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Bross., cm 28x23, pp 143, tavv. e ill. a col. Veste Coburg, 4. Marz bis 20. Juni 2021. - ISBN: 9783731911043

4° (28,5x21,5 cm); Hardcover mit Schutzumschlag; 191 S., überwiegend SW-Fotos; mit e. Geleitwort von Willi Sitte und e. Schlußwort von Jutta Resch-Treuwerth; - neuwertig;

Gr. 8°, 306 S., 2 Bll. mit einigen s/w Textabbildungen, Orig.-Pappband. Erste Ausgabe.- Gutes Exemplar.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

128 S. : überw. Ill. ; 26 cm sehr gut erhalten n xxxxxxxxxxxxx Sprache: Deutsch Gewicht in Gramm: 550

416 pages. German language. 8.31x5.24x1.26 inches. In Stock.

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 1.41

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Unread book in perfect condition.

German language. 9.61x8.46x1.18 inches. In Stock.

Organized by the Georgia Museum of Art and the Mobile Museum of Art, this exhibition featured 128 paintings from the numerous periods that make up the American scene from 1930 to 1950, when the influences of the Depression and World War II contributed to styles of art variously known as Regionalism, Social Realism, Magic Realism, Surrealism and Precisionism. The exhibition traveled to Mobile, Alabama; Gainesville, Florida; Nashville, Tennessee; Coral Gables, Florida; Savannah, Georgia; and Athens, Georgia. Essays by Erika Lee Doss and Andrew Ladis. Full-color images of all works.

Designed as a parallel exhibition to Coming Home: American Paintings, 1930 1950, from the Schoen Collection, which the Georgia Museum of Art organized with the Mobile Museum of Art in 2003, The American Scene on Paper: Prints and Drawings from the Schoen Collection contains works by many of the same artists as its predecessor and addresses much of the same subject matter, from portrayals of the plight of the American farm worker to the development of industry and the growth of the urban environment. This exhibition catalogue includes 153 prints and drawings, all illustrated full page, in color, and each discussed in a brief essay on the facing page. Historian Harry Katz provides an introduction, and contributing authors include William U. Eiland, Paul Manoguerra, Gail Kallins, Carol Nathanson, Stephen Goldfarb, and Lynn Barstis Williams. This exhibition and exhibition catalogue are of benefit not only to those who appreciate American art created between the two World Wars, but also to the average history buff, and they demonstrate the admirable diversity of Jason Schoen's collection of works on paper, which includes significant contributions from women and African American artists.

Unread book in perfect condition.

Organized by the Georgia Museum of Art and the Mobile Museum of Art, this exhibition featured 128 paintings from the numerous periods that make up the American scene from 1930 to 1950, when the influences of the Depression and World War II contributed to styles of art variously known as Regionalism, Social Realism, Magic Realism, Surrealism and Precisionism. The exhibition traveled to Mobile, Alabama; Gainesville, Florida; Nashville, Tennessee; Coral Gables, Florida; Savannah, Georgia; and Athens, Georgia. Essays by Erika Lee Doss and Andrew Ladis. Full-color images of all works.

Asger Jorn (1914–1973) was a Danish artist who, until 1964, worked exclusively with collages. He then made a complete about-face: from 1964 to 1969, he created a series of “décollages.” For these works, he removed already existing material instead of adding it. He this new technique first on billboards and advertising pillars, using a knife or tearing sections of the layered posters with his bare hands, thus creating new pictorial surfaces and compositions. This catalog presents these groups of works, which are inextricably tied to each other within Asger Jorn’s oeuvre as a whole.

What patterns emerge in media coverage and character depiction of Southern men and women, blacks and whites, in the years between 1954 and 1976? How do portrayals of the region and the equal rights movement illuminate the spirit and experience of the South―and of the nation as a whole? In Framing the South, Allison Graham examines the ways in which the media, particularly television and film, presented Southerners during the period of the civil rights revolution.Graham analyzes depictions of southern race and social class in a wide range of Hollywood films―including A Streetcar Named Desire, The Three Faces of Eve, and A Face in the Crowd from the 1950s; later films like Cool Hand Luke, In the Heat of the Night, and Mississippi Burning; and MGM's Elvis Presley vehicles. She traces how films have confronted―or avoided―issues of racism over the years, paralleling Hollywood depictions with the tamer characterization of the likeable "hillbilly" popularized in television's The Real McCoys and The Andy Griffith Show. Graham reinforces the political impact of these fictional representations by examining media coverage of civil rights demonstrations, including the documentary Crisis: Behind the Presidential Commitment, which reported the clash between Robert Kennedy and Governor George Wallace over the integration of the University of Alabama. She concludes with a provocative analysis of Forrest Gump, identifying the popular film as a retelling of post-World War II Southern history.

3rd full length from Transpacific-indie supergroup starring MIA SCHOEN from such revered Australian indiebands as Sleepy Township / Huon / New Estate / Cannanes etc. And JEN TURRELL from Boyracer and Rabbit in Red etc. Also present are HARRIET and PHOEBE from Ausssie underground No-Wave pop stunners OLSEN TWINS. Produced and drums by STEWART (Boyracer).

A digital copy of "Nixon Effect" by Schoen. Download is immediately available upon purchase!

A digital copy of "Physical Properties of Rocks: Fundamentals and Principles of Petrophysics" by Juergen H. Schön. Download is immediately available upon purchase!

A digital copy of "Biomaterials Science : An Introduction to Materials in Medicine" by B. Ratner, F. Schoen, A. Hoffman and J. Eds. Lemons. Download is immediately available upon purchase!