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Istanbul panoramas from the author of My Name Is RedIn the winter of 2011 Nobel Prize–winning Turkish novelist Orhan Pamuk took 8,500 color photographs from his balcony with its panoramic view of Istanbul, the entrance of the Bosphorus, the old town, the Asian and European sides of the city, the surrounding hills and the distant islands and mountains. Sometimes he would leave his writing desk and follow the movements of the boats as they passed in front of his apartment and sailed away.Pamuk has been taking photographs for more than 50 years, but as he obsessively created these images he felt his desire to do so was related to a strange particular mood he was experiencing. He photographed further and began to think about what was happening to himself: why was he taking these photos? How are seeing and photography related? What is the affinity between writing and seeing? Balkon presents almost 500 of these photos selected by Pamuk, who has also codesigned the book and written its introduction.Born in Istanbul in 1952, Orhan Pamuk intended until the age of 22 to be a painter. In the 1960s and ’70s, as he describes in his book of autobiographical essays Istanbul (2003), he photographed the streets of Istanbul to use in his paintings; his early desire to take photos is explored in the introduction to the illustrated version of Istanbul (2017). Pamuk won the Nobel Prize for Literature in 2006; among his best-known novels are My Name Is Red (1998), Snow (2004) and The Red-Haired Woman (2016). His 2008 novel, The Museum of Innocence, became an actual museum, which he opened in Istanbul in 2012 to exhibit the objects, pictures, papers and photographs described in the story. The Museum of Innocence received the European Museum of the Year Award in 2014.

Istanbul panoramas from the author of My Name Is RedIn the winter of 2011 Nobel Prize–winning Turkish novelist Orhan Pamuk took 8,500 color photographs from his balcony with its panoramic view of Istanbul, the entrance of the Bosphorus, the old town, the Asian and European sides of the city, the surrounding hills and the distant islands and mountains. Sometimes he would leave his writing desk and follow the movements of the boats as they passed in front of his apartment and sailed away.Pamuk has been taking photographs for more than 50 years, but as he obsessively created these images he felt his desire to do so was related to a strange particular mood he was experiencing. He photographed further and began to think about what was happening to himself: why was he taking these photos? How are seeing and photography related? What is the affinity between writing and seeing? Balkon presents almost 500 of these photos selected by Pamuk, who has also codesigned the book and written its introduction.Born in Istanbul in 1952, Orhan Pamuk intended until the age of 22 to be a painter. In the 1960s and ’70s, as he describes in his book of autobiographical essays Istanbul (2003), he photographed the streets of Istanbul to use in his paintings; his early desire to take photos is explored in the introduction to the illustrated version of Istanbul (2017). Pamuk won the Nobel Prize for Literature in 2006; among his best-known novels are My Name Is Red (1998), Snow (2004) and The Red-Haired Woman (2016). His 2008 novel, The Museum of Innocence, became an actual museum, which he opened in Istanbul in 2012 to exhibit the objects, pictures, papers and photographs described in the story. The Museum of Innocence received the European Museum of the Year Award in 2014.

New! This book is in the same immaculate condition as when it was published 0.85

Ottoman era fiction by Nobel laureate Orhan Pamuk.

Orhan Pamuk’s first book since winning the Nobel Prize, Other Colors is a dazzling collection of essays on his life, his city, his work, and the example of other writers.Over the last three decades, Pamuk has written, in addition to his seven novels, scores of pieces—personal, critical, and meditative—the finest of which he has brilliantly woven together here. He opens a window on his private life, from his boyhood dislike of school to his daughter’s precocious melancholy, from his successful struggle to quit smoking to his anxiety at the prospect of testifying against some clumsy muggers who fell upon him during a visit to New York City. From ordinary obligations such as applying for a passport or sharing a holiday meal with relatives, he takes extraordinary flights of imagination; in extreme moments, such as the terrifying days following a cataclysmic earthquake in Istanbul, he lays bare our most basic hopes and fears. Again and again Pamuk declares his faith in fiction, engaging the work of such predecessors as Laurence Sterne and Fyodor Dostoyevsky, sharing fragments from his notebooks, and commenting on his own novels. He contemplates his mysterious compulsion to sit alone at a desk and dream, always returning to the rich deliverance that is reading and writing.By turns witty, moving, playful, and provocative, Other Colors glows with the energy of a master at work and gives us the world through his eyes, assigning every radiant theme and shifting mood its precise shade in the spectrum of significance.

From the Nobel Prize-winning author of My Name Is Red and Snow, a large-format, deluxe, collectible edition of his beloved memoir about life in Istanbul, with more than 200 added illustrations and a new introduction.Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy--or hüzün--that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from the lives of his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters--both Turkish and foreign--who would shape his consciousness of his city. Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

Orhan Pamuk'a ilk ununu getiren bu buyuk roman Istanbullu bir ailenin yetmis yillik seruvenini hikiye ediyor. Yazarin "Ulke, Aile, Roman" uzerine sonsozuyle...Nisantasli bir ailenin 20. yuzyilin basindan itibaren uc kusak boyunca seruvenlerini anlatan bu kitap ev iclerinin renklerini, zamanin akisini, gunluk siradan konusmalari akilda yer eden kahramanlar araciligiyla saptarken, okura geleneksel romandan alinacak hazlari butunuyle veriyor. Abdulhamit doneminin son yillarinda, Istanbul'un ilk Musluman tuccarlarindan kucuk dukkin sahibi Cevdet Bey'in tutkusu, hem islerini buyutmek, zenginlestirmektir hem de "Batili anlamda" cagdas, modern bir aile kurmak. Koku tasraya uzanan geleneksel ailesini bir yana birakarak bu isteklerini gerceklestirmeye girisen Cevdet Bey'in ve ogullarinin hikiyesi, bir anlamda modernlesme ugrasi icindeki Turkiye Cumhuriyeti'nin ozel hayatinin da hikiyesidir. Ev iclerinin, yeni apartman hayatinin, Batililasan buyuk ailelerin, Beyoglu'na cikip alisveris etmelerin,

From the Nobel Prize-winning author of My Name Is Red and Snow, a large-format, deluxe, collectible edition of his beloved memoir about life in Istanbul, with more than 200 added illustrations and a new introduction.Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy--or hüzün--that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from the lives of his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters--both Turkish and foreign--who would shape his consciousness of his city. Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

A sweeping, emotionally charged novel of the nature of romantic attachment and the strange allure of collecting — this is Orhan Pamuk’s greatest achievement.It is Istanbul in 1975. Kemal is a rich and engaged man when he by chance encounters a long-lost relation, Fusun, a young shopgirl whose beauty stirs all the passion denied him in a society where sex outside marriage is taboo. Fusun ends their liaison when she learns of Kemal’s engagement. But Kemal cannot forget her: for nine years he tries to change her mind, meanwhile stealing from her an odd assortment of personal items, which he collects and cherishes — a “museum of innocence” that he puts on display to tell the heartbreaking story of a love that shaped a life.

WINNER OF THE 2015 BANCROFT PRIZE WINNER OF THE 2015 PHILIP TAFT PRIZEFINALIST FOR THE 2015 PULITZER PRIZE FOR HISTORYSHORTLISTED FOR THE 2015 CUNDHILL PRIZE IN HISTORICAL LITERATUREEconomist BOOKS OF THE YEAR 2015'Knowledgeable and stunning' Orhan Pamuk 'A masterpiece of the historian's craft' The NationFor about 900 years, from 1000 to 1900, cotton was the world's most important manufacturing industry. It remains a vast business - if all the cotton bales produced in 2013 had been stacked on top of each other they would have made a somewhat unstable tower 40,000 miles high. Sven Beckert's superb new book is a history of the overwhelming role played by cotton in dictating the shape of our world. It is both a gripping narrative and a brilliant case history of how the world works.

2006 Nobel Edebiyat Ödüllü Orhan Pamuk 100'ü askin ülkede 46 dilde okunuyor.Orhan Pamuk'un "en renkli ve en iyimser romanim", dedigi "Benim Adim Kirmizi", 1591 yilinda istanbul'da karli dokuz kis gününde geçiyor. iki küçük oglu birbirleriyle sürekli çatisan güzel Seküre, dört yildir savastan dönmeyen kocasinin yerine kendine yeni bir koca, sevgili aramaya baslayinca, o sirada babasinin tek tek eve çagirdigi saray nakkaslarini saklandigi yerden seyreder. Eve gelen usta nakkaslar, babasinin denetimi altinda Osmanli Padisahi'nin gizlice yaptirttigi bir kitap için Frenk etkisi tasiyan tehlikeli resimler yapmaktadirlar. Aralarindan biri öldürülünce, Seküre'ye asik, teyzesinin oglu Kara devreye girer. istanbul'da bir vaizin etrafinda toplanmis, tekkelere karsi bir çevrenin baskilari, pahalilik ve korku hüküm sürerken, geceleri bir kahvede toplanan nakkaslar ve hattatlar sivri dilli bir meddahin anlattigi hikayelerle eglenirler. Herkesin kendi sesiyle konustugu, ölülerin, esyalarin dillendigi, ölüm, sanat, ask, evlilik ve mutluluk üzerine bu kitap, ayni zamanda eski resim sanatinin unutulmus güzelliklerine bir agit."Genç Türk Romancisi Orhan Pamuk, Avrupa'ya roman nasil yazilir, gösteriyor."- Frankfurter Allegemeine, Almanya"Orhan Pamuk'u herkes okumali."- The New Statesman, ?ngiltere

Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.

Hardcover. WINNER OF THE NOBEL PRIZE IN LITERATURE'One of the world's finest living writers.' Independent'In this world of forgeries, where some might be in danger of losing their faith in literature, Pamuk is the real thing.' Savkar Altinel, Observer'Orhan Pamuk is the sort of writer for whom the Nobel Prize was invented.' Daily TelegraphEvery day for over a decade, Orhan Pamuk has written and drawn in his notebooks. Translated into English for the first time, these stunning snapshots of his life and creative process are a wonderful accompaniment to his bestselling works of fiction.They include daily events and reflections, dialogues with his imagined characters, notes on his works-in-progress, his experience of writer's block and the unfolding of his difficulties with the current Turkish government. Each entry is illustrated in the author's uniquely idiosyncratic and charming style. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Orhan Pamuk's first book since winning the Nobel Prize in 2006, Other Colours is a dazzling collection of essays on his life, his city, his work, and the example of other writers. Over the last three decades, Pamuk has written, in addition to his seven novels, scores of pieces-personal, critical, and meditative-the finest of which he has brilliantly woven together here. He opens a window on his private life, from his boyhood dislike of school to his daughter's precocious melancholy, from his successful struggle to quit smoking to his anxiety at the prospect of testifying against some clumsy muggers who fell upon him during a visit to New York City. From ordinary obligations such as applying for a passport or sharing a holiday meal with relatives, he takes extraordinary flights of imagination; in extreme moments, such as the terrifying days following a cataclysmic earthquake in Istanbul, he lays bare our most basic hopes and fears. Again and again Pamuk declares his faith in fiction, engaging the work of such predecessors as Laurence Sterne and Fyodor Dostoyevsky, sharing fragments from his notebooks, and commenting on his own novels. He contemplates his mysterious compulsion to sit alone at a desk and dream, always returning to the rich deliverance that is reading and writing. By turns witty, moving, playful, and provocative, Other Colors glows with the energy of a master at work and gives us the world through his eyes, assigning every radiant theme and shifting mood its precise shade in the spectrum of significance.

Over thirteen years, Aret has published six Nobel Prize winners: T S Eliot, William Golding, Boris Pasternak, Orhan Pamuk, Harold Pinter, and Rudyard Kipling. The distinguished roster of contributors includes Milan Kundera, John Updike, Salman Rushdie, Evelyn Waugh, Tom Stoppard, David Hare, Patrick Marber, Christopher Hampton, Martin Amis, Ian McEwan, William Boyd, David Lodge, Julian Barnes, Christopher Logue, Vladimir Nabokov, Alan Bennett, Rose Tremain, Rosemary Hill, Candia McWilliam, Wendy Cope, Frances Stonor Saunders, Nicholson Baker and Rachel Polonsky. Aret began in the winter of 1999. Not long after, Robert McCrum, then Literary Editor of the Observer, advised his readers to buy issues of the magazine as collectors items. Because, he assured them, the magazine would shortly close down. We have reached Issue 40. This Retrospective is 500 pages of survivor guilt.

What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Orhan Pamuk takes us into the worlds of the writer and the reader, revealing their intimate connections. Pamuk draws on Friedrich Schiller’s famous distinction between “naive” poets—who write spontaneously, serenely, unselfconsciously—and “sentimental” poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist’s craft. He ponders the novel’s visual and sensual power—its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he considers the elements of character, plot, time, and setting that compose the “sweet illusion” of the fictional world. Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive book by one of the modern masters of the art.

Contains picturesque views of Istanbul beautiful and impressive enough to be hung on a wall. It was published in French nearly two centuries ago, and had not been widely available in translation into English until now. For many bibliophiles and lovers of Istanbul, it is a rare and hard to reach work. Orhan Pamuk's Istanbul: Memories and the City where the author wrote "...of all the Western artists who painted the Bosphorus, it is Melling I find the most nuanced and convincing..." Already a sine qua non for academics, book lovers, and collectors, this masterpiece had thus gained international fame. In English, French and Turkish

In the three decades that Nobel prize-winning author Orhan Pamuk has devoted himself to writing fiction, he has also produced scores of witty, moving, and provocative essays and articles. He engages the work of Nabokov, Kundera, Rushdie, and Vargas Llosa, among others, and he discusses his own books and writing process. We also learn how he lives, as he recounts his successful struggle to quit smoking, describes his relationship with his daughter, and reflects on the controversy he has attracted in recent years. Here is a thoughtful compilation of a brilliant novelist's best nonfiction, offering different perspectives on his lifelong obsessions with loneliness, contentment, and the books and cities that have shaped his experience.

Orhan Pamuk Istanbul'da, hayatinin ilk yirmi iki senesini bir buyume ve olgunlasma romanina donusturuyor. Yazarin cocuklugu ve ilkgencliginin hikiyesi ve aile tarihiyle Istanbul'un bir imparatorluk baskentinden 20. yuzyil baslarinda yikintilarla ve huzunle dolu bir sehre donusmesinin hikayesi olan Istanbul - Hatiralar ve Sehir, yalnizca Pamuk'un bir Istanbul yazari olarak ununu saglamlastiran kitabi degil, ayni zamanda tum dunya edebiyatinda bir sehrin ruhu hakkinda yazilmis en derin kitaplardan biri. Pamuk cocukluk ve gencligini anlatiyor..."Ruhumdaki bu kirilmayi hissediyor, yaklasan yalnizligimdan telasa kapiliyor, icine dusmekte oldugum karanligin bir hayat tarzi olmasindan korkarak herkes gibi olmaya karar veriyordum: On yedi on sekiz yaslarimda bir donem herkesi gulduren, her firsatta saka yapan, herkesle arkadasca, hatta serserice iyi gecinen bir cemaat adami gibi gozukmeyi basardim... Herkesin kafayi fazla takmadan yaptigi seyleri yapabilmek icin niye benim disimi sikmam, gayret etmem, sonra da poz yaptigim icin kendimden nefret etmem gerekiyordu?"Yazarin kendini "ben" olarak ilk hissedisinden, annesine, babasina, ailesine yonelen hikiye, bir huzun ve mutluluk kaynagi olarak Istanbul sokaklarina aciliyor. Gunumuzun buyuk romancisinin gozunden 1950'lerin Istanbul sokaklarini, parke tasi kapli caddeleri, yanip yikilan ahsap konaklari, eski bir kulturun yok olusuyla, onun kulleri ve yikintilari arasindan bir yenisinin dogusunun zorluklarini kesfederken Pamuk'un ruhsal dunyasinin olusumunu da bir dedektif romani okur gibi, hizla izliyoruz... Bu ozgun ve benzersiz eserde, okurken elden birakamadigimiz kitaplara has o ruh ve duygu birligi var.Orhan Pamuk'un, Ara Guler basta olmak uzere Istanbul'un buyuk fotografcilarinin cektigi on binlerce kareden ve kendi kisisel albumunden sectigi fotograflar hikiyeye eslik ediyor."Simdiye kadar bir sehir hakkinda yazilmis en unutulmaz, en huzunlu ve en muhtesem kitap."The San Diego Union-Tribune "Sayin Orhan Pamuk, Ista

2006 Nobel Edebiyat Ödüllü Orhan Pamuk 100'ü askin ülkede 46 dilde okunuyor.Orhan Pamuk'un "en renkli ve en iyimser romanim", dedigi "Benim Adim Kirmizi", 1591 yilinda istanbul'da karli dokuz kis gününde geçiyor. iki küçük oglu birbirleriyle sürekli çatisan güzel Seküre, dört yildir savastan dönmeyen kocasinin yerine kendine yeni bir koca, sevgili aramaya baslayinca, o sirada babasinin tek tek eve çagirdigi saray nakkaslarini saklandigi yerden seyreder. Eve gelen usta nakkaslar, babasinin denetimi altinda Osmanli Padisahi'nin gizlice yaptirttigi bir kitap için Frenk etkisi tasiyan tehlikeli resimler yapmaktadirlar. Aralarindan biri öldürülünce, Seküre'ye asik, teyzesinin oglu Kara devreye girer. istanbul'da bir vaizin etrafinda toplanmis, tekkelere karsi bir çevrenin baskilari, pahalilik ve korku hüküm sürerken, geceleri bir kahvede toplanan nakkaslar ve hattatlar sivri dilli bir meddahin anlattigi hikayelerle eglenirler. Herkesin kendi sesiyle konustugu, ölülerin, esyalarin dillendigi, ölüm, sanat, ask, evlilik ve mutluluk üzerine bu kitap, ayni zamanda eski resim sanatinin unutulmus güzelliklerine bir agit."Genç Türk Romancisi Orhan Pamuk, Avrupa'ya roman nasil yazilir, gösteriyor."- Frankfurter Allegemeine, Almanya"Orhan Pamuk'u herkes okumali."- The New Statesman, ?ngiltere