67 products were found matching your search for Schnabel in 3 shops:

Soft cover catalogue titled JULIAN SCHNABEL: Paintings 1975-1987. Published by Whitechapel Art Gallery in 1987 - second edition. Illustrated with color reproductions of the artist work. Bookseller since 1995 (LL-Art-3-TS-R) rareviewbooks

Live unpublished and newly restored broadcasts. Artur Schnabel lived as a concert pianist, composer, teacher and editor, activities that reveal a complete musician whose genius enlightened chamber music, under-represented in studio sessions. His live duo recital with Joseph Szigeti attests to the heights he achieved in real life, away from the studio atmosphere that he loathed. A legendary Beethoven player whose teacher studied with Beethoven's assistant, Schnabel's Schubert was equally importan

Julian Schnabel: A Private Portrait chronicles the personal life and public career of the celebrated artist and filmmaker Julian Schnabel. Written and directed by Italy's Pappi Corsicato, the film details the Brooklyn-born Schnabel's formative years in Brownsville, Texas; the beginning of his professional career in New York City in the late Seventies; and his Eighties rise to superstar status in Manhattan's art scene as well as international acclaim as a leading figure in the Neo-Expressionism m

Artur Schnabel Plays Mozart Artur Schnabel - CD 017685119323

Julian Schnabel: CVJ is a facsimile of the out-of-print Random House edition from 1987, offering a new opportunity to assess Schnabel’s influence on younger generations of artists and on the current debates on painting.

Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present.

A collection of more than three hundred definitive pieces, many previously unpublished, demonstrates the artist's range and is complemented by text drawn from interviews, essays, and notes that offer insight into his views about art and life. 20,000 first printing.

2008 Exhibition Catalog for Gagosian Gallery. Sixteen color plates in large format.

Bll. + 572 S. inkl. Anhang mit Leben, Ausstellungen, Bibliographie, u. mit s/w. u. meist. farb. Abb. (Wiederg. d. Werke, ganzseit.). * Julian Schnabel (Gebor. 26. Oktober 1951 in New York City, New York) ist ein US-amerikanischer Künstler, Maler, Graphiker, Konzeptionskünstler und Filmmacher. +++++KEIN VERSAND MEHR NACH ÖSTERREICH AB 01.01.2025 (EPR)+++++ Sprache: Englisch Gewicht in Gramm: 4280 Gr.-4° (34 x 26, 5 cm), O(Rosa)-GanzKarton (Gebunden/Fadenheftung) mit schwarzgepr.-Titelung. Ecke oben rechts vorn leicht bestossen u. geringf. lädiert (keine Stoßspuren innen ! - im Preis berücksichtigt). Mit OIll.-Umschlag. Gut erhalten.

Artur Schnabel: The RCA Victor Recordings Artur Schnabel - CD 889853897124

Julian Schnabel: A Private Portrait chronicles the personal life and public career of the celebrated artist and filmmaker Julian Schnabel. Written and directed by Italys Pappi Corsicato, the film details the Brooklyn-born Schnabels formative years in Brownsville, Texas; the beginning of his professional career in New York City in the late Seventies; and his Eighties rise to superstar status in Manhattans art scene as well as international acclaim as a leading figure in the Neo-Expressionism m

Bringing Danish artist J.F. Willumsen (1863–1958) and French artist Francis Picabia (1879–1951) together with director and artist Julian Schnabel (born 1951), Café Dolly discusses the transhistorical and postmodern sympathies between their painting strategies, also reflecting on the reception history of their respective works.

Julian Schnabel (b. 1951) is regarded throughout the world as one of the most important artists of our time. He burst onto the neo-expressionist art scene of the early 1980s with huge, arresting paintings on collaged shards of smashed plates, but is probably best known today as a successful filmmaker. His works combine oil painting and collage techniques, classical pictorial elements inspired by historical art, and neo-expressionist features. This volume provides a precise account of Julian Schnabel's artistic output over the last thirty years, describing the personality of a metamorphic and unpredictable artist and his bold, somewhat confrontational style reminiscent of the energy and daring of Picasso and Pollock. From the broken-plate paintings that brought him fame, to the recent, massively scaled Big Girls series, the artist's work is set in the context of his overall sensibility, becoming part of an ongoing pictorial diary of a life.

Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present.

Julian Schnabel: Works on Paper 1976-1992. Interview with the artist by Francesco Clemente. 1993. Wraps. 38 plates. 32 pages.

Julian Schnabel (b. 1951) is regarded throughout the world as one of the most important artists of our time. He burst onto the neo-expressionist art scene of the early 1980s with huge, arresting paintings on collaged shards of smashed plates, but is probably best known today as a successful filmmaker. His works combine oil painting and collage techniques, classical pictorial elements inspired by historical art, and neo-expressionist features. This volume provides a precise account of Julian Schnabel's artistic output over the last thirty years, describing the personality of a metamorphic and unpredictable artist and his bold, somewhat confrontational style reminiscent of the energy and daring of Picasso and Pollock. From the broken-plate paintings that brought him fame, to the recent, massively scaled Big Girls series, the artist's work is set in the context of his overall sensibility, becoming part of an ongoing pictorial diary of a life.

2008 Exhibition Catalog for Gagosian Gallery. Sixteen color plates in large format.

A collection of more than three hundred definitive pieces, many previously unpublished, demonstrates the artist's range and is complemented by text drawn from interviews, essays, and notes that offer insight into his views about art and life. 20,000 first printing.

A collection of more than three hundred definitive pieces, many previously unpublished, demonstrates the artist's range and is complemented by text drawn from interviews, essays, and notes that offer insight into his views about art and life. 20,000 first printing.

This is not an historical recording. Yet mysteriously the music is performed in an interpretation which is historically authentic down to the last detail. The key to this mystery is: The original performer was present at the recent recording session, but not physically: The music is heard on a modern Steinway. Never has music stored in the Welte-Mignon system sounded so "right" or so good. Thanks to TACET's much-praised recording technique, and because the Welte-Mignon memory system and sound pr