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What the Gospels are to the New Testament, as the field for historical study, the six books of Samuel, Kings, and Chronicles are to the Old Testament: They are the principal sources of Old Testament history and chronology. Because of their centrality to the study of the Old Testament, William Day Crockett compiled them into one book with parallel passages arranged in parallel columns for quick reference and convenient study. Along with the harmony, or arrangement, Crockett provides a complete analytical outline-a concise, sequential table of events that will give readers a greater understanding of and firmer grasp on the history of Judah and Israel. Readers will also find a table of passages from the entire Bible that parallel certain sections of the harmony.

Lind/Marchal/Wathen is a perennial market best seller due to its comprehensive coverage of statistical concepts and methods delivered in a student friendly, step-by-step format. The text presents concepts clearly and succinctly with a conversational writing style and illustrates concepts through the liberal use of business-focused examples that are relevant to the current world of a college student. Known as a 'student's text,' Lind's supporting pedagogy includes self reviews, cumulative exercises, and coverage of software applications including Excel, Minitab, and MegaStat for Excel. The new 15th edition puts more emphasis on the interpretation of data and results and supports Lind's student-centric, step-by-step approach with McGraw-Hill's industry leading online assessment resource Connect Business Statistics.

Hanging Sam chronicles the life of Lt. General Samuel T. “Hanging Sam” Williams, who, after being relieved of his duties as Assistant Division Commander of the 90th Infantry Division and demoted from the rank of brigadier general following the 1944 Normany invasion, persevered to recover not only his lost star but two additional ones as well, an accomplishment unmatched in modern U. S. Army history. Following enlistment in the Texas Militia in 1916 to fight Pancho Villa along the U.S.-Mexican border, Williams served in both World Wars, the Korean War (where he commanded the 25th Infantry Dividion), and Vietnam (where from 1955 to 1960 he was Chief of the U. S. Military Assistance and Advisory Group). Wounded twice in battle, Williams was decorated with every medal for valor the Army awards, except the Medal of Honor.

This is a comprehensively revised second edition of a classic student text with the 1798 and 1800 editions of Lyrical Ballads reprinted together. It contains the complete text of one of the most important documents of the Romantic movement - now with new introduction, textual variants and fully up-dated, copious notes.

Despite his important role in the development of early Texas—he was a close associate of Stephen F. Austin, a successful businessman and land speculator, father of the Texas navy, founder of Texas' first bank, and co-founder of Galveston—Samuel May Williams is unknown to many Texans. Elitist, arrogant, shrewd, sometimes sharp in his business dealings, and politically conservative, Williams made enemies easily, and contemporary prejudice has perhaps led modern scholars to overlook his genuine significance in Texas history. Margaret Swett Henson's biography examines the career of this early entrepreneur, whose interests were closely entwined with those of Texas.Arriving in Texas in 1822 under an assumed name with little but good family connections, some mercantile experience, and fluent Spanish, Williams was hired as secretary in charge of Austin's colonial land office at San Felipe and before long had acquired large holdings of his own. In partnership with Thomas F. McKinney he set up a commission house that did a thriving business and later added a small banking function. The two men helped found the Galveston City Company and in 1848 Williams opened his Commercial and Agricultural Bank in that city.Over three decades Williams participated in the events that determined the course of Texas history and did much to advance the development of Texas and its economy—a less romantic but no less vital role than that of more popular folk-heroes.This study makes extensive use of heretofore largely unexplored manuscript material, notably the Samuel May Williams Papers at the Rosenberg Library in Galveston, Texas.

Book by Bryce Marshall and Paul Williams

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.

In 1676, Nathaniel Bacon led a well-known colonial uprising against the authority of King Charles II, in the person of Virginia's governor Sir William Berkeley. Bacon's Rebellion dramatically altered relations between Chesapeake colonists and Native Americans, and also induced late Stuart imperialists to crack down on colonial autonomy. Michael Leroy Oberg has transcribed, edited, and introduced the official record left by Samuel Wiseman, King Charles II's scribe assigned to this uprising's investigation_making this history widely available for the first time in book form.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++Harvard Law School Libraryocm17901453Cover title. At head of title: Superior Court of the City of New York.New York : William C. Bryant, printers, 1852. 221 p. ; 26 cm.

Most Civil War historians now agree that the guerrilla conflict shaped the entire war in significant ways. Some of these “bushwhackers”―Nathan Bedford Forrest, William Clarke Quantrill, John Singleton Mosby―have become quite infamous. Illiterate Sam Hildebrand, one of Missouri’s most notorious guerrillas―often compared to “Rob Roy,” and the subject of dime novels―was one of the few to survive the war and have his story taken down and published. Shortly after this he was killed in a barroom brawl. “I make no apology to mankind for my acts of retaliation; I make no whining appeal to the world for sympathy. I sought revenge and I found it; the key of hell was not suffered to rust in the lock while I was on the war path.” ―Sam Hildebrand Hildebrand’s reign of terror gave the Union army fits and kept much of the Trans-Mississippi, especially Missouri, roiling in the 1860s. Over seven years of fighting he and his men killed dozens of soldiers and civilians, whites and blacks; he claimed to have killed nearly one hundred himself. He was accused of many heinous acts. The historical significance of Hildebrand’s story is substantial, but his bloody tale is eminently readable and stands quite well on its own as a cold-blooded portrait of a violent time in American history. Like the nightmarish and depraved world of the Kid in Cormac McCarthy’s novel Blood Meridian, Hildebrand’s world is truly ruthless and his story is brutally descriptive in its coolly detached rendering of one man’s personal war. Published in 1870, Hildebrand’s autobiography has long been out of print and has been a rare and highly prized acquisition among Civil War

Samuel Palmer (1805–1881) was one of the leading British landscape painters of the 19th century. Inspired by his mentor, the artist and poet William Blake, Palmer brought a new spiritual intensity to his interpretation of nature, producing works of unprecedented boldness and fervency. Pre-eminent scholar William Vaughan—who organized the Palmer retrospective at the British Museum and The Metropolitan Museum of Art in 2005—draws on unpublished diaries and letters, offering a fresh interpretation of one of the most attractive and sympathetic, yet idiosyncratic, figures of the 19th century. Far from being a recluse, as he is often presented, Palmer was actively engaged in Victorian cultural life and sought to exert a moral power through his artwork. Beautifully illustrated with Palmer's visionary and enchanted landscapes, the book contains rich studies of his work, influences, and resources. Vaughan also shows how later, enthralled by the Pre-Raphaelite movement, Palmer manipulated his own artistic image to harmonize with it. Little appreciated in his lifetime, Palmer is now hailed as a precursor of modernism in the 20th century.

Samuel Johnson: The Arc of the Pendulum offers unique insight into the works of Samuel Johnson by re-considering William Hazlitt's oft-cited comparison between Johnson's prose and a pendulum. In 1819, William Hazlitt condemned Samuel Johnson's prose style as 'a species of rhyming' in which 'the close of the period follows as mechanically as the oscillation of a pendulum, the sense is balanced with the sound'. Predictable, formulaic, and unresponsive, Hazlitt's Johnson was 'incapable of latitude and compromise, a mere automaton who rebounded from one position to its opposite extreme'. This collection of essays focuses on Johnson's works, rather than perceptions of his personality, and argues that Johnson's perceived erratic opinions reflect an understanding of the complexity, instability, and contradictions of the world in which he lived. The volume challenges Hazlitt's influential reading of the Johnsonian pendulum, focusing on the uses and enjoyments of inconsistency, and the varieties of instability, irresolution, and active change which are revealed by and within Johnson.Chapters from a strong team of contributors present new perspectives on Johnson's work, life, and reception. The chapters address questions of style, authority, language, lexicography, and biography across a range of Johnson's writings from the early poetry to the late prose. Johnson emerges from these chapters not as a writer trapped within a set of oppositions, but as one who engages imaginatively and vigorously with flux, dynamism, and inconclusiveness. From the late eighteenth century onwards, to be 'Johnsonian' has typically been made synonymous with firm resolution and trenchant opinion, with polysyllabic excess and a style removed from the exigencies and accidents of ordinary existence. And yet, as this volume suggests, Johnson's life and writings embody the critical and creative play of ideas, a form of interaction with the world which is shaped by instability, contradiction, and combat.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions―until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet. The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.

Samuel Johnson: The Arc of the Pendulum offers unique insight into the works of Samuel Johnson by re-considering William Hazlitt's oft-cited comparison between Johnson's prose and a pendulum. In 1819, William Hazlitt condemned Samuel Johnson's prose style as 'a species of rhyming' in which 'the close of the period follows as mechanically as the oscillation of a pendulum, the sense is balanced with the sound'. Predictable, formulaic, and unresponsive, Hazlitt's Johnson was 'incapable of latitude and compromise, a mere automaton who rebounded from one position to its opposite extreme'. This collection of essays focuses on Johnson's works, rather than perceptions of his personality, and argues that Johnson's perceived erratic opinions reflect an understanding of the complexity, instability, and contradictions of the world in which he lived. The volume challenges Hazlitt's influential reading of the Johnsonian pendulum, focusing on the uses and enjoyments of inconsistency, and the varieties of instability, irresolution, and active change which are revealed by and within Johnson.Chapters from a strong team of contributors present new perspectives on Johnson's work, life, and reception. The chapters address questions of style, authority, language, lexicography, and biography across a range of Johnson's writings from the early poetry to the late prose. Johnson emerges from these chapters not as a writer trapped within a set of oppositions, but as one who engages imaginatively and vigorously with flux, dynamism, and inconclusiveness. From the late eighteenth century onwards, to be 'Johnsonian' has typically been made synonymous with firm resolution and trenchant opinion, with polysyllabic excess and a style removed from the exigencies and accidents of ordinary existence. And yet, as this volume suggests, Johnson's life and writings embody the critical and creative play of ideas, a form of interaction with the world which is shaped by instability, contradiction, and combat.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions―until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet. The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.

The two pieces of work which make up this volume were compiled by Pepys in the 1660s. The first is Pepys’s own record of how the Navy Board functioned. It records details of meetings with fellow officers such as Sir William Penn and Sir John Mennes, and how work could be hampered at times by the refusal of an officer to sign a contract or bill as he had not been present at the original discussions. The Navy White Book gives the discussions which took place over a variety of matters, such as, contracts with Sir William Warren, a timber merchant; costs and quality of masts and canvas. The Brooke House Papers deal with the inquiry set up by the House of Commons into the conduct of the Second Dutch War, following the humiliation of the Dutch invasion of 1667, and the inefficiency of the Navy Board. The Brooke House Papers further show Pepys defending the Navy Board’s professionalism and integrity, and also that naval administration during the Second Dutch War was efficient. The Papers also show Charles II ‘s role in protecting the Navy Board, by making his dissatisfaction with the inquiry known, through his disrespectful language and interruptions, as well as his support for Pepys, whom he makes the Board’s spokesman.

Palmer began his career as an artist at an early age. He first exhibited at the Royal Academy at the age of fourteen (one of his sketchbooks from this time is in the British Museum's collection). In 1824, he met William Blake whose influence helped confirm his visionary approach to art. Palmer retreated into rural isolation in the village of Shoreham, Kent, his own 'Valley of Vision'. Here he produced his most distinctive work, and gathered around him a group of artists (including Edward Calvert and George Richmond) known as 'the Ancients'. He married in 1837, and on his two-year honeymoon in Italy, his style turned to intensely coloured watercolours, with an obvious spiritual connection to his subjects. The striking watercolour A Cornfield by Moonlight with the Evening Star is one of his finest works from the Shoreham period and was acquired by the British Museum in 1985 after a public appeal. Samuel Palmer was active during the great flowering of British landscape painting in the first half of the nineteenth century. His work influenced many artists of the twentieth century, including Graham Sutherland and Eric Ravilious. audience to rediscover his beautiful, moving and popular works.

"Few writers have bequeathed to posterity such a legacy of devout exposition and reverent scholarship as William Garden Blaikie. Towards the end of the nineteenth century, when Sir William Robertson Nicoll began work on The Expositor's Bible, he wisely invited Dr. Blaikie to contribute commentaries on the Book of Joshua and the Books of First and Second Samuel. Blaikie's studies of these portions of the Old Testament rank among the finest ever produced." - Cyril J. Barber

In 1676, Nathaniel Bacon led a well-known colonial uprising against the authority of King Charles II, in the person of Virginia's governor Sir William Berkeley. Bacon's Rebellion dramatically altered relations between Chesapeake colonists and Native Americans, and also induced late Stuart imperialists to crack down on colonial autonomy. Michael Leroy Oberg has transcribed, edited, and introduced the official record left by Samuel Wiseman, King Charles II's scribe assigned to this uprising's investigation_making this history widely available for the first time in book form.