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Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Explore the world of high-quality entertainment with the Sony DVP-SR210P Progressive Scan DVD Player. This sleek and stylish device is not just a D...

Take your entertainment experience to the next level with the Sony DVP-SR510H 1080p Upscaling DVD Player. This versatile device is perfect for any setting, be it the boardroom, classroom, or your living room. The key feature of this DVD player is its exceptional picture quality, thanks to the Precision Cinema Progressive Technology. This, coupled with upscaling via an HDMI connection to a high definition TV, enables the DVP-SR510H to enhance an ordinary DVD to a quality that rivals a Blu-ray disc.The user-friendly remote control that comes with this DVD player simplifies navigation and can operate most major brands of TVs, reducing the clutter on your coffee table. The DVP-SR510H is not just a DVD player; it also supports playback of MP3 or JPEG files burned to DVDs, making it a multi-format player that can handle a wide variety of CD and DVD formats.One of the standout features of this DVD player is its ability to remember the last scene from the last six discs you watched, allowing you to resume your movie right where you left off. It also offers fast and slow playback with sound, making it easier to find your last viewed scene, even if you're not playing one of its remembered discs.Designed with families in mind, this DVD player comes with a child-resistant tray lock, making it a safe choice for households with young children. For an immersive audio experience, the DVP-SR510H supports Dolby and dts-audio formats, allowing you to connect the player to your home theater system. It also features a coaxial digital out for A/V receivers without HDMI.Another unique feature is the Photo TV HD, which works with select Sony cameras, enabling you to view JPEG pictures in Full HD (1920 x 1080p) when connected to a high definition set via an HDMI cable. Finally, the DVP-SR510H is Energy Star compliant, making it an eco-friendly choice that can help reduce your energy consumption and save you money in the long run. Experience the Sony DVP-SR510H 1080p Upscaling DVD Player, a perfect blend of performance, versatility, and energy efficiency.

JOHN ERICSSON AND THE ENGINES OF EXILE Leaving behind financial ruin in their ancestral Swedish village, in 1810 the Ericsson family brought their small children across the country, entering a dynamic project to link Sweden’s two boundary seas with a warship canal. This move launched John Ericsson, 7, and his brother Nils, 8, into futures of great achievement. John would, in the 1830s, in England, invent the world’s first practical marine propeller and, in the 1860s, in America, invent a whole new kind of warship, the USS Monitor. Nils’ itinerary to fame lifted him by stages, like locks in the Swedish canals he built, before he was put in charge of creating Sweden’s new railroad network. John’s path, though, traversed far stormy waters of rejection, humiliation, injustice and even imprisonment. But in 1862 John was credited with having saved the Union’s blockade of the rebellious South and became an American hero. Why, then, did John continually pledge fealty to Sweden, where he never again set foot? Clues to this mystery may be found in his family’s exodus from their village, or in John’s lifelong rivalry with Nils, or in John’s guilty neglect of his illegitimate Swedish son, Hjalmar, whom he had left behind in Nils’ family. All these are events of this book, but it especially focuses on the incursion into John Ericsson’s life in New York City, in 1876, of the Swedish visitor he least wanted to see. Hjalmar Elworth, who had succeeded Nils as a director of the new Swedish railroad system, came to see our Centennial Exhibition and then to cross America on our new Transcontinental Railroad. He also asked, at 52 years of age, to meet his father for the very first time. The meeting that Ericsson first rebuffed and then agreed to might be called the last of John’s great departures. Over the next 11 years, his many letters to his son charted Ericsson’s surprising discoveries not only in Nature, but in his own nature.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

The Sony FE 70-200mm f/2.8 GM OSS Lens easily takes its place as the de facto telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh and with an absolute minimum of aberrations. This is guaranteed through the use of an XA element, two aspherical elements, four extra-low dispersion elements, and two Super ED elements in the optical design. Furthermore, the lens has a Nano AR Coating that reduces reflections, flare, and ghosting for improved contrast and color.

The Sony FE 70-200mm f/2.8 GM OSS Lens easily takes its place as the de facto telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh and with an absolute minimum of aberrations. This is guaranteed through the use of an XA element, two aspherical elements, four extra-low dispersion elements, and two Super ED elements in the optical design. Furthermore, the lens has a Nano AR Coating that reduces reflections, flare, and ghosting for improved contrast and color.

The Sony FE 70-200mm f/2.8 GM OSS Lens easily takes its place as the de facto telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh and with an absolute minimum of aberrations. This is guaranteed through the use of an XA element, two aspherical elements, four extra-low dispersion elements, and two Super ED elements in the optical design. Furthermore, the lens has a Nano AR Coating that reduces reflections, flare, and ghosting for improved contrast and color.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.

Small, light, bright: a great normal prime. A large-aperture 50mm prime lens is a must-have for serious full-frame camera users, and this is an excellent, affordable choice. The optical design is state-of-the-art for high image quality, and the large F1.8 maximum aperture can produce gorgeous background bokeh. On APS-C format E-mount bodies it provides equally high quality with an equivalent focal length of about 75mm.