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With a commitment to bringing the cinematic experience to everyday photographers and videographers, SIRUI has successfully introduced a series of wide-screen Anamorphic lenses, including the 50mm, 35mm, and 24mm models. Now, they've expanded their range with the 75mm F1.8 1.33X Anamorphic lens for Nikon Z, designed to mimic the horizontal field of view of an 85mm lens on APS-C sensors. This addition completes the SIRUI APS-C Anamorphic lens lineup, fueling your passion for capturing breathtaking wide-screen visuals.The SIRUI 75mm Anamorphic lens enhances your creative potential by offering a 33% increase in the horizontal field of view. This lens produces videos in a 2.4:1 aspect ratio, delivering a cinematic visual experience that's sure to impress. Its longer focal length is adept at capturing subtle expressions, redefining the boundaries of cinematic art.As a portrait powerhouse, the SIRUI 75mm Anamorphic lens leverages a 1.33X squeeze factor and a longer focal length to present subjects in a more natural, undistorted manner. This lens excels in subject separation, filling the frame with your subject while artfully blurring the background. Its sharp, high-resolution imaging capabilities contribute to the depiction of nuanced emotions, making it an ideal choice for portrait photography.The 75mm lens is equipped to produce cinematic masterpieces, offering high-quality images, natural and saturated blue lens flares, and elliptical bokeh. The fast F1.8 aperture and enhanced shutter speed highlight the distinctive Anamorphic look, adding a touch of professional-grade quality to your shots.The unique perspective offered by the 75mm focal length reveals overlooked details in complex scenes, providing a fresh and unique perspective for story interpretation. The spatial compression created by this lens narrows the distance between the background and the subject, delivering a compact yet plump effect. Experience the power of cinematic photography with the SIRUI 75mm F1.8 1.33X Anamorphic lens for Nikon Z.

Established by French financier and aviation enthusiast, Jacques Schneider, in 1912, the Coupe d'Aviation Maritime Jacques Schneider (commonly called the Schneider Trophy) was the catalyst behind the rapid progression of the maritime aviation industry. The annual race along a triangular course of 280 km (later 350 km) attracted crowds of up to 200,000 and quickly became the subject of commercial rivalries and national pride. It instigated a thirst for pioneering design in aviation that eventually led to the development of such aircraft as the British Supermarine Spitfire, the American P-51 Mustang, and the Italian Macchi C.202 Folgore. Over the course of 30 years, Ralph Pegram has extensively researched each of the 100+ aircraft that participated in the contest for the Schneider Trophy from its inception in 1912 to the last race in 1934. The construction, testing and performance of each aircraft and engine is described in detail, with the help of over 120 1:72-scale 3-view drawings from the author's personal collection, most of which are previously unpublished. In addition to this, Pegram describes the individual stories of the pilots, many of whom died in their bid for glory, the fascinating political dynamics underlying each contest, and the rivalries and partnerships that led to the development of some of the most famous models of aircraft ever produced. Schneider Trophy Seaplanes and Flying Boats is the most comprehensive work to have been published on the subject since the early 1980s; the result of decades of research, and supported by unique diagrams, numerous maps, tables, posters and over 100 photographs, it is essential reading for any aviation enthusiast.

The Schneider PC TS Super-Angulon 50mm f/2.8 Lens (For Nikon) gives you the same types of controls used by large format cameras to control perspective, but for your Nikon camera. There's both a parallel shift to reduce or eliminate converging lines or perspective distortion ("keystone correction") and a swinging or tilting of the lens according to Scheimpflug's rule to better utilise depth of field (DOF) without an increase in diffraction from stopping down the aperture further and reducing sharpness.

The Phase One Schneider 75-150mm f/4-5.6 AF LS is a standard zoom lens that provides a 35mm-equivalent focal length of 47-93mm when used with Credo 80/60 digital backs, or 59-118mm with Credo 40 backs. The integrated leaf shutter offers precise shutter speed control and enables flash synchronisation at speeds up to 1/1600 sec.

Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for E mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make...

Carbon Fiber ConstructionThe front barrel is constructed with carbon fiber to be lightweight but durable.Tiniest & LightestWell-designed aspherical elements have been used in this new lens to eliminate chromatic aberration and reduce overall lens size and weight.fThis lens is even smaller than a smartphone. When used on cameras or other setups, the overall weight remains favorable.Lens in such a small form factor can be used on handheld stabilizers, FPV drones and vehicle rigs to gain unique perspectives that are previously unattainable.Handheld, mount on a gimbal or DJI Ronin 4D for quick run-and-gun shooting.Two Flare Options - Tailored To Your TasteBlue FlaresThe classic blue flares provide a cool vide for sci-fi films.Neutral FlaresNeutral flares change color with the light source, which is great for commercial, general, and warm shots.Constant Squeeze Ratio - No "Anamorphic Mumps"This lens maintains a constant 1.6x squeeze ratio at all focusing points, meaning that the subject size doesn't change as you pull the focus.Wide Field Of View - Embrace The Magnificent ScenaryEquivalent to the horizontal FOV of a 22mm FF spherical lens, this little boy can be lifted on an FPV drone to capture breathtaking shots from the sky.The combination of wide field of view and compact size allows you to shoot in tight spaces or from interesting angles.Cinematic Look - You Want It, You Got ItNo Cropping, Stunning Image Quality, 2.4:1 &2.8:1 CinemaScope Aspect RatiosThe 1.6x squeeze factor renders a shallower depth of field, more elongated bokeh and a stronger sense of compression than the 1.33x, which is helpful in separating the subject from the background and adding an artistic touch to your film.Common ScenariosIdeal for creators who want a compact, lightweight lens that can handle a wide range of scenarios.

The Schneider Kreuznach 35mm LS lens is designed for ultimate quality wide angle imaging on medium format 645 format.

Offering life-size magnification, along with a 1.2' minimum focusing distance, the Phase One Schneider Kreuznach 120mm f/4 Macro LS (Blue Ring) is a short telephoto, 1:1 macro lens that is compatible with Mamiya 645 AF-mount medium format cameras.

The Schneider Optics 1072029 CINE-XENAR III Lens is an 75mm lens with a PL-Mount that is designed for digital Cinematography, and covers a Super 35mm frame. These lenses feature a Telecentric imaging design, the same dimensions, and focus/iris gear positions. The focus ring rotates through 270°, and this lens features an aperture range of T2.0 to 16. Each lens is optically coated to improve transmission and contrast, and features an 18-blade iris, for a natural and pleasing Bokeh. This lens features a PL mount with a focus scale in feet.

Offering life-size magnification, along with a 1.2' minimum focusing distance, the Phase One Schneider Kreuznach 120mm f/4 Macro LS (Blue Ring) is a short telephoto, 1:1 macro lens that is compatible with Mamiya 645 AF-mount medium format cameras.

The Phase One Schneider 40-80mm f/4.0-5.6 LS AF is a wide-angle to standard length zoom lens for the medium format 645 AF mount and provides the 35mm focal length equivalence of 25-50mm. This is a versatile and effective set of focal lengths for handheld location shooting with an automatic diaphragm and both manual and auto focus capabilities. Minimum focus distance is 1.97' and the coverage area at the minimum focus is 22 x 16.3" at the wide-angle end and 11.8 x 0.9" at the telephoto end.

The Schneider Kreuznach 35mm LS lens is designed for ultimate quality wide angle imaging on medium format 645 format.

A longer focal length with just enough optical compression for full-length fashion, beauty and portraiture. The preferred lens for location portraits utilising shallow depth of field.

A great all-purpose lens, exhibiting outstanding optical performance. All scenes are captured with amazing details and accuracy. This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.

A great all-purpose lens, exhibiting outstanding optical performance. All scenes are captured with amazing details and accuracy. This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.

A great all-purpose lens, exhibiting outstanding optical performance. All scenes are captured with amazing details and accuracy. This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.

A great all-purpose lens, exhibiting outstanding optical performance. All scenes are captured with amazing details and accuracy. This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.

The Phase One Schneider 40-80mm f/4.0-5.6 LS [Blue Ring] is the perfect companion for the location photographer that demands optimum quality. This lens delivers outstanding image quality throughout the entire zoom range and boasts an optical performance more associated with the best prime lenses.

The Phase One Schneider 40-80mm f/4.0-5.6 LS [Blue Ring] is the perfect companion for the location photographer that demands optimum quality. This lens delivers outstanding image quality throughout the entire zoom range and boasts an optical performance more associated with the best prime lenses.

Progressive ballpoint pen delivers smooth, Viscoglide ink and exceptional writing comfort. Ink glides easily over paper for a high-performance writing experience. Waterproof black ink dries fast and is wipe-proof even when highlighting. With an ergonomic shape and rubberized surface, the innovative barrel design enables handwriting without hand fatigue. Extra wide, stainless steel tip is wear-resistant and delivers clean writing to the end. Schneider Slider Memo XB Ballpoint Pen also features a large ink reservoir and thick, solid metal clip on the removable cap to attach to pockets and more. Ballpoint pen is nonrefillable.