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This essential and comprehensive Mies monograph focuses in its analysis on Mies’ design intentions: it reconstructs the buildings in their orginal state, examines them from the present day persepctive and rediscovers the inspiring architecture of a great modern master. The book presents eighty of Mies’ works in chronological order. Approximately thirty of these works are analyzed in detail in three parts. In the first part, the construction is documented in its built state; for this all the ground plans were redrawn by the author. The second part outlines the changes to the buildings and the third part develops the results of this investigation with regard to their relevance to the contemporaryview of Mies’ work.

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The Neue Nationalgalerie (New National Gallery) in Berlin is not only a museum but also an architectural milestone. The last building of the great German architect Ludwig Mies van der Rohe (1886-1969), it is widely considered one of the most perfect statements of his aesthetic, with its monumental steel columns and cantilevered roof with glass enclosure. The Neue Nationalgalerie is especially famous for its 50 x 50-meter hall; with this unique pavilion structure Mies van der Rohe put a final virtuoso touch to this final masterpiece. There is no other van der Rohe structure in which the boundary between inside and outside is as porous as in this famous hall. This publication presents the building from today's perspectives, but also features historical photographs taken during the construction period, the building's opening in 1968 and the spectacular early exhibitions that took place there.

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Dick Van Dyke, indisputably one of the greats of the golden age of Hollywood and television, is beloved by audiences the world over for his beaming smile, his physical dexterity, his impeccable timing, his ridiculous stuntsand his unforgetable roles. The Dick Van Dyke Show (producded by Carl Reiner, who wrote the forward to this book) was one of the most populaer sitcoms of the 1960"s and his films_including Chity Chity Bang Bang and Mary Poppins_remain favorites to this day..

Gustavo Gilli, 1993. Grand in-4 carré broché, couverture à rabats de 71 pages illustrées. Texte en anglais. Très bon état Livres

At a time when many of the past decades’ urban renewal projects are facing the wrecking ball, Detroit’s Lafayette Park continues to be a model of urban livability. This in-depth look at the project explores why. Amid the oppressive urban blight of post-World War II Detroit, the Lafayette Park project emerged as a vibrant point of optimism and viability. Planned by Ludwig Hilberseimer, with concrete, glass, and steel buildings designed by Mies van der Rohe, and a park and gardens designed by Alfred Caldwell, this series of subsidized high- and low-rise apartments remains a superb example of an integrated community a half-century after its construction. This latest volume in the CASE series published in collaboration with the Harvard University’s Graduate School of Design examines an often-overlooked paragon of modern architecture’s highest goals. Today, while public housing and other urban renewal projects are being abandoned and even torn down, this volume discusses not only the significance of Lafayette Park’s singular achievement, but also its relevance to the continuing debates about the status of public housing in the contemporary city.

Examines the building designs, interiors, furniture, and project plans of Mies van der Rohe, assessing his impact on the development of modern architecture

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Essays by Wolf Tegethoff, Richard Pommer, and Fritz Neumeyer. Interview with James Ingo Freed. The rich legacy of scholarly and critical reassessments of Mies van der Rohe continues to grow since his centenary in 1986. This book which had its origins in the historic centennial exhibition at the Museum of Modern Art, presents four provocative new writings on Mies augmented by 150 illustrations from MOMA's Mies van der Rohe Archive and other sources. In his insightful introduction, Franz Schulze, author of the acclaimed Mies van der Rohe: A Critical Biography, discusses the reasons why Mies's art and name evokes such a different response today and compares Mies to Frank Lloyd Wright and Le Corbusier in terms of critical fortune. Wolf Tegethoff traces the maturation of Mies's thought during the 1920s, bringing fascinating new research to his examination of this complex European period. Art historian Richard Pommer examines Mies's political ideology and those of other artists of the modern movement in the Weimar years and the first years of the Third Reich. Fritz Neumeyer addresses the issues of tradition and modernity in Mies's life's work through a detailed analysis of several of his earliest buildings. In the concluding piece, architect James Ingo Freed, who studied under Mies at the Illinois Institute of Technology and succeeded him as director of ITT, offers penetrating comments on Mies as an educator and as an architect during his American years. Franz Schulze is Hollender Professor of Art at Lake Forest College. Wolf Tegethoff is Professor at the Zentralinstitut für Kunstgeschichte in Munich. Richard Pommer is Professor of Art History at New York University's Institute of Fine Arts. Fritz Neumeyer is Professor of Architectural Theory at the Technical University, Berlin. James Ingo Freed is a partner in the architectural firm I.M. Pei & Partners. Distributed for the Museum of Modern Art.

The German Pavilion erected at the World Exhibition in Barcelona in 1929 was an imposing structure and a prime example of modern architecture. In this book, the author takes a lively and unconventional approach to the building, interpreting the various architectural, historical and cultural aspects surrounding the construction. He examines the physical elements such as the columns, the terrace, the free-standing walls which enclose the pavilion and form a pattern of open and closed spaces. He also considers the aesthetic elements, the noble materials used, its representative qualities and reflecting on how material, structure, space and tradition are integrated into a unity.

This elegantly designed and beautifully produced volume presents portraits of 50 extraordinary individuals who contributed to making the Harlem Renaissance one of the great cultural movements in American history. Some of the subjects are familiar―icons of music, dance, theater, literature, art, academia and sports―while others are considerably less well known, but equally important to the spirit at the heart of the movement.The photographs show the sitters not only as public personalities but also as private citizens. They ennoble without flattery, and benefit from the insight that their friendship with Van Vechten engendered. Carl Van Vechten (1880–1964) was a well-known and controversial figure during his lifetime. He was a celebrated dance critic, novelist, photographer and friend of Harlem. In his introduction to the book, Darryl Pinckney writes of Van Vechten, "He recreated himself as an artist and he became a portrait photographer of historical importance.... [The Harlem Renaissance] was a cultural movement that through his photography Van Vechten both witnessed and abetted. In remaining true to the cause, he discovered his best self." 'O, Write My Name': American Portraits, Harlem Heroes is both a cultural and photographic treasure, providing new audiences with compelling studies of these inimitable figures who so essentially shaped what we know as American culture. The book is intended to contribute to a deep and lasting appreciation of the achievements of African-Americans of this era by informing succeeding generations about their works and their personalities.

Written by the advice columnist of Girls’ Life magazine, this hilarious companion to The Diary of Melanie Martin finds Melanie off to Holland–with her best friend!Dear Diary, You will never ever believe this! It is too good to be true!! Guess who is going with us to Amster Amster Dam Dam Dam? Cecily!Since Cecily’s mom is having surgery, Melanie’s parents invite Cecily on their family trip to Holland. Melanie thinks having her best friend along will be terrific. But things don’t go exactly as expected. First Melanie loses her luggage, and soon it looks like she’ll lose Cecily’s friendship.But Holland isn’t a total disaster. Along the way, Melanie learns to look through the eyes of van Gogh, Vermeer, and Anne Frank. Soon she discovers that being a good friend means seeing the world through your best friend’s eyes, too.From the Hardcover edition.

Essays by Wolf Tegethoff, Richard Pommer, and Fritz Neumeyer. Interview with James Ingo Freed. The rich legacy of scholarly and critical reassessments of Mies van der Rohe continues to grow since his centenary in 1986. This book which had its origins in the historic centennial exhibition at the Museum of Modern Art, presents four provocative new writings on Mies augmented by 150 illustrations from MOMA's Mies van der Rohe Archive and other sources. In his insightful introduction, Franz Schulze, author of the acclaimed Mies van der Rohe: A Critical Biography, discusses the reasons why Mies's art and name evokes such a different response today and compares Mies to Frank Lloyd Wright and Le Corbusier in terms of critical fortune. Wolf Tegethoff traces the maturation of Mies's thought during the 1920s, bringing fascinating new research to his examination of this complex European period. Art historian Richard Pommer examines Mies's political ideology and those of other artists of the modern movement in the Weimar years and the first years of the Third Reich. Fritz Neumeyer addresses the issues of tradition and modernity in Mies's life's work through a detailed analysis of several of his earliest buildings. In the concluding piece, architect James Ingo Freed, who studied under Mies at the Illinois Institute of Technology and succeeded him as director of ITT, offers penetrating comments on Mies as an educator and as an architect during his American years. Franz Schulze is Hollender Professor of Art at Lake Forest College. Wolf Tegethoff is Professor at the Zentralinstitut für Kunstgeschichte in Munich. Richard Pommer is Professor of Art History at New York University's Institute of Fine Arts. Fritz Neumeyer is Professor of Architectural Theory at the Technical University, Berlin. James Ingo Freed is a partner in the architectural firm I.M. Pei & Partners. Distributed for the Museum of Modern Art.

At number 860 Lake Shore Drive, in a prime location beside Lake Michigan, Mies van der Rohe built two apartment towers in 1948-50. The steel and glass towers, standing perpendicular to each other, have skeletal frames and are 26 stories high. The exterior consists of floor-to-ceiling windows. The Lake Shore Drive Apartments are amongst the first modern residential skyscrapers and are as such an important landmark in the history of architecture. Similar to the publication on Farnsworth House, this volume documents the development of these skyscrapers over a long period of time with informative texts by Werner Blaser and copious photographs. Texts from Mies van der Rohe himself and an essay by a resident, Masami Takayama, conveying impressions of what it is like to live there, complete this publication.

Mies van der Rohe Aquisgran, 1886-Chicago, 1969. Participant and director during the Bauhaus school period, his furniture designs intersect with funtionalist theories that searched for pieces with simplified lines without ornaments, turning the form of furniture into the key aesthetic feature, without adding decorative elements. Among his most characteristic designs stands out the chair Barcelona, created to furnish the German Pavillion in the 1929 Universal Exhibition, in which metallic tubes give way to steel forms. In 1938 he emigrated to the US, where he joined the Art Institute of Chicago.

In 1945-50 Mies van der Rohe built the weekend house "Farnsworth House" in Plano, Illinois. Situated on the banks of a river, this house is constructed out of steel and glass and captivates with its clear proportions and reduction of the structure to its essence. The surrounding landscape provides a direct context. Werner Blaser who worked together with Mies van der Rohe, presents a vivid picture of this house, enlivened by his personal knowledge. Together with comments on the architecture and technology, the book is complemented by the author's personal experiences of working with Mies van der Rohe and impressions from Peter Palumbo, a former inhabitant of Farnsworth House.

The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text.Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.

Photographer Paul Clemence celebrates a revered icon of modern architecture, the Farnsworth House, located near Plano, Illinois, and designed in 1951 by architect Ludwig Mies van der Rohe. Striking architetural details are captured in 20 eye-catching B & W postcards. Whether mailing or framing the stunning images, this book is a must-have for devotees of architecture, design, Modernism, the Bauhaus, Mies van der Rohe, and photography.