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Blues Ukulele, A Jumpin' Jim's Ukulele Songbook, Book/CD Pack. Blues Ukulele is a collection of 16 blues standards arranged for the ukulele by Fred...

Arise! Publisher: Fred Bock Music Company Category: Choral Series: Fred Bock Publications Format: Paperback From the creative pen of Jim Luc...

(Fretted). Blues Ukulele is a collection of 16 blues standards arranged for the ukulele by Fred Sokolow. Each song comes with two arrangements: The first one gives you lyrics, melody and uke chord grids to strum while singing. The second is a uke chord/melody tab arrangement, so you can play the song's melody and chords simultaneously with a lot of blues licks thrown in. Includes a CD with arrangements of each song played and sung by Fred Sokolow. Includes: Beale Street Blues * C.C. Rider * Limehouse Blues * Midnight Special * St. James Infirmary * St. Louis Blues * 'Tain't Nobody's Biz-ness If I Do * and 9 others.

(Fretted). Bluegrass Ukulele features 21 of the most popular bluegrass songs and fiddle tunes arranged for ukulele by Fred Sokolow. Each song comes with three tablature arrangements: one arrangement where you strum the chords and sing the tune; one where you play an instrumental solo, picking the melody and strumming to fill out the rhythm; and one where you play a fingerpicking solo using banjo-type, three-finger rolls. Includes a CD with arrangements of each song played and sung by Sokolow. Songs: Careless Love * John Hardy * Old Joe Clark * Sally Goodin * Take This Hammer * Turkey in the Straw * The Wabash Cannon Ball * Wildwood Flower * Will the Circle Be Unbroken * and 12 others.

As the sun goes down and night falls, in kids' rooms all across the country, the same scene is enacted: settling the children down and reading a story. Combining Alison Inches's crackling language with a new Muppet puppet from Jim Henson Productions, Go to Bed, Fred is a perfect good-night storybook that comes with its own custom-designed Muppet made of blue plush, with white googly eyes and a shock of bright yellow hair, sized to fit an adult's hand—which means that Fred himself can read and act out the story. Suitable for ages 6 months and up.Winner of a National Parenting Publications Honor Award. Illustrations by Lauren Attinello; Puppet by Rollie Krewson

For many years, guitarist extraordinaire Ernie Hawkins has been playing concerts, clubs and festivals in the US, Canada, Europe and Japan. ON his way up, he has played with legends Son House, Mance Lipscombe, Fred McDowell, Jim Brewer and Rev. Gary Davis. in this DVD Ernie talks about his influences and performs a wide range of blues, ragtime and gospel tunes.

Arranger: Fred Sokolow Bluegrass Ukulele A Jumpin' Jim's Ukulele Songbook Publisher: Flea Market Music, Inc. Category: Guitar, Bass & Fre...

It started out as a "routine" trip to the moon in 1970, but it became a desperate race against time that had an entire world holding its breath. Astronauts Jim Lovell (Tom Hanks), Fred Haise (Bill Paxton), and Jack Swigert (Kevin Bacon) are the crew of Apollo 13, forced to improvise a return to Earth when an on-board explosion causes them to lose power and oxygen, in director Ron Howard's acclaimed drama based on a book by Lovell. With Gary Sinise, Ed Harris, Kathleen Quinlan. 140 min. Widescree

One of the truly legendary releases in the cannon of the man who defined modern Hill Country Blues, Amazing Grace finds Fred McDowell playing with the Hunter's Chapel Singers in Hunter's Chapel of Como Mississippi. This 1966 release originally on Testament was one of the few records producer Jim Dickinson took with him to every recording session to make sure there was always some REAL SHIT present. The recordings also features Fred's wife Annie Mae. McDowell and company perform what the record s

One of the truly legendary releases in the cannon of the man who defined modern Hill Country Blues, Amazing Grace finds Fred McDowell playing with the Hunter's Chapel Singers in Hunter's Chapel of Como Mississippi. This 1966 release originally on Testament was one of the few records producer Jim Dickinson took with him to every recording session to make sure there was always some real shit present. The recordings also features Fred's wife Annie Mae. McDowell and company perform what the record s

Vinyl LP pressing. Jim Bunkley and George Henry Bussey was recorded by George Mitchell in Geneva and Waverly Hall, Georgia in 1969. The album serves as the next installment in the George Mitchell Collection series of early blues recordings which also includes releases from the likes of Mississippi Fred McDowell, R.L. Burnside, Joe Callicott, Furry Lewis and J.W. Warren. A must have for blues enthusiasts everywhere! Jim Bunkley, born and raised in Geneva, Georgia, "made friends with the guitar" a

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations.This book is the culmination of nearly six years of research initiated by Fred Cate and Jim Dempsey to examine national practices and laws regarding systematic government access to personal information held by private-sector companies. Leading an effort sponsored by The Privacy Projects, they commissioned a series of country reports, asking national experts to uncover what they could about government demands on telecommunications providers and other private-sector companies to disclose bulk information about their customers. Their initial research found disturbing indications of systematic access in countries around the world. These data collection programs, often undertaken in the name of national security, were cloaked in secrecy and largely immune from oversight, posing serious threats to personal privacy. After the Snowden leaks confirmed these initial findings, the project morphed into something more ambitious: an effort to explore what should be the rules for government access to private-sector data, and how companies should respond to government demands for access. This book contains twelve updated country reports plus eleven analytic chapters that present descriptive and normative frameworks for assessing national surveillance laws, survey evolving international law and human rights principles applicable to government surveillance, and describe oversight mechanisms. It also explores the concept of accountability and the role of encryption in shaping the surveillance debate. Cate and Dempsey conclude by offering recommendations for both governments and industry.

This book developed from a course on finite fields I gave at the University of Illinois at Urbana-Champaign in the Spring semester of 1979. The course was taught at the request of an exceptional group of graduate students (includ­ ing Anselm Blumer, Fred Garber, Evaggelos Geraniotis, Jim Lehnert, Wayne Stark, and Mark Wallace) who had just taken a course on coding theory from me. The theory of finite fields is the mathematical foundation of algebraic coding theory, but in coding theory courses there is never much time to give more than a "Volkswagen" treatment of them. But my 1979 students wanted a "Cadillac" treatment, and this book differs very little from the course I gave in response. Since 1979 I have used a subset of my course notes (correspond­ ing roughly to Chapters 1-6) as the text for my "Volkswagen" treatment of finite fields whenever I teach coding theory. There is, ironically, no coding theory anywhere in the book! If this book had a longer title it would be "Finite fields, mostly of char­ acteristic 2, for engineering and computer science applications. " It certainly does not pretend to cover the general theory of finite fields in the profound depth that the recent book of Lidl and Neidereitter (see the Bibliography) does.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations.This book is the culmination of nearly six years of research initiated by Fred Cate and Jim Dempsey to examine national practices and laws regarding systematic government access to personal information held by private-sector companies. Leading an effort sponsored by The Privacy Projects, they commissioned a series of country reports, asking national experts to uncover what they could about government demands on telecommunications providers and other private-sector companies to disclose bulk information about their customers. Their initial research found disturbing indications of systematic access in countries around the world. These data collection programs, often undertaken in the name of national security, were cloaked in secrecy and largely immune from oversight, posing serious threats to personal privacy. After the Snowden leaks confirmed these initial findings, the project morphed into something more ambitious: an effort to explore what should be the rules for government access to private-sector data, and how companies should respond to government demands for access. This book contains twelve updated country reports plus eleven analytic chapters that present descriptive and normative frameworks for assessing national surveillance laws, survey evolving international law and human rights principles applicable to government surveillance, and describe oversight mechanisms. It also explores the concept of accountability and the role of encryption in shaping the surveillance debate. Cate and Dempsey conclude by offering recommendations for both governments and industry.

Consummate storyteller and Bowhunting magazine Field Editor Jim Dougherty represents the last of a generation of bowhunting pioneers that popularized hunting with stick and string. A member of the Bowhunting Hall of Fame, Jim rubbed shoulders with such notables as Ben Pearson, Howard Hill, Doug Easton and Fred Bear. From his early lessons in the game-rich California hills to the Rocky Mountains, Canada, Africa and finally settling in Midwestern whitetail country, Jim carved a lifetime of bowhunting memories shared in his unique and wonderful written voice. No campfire, hunting shack, backpack or bedside table should be without Jim's recollection, instruction and opinion on the venerable passion that is hunting with the bow and arrow.

Unmask the next thrilling chapter in this tale of Scooby-Dooby-Doomsday in Scooby Apocalypse Vol. 2, from the mind of Jim Lee, written by Keith Giffen and J.M. DeMatteis, with art by Dale Eaglesham and others!    Fred, Daphne, Velma, Shaggy and Scooby-Doo have gotten mixed up in a lot of spooky shenanigans over the years. But it’s been nothing a trip in the Mystery Machine, a handful of Scooby Snacks and a little meddling couldn’t fix. Until now.    Suddenly the horror is real, the world has been transformed into a zombie-filled wasteland and the gang is on the run.   But what if the cause of the apocalypse is one of their own?   The gang’s resident brainiac Velma has been hiding a dark secret, one that could change the fate of the world—and separate her from her friends forever.   Can Scooby and the gang put aside their differences and save humanity from destruction? Or will they uncover an even more terrifying truth? As Velma herself would say, jinkies!   Collects issues #7-12.

It's fall again, and time for Jim and Andy to help their dad run Fred's Fall Color Tours. The tourists they shuttle around are "Leaf Peepers"--and, boy, do those Peepers love to ooh and aah about the dumbest things. Leaves, trees, pumpkins. Bo-o-ring. But this yerar, even as they poke fun at the Peepers, Jim and Andy can't help but notice how the leaves floating in the river look like a brilliantly colored island, and how the spiky tree branches seem to sweep the clouds across the night sky. Maybe the Peepers aren't so silly after all.

This book developed from a course on finite fields I gave at the University of Illinois at Urbana-Champaign in the Spring semester of 1979. The course was taught at the request of an exceptional group of graduate students (includ­ ing Anselm Blumer, Fred Garber, Evaggelos Geraniotis, Jim Lehnert, Wayne Stark, and Mark Wallace) who had just taken a course on coding theory from me. The theory of finite fields is the mathematical foundation of algebraic coding theory, but in coding theory courses there is never much time to give more than a "Volkswagen" treatment of them. But my 1979 students wanted a "Cadillac" treatment, and this book differs very little from the course I gave in response. Since 1979 I have used a subset of my course notes (correspond­ ing roughly to Chapters 1-6) as the text for my "Volkswagen" treatment of finite fields whenever I teach coding theory. There is, ironically, no coding theory anywhere in the book! If this book had a longer title it would be "Finite fields, mostly of char­ acteristic 2, for engineering and computer science applications. " It certainly does not pretend to cover the general theory of finite fields in the profound depth that the recent book of Lidl and Neidereitter (see the Bibliography) does.