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If you really believe... “What you don’t know can’t hurt you,” think again. Even living with your eyes wide open there’s no escaping the pesky reality of: blind spots. We all suffer from them. We all succumb to them. And we tend to give ourselves and others “a pass” when it comes to them; claiming it’s just how we’re wired. But missing them? They CAN hurt...in more ways than meet the eye. Seeing Blind Spots focuses on readjusting our lens in a way that causes change in thoughts, questions and behaviors. These short but substantive uncommon lessons from common life occurrences are guaranteed to help you take off the blinders when it comes to awareness, cause/effect, intentionality, magnetism, reflection, self-leadership and more. Insanely practical, Seeing Blind Spots includes leadership development and personal growth questions following each chapter sure to spark lively discussion with a team and cause contemplative self-reflection. Raise your level of awareness and dare to face the blind spots that may be keeping you stuck!

Hardcover. Accompanying a Queensland Art Gallery Gallery of Modern Art exhibition of the same name, William Yang: Seeing and Being Seen explores photographer and performer William Yang's five decades of prolific art practice. This is the first major survey exhibition and publication on the artist by a state gallery. Featuring reproductions of over 200 photographs, it traces Yang's career from his heady early days as a social photographer in the 1970s documenting Sydney's queer scene through to some of his well-known series addressing family ties, sexual and cultural identity, and the Australian landscape. Developed in collaboration with the artist, the publication also examines the artist's deep connections to Queensland, including his mid-career explorations of growing up in the far north of the state.Several insightful essays that delve into the public and private realms of the artist complement Yang's highly personal and engaging imagery. QAGOMA curator Rosie Hays provides an overview of the artist's highly regarded career; writer and broadcaster Benjamin Law gives an account of his own experiences growing up as a gay, Chinese Australian; and Professor Susan Best discusses the artist's engagement with shame - and his refusal to accept it - in both personal and public histories.This must-have publication for devotees of photography celebrates William Yang's invaluable contribution to Australian art and our rich traditions of storytelling. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Othello remains one of Shakespeare's most contemporary and moving plays, with its emphasis on race, revenge, murder, and lost love. Chris Ofili’s new edition highlight’s the tragedy of Othello’s plight in ways no other volume of this play has.In twelve etchings Ofili has produced to illustrate this play, Othello is depicted with tears in his eyes, which flow below various scenes visualized in his forehead. Ofili asks us to see in Othello the great injustices that still plague the world today. These images add feeling to Shakespeare’s words, and together they form their own hybrid object—something between a book and a visual retelling of the tragedy. With a foreword by the renowned critic Fred Moten, this edition is the first of its kind and puts Othello’s blackness and interiority front and center, forcing us to confront the complex world that ultimately dooms him. The first play in the Seeing Shakespeare Series, Othello is illustrated by English contemporary artist Chris Ofili. Future titles in the series include A Midsummer Night’s Dream illustrated by Marcel Dzama and The Merchant of Venice with images by Jordan Wolfson.

Othello remains one of Shakespeare's most contemporary and moving plays, with its emphasis on race, revenge, murder, and lost love. Chris Ofili’s new edition highlight’s the tragedy of Othello’s plight in ways no other volume of this play has.In twelve etchings Ofili has produced to illustrate this play, Othello is depicted with tears in his eyes, which flow below various scenes visualized in his forehead. Ofili asks us to see in Othello the great injustices that still plague the world today. These images add feeling to Shakespeare’s words, and together they form their own hybrid object—something between a book and a visual retelling of the tragedy. With a foreword by the renowned critic Fred Moten, this edition is the first of its kind and puts Othello’s blackness and interiority front and center, forcing us to confront the complex world that ultimately dooms him. The first play in the Seeing Shakespeare Series, Othello is illustrated by English contemporary artist Chris Ofili. Future titles in the series include A Midsummer Night’s Dream illustrated by Marcel Dzama and The Merchant of Venice with images by Jordan Wolfson.

In 1955 William C. Stokoe arrived at Gallaudet College (later Gallaudet University) to teach English where he was first exposed to deaf people signing. While most of his colleagues dismissed signing as mere mimicry of speech, Stokoe saw in it elements of a distinctive language all its own. Seeing Language in Sign traces the process that Stokoe followed to prove scientifically and unequivocally that American Sign Language (ASL) met the full criteria of linguistics―phonology, morphology, syntax, semantics and use of language―to be classified a fully developed language.      This perceptive account dramatically captures the struggle Stokoe faced in persuading the establishment of the truth of his discovery. Other faculty members ridiculed or reviled him, and many deaf members of the Gallaudet community laughed at his efforts. Seeing Language in Sign rewards the reader with a rich portrayal of an undaunted advocate who, like a latter-day Galileo, pursued his vision doggedly regardless of relentless antagonism. He established the Linguistics Research Laboratory, then founded the journal Sign Language Studies to sustain an unpopular dialogue until the tide changed. His ultimate vindication corresponded with the recognition of the glorious culture and community that revolves around Deaf people and their language, ASL.

In 1995 William C. Stokoe arrived at Gallaudet College (later Gallaudet University) to teach English, specifically Chaucer. His own education in Old and Middle English, however, triggered a disparate response within him when he was first exposed to deaf people signing. While most of his colleagues conformed to current conventional theory and dismissed signing as mere mimicry of speech, Stokoe saw in it elements of a distinctive language all its own. Seeing Language in Sign traces the process that Stokoe followed to prove scientifically and unequivocally that American Sign Language (ASL) met the full criteria of linguistics - phonology, morphology, syntax, semantics and use of language - to be classified a fully developed language.This perceptive account dramatically captures the struggle Stokoe faced in persuading the establishment of the truth of his discovery. Other faculty members ridiculed or reviled him, and many deaf members of the Gallaudet community laughed at his efforts. Seeing Language in Sign rewards the reader with a rich portrayal of an undaunted advocate who, like a latter-day Galileo, pursued his vision of doggedly regardless of relentless antagonism. He established the Linguistics Research Laboratory, then founded the journal Sign Language Studies to sustain an unpopular dialogue until the tide changed. His ultimate vindication corresponded with the recognition of the glorious culture and community that revolves around Deaf people and their language, American Sign Language.

From biker culture to the faux science of quantum mechanics, this collection features 58 new works by painter Robert Williams. 60 full-color reproductions.

Revolutionary artist Mary Rogers Williams (1857―1907), a baker's daughter from Hartford, Connecticut, biked and hiked from the Arctic Circle to Naples, exhibited from Paris to Indianapolis, trained at the Art Students League, chafed against art world rules that favored men, wrote thousands of pages about her travels and work, taught at Smith College for nearly two decades, but sadly ended up almost totally obscure. The book reproduces her unpublished artworks that capture pensive gowned women, Norwegian slopes reflected in icy waters, saw-tooth rooflines on French chateaus, and incense hazes in Italian chapels, and it offers a vivid portrayal of an adventurer, defying her era's expectations.

Gilt lettering on front board a little rubbed; 218 X 24 X 289 millimeters; 192 pages

From biker culture to the faux science of quantum mechanics, this collection features 58 new works by painter Robert Williams. 60 full-color reproductions.

William Segal (1904-2000) was a philosopher publisher writer and painter who searched relentlessly and compassionately for meaning in the chaotic and distracted time we call the 20th Century. The student of such diverse masters as G.I. Gurdjieff and D.T. Suzuki Segal helped bring Eastern and Western spiritual traditions together always stressing what connected humanity rather than what differentiated it. in the last decade of his life Segal befriended the documentary filmmaker Ken Burns and the

Minimalism isn't just making a comeback. For most purists, it never left. And for millennials. It's now a lifestyle. All considerations we kept in mind with the creation of Zeelan. Seeing the beauty in simplicity means that every angle of every piece in this new collection earns a second look. Like your own personal aqueduct, the tubular construct delivers precise flow and control, with no unnecessary adornment. Which makes Zeelan the modern answer to less is more-from all perspectives. Color: Brushed Nickel.

At the beginning of the 20th century, Judge (established in 1881) and Life (1883), together with Puck, were the premier humor magazines in the United States. Puck disappeared in 1918. But, by the 1920s and early '30s, Life and Judge had achieved enormous popularity. Not until the establishment of the New Yorker in 1925 was their position seriously challenged. This huge readership was due primarily to the magazines' cartoons. From politics to domestic bliss, childhood to boardroom, breadline to kick line — no subject was safe from the humorists' pens.This rich source of more than 700 royalty-free images from the '20s and '30s represents the very best from those legendary magazines. You'll find black-and-white illustrations from Charles Dana Gibson, James Montgomery Flagg, Reginald Bathurst Birch, John Held, Jr., Russell Patterson, A. B. Frost, Rube Goldberg, Art Young, Dr. Seuss, and others.

William Brown introduces a new method of exegesis, particularly for biblical poetry, that attends to the metaphorical contours of the Psalms. His method as proposed and demonstrated in this book supplements traditional ways of interpreting the Psalms and results in a fresh understanding of their original context and contemporary significance.

First sight / Ian Donaldson & Tamsin Donaldson -- The first European depictions / Bernard Smith -- Reactions on Cook's voyage / Glyndwr Williams -- Savage sportsmen / James Urry -- The Darwinian perspective / D.J. Mulvaney -- Hearing the first Australians / Tamsin Donaldson -- Projections of melancholy / Margaret Maynard -- Tom Roberts' aboriginal portraits / Helen Topliss -- Thomas Dick's photographic vision / Isabel McBryde -- The popular image / Nicolas Peterson -- Ordering the landscape / Rhys Jones.

Signed by Author. 29cm x 22cm. 220 pages, colour illustrations, 1 signed and numbered print. Pictorial matte papered boards. The deluxe edition, limited to only 50 copies signed by the artist with a limited edition archival inkjet print Golden Summer 1987 / 2016 by William Yang, printed on Hahnemuhle Smooth Cotton Rag paper. The print is signed, titled, dated and editioned by the artist in ink, and mounted inside the upper board in a mylar sleeve housing. "William Yang: Seeing and Being Seen explores photographer and performer William Yang's five decades of prolific art practice. This is the first major survey exhibition and publication on the artist by a state gallery. Featuring reproductions of over 200 photographs, it traces Yang's career from his heady early days as a social photographer in the 1970s documenting Sydney's queer scene through to some of his well-known series addressing family ties, sexual and cultural identity, and the Australian landscape. Developed in collaboration with the artist, the publication also examines the artist's deep connections to Queensland, including his mid-career explorations of growing up in the far north of the state." (publisher's blurb) Shipped Weight: 1.4 kilos. Signed by Author. ISBN/EAN: 9781925922134.

We all know blind spots are dangerous when we're changing lanes at 70 mph on an interstate highway. But just as critical are the blind spots that block us from seeing the truth about ourselves and others. No one is immune to either kind. Blind spots are, by definition, invisible to us. No matter how often we are reminded to check our blind spots, we can't at least on our own. Our only hope is for God and others to come alongside us and help point them out. Once identified we can start becoming our best and most authentic self. Coauthors Tim Riddle and Fil Anderson help us learn how to recognize and avoid blind spots to become more like Jesus, remembering the Holy Spirit is the revealer and healer. By drawing on stories in Scripture and personal experience, the coauthors invite us to engage in an approachable, logical conversation about what blind spots are, why they exist, how to identify and remove them, how to keep them from returning, and how to point them out in others. In this practical resource full of biblical wisdom, Riddle and Anderson aim to lovingly guide readers toward spiritual growth to live fully and freely as God's dearly loved, completely forgiven, and forever free daughters and sons. Blind Spots helps us find concrete, biblical solutions to the problem of these shortcomings, cultivating a desire for godliness and a greater appreciation for the Spirit's work in our own lives.

A unique oracle deck by social influencer and modern spiritual leader Teal Swan, which makes the user aware of their blind spots associated with any question.What are you not seeing? The Blind Spot Oracle Cards have a simple but incredibly effective purpose: to reveal what you are not aware of relative to the question you are asking. Not being aware of something on our life path is just as dangerous as not seeing something when we're driving. Our blind spots may hide motives, fears, desires, needs, truths, reasons, habits, patterns ... the list goes on. This oracle will make you aware of them, and if you are aware you can take action.The deck features 78 Sigils - seals or symbols painted by the author during a trance. Each one of these can influence you, like a teacher, in discovering your blind spots, and each one has a super accessible name, ranging from "Your Fear" to "Denial" to "What You Really Want and Need". The more you use the deck, the more your relationship with these potent sources of insight and energy will deepen. To use the deck, simply ask for clarity on a specific issue, draw a Sigil card, then look up the card in the guidebook and read the description. You can use the deck to see what you don't see about another person, your job, your true desires, needs or motives, an addiction, a habit, your own character, your future, your path, a health condition, a decision, your current perspective ... and so much more.Teal has created spreads to use with this deck: a spread for understanding a conflict situation, a spread for assessing past, present and future perspectives on a question, a spread that reveals all the blind spots people in a group situation have, and a spread that allows you to assess the different areas of your life at once. The deck also includes 49 temporary tattoos to allow you to deepen your connection with the Sigils.

A unique oracle deck by social influencer and modern spiritual leader Teal Swan, which makes the user aware of their blind spots associated with any question.What are you not seeing? The Blind Spot Oracle Cards have a simple but incredibly effective purpose: to reveal what you are not aware of relative to the question you are asking. Not being aware of something on our life path is just as dangerous as not seeing something when we're driving. Our blind spots may hide motives, fears, desires, needs, truths, reasons, habits, patterns ... the list goes on. This oracle will make you aware of them, and if you are aware you can take action.The deck features 78 Sigils - seals or symbols painted by the author during a trance. Each one of these can influence you, like a teacher, in discovering your blind spots, and each one has a super accessible name, ranging from "Your Fear" to "Denial" to "What You Really Want and Need". The more you use the deck, the more your relationship with these potent sources of insight and energy will deepen. To use the deck, simply ask for clarity on a specific issue, draw a Sigil card, then look up the card in the guidebook and read the description. You can use the deck to see what you don't see about another person, your job, your true desires, needs or motives, an addiction, a habit, your own character, your future, your path, a health condition, a decision, your current perspective ... and so much more.Teal has created spreads to use with this deck: a spread for understanding a conflict situation, a spread for assessing past, present and future perspectives on a question, a spread that reveals all the blind spots people in a group situation have, and a spread that allows you to assess the different areas of your life at once. The deck also includes 49 temporary tattoos to allow you to deepen your connection with the Sigils.

13-year-old Mary was marked from birth by the "sign of the caul," a powerful signifier in African-American culture. The caul indicates rare powers, especially a tendency toward "second sight." Mary's special gift of seeing manifests itself in visions of ghosts and spirits and culminates in an uncanny musical ability. But her remarkable gifts set her apart from her Pittsburgh neighbors, and she is shunned and belittled. Mary's loneliness is compounded by her mother's cruelty and indifference. She must find her own way through the tangled web of difficulties she faces everyday, and her music becomes her refuge. Gradually, though, Mary learns that music is more than just an escape from her problems. By losing herself in her extraordinary musical creativity, she grapples with her inner demons and discovers the true power of her special gifts.