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Lists first editions of significant American writers from the Revolutionary War to 1930

A collection of cross-curricular lessons to accompany the novel by Roald Dahl offers sample lesson plans, vocabulary lists, quizzes, cooperative learning activities, and book report ideas.

Much attention has been given to Joyce's life in Dublin and Paris, but his productive years in Trieste have not received the same attention. In a thoroughly documented account, Hartshorn presents a clear, accessible study of Joyce's love/hate relationship with the city, the work he produced there, and the influence of Trieste on his writing.The book begins with a brief overview of Trieste's history prior to Joyce's arrival in 1904, and follows Joyce's life there until World War I, a period in which he completed ^IDubliners^R and ^IA Portrait of the Artist as a Young Man^R, and began ^IUlysses^R. Joyce then departed for the safety of Zurich and the book concludes with his brief return of eight months to Trieste in 1919. Hartshorn has drawn from many previously untapped sources, providing a fascinating look at Joyce's Trieste years that no other Joyce biographer has yet to reveal.

The work of a master critic writing at the peak of his powers, this magisterial book draws on speech act theory, as it originated with J. L. Austin and was further developed by Paul de Man and Jacques Derrida, to investigate the many dimensions of doing things with words in James’s fiction.Three modes of speech act occur in James’s novels. First, James’s writing of his fictions is performative. He puts on paper words that have the power to raise in the reader the phantoms of imaginary persons. Second, James’s writing does things with words that do other things in their turn, including conferring on the reader responsibility for further judgment and action: for example, teaching James’s novels or writing about them. Finally, the narrators and characters in James’s fictions utter speech acts that are forms of doing things with words― promises, declarations, excuses, denials, acts of bearing witness, lies, decisions publicly attested, and the like. The action of each work by James, he shows, is brought about by its own idiosyncratic repertoire of speech acts.In careful readings of six major examples, “The Aspern Papers,” The Portrait of a Lady, The Awkward Age, The Wings of the Dove, The Golden Bowl, and The Sense of the Past, Miller demonstrates the value of speech act theory for reading literature. J. Hillis Miller is UCI Distinguished Research Professor at the University of California at Irvine. One of the most recent many books is Speech Acts in Literature.

Sharing many traditions and characteristics, the Gospel of Matthew, the letter of James, and the Didache invite comparative study. In this volume, internationally renowned scholars consider the three writings and the complex interrelationship between first-century Judaism and nascent Christianity. These texts likely reflect different aspects and emphases of a network of connected communities sharing basic theological assumptions and expressions. Of particular importance for the reconstruction of the religious and social milieu of these communities are issues such as the role of Jewish law, the development of community structures, the reception of the Jesus tradition, and conflict management. In addition to the Pauline and Johannine “schools,” Matthew, James, and the Didache may represent a third religious milieu within earliest Christianity that is especially characterized through its distinct connections to a particular ethical stream of contemporary Jewish tradition. The contributors are Jonathan Draper; Patrick J. Hartin; John S. Kloppenborg; Matthias Konradt; J. Andrew Overman; Boris Repschinski, S.J.; Huub van de Sandt; Jens Schröter; David C. Sim; Alistair Stewart-Sykes; Peter Tomson; Martin Vahrenhorst; Joseph Verheyden; Wim J. C. Weren; Oda Wischmeyer; Jürgen K. Zangenberg; and Magnus Zetterholm.

The work of a master critic writing at the peak of his powers, this magisterial book draws on speech act theory, as it originated with J. L. Austin and was further developed by Paul de Man and Jacques Derrida, to investigate the many dimensions of doing things with words in James’s fiction.Three modes of speech act occur in James’s novels. First, James’s writing of his fictions is performative. He puts on paper words that have the power to raise in the reader the phantoms of imaginary persons. Second, James’s writing does things with words that do other things in their turn, including conferring on the reader responsibility for further judgment and action: for example, teaching James’s novels or writing about them. Finally, the narrators and characters in James’s fictions utter speech acts that are forms of doing things with words― promises, declarations, excuses, denials, acts of bearing witness, lies, decisions publicly attested, and the like. The action of each work by James, he shows, is brought about by its own idiosyncratic repertoire of speech acts.In careful readings of six major examples, “The Aspern Papers,” The Portrait of a Lady, The Awkward Age, The Wings of the Dove, The Golden Bowl, and The Sense of the Past, Miller demonstrates the value of speech act theory for reading literature. J. Hillis Miller is UCI Distinguished Research Professor at the University of California at Irvine. One of the most recent many books is Speech Acts in Literature.

The Cambridge Companion to Henry James is intended to provide a critical introduction to James' work. Throughout the major critical shifts of the past fifty years, and despite suspicions of the traditional high literary culture that was James' milieu, as a writer he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.

Fictions of Capital situates manners and writing about manners in the context of American capitalism between 1880 and 1960, a period that runs from the onset of the sales culture to its war-prompted crisis point in the 1960s. The work of various economic theorists and historians is used to establish two of capitalism's deeper narratives: the plot to accumulate and expand resources (1880 to the First World War), and the plot to ensure reproduction of the expanded resources (preoccupying late capitalism, but already an issue for market leaders in the 1920s). James and Fitzgerald are read as the key novelists of bourgeois affluence, their juxtaposition covers the scope of Incorporation, from the initial accumulation to the problems of how accumulations are to be reproduced. The relation between Fitzgerald and Mailer is explored as a way into new tensions in the growth imperative, resolved though the linking of Destruction, or the permanent arms economy, to Desire, or the ubiquitous shop-window, as a capitalist incentive.

Including several new and revised essays, reflecting increasing emphasis on Joyce's politics, this Companion focuses on the importance of his engagement with Ireland, and the changes wrought by gender studies on criticism of his work. The second edition features essays by an international team of leading scholars geared to provoking thought and discussion. Supplementary reading lists and an extended bibliography will offer readers the necessary tools for additional informed exploration of Joyce. First Edition Hb (1990): 0-521-33014-9 First Edition Pb (1990): 0-521-37673-4

What effect has the black literary imagination attempted to have on, in Toni Morrison’s words, "a race of readers that understands itself to be ‘universal’ or race-free"? How has black literature challenged the notion that reading is a race-neutral act? Race and the Literary Encounter takes as its focus several modern and contemporary African American narratives that not only narrate scenes of reading but also attempt to intervene in them. The texts interrupt, manage, and manipulate, employing thematic, formal, and performative strategies in order to multiply meanings for multiple readers, teach new ways of reading, and enable the emergence of antiracist reading subjects. Analyzing works by James Weldon Johnson, Zora Neale Hurston, Ralph Ellison, Jamaica Kincaid, Percival Everett, Sapphire, and Toni Morrison, Lesley Larkin covers a century of African American literature in search of the concepts and strategies that black writers have developed in order to address and theorize a diverse audience, and outlines the special contributions modern and contemporary African American literature makes to the fields of reader ethics and antiracist literary pedagogy.

This book examines fiction and ethnography as related forms for analysing and exhibiting social life. Focusing on the novels of Nathaniel Hawthorne, Henry James, and Edith Wharton, the study argues that novels and ethnographies collaborated to produce an unstable but powerful master discourse of 'culture', a discourse that allowed writers to turn new social energies and fears into particular kinds of authorial expertise. Crossing a range of institutions (anthropology, literature, museums, law) and texts (novels, ethnographies, travel books, social theory), this study allows fiction to take its place in a web of social practices that categorize, display and regulate what Wharton calls 'the customs of the country'.

The Harlem-born son of a storefront preacher, James Baldwin died almost thirty years ago, but his spirit lives on in the eloquent and still-relevant musings of his novels, short stories, essays, and poems. What concerned him most--as a black man, as a gay man, as an American--were notions of isolation and disconnection at both the individual and communal level and a conviction that only in the transformative power of love could humanity find any hope of healing its spiritual and social wounds.In Understanding James Baldwin, Marc K. Dudley shows that a proper grasp of Baldwin's work begins with a grasp of the times in which he wrote. During a career spanning the civil rights movement and beyond, Baldwin stood at the heart of intellectual and political debate, writing about race, sexual identity, and gendered politics, while traveling the world to promote dialogue on those issues. In surveying the writer's life, Dudley traces the shift in Baldwin's aspirations from occupying the pulpit like his stepfather to becoming a writer amid the turmoil of sexual self-discovery and the harsh realities of American racism and homophobia. The book's analyses of key works in the Baldwin canon--among them, Go Tell It on the Mountain, Giovanni's Room, "Sonny's Blues," Another Country, The Fire Next Time, and The Devil Finds Work--demonstrate the consistency, contrary to some critics' claims, of Baldwin's vision and thematic concerns. As police violence against people of color, a resurgence in white supremacist rhetoric, and pushback against LGBTQ rights fill today's headlines, James Baldwin's powerful and often-angry words find a new resonance. From early on, Baldwin decried the damning potential of alienation and the persistent bigotry that feeds it. Yet, even as it sometimes wavered, his hope for both the individual and the nation remained intact. In the present historical moment, James Baldwin matters more than ever.

This is a radical introduction to the Life of Johnson. It discusses the main structural, dramatic, historical and imaginative aspects of the work, and establishes its intellectual contexts: Hume's philosophy, earlier biographical writings by Boswell, and the French and German Enlightenment and romantic traditions. Professor Clingham offers an account of the Life based upon reassessment of the nature of biography, of Boswell's style and thought, and of Johnson's own works. As he examines the Life's complex psychological, emotional and artistic facets, a fresh picture of Boswell as biographer emerges. The book also provides a table of the principal scenes and conversations in the Life, as well as a chronological table of Boswell's life and times and a guide to further reading.

Long misread as a novelist conspicuously lacking in historical consciousness, Henry James has often been viewed as detached from, and uninterested in, the social, political, and material realities of his time. As this volume demonstrates, however, James was acutely responsive not only to his era's changing attitudes toward gender, sexuality, class, and ethnicity, but also to changing conditions of literary production and reception, the rise of consumerism and mass culture, and the emergence of new technologies and media, of new apprehensions of time and space. These essays portray the author and his works in the context of the modernity that determined, formed, interested, appalled, and/or provoked his always curious mind. With contributions from an international cast of distinguished scholars, Henry James in Context provides a map of leading edge work in contemporary James studies, an invaluable reference work for students and scholars, and a blueprint for possible future directions.

This guide to James Joyce's major novels presents a refreshing approach to understanding the work of this challenging and enigmatic giant of twentieth-century literature. Taking the student through a careful, step-by-step analysis of each text, John Blades demonstrates a practical and lively method of critical analysis.

This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a "spokesman for the race," although he personally, and controversially, eschewed titles and classifications of all kinds. Individual essays examine his classic novels and nonfiction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and influence of his work during the civil rights era as well as his relevance in the "post-race" transnational twenty-first century, when his prescient questioning of the boundaries of race, sex, love, leadership, and country assume new urgency.

A Humorous and entertaining fairy tale about the adventures of a boy named James and his insect friends. An old man gives him green magical crystals that do magical wonders on the peach as it grows bigger than a house. With his insect friends, James flies from England to New York City with the help of 502 seagulls and lands on the pinnacle of the Empire State Building. His friend, Old-Green-Grasshopper becomes part of the New York Symphony Orchestra. Silkworm and Miss Spider set up a factory and make ropes for tightrope walkers. Ladybug gets married to the Head of the Fire Department. Glow-worm becomes the light inside the Statue of Liberty. Centipede is made Vice-President of a high-class firm of boot manufacturers. Earthworm makes commercials for a face cream company.

The King James Version of the Old and New Testaments is updated based on modern scholarship into a readable, continuous narrative in historical order, with maps and a new introduction. 100,000 first printing.

Lists first editions of significant American writers from the Revolutionary War to 1930

Format Paperback Subject Religion Bible Studies Publisher Scholars Press