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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.78

Book is in NEW condition. 2.78

The Hollywood family film is one of the most popular, commercially-successful and culturally significant forms of mass entertainment. This book is the first in-depth history of the Hollywood family film, tracing its development from its beginnings in the 1930s to its global box-office dominance today. Noel Brown shows how, far from being an innocuous amusement for children, the family film has always been intended for audiences of all ages and backgrounds. He tells the story of how Hollywood's ongoing preoccupation with breaking down the barriers that divide audiences has resulted in some of the most successful and enduring films in the history of popular cinema. Drawing on multiple sources and with close analysis of a broad range of films, from such classics as Little Women, Meet me in St Louis, King Kong and Mary Poppins to such modern family blockbusters as Star Wars, Indiana Jones and Toy Story, this timely book underlines the immense cultural and commercial importance of this neglected genre.

In the 1970s, when the idea of a woman competing successfully with men in any form of motorsports was radical notion, a young woman from Schenectady, New York, began her singular quest to change the chauvinistic mindset that prevailed in professional drag racing. Shirley Muldowney not only broke the gender barrier in the National Hot Rod Association, but also completely rewrote the record books in Top Fuel Eliminator, the sport's quickest and fastest category. She was the first woman ever to receive a Top Fuel license from the NHRA, and none other than "Big Daddy" Don Garlits was one of the veteran drivers who signed off on it. Between 1977 and 1982, Muldowney won three NHRA Top Fuel championships--the first female ever to win a title in any professional motorsport--and added an AHRA Top Fuel championship to her resume, as well. She won the prestigious NHRA U.S. Nationals in 1982 and, before her retirement at the end of the 2003 season, had become one of the most recognized and celebrated race car drivers in history, male or female. She was recently inducted into the International Motorsports Hall of Fame in Novi, Michigan, and has been the subject of countless features in newspapers, magazines, and network television from coast to coast. Shirley Muldowney's Tales from the Track is an unabashed collection of stories, anecdotes, and opinions in her own unvarnished style of storytelling, laced with her straightforward, take-no-prisoners approach. She has spent her entire lifetime telling it like it is, standing up to the establishment, and refusing to do anything other than in her own way. Politically correct? Hardly. Readers are encouraged to strap themselves in when she shares her manytales. It's the whole truth and nothing but the truth according to the legendary Shirley Muldowney.

In the 1970s, when the idea of a woman competing successfully with men in any form of motorsports was radical notion, a young woman from Schenectady, New York, began her singular quest to change the chauvinistic mindset that prevailed in professional drag racing. Shirley Muldowney not only broke the gender barrier in the National Hot Rod Association, but also completely rewrote the record books in Top Fuel Eliminator, the sport's quickest and fastest category. She was the first woman ever to receive a Top Fuel license from the NHRA, and none other than "Big Daddy" Don Garlits was one of the veteran drivers who signed off on it. Between 1977 and 1982, Muldowney won three NHRA Top Fuel championships--the first female ever to win a title in any professional motorsport--and added an AHRA Top Fuel championship to her resume, as well. She won the prestigious NHRA U.S. Nationals in 1982 and, before her retirement at the end of the 2003 season, had become one of the most recognized and celebrated race car drivers in history, male or female. She was recently inducted into the International Motorsports Hall of Fame in Novi, Michigan, and has been the subject of countless features in newspapers, magazines, and network television from coast to coast. Shirley Muldowney's Tales from the Track is an unabashed collection of stories, anecdotes, and opinions in her own unvarnished style of storytelling, laced with her straightforward, take-no-prisoners approach. She has spent her entire lifetime telling it like it is, standing up to the establishment, and refusing to do anything other than in her own way. Politically correct? Hardly. Readers are encouraged to strap themselves in when she shares her manytales. It's the whole truth and nothing but the truth according to the legendary Shirley Muldowney.

Twenty-three letters originally published serially in The Pioneer: or, California monthly magazine, Jan. 1854-Dec. 1855. First published in book form in 1922 under title: The Shirley letters from California mines in 1851-1852.

Magic City Gospel is a love song to Birmingham, the Magic City of the South. In traditional forms and free verse poems, 2015 Rona Jaffe Writer’s Award-winner Ashley M. Jones takes readers on an historical, geographical, cultural, and personal journey through her life and the life of her home state. From De Soto’s “discovery” of Alabama to George Wallace’s infamous stance in the schoolhouse door, to the murders of black men like Trayvon Martin and Eric Garner in modern America, Jones weaves personal history with the troubled, triumphant, and complicated history of Birmingham, and of Alabama at large. In this assured debut, you’ll find why “gold is laced in Alabama’s teeth.” In the ghosts and the grits, this collection speaks to Jones' generation and beyond: “Let me wash you in Alabama heat / and tell you who you are.” Magic City Gospel is a book of personal, political, and cultural history, whose red dirt stained pages offer a fresh and unvarnished gaze on Birmingham, Alabama, and America.

What is wit made out of in the comedies of Shakespeare, Jonson, Shirley and their contemporaries? What does it hide? What does it reveal? This book addresses these questions by turning to the relationship between comic form and local history. Explorations of familiar sites, including Windsor Forest, Smithfield, Covent Garden and Hyde Park, are matched with close readings of drama that focus on overlays between theatrical, spatial, narrative and social conventions. Dramatic comedy's definitive interest in cultural competency and incompetence, and wit and witlessness, is revealed through discussions of commerce, gambling, royal forests and new or newly public spaces in and around early modern London. Along with Shakespeare's The Merry Wives of Windsor and Ben Jonson's Epicene and Bartholomew Fair, special emphasis is placed on the neglected town comedies of the 1630s - the forerunners of the Restoration comedy of manners and satirical realism of our own day.

Anne Shirley has left Redmond College and Green Gables behind to begin a new chapter of her life in the "dreaming town" of Summerside. She's soon facing an unexpected challenge, however, in the form of the Pringles--also known as the royal family of Summerside. They quickly let Anne know that she's not the person they had wanted as principal of Summerside High School. But as she settles into her cozy tower room at Windy Poplars, Anne finds she also has great allies in two elderly widows, Aunt Kate and Aunt Chatty, and their irrepressible housekeeper, Rebecca Dew. Slowly, she begins to unravel Summerside's strangest secrets--revealing everything in letters to Gilbert, who's away at medical school. And in the end, Anne's able to win the support of even the prickly Pringles, in what is only the first of many delicious triumphs.

Anne Shirley has left Redmond College and Green Gables behind to begin a new chapter of her life in the "dreaming town" of Summerside. She's soon facing an unexpected challenge, however, in the form of the Pringles--also known as the royal family of Summerside. They quickly let Anne know that she's not the person they had wanted as principal of Summerside High School. But as she settles into her cozy tower room at Windy Poplars, Anne finds she also has great allies in two elderly widows, Aunt Kate and Aunt Chatty, and their irrepressible housekeeper, Rebecca Dew. Slowly, she begins to unravel Summerside's strangest secrets--revealing everything in letters to Gilbert, who's away at medical school. And in the end, Anne's able to win the support of even the prickly Pringles, in what is only the first of many delicious triumphs.

What is wit made out of in the comedies of Shakespeare, Jonson, Shirley and their contemporaries? What does it hide? What does it reveal? This book addresses these questions by turning to the relationship between comic form and local history. Explorations of familiar sites, including Windsor Forest, Smithfield, Covent Garden and Hyde Park, are matched with close readings of drama that focus on overlays between theatrical, spatial, narrative and social conventions. Dramatic comedy's definitive interest in cultural competency and incompetence, and wit and witlessness, is revealed through discussions of commerce, gambling, royal forests and new or newly public spaces in and around early modern London. Along with Shakespeare's The Merry Wives of Windsor and Ben Jonson's Epicene and Bartholomew Fair, special emphasis is placed on the neglected town comedies of the 1630s - the forerunners of the Restoration comedy of manners and satirical realism of our own day.