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This is the first comprehensive testimony to the power and poetry of the paintings by this American artist who began his career in 1950s New York. Art historian Gerald Nordland explores Schueler's student days, placing his work in the context of faculty members Clyfford Still and Hassel Smith and fellow students Ernest Briggs and Edward Dugmore. He then traces Schueler's bold, early abstract paintings as they evolved towards an imagery informed by his experiences during World War II. Critic Richard Ingleby expands on the significance of Scotland and "the north" in Schueler's work and notes the artist's admiration for J.M.W. Turner. Drawing on the artist's published memoirs, Ingleby examines Schueler's struggle to maintain a balance between painting and writing, and his relationship with Mark Rothko.

John Kammerer custom semi hollow 4 string bass. Made in USA. Plays and sounds incredible. Bartolini pickups! currently has the fretted neck install...

Vinyl LP pressing. Glory Sound Prep is Jons sophomore album. Glory Sound Prep illuminates the vast scope of Bellions genre-defying musical and lyrical vision. He threads together pop, R&B, hip-hop, alternative, and rock over the course of the ten-track trip, welcoming listeners into his world with open arms. Having initially built his remarkable fanbase by self-releasing mixtapes recorded in his parents basement, Bellion continues this tradition on his sophomore album by writing and producing

The remarkable autobiography of an American artist's dreams, passions, and workAs an American abstract expressionist painter and early protege of Leo Castelli, Jon Schueler lived and worked among the country's most gifted artists: Clyfford Still, Mark Rothko, Helen Frankenthaler, Jackson Pollock, Willem De Kooning, Jasper Johns, and many others. Schueler was mysteriously driven to connect nature with a deeply personal passion. In the late 1950s, he travelled for the first time to Mallaig, a town in western Scotland on the Sound of Sleat, where the dramatic landscape inspired his art and continued to influence him throughout his career.Over nearly thirty years, as he painted, Schueler worked on this book. In it, he struggled to define what it was that compelled him to paint and wrestled with a conflict that confronts all artists--how to strike a balance between the need to create in solitude and the desire for human intimacy. The Sound of Sleat tells the story of a passionate life and offers a fascinating look at the New York art world in the latter half of this century and an astonishing window on art, hope, despair, and creativity.

Longtime music writer and editor Barney Hoskyns decided to build an archive of articles by his favorite rock writers - like Al Aronowitz, Jon Savage, Greil Marcus, Will Self, Lenny Kaye, Mary Harron, and Nick Hornby. Thus was born the website Rock's Backpages (www.rocksbackpages.com), home to thousands of brilliant reviews and rants, interviews and overviews, that helped define music journalism over the last four decades. The Sound and the Fury is the best of this remarkable collection. With contemporary and retrospective articles on the Beatles, Otis Redding, David Bowie, Bruce Springsteen, Joni Mitchell, ABBA, Madonna, Ice Cube, Nirvana, Morrissey, and many, many more.

Sabian AAX X-Plosion Crash Cymbal 15" - Used at Uncle Jon's Music Description: The Sabian AAX X-Plosion Crash Cymbal offers explosive sound and exc...

Ibanez AZES Solidbody Electric Guitar - VermilionPoplar Body, Maple Neck, 3 Single-Coil PickupsNew at Uncle Jon's Music Step up your sound with the...

Limited 180 gram vinyl LP pressing presented with restored original artwork, immaculate sound remastered by longtime Who engineer Jon Astley. 1978 album by the British Rock icons. Who Are You was their eighth studio album and was released three years after their previous studio outing, The Who By Numbers. Who Are You peaked at #2 on the US charts and #6 on the UK charts. It is The Who's last album with drummer Keith Moon, who died shortly after the album's release. Includes the massive hit title

LP version. Includes CD. Tim Story on Familiar: "When Jon Leidecker phoned in early 2012 with a proposition, it seemed a little too good to be true. Jon, part of a loose-knit west coast collective of sound artists whose work I much admired, wondered if Dieter Moebius and I might be interested in meeting him in a spectacular Montana mountain studio for a week of recording, no strings attached. Moebius, always up for an adventure, didn't need much convincing either. Converging on tiny Whitefish in

Vinyl LP pressing. Formed in Oslo in 1996 by childhood friends Jon-Arne Vilbo and Thomas Andersen along with Jan-Henrik Ohme (later joined by Mikael Krmer, Lars Erik Asp and Kristian Torp), Gazpacho have honed their unique sound over a string of critically acclaimed albums and numerous tours, including several with long-time supporters Marillion. The band signed to Kscope in 2011 and have since released the acclaimed Missa Atropos and March of Ghosts albums but it was 2009's Tick Tock that firs

Limited 180gm vinyl LP pressing presented with restored original artwork, immaculate sound remastered by longtime Who engineer Jon Astley. 1975 album by the British Rock icons. The Who By Numbers was the seventh studio album by The Who. It was named the tenth-best album of the year in The Village Voice Pazz & Jop critics poll. The album contains the hit 'Squeeze Box' (a Top 20 hit in the U.S. and UK) as well as 'Slip Kid', 'Dreaming From The Waist', 'Imagine A Man', 'In A Hand Or A Face' amongst

Honest Jon's Records present a reissue of Derek Bailey's Lot 74, originally released by Incus in 1974. Recorded at a private house in West London, the side-long title track is a masterwork: a twenty-two-minute, starkly personal, freely expressive, itchily searching re-casting of orders of rhythm and sound into a new, quicksilver kind of affective and musical polyphony. Never mind the guitarist's championing of "non-idiomatic improvisation", the poet Peter Riley gets the ball rolling in his ident

Wisconsin's Jon Mueller and New Orleans' Duane Pitre are both towering figures in the world of avant-garde sound. Mueller has notched up an astounding amount of albums and collaborations in the past (including two on this very label) and while most of his time is spent eking out unusual textures from his plethora of percussive instruments, he can also be spotted moonlighting as the drummer for main-stage indie act Volcano Choir. Pitre, having retired as a professional skateboarder (seriously), h

2017 repress. Honest Jon's Records reissues this 2006 classic from Afrobeat co-creator and master drummer Tony Allen. The much-lauded Lagos No Shaking pays tribute to the powerful sounds and rhythms of Allen's homeland of Lagos, Nigeria, marking a return to the classic percussive stylings which harken back to his seminal contribution to Fela Kuti's Africa 70 and Egypt 80. This is the real thing - raw and uncut, recorded in Lagos over ten nights with a 20-piece band, including the finest musician

Collaboration between Liverpool-based sound artist, Jon Davies, aka Kepla, and New York-based media theorist and music writer, DeForrest Brown Jr. Following in the style of verbatim theater, Brown - through private recordings in various urban public environments - recalls a palpable, though unseen trauma while wading amidst Davies's digital processing of found social media audio. The result is a psycho-political meditation on Black America as a (de)territorialized subject. Absent Personae was co

Limited 180gm vinyl LP pressing presented with restored original artwork, immaculate sound remastered by longtime Who engineer Jon Astley. 1965 album by the British Rock icons. My Generation was the debut studio album by The Who. The album was made immediately after the Who achieved their initial success on the UK singles chart but was later dismissed by the band as something of a rush job that did not accurately represent their stage performance of the time. Contrary to their feelings, the albu

See Through is a new collaboration between Aidan Baker (Nadja), Faith Coloccia (Mamiffer, Mara, Sige Records), and renowned percussionist Jon Mueller. The project was brought to life through Baker exploring textural rhythms created by sampling small, sharp and abrupt sounds on the electric guitar and then sequencing them in a drum machine to form the bedrock of the tracks. Mueller then added his particular, signature brand of intricate, hypnotic percussion to the mix and the compositions began t

Limited 180gm vinyl LP pressing presented with restored original artwork, immaculate sound remastered by longtime Who engineer Jon Astley. 1967 album by the British Rock icons. The Who Sell Out was the third studio album by The Who. It is a concept album, formatted as a collection of unrelated songs interspersed with faux commercials and public service announcements. The album purports to be a broadcast by pirate radio station Radio London. 'I Can See for Miles' was released as a single and peak

Turning Point includes three bonus tracks. It is recorded live in 1969 during a show at NYC's famed Fillmore East just after Mick Taylor left to join the Rolling Stones. The album instead featured the guitar playing of Jon Mark and John Almond on sax and flute but no drums. This created a sound that was radically different from their previous releases.

2013 debut album from this band featuring singer/frontman Jon Bunch (Sense Field, Further Seems Forever, Reason To Believe). His signature voice and sound is largely responsible for the melodic Hardcore/Post Hardcore Southern California sound. Jon has teamed up with songwriter Brad Lehman of Maylene and the Sons of Disaster and the dudes from Ignite, and the outcome does not disappoint.