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Examensarbeit aus dem Jahr 2008 im Fachbereich Kunst - Kunstpädagogik, Note: 1, Hochschule für Bildende Künste Hamburg, Sprache: Deutsch, Anmerkungen: "Sehr gute Examensarbeit" (eine detaillierte Rückmeldung habe ich nicht bekommen) , Abstract: „Der sentimentale Schmalz verlangt nach einem trockenen Brötchen" „Wie weit sind die beiden Felsen voneinander entfernt?" Anna Oppermanns Arbeiten wie auch Theorien zum Denken aus der Philosophie und der kognitiven Psychologie haben mich über mein Studium hin begleitet und bildeten einen theoretischen „Pool" für meine künstlerische Arbeit, der mich inspirierte und anregte. Donald Judds Arbeitsweise ist mir fremd, da sie sich sehr von meiner eigenen unterscheidet. Sie stellt durch ihre klaren und minimalistischen Formen jedes „Wuchernde" in Frage. Ich möchte in dieser Hausarbeit mit der Form des Vergleichs arbeiten, da sie eine Spannung ergibt, die eine Präzisierung der beiden Standpunkte zur Folge hat. Durch die Gegenüberstellung der Werke und Denkarten der beiden Künstler wird es mir möglich sein die Vor- und Nachteile beider Arbeitsweisen zu untersuchen und einen eigenen Standpunkt zu finden . Der Fokus wird dabei auf den Ordnungsstrukturen der Denk- und Gestaltungsformen beider Künstler liegen: - Wo liegen die Unterschiede in den Ordnungen beider Künstler, in welcher Hinsicht kann man von Ähnlichkeiten sprechen? - Was ergeben sich für Fragen bei der Betrachtung der Werke? Beide Künstler haben unterschiedliche Vorgehensweisen und eigene Vorstellung von Ordnungen, die sich auch in den Formen ihrer Texte zeigen. Ich werde diese Vorstellungen untersuchen und sie gegenüberstellen Zu diesem Zweck werde ich die Künstler, ihre Arbeitsweisen und Werke kurz vorstellen und mich daraufhin mit einem ausgesuchten Werk beschäftigen. - Welcher Gestaltungsformen bedienen sich beide Künstler, was ist ihren Werken zu eigen? - Wo liegen Unterschiede und Ähnlichkeiten in den Gestaltungsformen beider Künstler in Hinblick auf ihre

The Ojibwa have lived in Ontario longer than any other ethnic group. Until now, however, their history has never been fully recorded. Peter Schmalz offers a sweeping account of the Ojibwa in which he corrects many long-standing historical errors and fills in numerous gaps in their story. His narrative is based as much on Ojibwa oral tradition as on the usual historical sources.Beginning with life as it was before the arrival of Europeans in North America, Schmalz describes the peaceful commercial trade of the Ojibwa hunters and fishers with the Iroquois. Later, when the Five Nations Iroquois attacked various groups in southern Ontario in the mid-seventeenth century, the Ojibwa were the only Indians to defeat them, thereby disproving the myth of Iroquois invincibility.In the eighteenth century the Ojibwa entered their golden age, enjoying the benefits of close alliance with both the French and the English. But with those close ties came an increasing dependence on European guns, tools, and liquor at the expense of the older way of life. The English defeat of the French in 1759 changed the nature of Ojibwa society, as did the Beaver War (better known as the Pontiac Uprising) they fought against the English a few years later. In his account of that war, Schmalz offers a new assessment of the role of Pontiac and the Toronto chief Wabbicommicot.The fifty years following the Beaver War brought bloodshed and suffering at the hands of the English and United Empire Loyalists. The reserve system and the establishment of special schools, intended to destroy the Indian culture and assimilate the Ojibwa into mainstream society, failed to meet those objectives.The twentieth century has seen something of an Ojibwa renaissance. Schmalz shows how Ojibwa participation in two world wars led to a desire to change conditions at home. Today the Ojibwa are gaining some control over their children's education, their reserves, and their culture.

The Ojibwa have lived in Ontario longer than any other ethnic group. Until now, however, their history has never been fully recorded. Peter Schmalz offers a sweeping account of the Ojibwa in which he corrects many long-standing historical errors and fills in numerous gaps in their story. His narrative is based as much on Ojibwa oral tradition as on the usual historical sources.Beginning with life as it was before the arrival of Europeans in North America, Schmalz describes the peaceful commercial trade of the Ojibwa hunters and fishers with the Iroquois. Later, when the Five Nations Iroquois attacked various groups in southern Ontario in the mid-seventeenth century, the Ojibwa were the only Indians to defeat them, thereby disproving the myth of Iroquois invincibility.In the eighteenth century the Ojibwa entered their golden age, enjoying the benefits of close alliance with both the French and the English. But with those close ties came an increasing dependence on European guns, tools, and liquor at the expense of the older way of life. The English defeat of the French in 1759 changed the nature of Ojibwa society, as did the Beaver War (better known as the Pontiac Uprising) they fought against the English a few years later. In his account of that war, Schmalz offers a new assessment of the role of Pontiac and the Toronto chief Wabbicommicot.The fifty years following the Beaver War brought bloodshed and suffering at the hands of the English and United Empire Loyalists. The reserve system and the establishment of special schools, intended to destroy the Indian culture and assimilate the Ojibwa into mainstream society, failed to meet those objectives.The twentieth century has seen something of an Ojibwa renaissance. Schmalz shows how Ojibwa participation in two world wars led to a desire to change conditions at home. Today the Ojibwa are gaining some control over their children's education, their reserves, and their culture.

The Messianic Seal of the Jerusalem Church, by Dr. Raymond Robert Fischer and R. E. Schmalz - First book on this important find - the symbol that many feel was the "logo" of the first Messianic church, headed by James,brother of Jesus, on Mount Zion. Reviews the historical and archeological background of the seal, and its potential spiritual significance. Soft, 100 pages, with color photographs of the artifacts.