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Bring a refined look to your decor with this Parrot Uncle Wolfgang 48 in. 4 blades crystal ceiling fan. The 3-lights and crystal pendants offer ample brightness while serving as a visual centerpiece for your room, and the black finish creates classic charm. A full crystal shade combines to fill your home with a grandeur rarely found in such a functional package.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 4.81

Book is in NEW condition. 4.81

EVH brings you the Wolfgang USA Edward Van Halen Signature model, loaded with Eddie Van Halen s most up-to-date specs along with the classic looks...

An in-depth look at the iconic work of the internationally recognized photographer.

Looks at the life and military career of the German U-boat commander credited with sinking forty-seven Allied ships and one submarine

An in-depth look at the iconic work of the internationally recognized photographer.

In shrink wrap. Looks like an interesting title!

EVH brings you the Wolfgang USA Edward Van Halen Signature model, loaded with Eddie Van Halen's most up-to-date specs along with the classic looks...

EVH brings you the Wolfgang USA Edward Van Halen Signature model, loaded with Eddie Van Halen's most up-to-date specs along with the classic looks...

Stay warm and look great with this Black EVH Wolfgang Camo Long Sleeve T-Shirt! It features the EVH and Wolfgang logos with a camo print backgr...

"During the twelve years from 1933 until 1945, the concentration camp operated as a terror society.German sociologist Wolfgang Skofsky looks at the concentration camp from the inside as a laboratory of cruelty and a system of absolute power built on extreme violence, starvation, "terror labor" and the businesslike exptermination of human beings." xii+356 pages, glossary, notes, bibliography. Published @ $27.95

Listen. A little boy named Wolfgang Amadeus Mozart is playing the piano. Look. He is playing backward! He is playing blindfolded! Imagine. What must his life be like? Play, Mozart, play! Acclaimed artist Peter Sís introduces very young children to the child genius Wolfgang Amadeus Mozart in this picture book tribute to the beauty of listening, looking, imagining, and -- most of all -- playing!

A brand-new look at the life and music of renowned composer Erich Wolfgang KorngoldErich Wolfgang Korngold (1897–1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947. From his prewar operas in Vienna to his pathbreaking contributions to American film, Korngold and His World provides a substantial reassessment of Korngold’s life and accomplishments.Korngold struggled to reconcile the musical language of his Viennese upbringing with American popular song and cinema, and was forced to adapt to a new life after wartime emigration to Hollywood. This collection examines Korngold’s operas and film scores, the critical reception of his music, and his place in the milieus of both the Old and New Worlds. The volume also features numerous historical documents―many previously unpublished and in first-ever English translations―including essays by the composer as well as memoirs by his wife, Luzi Korngold, and his father, the renowned music critic Julius Korngold.The contributors are Leon Botstein, David Brodbeck, Bryan Gilliam, Daniel Goldmark, Lily Hirsch, Kevin Karnes, Sherry Lee, Neil Lerner, Sadie Menicanin, Ben Winters, Amy Wlodarski, and Charles Youmans.Bard Music Festival 2019Korngold and His WorldBard CollegeAugust 9–11 and 16–18, 2019

Prestige brand experts JP Kuehlwein and Wolfgang Schaefer uncover the formula for what drives the success of iconic brands, offering a behind-the-scenes look into not just the practical marketing of brands, but how consumers respond to them psychologically and emotionally. With insights from interviews with 50 premium brand experts and over 100 case studies from companies including Apple, Red Bull, Cirque du Soleil, and Hermès, Rethinking Prestige Branding will fascinate the marketing professional just as much as those who are simply curious about how premium brands tick.

A fascinating look at history's losers-the myths they create to cope with defeat and the steps they take never to be vanquished againHistory may be written by the victors, Wolfgang Schivelbusch argues in his brilliant and provocative new book, but the losers often have the final word. Focusing on three seminal cases of modern warfare-the South after the Civil War, France in the wake of the Franco-Prussian War, and Germany following World War I-Schivelbusch reveals the complex psychological and cultural reactions of vanquished nations to the experience of military defeat.Drawing on responses from every level of society, Schivelbusch shows how conquered societies question the foundations of their identities and strive to emulate the victors: the South to become a "better North," the French to militarize their schools on the Prussian model, the Germans to adopt all things American. He charts the losers' paradoxical equation of military failure with cultural superiority as they generate myths to glorify their pasts and explain their losses: the nostalgic "plantation legend" after the fall of the Confederacy; the cult of Joan of Arc in vanquished France; the fiction of the stab in the back by "foreign" elements in postwar Germany. From cathartic epidemics of "dance madness" to the revolutions that so often follow battlefield humiliation, Schivelbusch finds remarkable similarities across cultures.Eloquently and vibrantly told, The Culture of Defeat is a tour de force that opens new territory for historical inquiry.

Of this satirical look at contemporary photography, Duane Michals has said, "The more serious you are, the sillier you have to be. I have a great capacity for foolishness. It's essential." Whether parodying Wolfgang Tillmans or Andres Serrano, Sherrie Levine (A Duane Michals Photograph of a Sherrie Levine Photograph of a Walker Evans Photograph) or Cindy Sherman (Who is Sydney Sherman?), Michals uses his ferocious wit and keen eye to create images at once humorous and penetrating. As The New York Times described Gursky's Gherkin, the work "explores as never before the sense of picklehood, or what it means to be a pickle." The Times also testified that "this high-humored sendup of arty photography should be required viewing for all art-world heavies, particularly critics, curators and collectors." Michals takes aim at pretensions that are often perceived as deliberately obscuring contemporary art, and in doing so he exemplifies his mastery of both the visual world and the written word, while providing the elemental pleasure of a good laugh.

Of this satirical look at contemporary photography, Duane Michals has said, "The more serious you are, the sillier you have to be. I have a great capacity for foolishness. It's essential." Whether parodying Wolfgang Tillmans or Andres Serrano, Sherrie Levine (A Duane Michals Photograph of a Sherrie Levine Photograph of a Walker Evans Photograph) or Cindy Sherman (Who is Sydney Sherman?), Michals uses his ferocious wit and keen eye to create images at once humorous and penetrating. As The New York Times described Gursky's Gherkin, the work "explores as never before the sense of picklehood, or what it means to be a pickle." The Times also testified that "this high-humored sendup of arty photography should be required viewing for all art-world heavies, particularly critics, curators and collectors." Michals takes aim at pretensions that are often perceived as deliberately obscuring contemporary art, and in doing so he exemplifies his mastery of both the visual world and the written word, while providing the elemental pleasure of a good laugh.

A brand-new look at the life and music of renowned composer Erich Wolfgang KorngoldErich Wolfgang Korngold (1897–1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947. From his prewar operas in Vienna to his pathbreaking contributions to American film, Korngold and His World provides a substantial reassessment of Korngold’s life and accomplishments.Korngold struggled to reconcile the musical language of his Viennese upbringing with American popular song and cinema, and was forced to adapt to a new life after wartime emigration to Hollywood. This collection examines Korngold’s operas and film scores, the critical reception of his music, and his place in the milieus of both the Old and New Worlds. The volume also features numerous historical documents―many previously unpublished and in first-ever English translations―including essays by the composer as well as memoirs by his wife, Luzi Korngold, and his father, the renowned music critic Julius Korngold.The contributors are Leon Botstein, David Brodbeck, Bryan Gilliam, Daniel Goldmark, Lily Hirsch, Kevin Karnes, Sherry Lee, Neil Lerner, Sadie Menicanin, Ben Winters, Amy Wlodarski, and Charles Youmans.Bard Music Festival 2019Korngold and His WorldBard CollegeAugust 9–11 and 16–18, 2019