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Essays that offer engaging new examinations of the culture of southern slavery

Slavery By Another Name challenges one of America's most cherished assumptions - the belief that slavery in the US ended with Abraham Lincoln's Emancipation Proclamation - by telling the harrowing story of how in the South a new system of involuntary servitude took it's place with shocking force.

Slavery & Abolition - DVD 743452487028

This highly original book asks new questions about paintings and prints associated with the British West Indies between 1700 and 1840, when the trade in sugar and slaves was most active and profitable. In a wide-ranging study of scientific illustrations, scenes of daily life, caricatures, and landscape imagery, Kay Dian Kriz analyzes the visual culture of refinement that accompanied the brutal process by which African slaves transformed “rude” sugar cane into pure white crystals. In these works refinement is usually associated with the metropole, and “rudeness” with the colonies. Many artists capitalized on those characteristics of rudeness―animality, sensuality, and savagery―that increasingly became associated with all the island inhabitants. Yet other artists produced works that offered the possibility of colonial refinement, not just economic profit and sexual pleasure, thus complicating perceptions of difference between the two sides of the Atlantic.

Print on Demand. This book takes readers on a journey through the complex landscape of slavery in the United States in the 1830s, exploring the condition of both enslaved and free Black people across the North and the South. The author, a passionate advocate for the improvement of the African race, embarked on a series of travels across the country, collecting firsthand accounts and observations. The book weaves together these personal narratives with historical data and analysis, providing a vivid portrait of the realities of slavery in the antebellum era. The author challenges common perceptions of slavery, arguing that the relationship between master and slave is often more nuanced than portrayed by abolitionists, and that the slave's condition is often one of deep affection and dependence. The book also dives into the intricacies of the domestic slave trade, highlighting the emotional toll it took on families and individuals, as well as its profound economic implications. By examining the social and economic lives of free Black people, especially in cities like Baltimore, the author underscores the broader social and political implications of slavery, revealing the deep-rooted prejudices that impeded their progress even in non-slaveholding states. This book offers a unique and insightful look at the complex dynamics of slavery in America, offering readers a glimpse into a pivotal period in the nation's history and providing crucial context for understanding the enduring legacy of this institution. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.

"Every historian working on colonization will want to read and engage this provocative history of the experience of African colonization for the manumitted, the manumitters, and their proslavery critics."--American Historical Review "One of the most insightful treatments of colonization in years."--Pennsylvania Magazine of History and Biography "Balanced, accessible, and thorough. Each of Burin's chapters explores the ACS from a specific perspective: ACS members who manumitted enslaved workers specifically to go to Liberia, the enslaved themselves, northern fundraisers, white southerners, legal authorities, and finally, the freedpeople in Liberia."--Journal of African American History "Presents a vivid portrait of the organization as a conduit through which several thousand African Americans passed from American slavery to African freedom."--Journal of American History "Conveys the image of chattel slavery not as a monolithic structure controlling all masters and slaves everywhere but as a constantly changing entity throbbing with painful issues of personal and private rights in conflict with predominant opinions about social cohesion and custom. . . . The result is a refreshingly complex picture of American slavery."--History "A meticulously researched biography of one of the oft-overlooked cul-de-sacs in American history."--Virginia Quarterly Review

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Thomas W. Henry was born a slave on a Maryland tobacco plantation in 1794. Until he was twenty-seven, when he was made free according to the slaveholder's will, he was an apprentice blacksmith. His wife Catherine and two of their children remained in bondage until he was able to purchase them. Two other children were lost to the slave trade.This volume is a reprinting of Henry's memoirs, first published in 1872 by the African Methodist Episcopal Church. It provides a firsthand account of A.M.E. church politics and denominational relations, as well as a picture of community life as described by a manumitted slave.This illuminating resource of information about America's black religious heritage conveys Henry's sense of mission and consecration as he ministered to the African Methodist Episcopal churches of Maryland and rural Pennsylvania. Because he spent his early life as a blacksmith, his descriptions of the slave community of the Antietam Ironworks are charged with understanding and authority. His account is an unparalleled primary source for the study of the slave's role in the social history of the iron industry. As Henry documents the harsh economics of life in a free black family, he reveals the changing nature of American slavery in the early nineteenth century as well as the growing hostility of European workers toward the skill of slaves.Henry's autobiography, prepared for publication in this edition from a rare copy in the Moorland-Spingarn Research Center at Howard University, documents the role of this religious and community mentor and sheds additional light on the history of black leadership in the quest for abolition.

"The most valuable and stimulating general interpretation of the Old South to appear in recent years."―George M. Fredrickson This pathbreaking interpretation of the slaveholding South begins with the insight that slavery and freedom were not mutually exclusive but were intertwined in every dimension of life in the South. James Oakes traces the implications of this insight for relations between masters and slaves, slaveholders and non-slaveholders, and for the rise of a racist ideology.

This is an abridgement of the Pulitzer-Prize winning The Dred Scott Case, making Fehrenbacher's monumental work available to a wider audience. Although it condenses the original by half, all the chapters and major themes of the larger work have been retained, providing a masterful review of the issues before America on the eve of the Civil War.

Slavery existed in North America long before the first Africans arrived at Jamestown in 1619. For centuries, from the pre-Columbian era through the 1840s, Native Americans took prisoners of war and killed, adopted, or enslaved them. Christina Snyder's pathbreaking book takes a familiar setting for bondage, the American South, and places Native Americans at the center of her engrossing story. Indian warriors captured a wide range of enemies, including Africans, Europeans, and other Indians. Yet until the late eighteenth century, age and gender more than race affected the fate of captives. As economic and political crises mounted, however, Indians began to racialize slavery and target African Americans. Native people struggling to secure a separate space for themselves in America developed a shared language of race with white settlers. Although the Indians' captivity practices remained fluid long after their neighbors hardened racial lines, the Second Seminole War ultimately tore apart the inclusive communities that Native people had created through centuries of captivity.Snyder's rich and sweeping history of Indian slavery connects figures like Andrew Jackson and Cherokee chief Dragging Canoe with little-known captives like Antonia Bonnelli, a white teenager from Spanish Florida, and David George, a black runaway from Virginia. Placing the experiences of these individuals within a complex system of captivity and Indians' relations with other peoples, Snyder demonstrates the profound role of Native American history in the American past.

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This third edition of Stanley M. Elkin's classic study offers two new chapters by the author. The first, "Slavery and Ideology," considers the discussion and criticism occasioned by this controversial work. Elkins amplifies his original purpose in writing the book and takes into consideration the substantial body of critical commentary. He also attempts a prediction on the course of future research and discussion.

On the eve of the Revolution, the Carolina lowcountry was the wealthiest and unhealthiest region in British North America. Slavery, Disease, and Suffering in the Southern Lowcountry argues that the two were intimately connected: both resulted largely from the dominance of rice cultivation on plantations using imported African slave labor. This development began in the coastal lands near Charleston, South Carolina, around the end of the seventeenth century. Rice plantations spread north to the Cape Fear region of North Carolina and south to Georgia and northeast Florida in the late colonial period. The book examines perceptions and realities of the lowcountry disease environment; how the lowcountry became notorious for its "tropical" fevers, notably malaria and yellow fever; how people combated, avoided, or perversely denied the suffering they caused; and how diseases and human responses to them influenced not only the lowcountry and the South, but the United States, even helping to secure American independence.

In recent years, the culture wars have included arguments about the way that slavery is taught and remembered in books, films, television programs, historical sites, and museums. In the first attempt to examine this phenomenon, Slavery and Public History looks at recent controversies surrounding the interpretation of slavery’s history in the public arena, with contributions by such noted historians as Ira Berlin, David W. Blight, and Gary B. Nash. From the cancellation of the Library of Congress’s “Back of the Big House” slavery exhibit at the request of the institution’s African American employees, who found the visual images of slavery too distressing, to the public reaction to DNA findings confirming Thomas Jefferson’s relationship with his slave Sally Hemings, Slavery and Public History takes on contemporary reactions to the fundamental contradiction of American history—the existence of slavery in a country dedicated to freedom—and offers a bracing analysis of how people remember their past and how the lessons they draw from it influence American politics and culture today.

Designed specially for undergraduate course use, this new textbook is both an introduction to the study of American slavery and a reader of core texts on the subject. No other volume that combines both primary and secondary readings covers such a span of time―from the early seventeenth century to the Civil War.The book begins with a substantial introduction to the entire volume that gives an overview of slavery in North America. Each of the twelve chapters that follow has an introduction that discusses the leading secondary books and articles on the topic in question, followed by an essay and three primary documents. Questions for further study and discussion are included in the chapter introduction, while further readings are suggested in the chapter bibliography.Topics covered include slave culture, the slave-based economy, slavery and the law, slave resistance, pro-slavery ideology, abolition, and emancipation. The essays, by such eminent historians as Drew Gilpin Faust, Don E. Fehrenbacher, Eric Foner, John Hope Franklin, and Sylvia R. Frey, have been selected for their teaching value and ability to provoke discussion. Drawing on black and white, male and female experiences, the primary documents come from a wide variety of sources: diaries, letters, laws, debates, oral testimonies, travelers’ accounts, inventories, journals, autobiographies, petitions, and novels.

A landmark history — the sweeping story of the enslavement of tens of thousands of Indians across America, from the time of the conquistadors up to the early 20th century Since the time of Columbus, Indian slavery was illegal in much of the American continent. Yet, as Andrés Reséndez illuminates in his myth-shattering The Other Slavery, it was practiced for centuries as an open secret. There was no abolitionist movement to protect the tens of thousands of natives who were kidnapped and enslaved by the conquistadors, then forced to descend into the “mouth of hell” of eighteenth-century silver mines or, later, made to serve as domestics for Mormon settlers and rich Anglos.    Reséndez builds the incisive case that it was mass slavery, more than epidemics, that decimated Indian populations across North America. New evidence, including testimonies of courageous priests, rapacious merchants, Indian captives, and Anglo colonists, sheds light too on Indian enslavement of other Indians — as what started as a European business passed into the hands of indigenous operators and spread like wildfire across vast tracts of the American Southwest.  The Other Slavery reveals nothing less than a key missing piece of American history.  For over two centuries we have fought over, abolished, and tried to come to grips with African-American slavery.  It is time for the West to confront an entirely separate, equally devastating enslavement we have long failed truly to see. 

This study of slavery focuses initially on the drastic revisions in the historical debate on slavery and the present understanding of the peculiar institution.” It gives a concise explanation of the nature of American slavery and its impact on the slaves themselves and on Southern society and culture. And it broadens our understanding of the debates among historians about slavery; compares Southern slavery with slavery elsewhere in the New World; and shows how slavery evolved and changed over time and how it ended. Peter Parish examines some of the important recent works on slavery to identify crucial questions and basic themes and define the main areas of controversy.

It would be easy to assume that, in the eighteenth century, slavery and the culture of taste--the world of politeness, manners, and aesthetics--existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery's impurity informed and haunted the rarified customs of the time. Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European--mainly British--life, leading to a transformation of bourgeois ideas regarding freedom and selfhood. He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves' own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure. Through a close look at the eighteenth century's many remarkable documents and artworks, Slavery and the Culture of Taste sets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility.

"A significant contribution in Caribbean archaeology. Singleton weaves archaeological and documentary evidence into a compelling narrative of the lives of the enslaved at Santa Ana de Biajacas."--Patricia Samford, author of Subfloor Pits and the Archaeology of Slavery in Colonial Virginia"Presents results of the first historical archaeology in Cuba by an American archaeologist since the 1950s revolution. Singleton's extensive historical research provides rich context for this and future archaeological investigations, and the entire body of her pioneering research provides comparative material for other studies of African American life and institutional slavery in the Caribbean and the Americas."--Leland Ferguson, author of God's Fields: Landscape, Religion, and Race in Moravian Wachovia"Singleton's enlightening findings on plantation slavery life will undoubtedly constitute a reference point for future studies on Afro-Cuban archaeology."--Manuel Barcia, author of The Great African Slave Revolt of 1825: Cuba and the Fight for Freedom in MatanzasCuba had the largest slave society of the Spanish colonial empire. At Santa Ana de Biajacas the plantation owner sequestered slaves behind a massive masonry wall. In the first archaeological investigation of a Cuban plantation by an English speaker, Theresa Singleton explores how elite Cuban planters used the built environment to impose a hierarchical social order upon slave laborers. Behind the wall, slaves reclaimed the space as their own, forming communities, building their own houses, celebrating, gambling, and even harboring slave runaways. What emerged there is not just an identity distinct from other North American and Caribbean plantations, but a unique slave culture that thrived despite a spartan lifestyle.Singleton's study provides insight into the larger historical context of the African diaspora, global patterns of enslavement, and the development of Cuba as an integral member of the larger Atlantic World.