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"This is cultural history of the first order, and it is liberal and humane history at its very best."―David Cannadine An essential work for anyone who wishes to understand the social history of the nineteenth century, Schnitzler's Century is the culmination of Peter Gay's thirty-five years of scholarship on bourgeois culture and society. Using Arthur Schnitzler, the sexually emboldened Viennese playwright, as his master of ceremonies, Gay offers a brilliant reexamination of the hundred-year period that began with the defeat of Napoleon and concluded with the conflagration of 1914. This is a defining work by one of America's greatest historians. 12 b/w illustrations.

LP version. Things come full circle. In 1976 Thomas Fehlmann arrives in Hamburg to study art at the Hamburg University of Fine Arts. In 1979 he attends a guest lecture by Conrad Schnitzler, who demonstrates how the extended definition of art established by Joseph Beuys can be applied to music. This proves to be a crucial element in Fehlmann's decision to become a musician. And now, in 2015, over 35 years later, Fehlmann has compiled the fifth installment in Bureau B's Kollektion series, arrangin

Arthur Schnitzler and Hugo von Hofmannsthal were the principal dramatists of Vienna during the period between the intellectual upheaval at the turn of the 20th century and the political upheaval of World War I. In this book W.E. Yates explores the connections, similarities and contrasts between the personalities and theatrical works of these men, showing how their different reactions to events and the critical reception of their plays shed light on Austria's shifting cultural and intellectual climate. Yates describes the two dramatists and their uneasy friendship - the creative but conservative Hofmannsthal, whose work reflected the seeds of political developments to come, and the ironically objective Schnitzler, dogged by controversy and anti-Semitism (whose hostile reception from the press is documented in his own collection of some 23,000 press clippings). Analysis of key plays is organized around major issues of the time - "the Jewish question", sexual morality and World War I and its aftermath - showing the playwrights' different treatments of these subjects. Yates explains, for example, that Schnitzler was anti-militarist throughout the war, but that Hofmannstal's post-war involvement with the Salzburg Festival - with its connections to pan-German sentiment - exemplifies his conception of the role of the theatre in ideological myth-making. In the conclusion of the book, Yates surveys the fate of the two dramatists' reputations and works in the 1930s and explores how the disintegration of the Habsburg monarchy led to the subversion of cultural and political standards under Fascism.

Arthur Schnitzler's diary covers a period of more than fifty years, from the festive procession to celebrate the silver wedding of Emperor Franz Josef I and his wife Elisabeth until just before Adolf Hitler seized power. When the first entry was made, Schnitzler was 17-years old. The last entry dates from 10.19.1931, two days before his death. The diary gives us insights into the development of a writer, his artistic world and his relationships, as well as the political and social events and shifts of this period. This edition comprises 10 volumes, with integrated indices being included in the tenth volume, facilitating access to this diary that spans more than fifty years.

Unread book in perfect condition.

160 Seiten; TD-PEC9-XIMS Sprache: Deutsch Gewicht in Gramm: 500

Things come full circle. In 1976 Thomas Fehlmann arrives in Hamburg to study art at the Hamburg University of Fine Arts. In 1979 he attends a guest lecture by Conrad Schnitzler, who demonstrates how the extended definition of art established by Joseph Beuys can be applied to music. This proves to be a crucial element in Fehlmann's decision to become a musician. And now, in 2015, over 35 years later, Fehlmann has compiled the fifth installment in Bureau B's Kollektion series, arranging, in unique

Foreword by Stanley ElkinFlirtations -- La Ronde -- Countess Mitzi, or The family reunion -- Casanova's homecoming -- Lieutenant Gustl.

neu, noch in Schutzfolie, Versand spätestens am nächsten Werktag 207003 Sprache: Deutsch Gewicht in Gramm: 625

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LP version. Includes CD. Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club, in 1967/'68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius), and released countless solo albums. Pyrolator, born Kurt Dahlke in 1958, c

Con 3 Conrad Schnitzler - LP 4047179706018

Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club, in 1967/'68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius), and released countless solo albums. Pyrolator, born Kurt Dahlke in 1958, cofounder of the legendary

Extruder is the second unreleased album from the 1987 collaboration between Conrad Schnitzler and Siegmar Fricke (Pharmakustik) who composed and made several tapes of session-material during their musical meetings in Berlin. All recordings produced, arranged, and mastered by Siegmar Fricke at Pharmakustik-studio. The album contains high doses of hydraulically-driven energy generated by complex analog equipment. Micro-formed sound pools of cold extrusion collide with voltage-controlled pulsations

Endtime Conrad Schnitzler - LP 880319567919

Con-Struct Conrad Schnitzler - CD 880319580123

Zug: Reshaped and Remodeled Conrad Schnitzler - LP 880319579714

Contempora Conrad Schnitzler - LP 4047179761918

Congratulacion Conrad Schnitzler - LP 4047179856010

To anybody with the slightest interest in electronic music and krautrock Hans-Joachim Roedelius needs no introduction. As founding member of Kluster (with Conrad Schnitzler and Dieter Moebius; continued as Cluster after Schnitzler's departure) and Harmonia (with Moebius and Michael Rother), he is one of the most highly-regarded pioneers and key figures in both genres. Roedelius remains very productive as of 2015, now in his 80s, and not only performs regularly but also continues to release an im