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Here's the shocking true story of the 1985 "Death Mask Murder"--a grisly crime linked to prominent Madison Avenue art gallery owner Andrew Crispo, a man who operated in both the forbidding underworld of sadomasochists and drug addicts, and in the glittering art world and New York society. 8-page insert.

The investigative journalist author of Kingdom Coming explores the ways in which restrictions against women's reproductive rights are directly linked to consequences in global development, in a cautionary report that covers such topics as abortion, female circumcision, and human trafficking.

The aftermath of Algeria’s revolutionary war for independence coincided with the sexual revolution in France, and in this book Todd Shepard argues that these two movements are inextricably linked.Sex, France, and Arab Men is a history of how and why—from the upheavals of French Algeria in 1962 through the 1970s—highly sexualized claims about Arabs were omnipresent in important public French discussions, both those that dealt with sex and those that spoke of Arabs. Shepard explores how the so-called sexual revolution took shape in a France profoundly influenced by the ongoing effects of the Algerian revolution. Shepard’s analysis of both events alongside one another provides a frame that renders visible the ways that the fight for sexual liberation, usually explained as an American and European invention, developed out of the worldwide anticolonial movement of the mid-twentieth century.

The aftermath of Algeria’s revolutionary war for independence coincided with the sexual revolution in France, and in this book Todd Shepard argues that these two movements are inextricably linked.Sex, France, and Arab Men is a history of how and why—from the upheavals of French Algeria in 1962 through the 1970s—highly sexualized claims about Arabs were omnipresent in important public French discussions, both those that dealt with sex and those that spoke of Arabs. Shepard explores how the so-called sexual revolution took shape in a France profoundly influenced by the ongoing effects of the Algerian revolution. Shepard’s analysis of both events alongside one another provides a frame that renders visible the ways that the fight for sexual liberation, usually explained as an American and European invention, developed out of the worldwide anticolonial movement of the mid-twentieth century.

Our tendency to wonder "why" life is as it is and what its "purpose" is―often considered to be among the most noble features of human evolution and humanity―is in reality profoundly linked with some of the darker moments in our history, including animal abuse, colonialism, and the rise of racism and the eugenetics that culminated in the Second World War. In order to try to avoid the continuation of such dark events and pave the way for a more rational, accurate, and less-biased understanding about life and our day-to-day, we must reframe our questioning. Once we grasp that there is no ultimate purpose or master plan for the existence of inanimate objects or biological organisms and the way they live, “why” questions lose importance. Instead, investigations into natural events such as the occurrence of earthquakes and wonders such as the flying of birds should be framed with "how" questions: how did the earthquake occur and how did the current behavior of organisms evolve?Integrating information from diverse scientific fields, this book argues against the widely accepted idea that wonder in the purpose of life constitutes one of the noblest human qualities. As such, its arguments are intended for biologists, historians and philosophers of science alike. Students, teachers, and researchers of any scientific field, as well as all those who are fascinated by questions about their daily inner-lives and their "cosmic purpose" will be intrigued by unique discussions into themes like racism, colonialism, and eugenics.

Shows how these three ethical themes have been historically linked, defines the major historical responses to these issues, and helps readers create a contemporary response that is appropriate for modern society and informed by a Christian world view

Sex and religion are inevitably and intricately linked. There are few realms of human experience other than sex in which religion has greater reach and influence. The role of religion, of any faith, to prohibit, regulate, condemn, and reward, is unavoidably prominent in questions of sex—namely with whom, when, how, and why.  In Sex and Religion, Dag Øistein Endsjø examines the myriad and complex religious attitudes towards sex in cultures throughout the world.Endsjø reflects on some of the most significantly problematic areas in the relationship between sex and religion—from sex before or outside of marriage to homosexuality. Through many examples from world religions, he outlines what people mean by sex in a religious context, with whom it’s permissible to have sex, how sex can be a directly religious experience, and what consequences there are for deviance, for both the individual and society. As Endsjø explains, while Buddhist monks call attention to gay sex as a holy mystery, the Christian church questions a homosexual’s place in the church. Some religions may believe that promiscuity leads to hurricanes and nuclear war, and in others God condemns interracial marriage. Sex and Religion reveals there is nothing natural or self-evident about the ways in which various religions prescribe or proscribe and bless or condemn different types of sexuality. Whether sex becomes sacred or abhorrent depends entirely on how a religion defines it. Sex and Religion is a fascinating investigation of mores, meanings, rituals, and rules in many faiths around the globe, and will be of interest to anyone curious about the intersection of these fundamental aspects of human history and experience.

Paperback. The aftermath of Algerias revolutionary war for independence coincided with the sexual revolution in France, and in this book Todd Shepard argues that these two movements are inextricably linked.Sex, France, and Arab Men is a history of how and whyfrom the upheavals of French Algeria in 1962 through the 1970shighly sexualized claims about Arabs were omnipresent in important public French discussions, both those that dealt with sex and those that spoke of Arabs. Shepard explores how the so-called sexual revolution took shape in a France profoundly influenced by the ongoing effects of the Algerian revolution. Shepards analysis of both events alongside one another provides a frame that renders visible the ways that the fight for sexual liberation, usually explained as an American and European invention, developed out of the worldwide anticolonial movement of the mid-twentieth century. Now in paperback, a history of the sexual revolution in Algeria amid and in the wake of the upheaval of the Revolution Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Alison Jolly believes that biologists have an important story to tell about being human--not the all-too-familiar tale of selfishness, competition, and biology as destiny but rather one of cooperation and interdependence, from the first merging of molecules to the rise of a species inextricably linked by language, culture, and group living. This is the story that unfolds in Lucy's Legacy, the saga of human evolution as told by a world-renowned primatologist who works among the female-dominant ringtailed lemurs of Madagascar.We cannot be certain that Lucy was female--the bones themselves do not tell us. However, we do know, as Jolly points out in this erudite, funny, and informative book, that the females who came after Lucy--more adept than their males in verbal facility, sharing food, forging links between generations, migrating among places and groups, and devising creative mating strategies--played as crucial a role in the human evolutionary process as "man" ever did. In a book that takes us from the first cell to global society, Jolly shows us that to learn where we came from and where we go next, we need to understand how sex and intelligence, cooperation and love, emerged from the harsh Darwinian struggle in the past, and how these natural powers may continue to evolve in the future.

Pornography, on or off the stage, is an inflammatory issue, and one which is deeply linked to theatrical representation throughout history. But what happens to the notions of the pornographic when a female performer subverts the conventional models of pornographic representation by reclaiming the agency of her own body?This is exactly what sex industry worker and performance artist Annie Sprinkle attempts through her courageous and challenging work. By locating her discourse on her own body, she renders exploitation impossible and refers to herself as a "post-porn modernist." However, Sprinkle's complication of the power relations inherent in representational acts raises important theoretical issues. When is identity not created by an outside source? When is the female body not in a prostituted relationship to representational structures? Is the spectator always a voyeur? Why is "post-porn" modernism still not endorsed by many brands of feminism? In order to structure a conversation about these issues,Hardcore from the Heart presents a number of Annie Sprinkle's key performance texts and essays, and interviews with artists who have worked closely with her over the years, together with a critical introduction and commentaries.

Pornography, on or off the stage in an inflammatory issue, and one which is deeply linked to theatrical representation throughout history. But what happens to the notions of the pornographic when a female performer subverts the conventional models of pornographic representation by reclaiming the agency of her own body? This is exactly what sex industry worker and performance artist Annie Sprinkle attempts through her courageous and challenging work. By locating her discourse on her own body, she renders exploitation impossible and refers to herself as a "post-porn modernist". However, Sprinkle's complication of the power raises important theoretical issues. When is identity not created by an outside source? When is the female body not in a prostituted relationship to representational structures? Is the spectator always a voyuer? Why is "post-porn" modernism still not endorsed by many brands of feminism? In order to structure a conversation about these issues, "Hardcore from the Heart" will not only comprise a critical introduction to Sprinkle's later theatre work and essays, but also include several interviews with artists who have worked closely with Sprinkle over the years.

Connect her most sensitive areas together. These clamps have vinyl-coated ends, linked chain, and a sliding ring to adjust the tightness anywhere from just enough to hold them on all the way up to a really severe tit torturing pinch. They stay on, they are easy to use, they look good, and they can be heavy or light or anywhere in between.Measurements: 24.5 inches in total length, nipple chain measures 18 inches in length, clit chain measures 15.5 inches in length. Clamps open up to 1 inch in width and close completely.

In a dark comedy with music, three Salem, Oregon teenage misfits find themselves linked by a sex scandal causing havoc in their town.

AIDS and Africa are indelibly linked in popular consciousness, but despite widespread awareness of the epidemic, much of the story remains hidden beneath a superficial focus on condoms, sex workers, and antiretrovirals. Africa gets lost in this equation, Daniel Jordan Smith argues, transformed into a mere vehicle to explain AIDS, and in AIDS Doesn’t Show Its Face, he offers a powerful reversal, using AIDS as a lens through which to view Africa. Drawing on twenty years of fieldwork in Nigeria, Smith tells a story of dramatic social changes, ones implicated in the same inequalities that also factor into local perceptions about AIDS—inequalities of gender, generation, and social class. Nigerians, he shows, view both social inequality and the presence of AIDS in moral terms, as kinds of ethical failure. Mixing ethnographies that describe everyday life with pointed analyses of public health interventions, he demonstrates just how powerful these paired anxieties—medical and social—are, and how the world might better alleviate them through a more sensitive understanding of their relationship.

Exotic, seductive, and doomed: the antebellum mixed-race free woman of color has long operated as a metaphor for New Orleans. Commonly known as a "quadroon", she and the city she represents rest irretrievably condemned in the popular historical imagination by the linked sins of slavery and interracial sex. However, as Emily Clark shows, the rich archives of New Orleans tell a different story. Free women of color with ancestral roots in New Orleans were as likely to marry in the 1820s as white women. And marriage, not concubinage, was the basis of their family structure. In The Strange History of the American Quadroon, Clark investigates how the narrative of the erotic colored mistress became an elaborate literary and commercial trope, persisting as a symbol that long outlived the political and cultural purposes for which it had been created. Untangling myth and memory, she presents a dramatically new and nuanced understanding of the myths and realities of New Orleans's free women of color.

Exotic, seductive, and doomed: the antebellum mixed-race free woman of color has long operated as a metaphor for New Orleans. Commonly known as a "quadroon", she and the city she represents rest irretrievably condemned in the popular historical imagination by the linked sins of slavery and interracial sex. However, as Emily Clark shows, the rich archives of New Orleans tell a different story. Free women of color with ancestral roots in New Orleans were as likely to marry in the 1820s as white women. And marriage, not concubinage, was the basis of their family structure. In The Strange History of the American Quadroon, Clark investigates how the narrative of the erotic colored mistress became an elaborate literary and commercial trope, persisting as a symbol that long outlived the political and cultural purposes for which it had been created. Untangling myth and memory, she presents a dramatically new and nuanced understanding of the myths and realities of New Orleans's free women of color.

Violence and sex in a small Southern city. Arkie, Clemmie, Oxie, and Johns are linked by a schoolboy's prank. Arkie, Clemmie, and Oxie are three of a kind: cons who grub for small change. They have no history and no future. Johns is their counterpart in a brighter universe. His thievery is sanctioned because he's Family in a small Southern city. Arkie: Suddenly it occurred to him that this street, Gimlet Street, could take you anywhere in the world, it was joined to all the other streets there were. He shook his head, grinning. This was his territory. He was chained to Gimlet and he was chained to Clemmie, that green-eyed girl he was so helplessly in love with. Fred Chappell is a past Poet Laureate of North Carolina. For an author bio, photo, and a sample read visit bosonbooks.com

Exotic, seductive, and doomed: the antebellum mixed-race free woman of color has long operated as a metaphor for New Orleans. Commonly known as a "quadroon," she and the city she represents rest irretrievably condemned in the popular historical imagination by the linked sins of slavery and interracial sex. However, as Emily Clark shows, the rich archives of New Orleans tell a different story. Free women of color with ancestral roots in New Orleans were as likely to marry in the 1820s as white women. And marriage, not concubinage, was the basis of their family structure. In The Strange History of the American Quadroon, Clark investigates how the narrative of the erotic colored mistress became an elaborate literary and commercial trope, persisting as a symbol that long outlived the political and cultural purposes for which it had been created. Untangling myth and memory, she presents a dramatically new and nuanced understanding of the myths and realities of New Orleans's free women of color.