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Unread book in perfect condition.

Unread book in perfect condition.

H.D. and Hellenism: Classic Lines concerns a prominent aspect of the writing of the modern American poet H.D. (Hilda Doolittle): a career-long engagement with hellenic literature, mythology, and art. Eileen Gregory's exhaustive treatment of H.D.'s poetic engagement with Greece is one of the few studies of a modern poet in relation to hellenism. She explores at length H.D.'s intertextual engagement with specific classic writers, and catalogues classical allusions in H.D.'s lyric poetry.

H.D. and Hellenism: Classic Lines concerns a prominent aspect of the writing of the modern American poet H.D. (Hilda Doolittle): a career-long engagement with hellenic literature, mythology, and art. Eileen Gregory's exhaustive treatment of H.D.'s poetic engagement with Greece is one of the few studies of a modern poet in relation to hellenism. She explores at length H.D.'s intertextual engagement with specific classic writers, and catalogues classical allusions in H.D.'s lyric poetry.

The Politics of Irish Drama analyzes some twenty-five of the best-known Irish plays from those of Dion Boucicault to Sebastian Barry, including works by Shaw, Yeats, Lady Gregory and Beckett. The book looks at political contexts for these plays and, in arguing for the outward-directed nature of dramatic representation of Ireland, shows Irish drama to be an international as much as national phenomenon.

Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240–325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. Gregory Shaw focuses on the theory and practice of theurgy, a term meaning “divine action,” the most controversial and significant aspect of Iamblichus’s Platonism. Unlike previous Platonists, who stressed the elevated status of the human soul, Iamblichus taught that the soul descends completely into the body and requires the performance of theurgic rites—-revealed by the gods--to unite the soul with the One. Iamblichus was a seminal Platonic philosopher whose views on the soul and the importance of ritual profoundly influenced subsequent thinkers such as Proclus, Damascius, and Dionysius the Areopagite. Iamblichus’s vision of a hierarchical cosmos united by divine ritual became the dominant worldview for the entire medieval world, and played an important role in the Renaissance Platonism of Marsilio Ficino. Ralph Waldo Emerson wrote that he expected a reading of Iamblichus to cause a “revival in the churches.” Yet, until recently, modern scholars have dismissed him, seeing theurgy as ritual magic or an attempt to manipulate the gods. Shaw, however, shows that theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. This new edition includes a foreword by John Milbank and Aaron Riches showing the Christian sacramental implications of Iamblichean theurgy, and a new preface from the author.

Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240–325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. Gregory Shaw focuses on the theory and practice of theurgy, a term meaning “divine action,” the most controversial and significant aspect of Iamblichus’s Platonism. Unlike previous Platonists, who stressed the elevated status of the human soul, Iamblichus taught that the soul descends completely into the body and requires the performance of theurgic rites—-revealed by the gods--to unite the soul with the One. Iamblichus was a seminal Platonic philosopher whose views on the soul and the importance of ritual profoundly influenced subsequent thinkers such as Proclus, Damascius, and Dionysius the Areopagite. Iamblichus’s vision of a hierarchical cosmos united by divine ritual became the dominant worldview for the entire medieval world, and played an important role in the Renaissance Platonism of Marsilio Ficino. Ralph Waldo Emerson wrote that he expected a reading of Iamblichus to cause a “revival in the churches.” Yet, until recently, modern scholars have dismissed him, seeing theurgy as ritual magic or an attempt to manipulate the gods. Shaw, however, shows that theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. This new edition includes a foreword by John Milbank and Aaron Riches showing the Christian sacramental implications of Iamblichean theurgy, and a new preface from the author.

Classic reprints from: Edith Wharton, Stephen Crane, O. Henry, Irwin Shaw, Jerome Weidman, Damon Runyon, Evan Hunter, Jerrold Mundis, Edgar Allan Poe, Horace Gregory, Geoffrey Bartholomew, Cornell Woolrich, Barry N. Malzberg, Clark Howard, Jerome Charyn, Donald E. Westlake, Joyce Carol Oates, Lawrence Block, Susan Isaacs, and others.Lawrence Block has won most of the major mystery awards and has been called the quintessential New York writer. His series characters—Matthew Scudder, Bernie Rhodenbarr, Evan Tanner, Chip Harrison, and Keller—all live in Manhattan; like their creator, they would not really be happy anywhere else.

Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240–325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. Gregory Shaw focuses on the theory and practice of theurgy, the most controversial and significant aspect of Iamblichus's Platonism. Theurgy literally means "divine action." Unlike previous Platonists who stressed the elevated status of the human soul, Iamblichus taught that the soul descended completely into the body and thereby required the performance of theurgic rites—revealed by the gods—to unite the soul with the One. Iamblichus was once considered one of the great philosophers whose views on the soul and the importance of ritual profoundly influenced subsequent Platonists such as Proclus and Damascius. The Emperor Julian followed Iamblichus's teachings to guide the restoration of traditional pagan cults in his campaign against Christianity. Although Julian was unsuccessful, Iamblichus's ideas persisted well into the Middle Ages and beyond. His vision of a hierarchical cosmos united by divine ritual became the dominant world view for the entire medieval world and played an important role in the Renaissance Platonism of Marsilio Ficino. Even Ralph Waldo Emerson wrote that he expected a reading of Iamblichus to cause a "revival in the churches." But modern scholars have dismissed him, seeing theurgy as ritual magic or "manipulation of the gods." Shaw, however, shows that theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world.

Theurgy and the Soul is a study of Iamblichus of Syria (ca. 240–325), whose teachings set the final form of pagan spirituality prior to the Christianization of the Roman Empire. Gregory Shaw focuses on the theory and practice of theurgy, a term meaning “divine action,” the most controversial and significant aspect of Iamblichus’s Platonism. Unlike previous Platonists, who stressed the elevated status of the human soul, Iamblichus taught that the soul descends completely into the body and requires the performance of theurgic rites—-revealed by the gods--to unite the soul with the One. Iamblichus was a seminal Platonic philosopher whose views on the soul and the importance of ritual profoundly influenced subsequent thinkers such as Proclus, Damascius, and Dionysius the Areopagite. Iamblichus’s vision of a hierarchical cosmos united by divine ritual became the dominant worldview for the entire medieval world, and played an important role in the Renaissance Platonism of Marsilio Ficino. Ralph Waldo Emerson wrote that he expected a reading of Iamblichus to cause a “revival in the churches.” Yet, until recently, modern scholars have dismissed him, seeing theurgy as ritual magic or an attempt to manipulate the gods. Shaw, however, shows that theurgy was a subtle and intellectually sophisticated attempt to apply Platonic and Pythagorean teachings to the full expression of human existence in the material world. This new edition includes a foreword by John Milbank and Aaron Riches showing the Christian sacramental implications of Iamblichean theurgy, and a new preface from the author.

Soft Colors Gregory Rivkin, trumpet Chris Bacas, saxophone Jesse Chandler, organ Bill Goodwin, drums David Berkmann, piano Dmitry Kolesnik, bass Jeff Brillinger, drums REVIEWS Lyrical, nicely-flowing and hard swinging lines in true-bop fashion, very reminiscent of Freddy Hubbard, Lee Morgan and Woody Shaw. (International Trumpet Guild Journal) Rivkin gave a brilliant performance. (New York Concert Review) NOTES BY THE ARTIST In June, 2006, I gave my first performance at Carnegie Hall. It was exh