17 products were found matching your search for Slipper HENRY STEVENS Barkley in 3 shops:

Book by Stevens, Ronald, Swain, Henry Tyler

40 pages, catalog of an exhibit of mostly pastel and charcoal drawings by Will Henry Stevens, color illustrations

Young readers are introduced to Henry David Thoreau's masterpiece, Walden, through excerpts from the original work.

This adorable set of 3-cheeky gnomes is full of color and personality. These 3 figurines, Seth, Henry, and Steven, are otherwise known as the 3-wise gnomes. All 3 are recognized famously around their gnome village for their gestures that represent the common proverb hear no evil, speak no evil, see no evil. Their mischievous expressions and playful demeanor imply they're up to no good, but the truth is they're mostly excited to greet and welcome house guests. With their spunky personalities and cheerful faces, these gnomes sure to add charm and laughter to any indoor or outdoor space. Material: Resin.

A ravishing adaptation of Ernest Hemingway's legendary novel, a FAREWELL TO ARMS stars Gary Cooper (HIGH NOON) as Lt. Frederic Henry, a young ambulance driver for the Italian army in WWI, more interested in chasing women than the enemy. When seeking cover during an air raid, he encounters Nurse Catherine Barkley (a radiant Helen Hayes), and the world shifts under his feet. They fall in love, but the war keeps wrenching them apart. These painful separations force Frederic to choose between love a

A ravishing adaptation of Ernest Hemingway's legendary novel, a FAREWELL TO ARMS stars Gary Cooper (HIGH NOON) as Lt. Frederic Henry, a young ambulance driver for the Italian army in WWI, more interested in chasing women than the enemy. When seeking cover during an air raid, he encounters Nurse Catherine Barkley (a radiant Helen Hayes), and the world shifts under his feet. They fall in love, but the war keeps wrenching them apart. These painful separations force Frederic to choose between love a

The best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Hemingway's frank portrayal of the love between Lieutenant Henry and Catherine Barkley, caught in the inexorable sweep of war, glows with an intensity unrivaled in modern literature, while his description of the German attack on Caporetto -- of lines of fired men marching in the rain, hungry, weary, and demoralized -- is one of the greatest moments in literary history. A story of love and pain, of loyalty and desertion, A Farewell to Arms, written when he was 30 years old, represents a new romanticism for Hemingway.

Unspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11 explores the representation of terrorism in plays, novels, and films across the centuries. Time and time again, writers and filmmakers including William Shakespeare, Joseph Conrad, Henry James, Gillo Pontecorvo, Don DeLillo, John Updike, and Steven Spielberg refer to terrorist acts as beyond comprehension, “a deed without a name,” but they do not stop there. Instead of creating works that respond to terrorism by providing comforting narratives reassuring audiences and readers of their moral superiority and the perfidy of the terrorists, these writers and filmmakers confront the unspeakable by attempting to see the world from the terrorist’s perspective and by examining the roots of terrorist violence.

This monograph presents 39 complex structures by the Princeton University professor and structural engineer Guy Nordenson. The body of work, developed with architects and artists including Raimund Abraham, Henry N. Cobb, Steven Holl, Michael Maltzan, Richard Meier, SANAA, and many others, reveals Nordenson’s unique contributions to a progressive collaborative design process as both engineer and designer. The structures in this volume span twenty-eight years, from his early work with Paul Weidlinger, to his formation of the New York office of Ove Arup & Partners, through the first 13 years since the 1998 establishment of his current independent practice, Guy Nordenson and Associates.The volume is organized around three thematic sections: Engineering Ephemera, Simply Supported, and Building History. It includes Nordenson’s essays on these themes, as well as his individual project descriptions chronicling the vision and challenges of each. Barry Bergdoll, architectural historian, curator, and critic, provides an introduction.

Great American writers—William Carlos Williams, Jonathan Edwards, Emily Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James — all in the physicality of their archival manuscripts (reproduced in beautiful facsimiles here) — are the presiding spirits ofSpontaneous Particulars: Telepathy of Archives. Also woven into Susan Howe’s newest book are beautiful photographs of embroideries and textiles from anonymous craftspeople. All the archived materials are links, discoveries, chance encounters, the visual and acoustic shocks of rooting around amid physical archives. These are the telepathies the bibliomaniacal poet relishes. Rummaging in the archives she finds “a deposit of a future yet to come, gathered and guarded...a literal and mythical sense of life hereafter—you permit yourself liberties—in the first place—happiness.” Digital scholarship may offer much for scholars, but Susan Howe loves the materiality of research in real archives and calls her Spontaneous Particulars “a collaged swan song to the old ways.”

This monograph presents 39 complex structures by the Princeton University professor and structural engineer Guy Nordenson. The body of work, developed with architects and artists including Raimund Abraham, Henry N. Cobb, Steven Holl, Michael Maltzan, Richard Meier, SANAA, and many others, reveals Nordenson’s unique contributions to a progressive collaborative design process as both engineer and designer. The structures in this volume span twenty-eight years, from his early work with Paul Weidlinger, to his formation of the New York office of Ove Arup & Partners, through the first 13 years since the 1998 establishment of his current independent practice, Guy Nordenson and Associates.The volume is organized around three thematic sections: Engineering Ephemera, Simply Supported, and Building History. It includes Nordenson’s essays on these themes, as well as his individual project descriptions chronicling the vision and challenges of each. Barry Bergdoll, architectural historian, curator, and critic, provides an introduction.

A written portrait of one of the nation's most important rivers features writing about the river that spans five hundred years and includes contributions by Henry David Thoreau, Charles Dickins, Mark Twain, Wallace Stevens, and others. (Literature)

6100 shelf. Unread art exhibition catalog. Square trade paperback, color cover art of John Henry, steel-driving man. Black spine. No names, clean text. Signed by Pinkney verso front cover. With many fine repros. Texts: Steven Heller & others. 96 p.

Just as Henry David Thoreau “traveled a great deal in Concord,” Nobel Prize–winning physicist Steven Weinberg sees much of the world from the window of his study overlooking Lake Austin. In Lake Views Weinberg, considered by many to be the preeminent theoretical physicist alive today, continues the wide-ranging reflections that have also earned him a reputation as, in the words of New York Times reporter James Glanz, “a powerful writer of prose that can illuminate―and sting.”This collection presents Weinberg’s views on topics ranging from problems of cosmology to assorted world issues―military, political, and religious. Even as he moves beyond the bounds of science, each essay reflects his experience as a theoretical physicist. And as in the celebrated Facing Up, the essays express a viewpoint that is rationalist, reductionist, realist, and secular. A new introduction precedes each essay, explaining how it came to be written and bringing it up to date where necessary.As an essayist, Weinberg insists on seeing things as they are, without despair and with good humor. Sure to provoke his readers―postmodern cultural critics, enthusiasts for manned space flight or missile defense, economic conservatives, sociologists of science, anti-Zionists, and religious zealots―this book nonetheless offers the pleasure of a sustained encounter with one of the most interesting scientific minds of our time.

Great American writers—William Carlos Williams, Jonathan Edwards, Emily Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James — all in the physicality of their archival manuscripts (reproduced in beautiful facsimiles here) — are the presiding spirits ofSpontaneous Particulars: Telepathy of Archives. Also woven into Susan Howe’s newest book are beautiful photographs of embroideries and textiles from anonymous craftspeople. All the archived materials are links, discoveries, chance encounters, the visual and acoustic shocks of rooting around amid physical archives. These are the telepathies the bibliomaniacal poet relishes. Rummaging in the archives she finds “a deposit of a future yet to come, gathered and guarded...a literal and mythical sense of life hereafter—you permit yourself liberties—in the first place—happiness.” Digital scholarship may offer much for scholars, but Susan Howe loves the materiality of research in real archives and calls her Spontaneous Particulars “a collaged swan song to the old ways.”

Book by Stevens, Ronald, Swain, Henry Tyler

Unspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11 explores the representation of terrorism in plays, novels, and films across the centuries. Time and time again, writers and filmmakers including William Shakespeare, Joseph Conrad, Henry James, Gillo Pontecorvo, Don DeLillo, John Updike, and Steven Spielberg refer to terrorist acts as beyond comprehension, “a deed without a name,” but they do not stop there. Instead of creating works that respond to terrorism by providing comforting narratives reassuring audiences and readers of their moral superiority and the perfidy of the terrorists, these writers and filmmakers confront the unspeakable by attempting to see the world from the terrorist’s perspective and by examining the roots of terrorist violence.