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Thomas Mann's three stories Tonio Kröger, Tristan and Der Tod in Venedig are compared with the translations by Helen Lowe-Porter and David Luke respectively. From the comparison, it emerges that Lowe-Porter's translations are so deeply flawed that her oeuvre can be regarded as a scandal in the translation world. Even today, her botched versions of Thomas Mann's works are still being widely published and used as texts in institutes of higher education. Luke's translations are generally reliable, but they still fail to capture the literary aspects of Thomas Mann's prose. Alternative literary strategies are discussed with examples illustrated by the author's own samples. The discussion about how to approach the translation of dense literary passages, humour, philosophical arguments and dialect has led to the development of a new theory of translation: the Strategic Approach.The traditional concept of fidelity is redefined, based on Wittgenstein's language game theory. This book should be of interest to linguists, translators, students and teachers of translation as well as to any one who wishes to increase their knowledge and appreciation of one of Europe's greatest prose stylists.

From time to time, the diligent science student huddled over dense volumes of research findings and highly technical data will stumble upon a truly rare treasure: the author’s answer to the question of, “Why?” Why did the authors of these volumes commit themselves so ardently to life in the laboratory? What was it that motivated them to keep their eye to microscope for years on end? Why did the world’s greatest scientists devote their lives to research—an endeavor where failure is the exponentially more likely outcome than success?In their new anthology, From Galileo to Gell-Mann, Marco Bersanelli and Mario Gargantini have gathered the answers to these fascinating questions from over one hundred of the brightest scientific minds from our past and our present. It is a goldmine of insight that previously could only to be found hidden deep within thousands of scattershot pages of footnotes from out-of-print journals, rare books, and unpublished papers. Throughout the work, Bersanelli and Gargantini also offer insightful commentary and discussion on the readings.Among the most remarkable similarities that emerge when one considers together these writings from the likes of Albert Einstein, Gregor Mendel, Marie Curie, and others, is the sense of wonder and outright awe at what the study of the natural world can reveal. From Galileo to Gell-Mann makes it clear that science and all parallel attempts to understand our human existence—including fields like philosophy to theology—are viewed as nothing less than grand adventures to those that are probing the limits of what we know.

In a lecture in 1923, Thomas Mann said that the ordinary middle-class German had never considered culture to include an interest in politics, and still did not do so. The idea of the true freedom which comes to the man who lives as much as possible in the invisible world of culture and accepts as a kind of fate his social, political and material circumstances was indeed at the heart of the German idealism of Goethe's day, and unworldliness went along with very great achievements in literature, scholarship and philosophy. Bildung, self-cultivation, came to be as natural a requirement of educated, middle-class life as sport was in England. In this book, originally published in 1975, Professor Bruford provides a sequel to Culture and Society in Classical Weimar 1775-1806 and shows how the ideal of self-cultivation entered into the thought of a number of highly individual German philosophers, theologians, poets and novelists, each in his own corner of the rapidly changing world of the nineteenth century.

Over the course of the eight feature films he has directed since 1979, Michael Mann has shown himself, time and again, to be a rigorous, honest dramatist, a maker of solid worlds. So much so that in America, at least, he tends to be underrated. The most respectful of his critics often define him (a bit too simply) as a ""realist."" Certainly, whether the subject is thievery (The Jericho Mile, Thief, Heat), killers (Manhunter, Collateral), frontier life (The Last of the Mohicans), the nuanced struggle between the news media and corporate money (The Insider), or that of a celebrated athlete looking to find his life's meaning in a world of bigotry (Ali), Mann seeks authenticity above all. Whatever suspense, entertainment value, and emotional or philosophical insight his work may yield rises from a truthfully imagined, painstakingly observed set of human beings and their warring intentions. This book explores Mann's multifaceted oeuvre, including his most recent film, Miami Vice. Made with full access to Michael Mann's archives! The author: F.X. Feeney is a screenwriter and critic based in Los Angeles. His film credits include The Big Brass Ring, based on a story by Orson Welles, and Frankenstein Unbound, directed by Roger Corman, whilst his reviews have appeared in L.A. Weekly and other publications. F.X. is also the author of TASCHEN's Roman Polanski: The Complete Films. The editor: Paul Duncan has seen lots of films and read lots of comics and books. He wanted to share his enthusiasm for these subjects so he published magazines about comics (Ark) and crime fiction (Crime Time) before launching a series of small film guides (Pocket Essentials). He edits film books for TASCHEN and wroteAlfred Hitchcock: The Complete Films and Stanley Kubrick: The Complete Films.

Over the course of the eight feature films he has directed since 1979, Michael Mann has shown himself, time and again, to be a rigorous, honest dramatist, a maker of solid worlds. So much so that in America, at least, he tends to be underrated. The most respectful of his critics often define him (a bit too simply) as a ""realist."" Certainly, whether the subject is thievery (The Jericho Mile, Thief, Heat), killers (Manhunter, Collateral), frontier life (The Last of the Mohicans), the nuanced struggle between the news media and corporate money (The Insider), or that of a celebrated athlete looking to find his life's meaning in a world of bigotry (Ali), Mann seeks authenticity above all. Whatever suspense, entertainment value, and emotional or philosophical insight his work may yield rises from a truthfully imagined, painstakingly observed set of human beings and their warring intentions. This book explores Mann's multifaceted oeuvre, including his most recent film, Miami Vice. Made with full access to Michael Mann's archives! The author: F.X. Feeney is a screenwriter and critic based in Los Angeles. His film credits include The Big Brass Ring, based on a story by Orson Welles, and Frankenstein Unbound, directed by Roger Corman, whilst his reviews have appeared in L.A. Weekly and other publications. F.X. is also the author of TASCHEN's Roman Polanski: The Complete Films. The editor: Paul Duncan has seen lots of films and read lots of comics and books. He wanted to share his enthusiasm for these subjects so he published magazines about comics (Ark) and crime fiction (Crime Time) before launching a series of small film guides (Pocket Essentials). He edits film books for TASCHEN and wroteAlfred Hitchcock: The Complete Films and Stanley Kubrick: The Complete Films.

In a lecture in 1923, Thomas Mann said that the ordinary middle-class German had never considered culture to include an interest in politics, and still did not do so. The idea of the true freedom which comes to the man who lives as much as possible in the invisible world of culture and accepts as a kind of fate his social, political and material circumstances was indeed at the heart of the German idealism of Goethe's day, and unworldliness went along with very great achievements in literature, scholarship and philosophy. Bildung, self-cultivation, came to be as natural a requirement of educated, middle-class life as sport was in England. In this book, originally published in 1975, Professor Bruford provides a sequel to Culture and Society in Classical Weimar 1775-1806 and shows how the ideal of self-cultivation entered into the thought of a number of highly individual German philosophers, theologians, poets and novelists, each in his own corner of the rapidly changing world of the nineteenth century.

In a lecture in 1923, Thomas Mann said that the ordinary middle-class German had never considered culture to include an interest in politics, and still did not do so. The idea of the true freedom which comes to the man who lives as much as possible in the invisible world of culture and accepts as a kind of fate his social, political and material circumstances was indeed at the heart of the German idealism of Goethe's day, and unworldliness went along with very great achievements in literature, scholarship and philosophy. Bildung, self-cultivation, came to be as natural a requirement of educated, middle-class life as sport was in England. In this book, originally published in 1975, Professor Bruford provides a sequel to Culture and Society in Classical Weimar 1775-1806 and shows how the ideal of self-cultivation entered into the thought of a number of highly individual German philosophers, theologians, poets and novelists, each in his own corner of the rapidly changing world of the nineteenth century.

Thomas Mann's three stories Tonio Kröger, Tristan and Der Tod in Venedig are compared with the translations by Helen Lowe-Porter and David Luke respectively. From the comparison, it emerges that Lowe-Porter's translations are so deeply flawed that her oeuvre can be regarded as a scandal in the translation world. Even today, her botched versions of Thomas Mann's works are still being widely published and used as texts in institutes of higher education. Luke's translations are generally reliable, but they still fail to capture the literary aspects of Thomas Mann's prose. Alternative literary strategies are discussed with examples illustrated by the author's own samples. The discussion about how to approach the translation of dense literary passages, humour, philosophical arguments and dialect has led to the development of a new theory of translation: the Strategic Approach.The traditional concept of fidelity is redefined, based on Wittgenstein's language game theory. This book should be of interest to linguists, translators, students and teachers of translation as well as to any one who wishes to increase their knowledge and appreciation of one of Europe's greatest prose stylists.

Mann has absorbed so many guitar styles that he can change moods on a dime, weaving lyrical single string lines and chord harmonies that can take his tunes across the musical divides between genres. - Acoustic Guitar Magazine. Among guitarists and critics, Woody Mann is considered a modern master. While the blues are his touchstone, he seems to draw inspiration from every direction, blending a myriad of influences with ease and grace. Pioneering guitar legend John Fahey said it well: "You can he

From early amateur snapshots to today s advanced digital images, photography has been the perfect means to record people s lives. This provocative book explores the complex and varied ways that five contemporary photographers--Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan--use their own daily experiences as inspiration for their art.Each of these artists has created highly personal, shifting, and intriguing visions of his or her life. The works range from Tina Barney s orchestrated depictions of her friends and family in affluent New England settings to Nan Goldin s unabashed portrayal of intimate, and often brutally honest, moments. Sally Mann turned to her children and their surroundings as her subject, and Larry Sultan has accomplished something similar in his depictions of his parents. Philip-Lorca diCorcia offers up his storybook life in photographs that like others in this group span nearly twen

From early amateur snapshots to today s advanced digital images, photography has been the perfect means to record people s lives. This provocative book explores the complex and varied ways that five contemporary photographers--Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan--use their own daily experiences as inspiration for their art.Each of these artists has created highly personal, shifting, and intriguing visions of his or her life. The works range from Tina Barney s orchestrated depictions of her friends and family in affluent New England settings to Nan Goldin s unabashed portrayal of intimate, and often brutally honest, moments. Sally Mann turned to her children and their surroundings as her subject, and Larry Sultan has accomplished something similar in his depictions of his parents. Philip-Lorca diCorcia offers up his storybook life in photographs that like others in this group span nearly twen

Mann has absorbed so many guitar styles that he can change moods on a dime, weaving lyrical single string lines and chord harmonies that can take h...

The sounds of Africa have taken multi-instrumentalist Chico Mann-aka Marcos Garca-all over the world. So it's fitting that on Analog Drift, his second album and first for Wax Poetics Records, he's returning the favor. Over the course of twelve thumping, impossibly soulful songs, including a cover of Talking Heads' "Once in a Lifetime," Chico Mann introduces the rhythms and guitarisms of Afrobeat to the music of Cuba, the Latin freestyle flavors of 1980s New York and Miami, and the synth-heavy e

Neu -Ein elsässischer Soldat im Ersten Weltkrieg entdeckt am Nachthimmel das Sternbild des Großen Burschen, das so schauderhaft ist, dass er niemandem davon erzählen kann. Ein junger Mann, der sich in die blinde Anja verliebt hat, muss feststellen, dass ihr Apartment von oben bis unten mit Beschimpfungen bekritzelt ist. Marcel, sechzehn Jahre alt, hinterlässt auf der Toilettenwand eines Erotiklokals seine Handynummer und den Namen Suzy. Familie Scheuch bekommt eines Tages Besuch von einem Herrn Ulrichsdorfer, der vorgibt, in ihrem Haus aufgewachsen zu sein, und einen Elektroschocker unter seinem geliehenen Anzugjackett verbirgt.Das ganz und gar Unerwartete bricht in das Leben von Clemens J. Setz' Figuren ein. Ihr Schöpfer erzählt davon einfühlsam, fast zärtlich. Durch Falltüren gestattet er uns Blicke auf rätselhafte Erscheinungen und in geheimnisvolle Abgründe des Alltags, man stößt auf Wiedergänger und auf Sätze, die einen mit der Zunge schnalzen lassen. Der Trost runder Dinge ist ein Buch voller Irrlichter und doppelter Böden - radikal erzählt und aufregend bis ins Detail. 320 pp. Deutsch

Dr. Nicole Mann is simply too busy for romance. Her work as a surgeon consumes her entire world and she prefers it that way. That is, until she meets too-charming-for-his-own- good Ty O'Grady. This sexy architect with his enticing Irish accent has her thinking of something other than medicine. So she'll prescribe herself an intense--but temporary--round of seduction to cure this Ty fever once and for all.Stubborn, strong and entirely too desirable, Nicole is Ty's match. When one hot touch leads to another, and another, this footloose drifter suddenly is thinking of a relationship with a design to forever. So he's pulling out all the sensual stops and will do anything to show her a temptation that's irresistible!

In forty years, the population of the Earth will reach ten billion. Can our world support so many people? What kind of world will it be? In this unique, original and important book, Charles C. Mann illuminates the four great challenges we face - food, water, energy, climate change - through an exploration of the crucial work and wide-ranging influence of two little-known twentieth-century scientists, Norman Borlaug and William Vogt. Vogt (the Prophet) was the intellectual forefather of the environmental movement, and believed that in our using more than the planet has to give, our prosperity will bring us to ruin. Borlaug's research in the 1950s led to the development of modern high-yield crops that have saved millions from starvation. The Wizard of Mann's title, he believed that science will continue to rise to the challenges we face. Mann tells the stories of these scientists and their crucial influence on today's debates as his story ranges from Mexico to India, across continents and oceans and from the past and the present to the future. Brilliantly original in concept, wryly observant and deeply researched, The Wizard and the Prophet is essential reading for readers of Yuval Noah Harari's Sapiens or Jared Diamond's Guns, Germs and Steel, for anyone interested in how we got here and in the future of our species.

Man sollte nicht vergessen, daß der Nationalsozialismus eine enthusiastische, funkensprühende Revolution, eine deutsche Volksbewegung mit einer ungeheuren Investierung von Glauben und Begeisterung war. (Thomas Mann) Wie konnte ein so kultiviertes Land wie Deutschland – ein Land, das Bach, Goethe und Einstein hervorbrachte – einer verbrecherischen Kreatur wie Hitler folgen und in einen Krieg ziehen, der mehr als 50 Millionen Menschen das Leben kostete? Dass wir uns mit der Beantwortung dieser Frage so schwer tun, hat einen einfachen Grund. Wir begehen den Fehler, das Dritte Reich von seinem Ende her zu betrachten. Sobald wir bereit sind, die Geschichte nicht von 1945, sondern von 1933 aus zu betrachten, wird schnell klar, dass die damalige Generation durchaus nachvollziehbare Gründe dafür hatte, sich der sogenannten nationalen Revolution anzuschließen. Indem dieses Buch die Leser an die Hand nimmt und sie die Welt mit den Augen der damals lebenden Menschen sehen lässt, hilft es uns zu verstehen, weshalb sich zunehmend mehr Deutsche hinter Hitler stellten und sogar für ihn zu sterben bereit waren. Zudem räumt es mit einer Vielzahl von weit verbreiteten Irrtümern auf – angefangen vom Judenboykott über die Reichskristallnacht bis hin zu den Kriegsursachen.

Imre Kertész gehört seit seinem «Roman eines Schicksallosen» zu den großen europäischen Schriftstellern. Ein Mann muß mit dem Fiasko fertig werden, daß sein «Roman eines Schicksallosen» abgelehnt wurde. So erfindet er sich einen Helden, dem er die Bürde seiner eigenen Erfahrungen auflädt.«Ein beklemmendes Werk.» (Frankfurter Rundschau)

Neu -Der Welterfolg im prachtvollen Schuber In einer stürmischen Nacht taucht ein unheimlicher Gast bei Meggie und ihrem Vater Mo auf. Er warnt Mo vor einem Mann namens Capricorn. So beginnt das unglaubliche, magische und atemberaubende Abenteuer um ein Buch, das Tintenherz heißt und das Meggie, Mo und ihre Freunde in die zauberhafte, wunderschöne und grausame Tintenwelt führt. Cornelia Funkes »Tintenwelt«-Trilogie ist ein Welterfolg, vielfach preisgekrönt und für das Kino verfilmt. Ein meisterhaftes Erzählwerk voll überbordender Fantasie, schaurig-schöner Spannung, eine Liebeserklärung an das Buch, erzählt in Funkes einzigartig bildhafter Sprache. Die neugestaltete Taschenbuch-Gesamtausgabe vereint die kompletten Romane Tintenherz, Tintenblut und Tintentod nun erstmals in einem attraktiven Schmuckschuber mit Goldfolie: das perfekte Geschenk für kleine und große Funke-Fans. 2071 pp. Deutsch