3 products were found matching your search for Slangy in 1 shops:

Here, in his own colorful, slangy words, is the true American Dream saga of a self-proclaimed "film geek," with five intense years working in a video store, who became one of the most popular, recognizable, and imitated of all filmmakers. His dazzling, movie-informed work makes Quentin Tarantino's reputation, from his breakout film, Reservoir Dogs (1992), through Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), his enchanted homages to Asian action cinema, to his rousing tribute to guys-on-a-mission World War II movie, Inglourious Basterds (2009). For those who prefer a more mature, contemplative cinema, Tarantino provided the tender, very touching Jackie Brown (1997). A masterpiece--Pulp Fiction (1994). A delightful mash of unabashed exploitation and felt social consciousness--his latest opus, Django Unchained (2012).From the beginning, Tarantino (b. 1963)--affable, open, and enthusiastic about sharing his adoration of movies--has been a journalist's dream. Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life. He is frank and revealing about growing up in Los Angeles with a single, half-Cherokee mother, and dropping out of ninth grade to take acting classes. Lost and confused, he still managed a gutsy ambition: young Quentin decided he would be a filmmaker.Tarantino has conceded that Ordell (Samuel L. Jackson), the homicidal African American con man in Jackie Brown, is an autobiographical portrait. "If I hadn't wanted to make movies, I would have ended up as Ordell," Tarantino has explained. "I wouldn't have been a postman or worked at the phone company. . . . I would have gone to jail."

“Youthful, slangy, political, and allegorical, Murakami is a writer who seems to be aware of every current American novel and popular song. Yet . . . [A Wild Sheep Chase] is clearly rooted in modern Japan.” —The New York Times “In every society, Murakami’s works are first accepted as texts that assuage the political disillusionment, romantic impulses, loneliness, and emptiness of readers. Only later do they fully realize that the author was born in Japan and that the books are actually translations.” —Inuhiko Yomota, Meiji Gakuen UniversityJay Rubin, Richard Powers, Kim Choon Mie, Inuhiko Yomota, Roland Kelts, Shozo Fujii, Shinya Machida, Ivan Sergeevich Logatchov, Koichi Oi, Issey Ogata With a special essay on translation by Haruki Murakami Japanese novelist Haruki Murakami’s best-selling books, including Norwegian Wood, The Wind-Up Bird Chronicle, and Kafka on the Shore, have been translated into over forty languages. His dreamlike prose delights readers across borders and datelines. What lies behind this phenomenal international appeal? The Japan Foundation asked novelists, translators, artists, and critics from around the world to answer this question. A Wild Haruki Chase presents their intriguing findings. Neuroscience, revolution, a secret Chinese connection . . . you’ll never read Murakami the same way again. Includes a full-color review of book covers from around the world!

In 1934 four movies—It Happened One Night, Twentieth Century, The Thin Man, and The Gay Divorcee—ushered in the golden age of the Hollywood romantic ("screwball") comedy. Slangy, playful, and "powerfully, glamorously in love with love," the films that followed were unique in their combination of swank and slapstick. Here are the directors—Lubitsch (Trouble in Paradise), Capra (It Happened One Night), Hawks (Bringing Up Baby, His Girl Friday), McCarey (The Awful Truth), La Cava (My Man Godfrey, Stage Door), Sturges (The Lady Eve, The Palm Beach Story, The Miracle at Morgan's Creek)—and their stars—Carole Lombard, Irene Dunne, Cary Grant, Fred Astaire, Clark Gable, Barbara Stanwyck, William Powell, Myrna Loy, among others—all described and analyzed in one comprehensive and delightful volume.