dialogue on Poetry and Lectures on Dramatic Art and Literature;" Holderlin's "On the Process of the Poetic Mind;" von Kleist's "On the Marionette Theater;" Muller's "Twelve Lectures on Rhetoric;" von Humboldt's "On the Imagination;" Gorres's "The German Chapbooks;" and Grimm's "On The Origin of Language."

Cigar box labels in the late 19th and early 20th centuries were not only amusing and beautiful to admire, they were a testament to the printing process of chromolithography and an important precursor to today's methods of product advertising.Labeling America: Popular Culture on Cigar Box Labels showcases the unique collection of John Grossman which covers 90 years of cigar box labels and bands printed by four generations of George Schlegel Lithographers. What makes this archive unique is that the Schlegel Company kept meticulous sample albums and files showing an unbroken record of American graphic style evolution. The work of many other lithographers of that era either destroyed or irreversibly dispersed their work.Now housed at the Winterthur Museum in Delaware, the carefully cataloged Grossman collection gives a glimpse into life at the turn of the century, when over 5 billion cigars were being sold in the United States via boxes with colorful labels depicting everything from women, animals, and sports icons to actors, heroes, and political figures. This book takes these beautifully printed slices of American culture and combines them with the history of chromolithography into an interesting story of America's changing tastes and graphic standards.For more about this title, please visit labelingamerica.com.

Michael Forster here presents a ground-breaking study of German philosophy of language in the nineteenth century (and beyond). His previous book, After Herder, showed that the eighteenth-century philosopher J.G. Herder played the fundamental role in founding modern philosophy of language, including new theories of interpretation ('hermeneutics') and translation, as well as in establishing such whole new disciplines concerned with language as anthropology and linguistics. This new volume reveals that Herder's ideas continued to have a profound impact on such important nineteenth-century thinkers as Friedrich Schlegel (the leading German Romantic), Wilhelm von Humboldt (a founder of linguistics), and G.W.F. Hegel (the leading German Idealist). Forster shows that the most valuable ideas about language in this tradition were continuous with Herder's, whereas deviations from the latter that occurred tended to be inferior. This book not only sets the historical record straight but also champions the Herderian tradition for its philosophical depth and breadth.

A new Bible atlas with 85 full-page color maps with biblical events marked on enhanced satellite imagery, accompanied by geographical and historical commentary.