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“Whatever you thought you believed about this infamous case, get ready to change your mind or be more convinced than ever. ... Fascinating.”—New York Times bestselling author Steve JacksonIn 2016-17, while working for the USA TODAY NETWORK’s Wisconsin Investigative Team, author John Ferak wrote dozens of articles examining the murder case again Steven Avery, who had already beat one wrongful conviction only to be charged with the murder of Teresa Halbach in 2005. The case became the wildly successful Netflix “Making A Murderer” documentary. In WRECKING CREW: Demolishing The Case Against Steven Avery, Ferak lays out in exacting detail the post-conviction strategy of Kathleen Zellner, the high-profile, high-octane lawyer, to free Avery. To write this book, Zellner, perhaps America’s most successful wrongful conviction attorney, gave Ferak unique access to the exhaustive pro bono efforts she and her small suburban Chicago law firm dedicated for a man she believes to be a victim of an unscrupulous justice system in Manitowoc County.

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It’s time to set the record straight about Steven Avery.The Netflix series Making a Murderer was a runaway hit, with over 19 million US viewers in the first 35 days. The series left many with the opinion that Steven Avery, a man falsely imprisoned for almost 20 years on a previous, unrelated assault charge, had been framed by a corrupt police force and district attorney’s office for the murder of a young photographer. Viewers were outraged, and hundreds of thousands demanded a pardon for Avery. The chief villain of the series? Ken Kratz, the special prosecutor who headed the investigation and trial. Kratz’s later misdeeds prescription drug abuse and sexual harassment only cemented belief in his corruption.This book tells you what Making a Murderer didn’t.While indignation at the injustice of his first imprisonment makes it tempting to believe in his innocence, Avery: The Case Against Steven Avery and What Making a Murderer Gets Wrong and the evidence shared inside examined thoroughly and dispassionately prove that, in this case, the criminal justice system worked just as it should.With Avery, Ken Kratz puts doubts about Steven Avery’s guilt to rest. In this exclu- sive insider’s look into the controversial case, Kratz lets the evidence tell the story, sharing details and insights unknown to the public. He reveals the facts Making a Murderer conveniently left out and then candidly addresses the aftermath openly discussing, for the first time, his own struggle with addiction that led him to lose everything.Avery systematically erases the uncertainties introduced by the Netflix series, confirming, once and for all, that Steven Avery is guilty of the murder of Teresa Halbach.

"Against Theory," the title essay in this volume, challenges the notion that literary theory has any real work to do, or any results to show. This challenge—issued by Steven Knapp and Walter Benn Michaels in Critical Inquiry (8:4)—strikes some critics as scandalous, others as provocative and productive. The argument is directed against both sides of the current debates in literary theory, criticizing theoretical "objectivists" like E. D. Hirsch, Jr., on the one hand, and proponents of indeterminacy like Paul de Man on the other. The attack is not just on a particular way of doing theory but on the entire project of literary theory. The challenge is not only to a way of thinking and writing but to a way of making a living. The resulting controversy has drawn so much attention among literary critics that it has been collected in a single volume so that the debate can be followed from start to finish. This collection includes the essay "Against Theory," seven responses to it, and a rejoinder by Knapp and Michaels (originally published in Critical Inquiry 9:4); in addition, there are two new statements plus a final reply by Knapp and Michaels. The debate chronicled in this volume raises the most fundamental issues in the theory of meaning and the practice of interpretation. Are Knapp and Michaels confronting literary theory with a new "pragmatic" form of theory? Or are they (as some of their respondents suggest) arguing for a new form of nihilism? "If it is a nihilism," writes editor W. J. T. Mitchell, "it is one that demands an answer, not easy polemical dismissal, one that calls for theory to clarify its claims, not to mystify them and the easy assurance of intellectual fashion and institutional authority." It is the intention of Against Theory to aid in that clarification.

This book addresses the question of what it might mean today to be a Luddite--that is, to take a stand against technology. Steven Jones here explains the history of the Luddites, British textile works who, from around 1811, proclaimed themselves followers of "Ned Ludd" and smashed machinery they saw as threatening their trade. Against Technology is not a history of the Luddites, but a history of an idea: how the activities of a group of British workers in Yorkshire and Nottinghamshire came to stand for a global anti-technology philosophy, and how an anonymous collective movement came to be identified with an individualistic personal conviction. Angry textile workers in the early nineteenth century became romantic symbols of a desire for a simple life--certainly not the original goal of the actions for which they became famous. Against Technology is, in other words, a book about representations, about the image and the myth of the Luddites and how that myth was transformed over time into modern neo-Luddism.

This book addresses the question of what it might mean today to be a Luddite--that is, to take a stand against technology. Steven Jones here explains the history of the Luddites, British textile works who, from around 1811, proclaimed themselves followers of "Ned Ludd" and smashed machinery they saw as threatening their trade. Against Technology is not a history of the Luddites, but a history of an idea: how the activities of a group of British workers in Yorkshire and Nottinghamshire came to stand for a global anti-technology philosophy, and how an anonymous collective movement came to be identified with an individualistic personal conviction. Angry textile workers in the early nineteenth century became romantic symbols of a desire for a simple life--certainly not the original goal of the actions for which they became famous. Against Technology is, in other words, a book about representations, about the image and the myth of the Luddites and how that myth was transformed over time into modern neo-Luddism.

Debates continue to rage over the merits or flaws of public land and whether or not it should be privatized—or at least, radically reconfigured in some way. In Defense of Public Lands offers a comprehensive refutation of the market-oriented arguments. Steven Davis passionately advocates that public land ought to remain firmly in the public’s hands. He reviews empirical data and theoretical arguments from biological, economic, and political perspectives in order to build a case for why our public lands are an invaluable and irreplaceable asset for the American people. In Defense of Public Lands briefly lays out the history and characteristics of public lands at the local, state, and federal levels while examining the numerous policy prescriptions for their privatization or, in the case of federal lands, transfer. He considers the dimensions of environmental health; markets and valuation of public land, the tensions between collective values and individual preferences, the nature and performance of bureaucratic management, and the legitimacy of interest groups and community decision-making. Offering a fair, good faith overview of the privatizers’ best arguments before refuting them, this timely book contemplates both the immediate and long-term future of our public lands.

"Rings with that truth recognizable to every combat man. Those looking for action will find it here in buckets."--John Toland, New York Times Book ReviewWritten by Robert Leckie, whose wartime exploits are featured in the Tom Hanks/Steven Spielberg HBO miniseries The Pacific, Strong Men Armed is the perennial bestselling classic account of the U.S. Marines' relentless drive through the Pacific during World War II. As scout and machine-gunner for the First Marine Division, Leckie fought in all its engagements until his wounding at Peleliu.In Strong Men Armed, Leckie uses firsthand experience and impeccable research to re-create the nightmarish battles of the Pacific campaign--from Guadalcanal to Okinawa--as ships, men, and guns moved over vast distances to fight an enemy willing to defend to its last man. Here is the whole sweeping epic of the Marines who battled--and won--on the bloody beaches at Guadalcanal, the unforgiving reefs at Tarawa, the rain-soaked mud of New Britain, the dark gray soil and deadly caves of Mount Suribachi, and the muddy slopes of Shuri Castle on Okinawa. It is a masterful narrative by a writer the New York Times praised as possessing the "rare gift of capturing all that is human in the most inhuman of man's activities.""Raw, heartbreaking, and superb."--Christian Science Monitor

2014 Asian pressing of the 2009 film starring Steven Seagal.

From director Michael Bay and executive producer Steven Spielberg comes the best TRANSFORMERS ever! With humanity facing extinction from a terrifying new threat, it's up to Optimus Prime and the Autobots to save the world. But now that our government has turned against them, they'll need a new team of allies, including inventor Cade Yeager (Mark Wahlberg) and the fearsome Dinobots!

He was the greatest detective in Victorian England, but how would Sherlock Holmes fare against 21st-century criminals? Co-created by "Jekyll" scripter Steven Moffat, this innovative BBC series places Holmes (Benedict Cumberbatch) and his ally Dr. John Watson (Martin Freeman) in contemporary London for fascinating updatings of Arthur Conan Doyle's timeless mysteries. Rupert Graves and Una Stubbs also star.13 episodes and the 2015 special The Abominable Bride on 9 discs. 19 1/2/ hrs. Widescre

Steven Brooke, whose dazzling photography of Miami’s Art Deco District once helped spur the area’s preservation, now captures the incredible architectural restoration of this glamorous international playground. During the 1930s, Miami Beach emerged as an epicenter of Art Deco architecture. Against the azure sky gleamed buildings that boasted voluptuous curves, nautical elements, Jazz Age ornamentation, and seductive neon. After the area fell into decline in the 1970s and ’80s, Steven Brooke and others successfully campaigned to protect the Art Deco District’s architectural treasures from the wrecking ball. Now, with the district’s buildings finally restored to their eye-popping glory, Brooke offers Miami- and Art Deco–lovers the most up-to-date celebration of the inimitable architecture that has made the city a style magnet for artists, designers, and travelers from around the globe.

Peter Stevens was a German-Jewish refugee who escaped Nazi persecution as a teenager in 1933. He joined the RAF in 1939 and after eighteen months of pilot training he started flying bombing missions against his own country. He completed twenty-two missions before being shot down and taken prisoner by the Nazis in September 1941. To escape became his raison d'être and his great advantage was that he was in his native country. He was recaptured after each of his several escapes, but the Nazis never realized his true identity. He took part in the logistics and planning of several major breakouts, including The Great Escape, but was never successful in getting back to England. After liberation, when the true nature of his exploits came to light, he was awarded the Military Cross. He then served as a British spy at the beginning of the Cold War before emigrating to Canada to resume a normal life.This is the story of a heavily conflicted young man, alone in a world that is in the midst of destruction. He is afforded an opportunity to help his persecuted people to obtain a small measure of revenge. It is at once a sad yet uplifting tale of thankless and unheralded heroism.

Commander Larry Cole, a twenty-six-year veteran of the Chicago police force, comes up against the most vicious criminal he has ever faced, multi-millionaire Steven Zalkin, who turns out to be linked to the first case on which Cole ever worked

Can the witness protection program keep her identity secret?After Allison James finally escapes her marriage to a monster, she becomes the star witness in the case against her deceased husband’s powerful crime family. Now it’s up to US Marshal Jaxson Stevens, Ali’s ex-boyfriend, to keep the WITSEC widow safe. But as the danger escalates and sparks fly, will Jax be able to help Ali escape her ruthless in-laws?

The gripping story of one American lawyer’s obsessive crusade—waged at any cost—against Big Oil on behalf of the poor farmers and indigenous tribes of the Amazon rainforest.Steven Donziger, a self-styled social activist and Harvard educated lawyer, signed on to a budding class action lawsuit against multinational Texaco (which later merged with Chevron to become the third-largest corporation in America). The suit sought reparations for the Ecuadorian peasants and tribes people whose lives were affected by decades of oil production near their villages and fields.  During twenty years of legal hostilities in federal courts in Manhattan and remote provincial tribunals in the Ecuadorian jungle, Donziger and Chevron’s lawyers followed fierce no-holds-barred rules. Donziger, a larger-than-life, loud-mouthed showman, proved himself a master orchestrator of the media, Hollywood, and public opinion. He cajoled and coerced Ecuadorian judges on the theory that his noble ends justified any means of persuasion. And in the end, he won an unlikely victory, a $19 billion judgment against Chevon--the biggest environmental damages award in history.  But the company refused to surrender or compromise. Instead, Chevron targeted Donziger personally, and its counter-attack revealed damning evidence of his politicking and manipulation of evidence. Suddenly the verdict, and decades of Donziger’s single-minded pursuit of the case, began to unravel.      Written with the texture and flair of the best narrative nonfiction, Law of the Jungle is an unputdownable story in which there are countless victims, a vast region of ruined rivers and polluted rainforest, but very few heroes.

On a long stretch of green coast in the South Pacific, hundreds of enormous, impassive stone heads stand guard against the ravages of time, war, and disease that have attempted over the centuries to conquer Easter Island. Steven Roger Fischer offers the first English-language history of Easter Island in Island at the End of the World, a fascinating chronicle of adversity, triumph, and the enduring monumentality of the island's stone guards. A small canoe with Polynesians brought the first humans to Easter Island in 700 CE, and when boat travel in the South Pacific drastically decreased around 1500, the Easter Islanders were forced to adapt in order to survive their isolation. Adaptation, Fischer asserts, was a continuous thread in the life of Easter Island: the first European visitors, who viewed the awe-inspiring monolithic busts in 1722, set off hundreds of years of violent warfare, trade, and disease—from the smallpox, wars, and Great Death that decimated the island to the late nineteenth-century Catholic missionaries who tried to "save" it to a despotic Frenchman who declared sole claim of the island and was soon killed by the remaining 111 islanders. The rituals, leaders, and religions of the Easter Islanders evolved with all of these events, and Fischer is just as attentive to the island's cultural developments as he is to its foreign invasions. Bringing his history into the modern era, Fischer examines the colonization and annexation of Easter Island by Chile, including the Rapanui people's push for civil rights in 1964 and 1965, by which they gained full citizenship and freedom of movement on the island. As travel to and interest in the island rapidly expand, Island at the End of the World is an essential history of this mysterious site.