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Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino's Django Unchained (2012), itself arguably a belated response to Easy Rider (1969), this book helps us understand those films, and much more, through an eclectic history of U.S. screen media from the postwar era. It deftly analyzes not only Hollywood films and television, but also educational and corporate films, amateur films (aka "home movies"), and military and civil defense films featuring "tests" of the atomic bomb in the desert. Attentive to sometimes profoundly different contexts of production and consumption shaping its varied examples, Split Screen Nation argues that in the face of the Cold War and the civil rights struggle an implicit, sometimes explicit, opposition between the screen West and the screen South nonetheless mediated the nation's most paradoxical narratives--namely, "land of the free"/land of slavery, conquest, and segregation. Whereas confronting such contradictions head-on could capsize cohesive conceptions of the U.S., by now familiar screen forms of the West and the South split them apart to offer convenient, discrete, and consequential imaginary places upon which to collectively project avowed aspirations and dump troubling forms of national waste. Pinpointing some of the most severe yet understudied postwar trends fueling this dynamic--including non-theatrical film road trips, feature films adapted from Tennessee Williams, and atomic test films--and mining their potential for more complex ways of thinking and feeling the nation, Split Screen Nation considers how the vernacular screen forms at issue have helped shape how we imagine not only America's past, but also the limits and possibilities of its present and future.

Before you settle for an ordinary monitor, consider the HDM-215-3G-TT 21.5" 3G/HD/SD-SDI Dual Split Screen LCD Video Monitor. This high-quality, state-of-the-art monitor is a professional-grade tool that boasts a resolution of 1920x1080, ensuring superior image clarity and detail. Designed with advanced 10-bit digital processing technology, this durable monitor supports 3D comb filter, de-interlace, accurate scaling engine, GAMMA correction, and color temperature adjustment. These features work together to deliver a crisp, clear, and color-accurate display that meets the demands of professional video monitoring and broadcasting. One of the standout features of this reliable monitor is its dual split screen capability. This allows you to display two different images or videos side by side, a feature that is invaluable for monitoring multiple sources simultaneously or comparing images or videos. The HDM-215-3G-TT can also be configured as a large screen with one smaller view or as a single large display screen, offering flexibility to suit your specific needs. Ideal for use in high-pressure environments like news and transmission control rooms, program production, and channel branding, this monitor is built to handle intensive monitoring tasks. It accepts up to 2 channels of 3G/HD/SD-SDI, CVBS, Component signals, or HDMI input, providing a wide range of connectivity options. Additional features include waveform, vectorscope, and audio de-embedding for SDI. In-picture features also encompass metering of up to 16 channels, UMD, format display, and various markers. With the HDM-215-3G-TT 21.5" 3G/HD/SD-SDI Dual Split Screen LCD Video Monitor, you're investing in a tool that delivers professional performance and versatility.

Effect Pedal for Electric GuitarDigital / analogue dual reverb & tremoloEffects can be used simultaneously or individually and in any orderEffe...

Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, including A Flower in Hell (1958) and Pulgasari (1985), and his career took him from late-colonial Korea to postwar South and North Korea to Hollywood. Notoriously crossing over to the North in 1978, Shin made a series of popular films under Kim Jong-il before seeking asylum in 1986 and resuming his career in South Korea and Hollywood.In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shin’s remarkable career. Shin’s films were shaped by national division and Cold War politics, but Split Screen Korea finds surprising aesthetic and political continuities across not only distinct phases in modern South Korean history but also between South and North Korea. These are unveiled most dramatically in analysis of the films Shin made on opposite sides of the DMZ. Chung explains how a filmmaking sensibility rooted in the South Korean market and the global style of Hollywood could have been viable in the North.Combining close readings of a broad range of films with research on the industrial and political conditions of Korean film production, Split Screen Korea shows how cinematic styles, popular culture, and intellectual discourse bridged the divisions of postwar Korea, raising new questions about the implications of political partition.

In a flip book with two stories back to back, best friends Min and Russel sign up to be extras on the set of a zombie film and then learn that there's nothing scarier than high school romance! Original.

Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino's Django Unchained (2012), itself arguably a belated response to Easy Rider (1969), this book helps us understand those films, and much more, through an eclectic history of U.S. screen media from the postwar era. It deftly analyzes not only Hollywood films and television, but also educational and corporate films, amateur films (aka "home movies"), and military and civil defense films featuring "tests" of the atomic bomb in the desert. Attentive to sometimes profoundly different contexts of production and consumption shaping its varied examples, Split Screen Nation argues that in the face of the Cold War and the civil rights struggle an implicit, sometimes explicit, opposition between the screen West and the screen South nonetheless mediated the nation's most paradoxical narratives--namely, "land of the free"/land of slavery, conquest, and segregation. Whereas confronting such contradictions head-on could capsize cohesive conceptions of the U.S., by now familiar screen forms of the West and the South split them apart to offer convenient, discrete, and consequential imaginary places upon which to collectively project avowed aspirations and dump troubling forms of national waste. Pinpointing some of the most severe yet understudied postwar trends fueling this dynamic--including non-theatrical film road trips, feature films adapted from Tennessee Williams, and atomic test films--and mining their potential for more complex ways of thinking and feeling the nation, Split Screen Nation considers how the vernacular screen forms at issue have helped shape how we imagine not only America's past, but also the limits and possibilities of its present and future.

The 501CM doesn't change a great deal. It's never needed to. Why change unflagging attention to detail, an almost obsessive dedication to image quality, and a passion for photography that stretches back more than half a century and outlives fads, fashions, and trends? The Hasselblad 501CM is a lightweight, compact camera, designed with one thing in mind: taking the best pictures possible. Every detail has been engineered from the ground up with the photographer in mind, resulting in a camera that does what it's supposed to do, year after year after year. No bells and whistles, just the utmost in quality; simple and straightforward.Thanks to the innovative GMS (Gliding Mirror System), it produces a full viewfinder image with virtually all Hasselblad lenses. The 501CM is a fully mechanical, medium-format, single-lens reflex camera, featuring interchangeable lenses, viewfinders, film magazines and a host of other accessories.

Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!

Over the last five decades, the films of director Brian De Palma (b. 1940) have been among the biggest successes (The Untouchables, Mission: Impossible) and the most high-profile failures (The Bonfire of the Vanities) in Hollywood history. De Palma helped launch the careers of such prominent actors as Robert De Niro, John Travolta, and Sissy Spacek (who was nominated for an Academy Award as Best Actress in Carrie). Indeed Quentin Tarantino named Blow Out as one of his top three favorite films, praising De Palma as the best living American director.Picketed by feminists protesting its depictions of violence against women, Dressed to Kill helped to create the erotic thriller genre. Scarface, with its over-the-top performance by Al Pacino, remains a cult favorite. In the twenty-first century, De Palma has continued to experiment, incorporating elements from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his latest works.What makes De Palma such a maverick even when he is making Hollywood genre films? Why do his movies often feature megalomaniacs and failed heroes? Is he merely a misogynist and an imitator of Alfred Hitchcock? To answer these questions, author Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life into his films. Written in an accessible style, and including a chapter on every one of his films to date, this book is for anyone who wants to know more about De Palma's controversial films or who wants to better understand the man who made them.

Meet the Split Handheld Anemometer, your 4-in-1 solution for measuring wind speed, temperature, air flow, and wind chill with precision. Its wide wind speed range of 0 to 100.8 mph and temperature range of 14°F to 140°F ensures accurate readings in any weather conditions, supported by a convenient LED backlight screen for 24/7 clarity. Designed for rugged use with an IP44 waterproof rating and automatic shutdown, it's perfect for outdoor activities or professional HVAC work. Easily manage your data with the included USB port, making this anemometer your versatile, go-anywhere tool.

Paperback. Cover shows very minor shelving wear, otherwise an unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day!

VEVOR Split Handheld Anemometer, 14℉-140℉, Digital Wind Speed CFM Meter Gauge with LED Backlight Screen, Measures Wind Velocity Wind Temperature Air Flow Wind Chill, for Sailing Surfing Flying HVACReliable Wind CompanionComprehensive DataBuilt to LastProfessional AnemometerRich Accessory SetPowerful Data StorageVane Unit Dimensions: 7.4 x 3.6 x 1.6 in/188 x 92 x 40 mm,Wind Temperature Range: 14℉ to 140℉/-10℃ to 60℃,Wind Speed Range: 0 to100.8 MPH,Beaufort Scale Range: 0 to 12,Item Model Number: EM2250,Wind Speed Unit: 6,Main Unit Dimensions: 6.6 x 3 x 1.4 in/168 x 75 x 36 mm,Protection Grade: IP44(excluding the vane unit),Net Weight: 0.8 lbs /340 g,Main Material: ABS+TPE, PMMA, PC

X Series Type 2 Surge Panel, 120/240-VoltAC, Split Phase, Max Surge Current Rating of 200kA per Mode/400kA per Phase, 200kA Short Circuit Current Rating (SCCR), 20kA I-nominal (ln) Rating, NEMA 4 Rated Enclosure. Thermally Protected MOVs, VPR Performance Data = L-N: 600, L-G: 700, N-G: 600, L-L: 900, Maximum Continuous Operating Voltage (MCOV): 175, Plastic Enclosure. LED Status Monitoring, Audible Alarm, Surge/TOV Counter with Time and Date Stamp, UL 1449 Listed, UL 1283 EMI/RFI Filtering.

Get the best view of an area with this Vevor triple lens endoscope camera. Great for auto engine inspections, sewer checks, HVAC duct inspections, and more, it features a split-screen for different views. A 5-in. IPS screen and 8x digital zoom in/out display all images and real-time videos clearly. For a clear image even under dark conditions, it includes 8 plus 2 LED lights with three adjustable brightness levels. The 5000mAh battery supports up to five to six hours of continuous operation.

Retro-Split Small 2 in. x 2 in. square steel Rubber Storm-Collar are molded to fit square geometric shaped roof penetrations such as Signage, Screens or A/C platforms. The wrap around skirt includes 5 tabs that fit slots located on the of top plug. Use on square carbon steel or other 2 in. x 2 in. sq. structural steel support posts with wall and rounded edges. Retro-Split Rubber Storm Collars are molded allowing an exact fit of the specific geometric shaped penetration being weatherproofed. The Retro-Split wrap around skirt includes 5 tabs that fit into premolded slots located in the underside of the top plug. The Retro-Split wrap around skirt forms into a conical shape and is held by a patented Press Together latch. 1 collar, 1 skirt and 1 stainless steel band clamp combine to make a weatherproof storm collar umbrella. The Retro-Split Storm collar is used to counter flash a flashing. Rubber Storm collars will not corrode, affect metallurgies and spring back in the from pedestrian impacts. Retro-Splits can be disassembled for roof maintenance and reuse. Made from EPDM rubber that is exceptionally resistant to heat, Ozone and acid rain to assure long life that should exceed 20-years. A Roof Flashing is not included as part of the Retro-Split Storm Collar assembly. Unequivocally, the easiest to install and best looking retro-fit storm-collar replacement. Do-It-Yourself and Pros who have pride in their work, always use the best, A Retro-Split Storm Collar Flashing.

FeaturesNylon 6 screen pop filter11.5 Goose neck and clamp includedC-clamp will fit most standard microphone stand shafts and boomsExterior Dimensi...

After investing in the MT22DS 21.5" Full HD Dual Screen Production Monitor, you'll experience the efficiency of split-screen monitoring with the ability to load the same 3D LUT file on both screens. This innovative feature supports dual horizontal, dual vertical, and various combinations of left and right screen cropping from the same source. Notably, each screen can be individually flipped and mirrored for custom viewing preferences.This high-quality production monitor also offers a unique custom JPG picture freeze frame feature. After capturing an image, you can compare it with real-time video through semi-transparent image superposition, enhancing your video editing process. Please note that this feature requires a 16:9 1920x1080 jpg image.The MT22DS monitor is designed with a wireless video transmission power supply plate, supporting both NPF battery and V-port battery wireless video transmissions. The plate can be adjusted to 90, 180, or 270 degrees, providing flexibility in your setup.Constructed with a CNC aluminum alloy all-metal shell, this durable monitor ensures fast heat dissipation and high durability, making it a reliable choice for demanding video production environments. The monitor supports 3D LUT HDMI output, allowing HDMI and 3G-SDI to output video after loading 3D LUT. It also supports anamorphic lens calibration with a supported ratio range from 1.00X to 2.35X and user-defined adjustment range from 0.25X to 4.00X.The built-in HDMI to SDI output eliminates the need for an external signal conversion box, simplifying your setup. The monitor also features a 48V Phantom Audio Embedded SDI Output with a standard 4-pole XLR connector.For optimal image quality, the MT22DS monitor offers brightness and RGB signal detection before and after loading 3D LUTs. It also provides a customized peaking range (peaking frame) to avoid rendering camera parameters and a custom rectangular image crop feature for detailed image monitoring.Finally, the monitor comes with factory color calibration, utilizing the 709 color gamut with X-Rite 1D hardware for more accurate color calibration and intuitive image monitoring. Experience the difference of the MT22DS 21.5" Full HD Dual Screen Production Monitor in your video production and monitoring tasks.

This full motion dual arm TV mount allows you to maximize space by mounting your TV in a corner by utilizing the mount's split dual arm design. It is perfect for corner mounting, but can be mounted to any flat wall as well. The steel arms ensure your TV will be safely mounted and features a 66 lbs. weight capacity. Its full motion design features both tilt and swivel functions and can extend and retract while mounted on a flat wall. Color: Black.

This full motion dual arm TV wall mount allows you to maximize space by mounting your TV in a corner by utilizing the mounts split dual arm design. It is perfect for corner mounting, but can be mounted to any flat wall as well. The steel arms ensure your TV will be safely mounted and boasts a 132 lbs. weight capacity. Its full motion design features both tilt and swivel functions, and can extend and retract while mounted on a flat wall. Color: Black.

Retro-Split Small 2 x 2 Angle Iron Rubber Storm-Collar are molded to fit Angle Iron geometric shaped roof penetrations such as Signage, Screens, or A/C platforms. The wrap around skirt includes 5 tabs that fit slots located in the of top plug. Use on 2 x 2 Angle Iron structural steel support posts with wall and rounded edges. Retro-Split Rubber Storm Collars are molded to allow an exact fit of the specific geometric shaped penetration being weatherproofed. The Retro-Split wrap around skirt includes 5 tabs that fit into pre-molded slots located in the underside of the top plug. The Retro-Split wrap around skirt forms into a conical shape and is held by a patented Press Together latch. 1 collar, 1 skirt and 1 stainless steel band clamp combine to make a weatherproof storm collar umbrella. The Retro-Split Storm collar is used to counter flash flashings. Rubber Storm collars will not corrode, affect metallurgies and spring back in the from pedestrian impacts. Retro-Splits can be disassembled for roof Maintance and reuse. Made from EPDM rubber that is exceptionally resistant to heat, ozone and acid rain to assure long life that should exceed 20-years. Roof Flashings are not included as part of the Retro-Split Storm Collar assembly. Unequivocally, the easiest to install, and best looking retro-fit storm-collar replacement. Do-It-Yourself and Pros who have pride in their work, always use the best; A Retro-Split Storm Collar Flashing.