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Here"...Janet Todd Charts the growth and decline of sentimental writing as a privileged mode in the eighteenth century. She shows how sentimental writing is riven with contradictions: While it applauds fellowship, it also expresses a yearning for isolation, and while it stresses the ties of friendship and family, it does so at the expense of sexual feeling, which grows menacing and destructive."

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This highly acclaimed study of English song is the first detailed account of an unusually fruitful interrelationship between English music and English poetry. The period covered is known as the English Musical Renaissance and runs from the last years of the nineteenth century to the Second World War. Stephen Banfield traces the late flowering of Romantic impulses in solo song during these years, surveying it from critical, analytical and historical angles. He plots the growth of the English stylistic sensibility in song in the decades leading up to the First World War, discusses in detail the plateau it reached between the wars (particularly in the 1920s), and shows how and why it declined as other musical concerns took the field. Poets whose verse was set to music most frequently, including Housman, Hardy, de la Mare and Yeats, are treated at length, as are pre-eminent song composers such as Butterworth, Finzi, Gurney, Ireland, Quilter, Somervell, Stanford, Vaughan Williams and Warlock. In all, more than fifty composers are discussed, and numerous individual songs. In the final section of the book, besides providing an extensive bibliography, Dr Banfield catalogues over 5,000 songs, giving dates of composition and publication and much other detail, listed by composer. This comprehensive survey will prove an invaluable reference guide to all students of the subject.

Hardcover, no dust jacket. Sunned cover, shaken. Sound otherwise.

This highly acclaimed study of English song is the first detailed account of an unusually fruitful interrelationship between English music and English poetry. The period covered is known as the English Musical Renaissance and runs from the last years of the nineteenth century to the Second World War. Stephen Banfield traces the late flowering of Romantic impulses in solo song during these years, surveying it from critical, analytical and historical angles. He plots the growth of the English stylistic sensibility in song in the decades leading up to the First World War, discusses in detail the plateau it reached between the wars (particularly in the 1920s), and shows how and why it declined as other musical concerns took the field. Poets whose verse was set to music most frequently, including Housman, Hardy, de la Mare and Yeats, are treated at length, as are pre-eminent song composers such as Butterworth, Finzi, Gurney, Ireland, Quilter, Somervell, Stanford, Vaughan Williams and Warlock. In all, more than fifty composers are discussed, and numerous individual songs. In the final section of the book, besides providing an extensive bibliography, Dr Banfield catalogues over 5,000 songs, giving dates of composition and publication and much other detail, listed by composer. This comprehensive survey will prove an invaluable reference guide to all students of the subject.

Sense And Sensibility/Persuasion Col Sense & Sensibility / Persuasion Col - DVD 883929681020

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Brand new gift quality softcover 8.5 x 11 slender blue covers no title to spine. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal

This first of Jane Austen's published novels is the story of two starkly different English sisters: Elinor Dashwood, the epitome of prudence and self-control, and her younger, more impetuous sister Marianne, who embodies emotion, openness, and sheer enthusiasm. To each comes the sorrow of unhappy love: Elinor desires a man who is promised to another, while Marianne loses her heart to a scoundrel who jilts her. Their mutual suffering brings a closer understanding between the two sisters--and true love finally triumphs when sense gives way to sensibility and sensibility gives way to sense. Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Sense and Sensibility, Jane Austen's first published novel (1811), introduced its readers to many of the themes which would dominate Austen's future work. On one level it is a simple story of two sisters finding fulfilment within a society bounded by regulations and restrictions. But on another it is a comprehensive exploration of the moral dilemmas facing young women in the choices they have to make about their lives. Austen writes about everyday events of her own time with a subtlety and sensitivity unprecedented in the English novel. This edition, first published in 2006, takes as its copytext the second edition of 1813, which corrects some errors of the first edition. The volume provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life and an authoritative textual apparatus. This edition is an indispensable resource for all scholars and readers of Austen.

Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Late in his career Thomas Gainsborough became preoccupied with the theme of the cottage door, and he created a group of paintings and drawings that show rustic figures clustered around the open door of a cottage set in a deeply wooded landscape. Often seen as exemplars of the rural idyll, these works were among the first landscape paintings to reflect the eighteenth-century aesthetic of sensibility. As a way of seeing, sensibility valued nature for its innocence and simplicity, and images, such as Gainsborough’s cottage subjects, for their power to move the viewer.This lovely book brings together the cottage door paintings and essays that discuss Gainsborough’s departure from the more naturalistic style of his earlier career and that place his new concern with sentimentalism and artificiality in the context of sensibility and the growing interest in expressive, even sensational, visual spectacles. To this end, contributors to the volume investigate new viewing practices associated with sensibility, the meaning of the cottage for Gainsborough and his contemporaries, the artist’s creation of affecting landscapes through the use of peasant subjects, and his theatrical treatment of these subjects in order to heighten his viewers’ emotional responses.

What do we know of the emotional life of the Middle Ages? Though a long-neglected subject, a multitude of sources – spiritual and secular literature, iconography, chronicles, as well as theological and medical works – provide clues to the central role emotions played in medieval society. In this work, historians Damien Boquet and Piroska Nagy delve into a rich variety of texts and images to reveal the many and nuanced experiences of emotion during the Middle Ages – from the demonstrative shame of a saint to a nobleman's fear of embarrassment, from the enthusiasm of a crusading band to the fear of a town threatened by the approach of war or plague. Boquet and Nagy show how these outbursts of joy and pain, while universal expressions, must be understood within the specific context of medieval society. During the Middle Ages, a Christian model of affectivity was formed in the ‘laboratory’ of the monasteries, one which gradually seeped into wider society, interacting with the sensibilities of courtly culture and other forms of expression. Bouqet and Nagy bring a thousand years of history to life, demonstrating how the study of emotions in medieval society can also allow us to understand better our own social outlooks and customs.

From acclaimed writer Andrew Davies (BBC's Pride and Prejudice starring Colin Firth) comes this enchanting new adaptation of Jane Austen's classic novel about love and marriage. Marianne Dashwood wears her heart on her sleeve when she falls in love with the charming but unsuitable John Willoughby, ignoring her sister Elinor's warning that her impulsive behavior leaves her open to gossip and innuendo. Elinor, sensitive to social convention, struggles to conceal her own romantic disappointment, ev

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A provocative and inspiring case for a more humanistic economicsEconomists often act as if their methods explain all human behavior. But in Cents and Sensibility, an eminent literary critic and a leading economist make the case that the humanities, especially the study of literature, offer economists ways to make their models more realistic, their predictions more accurate, and their policies more effective and just.Gary Saul Morson and Morton Schapiro trace the connection between Adam Smith's great classic, The Wealth of Nations, and his less celebrated book on The Theory of Moral Sentiments, and contend that a few decades later Jane Austen invented her groundbreaking method of novelistic narration in order to give life to the empathy that Smith believed essential to humanity.Morson and Schapiro argue that Smith's heirs include Austen, Anton Chekhov, and Leo Tolstoy as well as John Maynard Keynes and Milton Friedman. Economists need a richer appreciation of behavior, ethics, culture, and narrative―all of which the great writers teach better than anyone.Cents and Sensibility demonstrates the benefits of a freewheeling dialogue between economics and the humanities by addressing a wide range of problems drawn from the economics of higher education, the economics of the family, and the development of poor nations. It offers new insights about everything from the manipulation of college rankings to why some countries grow faster than others. At the same time, the book shows how looking at real-world problems can revitalize the study of literature itself.Original, provocative, and inspiring, Cents and Sensibility brings economics back to its place in the human conversation.

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The discreet Elinor (sense) and the romantic and reckless Marianne (sensibility) find the course of true love full of brambles and disillusionment. Their neighborhood is peopled with characters cut in the unique Austenian mold. (9 CDs)