24 products were found matching your search for Snapchat in 3 shops:

Snapchat. WhatsApp. Ashley Madison. Fitbit. Tinder. Periscope. How do we make sense of how apps like these-and thousands of others-have embedded themselves into our daily routines, permeating the background of ordinary life and standing at-the-ready to be used on our smartphones and tablets? When we look at any single app, it's hard to imagine how such a small piece of software could be particularly notable. But if we look at a collection of them, we see a bigger picture that reveals how the quotidian activities apps encompass are far from banal: connecting with friends (and strangers and enemies), sharing memories (and personally identifying information), making art (and trash), navigating spaces (and reshaping places in the process). While the sheer number of apps is overwhelming, as are the range of activities they address, each one offers an opportunity for us to seek out meaning in the mundane. Appified is the first scholarly volume to examine individual apps within the wider historical and cultural context of media and cultural studies scholarship, attuned to issues of politics and power, identity and the everyday.

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Sexy brunette and #1 performer on Snapchat Lela Star joins the Main Squeeze lineup with a variable pressure hard-case stroker molded directly from her body. Handcrafted in lifelike ULTRASKYN, Lela's Main Squeeze features a tight, textured interior that warms to the touch and feels just like the real thing. Play your favorite Lela Star scene and become her costar!Each ULTRASKYN sleeve features a different textured interior, making your experience as unique as each of our sexy Main Squeeze girls. The double-cap hardshell design doubles as a discreet travel and storage case, keeping your Main Squeeze fresh and ready for whenever you want to slide into her. Features: Uniquely Textured ULTRASKYN Masturbator with Hard Outer Case Molded Directly from Lela Star, the Sexy Brunette with a Famous Face Lifelike ULTRASKYN Warms to the Touch Squeeze Plate Allows User to Control Pressure End Cap Creates Intense Suction Screw-on Top for Discreet Storage Fully Disassembles for Cleaning Phthalate-Free, Body-Safe Includes Complete Care and Usage Instructions

Sexy, tattooed glamour model Brittanya Razavi (aka @brittanya187) reigns over Instagram, Twitter, and Snapchat, and now she joins Doc Johnson's lineup with a perfect handheld stroker molded directly from her body. Handcrafted in lifelike ULTRASKYN, the @brittanya187 sleece features a tight, textured interior that warms to the touch and feels just like the real thing. She may have 28 million followers (and counting!) but tonight she's all yours...These penis sleeves are styled with an ultra-realistic vulva opening made of Doc Johnson's soft, realistic, and hypoallergenic ULTRASKYN(tm) material that warms to your touch. Each sleeve fits perfectly in your hand and features an exquisitely textured internal canal that grinds against your shaft--and comes pretty dang close to simulating the realistic feel of intercourse. Try soaking the sleeve in warm water, then slicking it up with a water-based lubricant, for a more life-like sensation. These sleeves can also function as stamina training tools; by slowing the intensity of strokes, you can train your body to last longer. When the fun is done, simply rinse the sleeve (do not use soap) and let it air dry. Dust it down with cornstarch to keep it silky smooth.

Social Media in the Digital Age: History, Ethics, and Professional Uses details how the growth and development of social media platforms like Facebook, Twitter, Snapchat, and Instagram have influenced how people interact with one another, receive news, and form social bonds. It introduces students to theories used to study social media, legal and ethical considerations for corporations and individual users, and examples of successful and unsuccessful social media usage to demonstrate its power and reach. Part One of the book focuses on the study of social media, addressing the rise of social media, the widespread impact of user-generated content, the demographics of individuals who use various platforms, and more. Part Two examines the ethics and legal issues surrounding social media, including copyright law, user policies, image and brand management, privacy, and other considerations of digital media use for individuals. Part Three addresses the professional uses of social media in public relations, advertising, marketing, journalism, nonprofit work, U.S. politics, international social media movements, and more. Social Media in the Digital Age is well suited for undergraduate courses in mass communication, broadcasting, history, and popular culture. It's also a valuable resource for mass communications professionals.Rebecca Coates Nee earned her Ed.D. in education technology from Pepperdine University, M.A. in journalism from Northwestern University, and B.A. in political science from the University of California, Santa Barbara. She is an associate professor in the School of Journalism & Media Studies at San Diego State University. Her research focuses on the impact of digital technology and social media on communication industry practices and consumer habits.

A New York Times BestsellerDoug the Pug is the king of pop culture. More than seven million adoring fans on Facebook, Instagram, Twitter, and Snapchat can’t get enough of him. Doug spreads love everywhere he goes, and now with his literary debut, he’s coming to living rooms around the world.It’s hard to find a more well-connected pup than Doug. He’s homies with the hottest stars out there: Justin Bieber, Steven Tyler, Ed Sheeran, John Legend, and Chrissy Teigen, to name just a few. Did you catch him in Fall Out Boy’s latest music video? Doug can ball with the best of them. He’s a rising star and everyone’s favorite squishy face. Doug has made appearances at music festivals including Lollapalooza and the Billboard Hot 100 Music Fest, but he doesn’t let fame go to his head.Doug is a humble pug, but the people have asked for more, so he’s obliged with this awesome New York Times bestselling collection of photos. Doug is a fashion icon, a culinary gourmand, a music enthusiast, and an all-around happenin’ guy. This book is just a sneak peek at some of his greatest adventures so far. From his furry heart to yours, enjoy!

Rethinking Popular Culture and Media begins from the premise that the popular is political. Whether it s Disney and Barbie, or Snapchat and Vine, youth navigate, shape, and repurpose popular culture. This updated collection of teaching articles and critical commentary is written by and for educators. The authors consider the role in students lives of films, music, and books, as well as popular culture artifacts like toys, and how these materials teach children. In each article, authors critique and rethink the connections among race, class, gender, sexuality, power, and schooling. The second edition includes revised articles, nine new articles, and an updated list of resources. Chapters are organized into four major themes to make the text more streamlined: Part 1: Commercialism, Corporations, and Youth Part 2: Politics, Violence, and Sanitized History Part 3: Texts, Toys, and Representation Part 4: Teaching, Talking Back, and Taking Action

In the second edition of Social Media Communication: Concepts, Practices, Data, Law and Ethics, Jeremy Harris Lipschultz presents a wide-scale, interdisciplinary analysis and guide to social media. Examining platforms such as Facebook, Instagram, Snapchat, LinkedIn, YouTube and Pinterest, this book explores and analyzes journalism, broadcasting, public relations, advertising and marketing. Lipschultz focuses on key concepts, best practices, data analyses, law and ethics―all promoting the critical thinking professionals and students need to use new networking tools effectively and to navigate social and mobile media spaces. Featuring historical markers and contemporary case studies, essays from some of the industry’s leading social media innovators and a comprehensive glossary, this practical, multipurpose textbook gives readers the resources they’ll need to both evaluate and utilize current and future forms of social media. For more information about the book, supplementary updates and teaching materials, follow the Social Media Communication Facebook page, @JeremyHL on Twitter and the UNO Social Media Lab on SlideShare. Facebook: www.facebook.com/SocialMediaCommunication Twitter: @JeremyHL #UNOSML #SMC2018 #SMProfs SlideShare: www.slideshare.net/jeremylipschultz

Instagram, Snapchat, WhatsApp, Vine. By the time you read this, there will be new ways to engage with others on social media. It's fun to be connected, but it's also a lot of pressure isn't it? Social media constantly reminds you what others are doing, how they look, and who they are with. As you check your accounts (all the time!) it can be easy to think you aren't measuring up. What if you don't measure up? Do you cover it up with risky behavior, pack your calendar with more and more activities, crash diet, explore your sexuality, or experiment with cutting? It seems like other girls solve the problem in these ways, but they are still anxious, sad, and unsure of who they really are. Is there a better way to get comfortable in your own skin? Face Time helps teen girls deal honestly and wisely with issues like body image, sex, dating, substance abuse, materialism, perfectionism, and comparison. Author Kristen Hatton, a trustworthy guide for teens, wants girls to have the deep security, value, worth, love, and acceptance they crave. But she points them in a different direction than they might expect. Instead of looking within, Hatton helps them to look up to god, the one who made them and cares for them through all the ups and downs of their lives. In this easy-to-read guide, Kristen Hatton takes girls on a step-by-step, hope-filled journey toward understanding who they are, who loves them, and how to live out of that love every day. Face Time is fun-to-read and engaging, using fictional but true-to-life narratives and clear Christian teaching to help girls learn to recognize lies and counter those with truth.

From a leading expert on addiction, a provocative, singularly authoritative history of how sophisticated global businesses have targeted the human brain’s reward centers, driving us to addictions ranging from oxycodone to Big Macs to Assassin’s Creed to Snapchat―with alarming social consequences.We live in an age of addiction, from compulsive gaming and shopping to binge eating and opioid abuse. Sugar can be as habit-forming as cocaine, researchers tell us, and social media apps are hooking our kids. But what can we do to resist temptations that insidiously and deliberately rewire our brains? Nothing, David Courtwright says, unless we understand the history and character of the global enterprises that create and cater to our bad habits.The Age of Addiction chronicles the triumph of what Courtwright calls “limbic capitalism,” the growing network of competitive businesses targeting the brain pathways responsible for feeling, motivation, and long-term memory. We see its success in Purdue Pharma’s pain pills, in McDonald’s engineered burgers, and in Tencent video games from China. All capitalize on the ancient quest to discover, cultivate, and refine new and habituating pleasures. The business of satisfying desire assumed a more sinister aspect with the rise of long-distance trade, plantation slavery, anonymous cities, large corporations, and sophisticated marketing. Multinational industries, often with the help of complicit governments and criminal organizations, have multiplied and cheapened seductive forms of brain reward, from junk food to pornography. The internet has brought new addictions: in 2018, the World Health Organization added “gaming disorder” to its International Classification of Diseases.Courtwright holds out hope that limbic capitalism can be contained by organized opposition from across the political spectrum. Progressives, nationalists, and traditionalists have made common cause against the purveyors of addiction before. They could do it again.

A Seventeen Magazine Best Book of the Year!BuzzFeed senior writer Erin Chack hits you in the guts, the feels, and the funny bone all at once with this collection of personal essays that reads like Sloane Crosley for the Snapchat generation.   In turns hysterically funny and heartbreakingly poignant, Erin recounts everything from meeting her soulmate at age 14 to her first chemotherapy session at age 19 to what really goes on behind the scenes at a major Internet media company.   She authentically captures the agony and the ecstasy of the millennial experience, whether it's her first kiss ("Sean’s tongue! In my mouth! Slippery and wet like a slug in the rain.") or her struggles with anxiety ("When people throw caution to the wind, I am stuck imagining the poor soul who has to break his back sweeping caution into a dustpan").   Yet Erin also offers a fresh perspective on universal themes of resilience and love as she writes about surviving cancer—including learning of her mother's own cancer diagnosis within the same year and her attempts to hide the diagnosis from friends to avoid "un-normaling" everything.  Honest, hilarious, and totally unfiltered, this sharply observed memoir introduces Erin Chack as a strikingly original new voice.

How the transformation of social media platforms and user-experience have redefined the entertainment industry In a little over a decade, competing social media platforms, including YouTube, Facebook, Twitter, Instagram, and Snapchat, have given rise to a new creative industry: social media entertainment. Operating at the intersection of the entertainment and interactivity, communication and content industries, social media entertainment creators have harnessed these platforms to generate new kinds of content separate from the century-long model of intellectual property control in the traditional entertainment industry. Social media entertainment has expanded rapidly and the traditional entertainment industry has been forced to cede significant power and influence to content creators, their fans, and subscribers. Digital platforms have created a natural market for embedded advertising, changing the worlds of marketing and communication in their wake. Combined, these factors have produced new, radically shifting demands on the entertainment industry, posing new challenges for screen regimes, media scholars, industry professionals, content creators, and audiences alike.Stuart Cunningham and David Craig chronicle the rise of social media entertainment and its impact on media consumption and production. A massive, industry-defining study with insight from over 100 industry insiders, Social Media Entertainment explores the latest transformations in the entertainment industry in this time of digital disruption.

From a leading expert on addiction, a provocative, singularly authoritative history of how sophisticated global businesses have targeted the human brain’s reward centers, driving us to addictions ranging from oxycodone to Big Macs to Assassin’s Creed to Snapchat―with alarming social consequences.We live in an age of addiction, from compulsive gaming and shopping to binge eating and opioid abuse. Sugar can be as habit-forming as cocaine, researchers tell us, and social media apps are hooking our kids. But what can we do to resist temptations that insidiously and deliberately rewire our brains? Nothing, David Courtwright says, unless we understand the history and character of the global enterprises that create and cater to our bad habits.The Age of Addiction chronicles the triumph of what Courtwright calls “limbic capitalism,” the growing network of competitive businesses targeting the brain pathways responsible for feeling, motivation, and long-term memory. We see its success in Purdue Pharma’s pain pills, in McDonald’s engineered burgers, and in Tencent video games from China. All capitalize on the ancient quest to discover, cultivate, and refine new and habituating pleasures. The business of satisfying desire assumed a more sinister aspect with the rise of long-distance trade, plantation slavery, anonymous cities, large corporations, and sophisticated marketing. Multinational industries, often with the help of complicit governments and criminal organizations, have multiplied and cheapened seductive forms of brain reward, from junk food to pornography. The internet has brought new addictions: in 2018, the World Health Organization added “gaming disorder” to its International Classification of Diseases.Courtwright holds out hope that limbic capitalism can be contained by organized opposition from across the political spectrum. Progressives, nationalists, and traditionalists have made common cause against the purveyors of addiction before. They could do it again.

Snapchat. WhatsApp. Ashley Madison. Fitbit. Tinder. Periscope. How do we make sense of how apps like these-and thousands of others-have embedded themselves into our daily routines, permeating the background of ordinary life and standing at-the-ready to be used on our smartphones and tablets? When we look at any single app, it's hard to imagine how such a small piece of software could be particularly notable. But if we look at a collection of them, we see a bigger picture that reveals how the quotidian activities apps encompass are far from banal: connecting with friends (and strangers and enemies), sharing memories (and personally identifying information), making art (and trash), navigating spaces (and reshaping places in the process). While the sheer number of apps is overwhelming, as are the range of activities they address, each one offers an opportunity for us to seek out meaning in the mundane. Appified is the first scholarly volume to examine individual apps within the wider historical and cultural context of media and cultural studies scholarship, attuned to issues of politics and power, identity and the everyday.