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This publication has been the leading casebook in the field for more than 20 years. It is the most authoritative work available on this topic, extensively cited by the Supreme Court and other courts, and in the scholarly literature. Professors Langbein and Stabile have not participated in the preparation of this new edition, but their contributions pervade the entire work. The author team is joined in the Sixth Edition by Professor Andrew Stumpff, a leading practitioner and scholar of pension law.The Sixth Edition adds expanded coverage of the Affordable Care Act, as well as subsequent judicial, legislative and administrative developments. It also includes detailed coverage of other recent Supreme Court decisions, including the Windsor decision on same sex marriage, and recent lower court decisions. The Sixth Edition also addresses recent changes affecting benefit plans, including recent developments in the design and administration of 401(k) plans.

Vintage Special Made for Dick Stabile clarinet mouthpiece. Rails and tips are good. Mouthpiece has large divot from teeth as shown

Color/material: dark grey ABS hardshell Design details: built-in combination lock, telescoping handle, anti-scratch resistant texture, detachable dual glide tech wheel system 22lbs Limited manufacturer's warranty Imported Please note: All measurements were taken by hand and are approximate; slight variations may occur. Contents of Set: Large: 32in x 21in x 15in Medium 30in x 18in x 11in Small 22in x13in x 8in

Color/material: black ABS hardshell Design details: built-in combination lock, telescoping handle, anti-scratch resistant texture, detachable dual glide tech wheel system 22lbs Limited manufacturer's warranty Imported Please note: All measurements were taken by hand and are approximate; slight variations may occur. Contents of Set: Large: 32in x 21in x 15in Medium 30in x 18in x 11in Small 22in x13in x 8in

Color/material: orange ABS hardshell Design details: built-in combination lock, telescoping handle, anti-scratch resistant texture, detachable dual glide tech wheel system 22lbs Limited manufacturer's warranty Imported Please note: All measurements were taken by hand and are approximate; slight variations may occur. Contents of Set: Large: 32in x 21in x 15in Medium 30in x 18in x 11in Small 22in x13in x 8in

Color/material: white ABS hardshell Design details: built-in combination lock, telescoping handle, anti-scratch resistant texture, detachable dual glide tech wheel system 22lbs Limited manufacturer's warranty Imported Please note: All measurements were taken by hand and are approximate; slight variations may occur. Contents of Set: Large: 32in x 21in x 15in Medium 30in x 18in x 11in Small 22in x13in x 8in

Color/material: yellow ABS hardshell Design details: built-in combination lock, telescoping handle, anti-scratch resistant texture, detachable dual glide tech wheel system 22lbs Limited manufacturer's warranty Imported Please note: All measurements were taken by hand and are approximate; slight variations may occur. Contents of Set: Large: 32in x 21in x 15in Medium 30in x 18in x 11in Small 22in x13in x 8in

What a duet! The stabile and portable H&A Keyboard Stand Bench and the essential Keyboard Sustain Pedal to boot. The H&A Keyboard Stand Benchfeatures an easy-to-open crossbar design with seven lockable positions, which can be secured by a built-in clutch locking mechanism. This choice of open positions allows you to adjust the height of your keyboard and obtain the most desirable position. For strength and durability, the stand is made from welded steel alloy and covered with a black finish. All eight points of contact, four legs and four support bars, have rubber sleeves to prevent slippage on any floor surface or the slippage of your keyboard from the top of the stand. When it is time to pack up your gear, the same crossbar design permits for a fast and easy folding of the stand into a compact storage configuration. The H&A Keyboard Sustain Petal extends rich acoustic piano resonance with the 'touch of chrome' to any electronic keyboard for studio or stage. The look and feel of a classic style sustain petal will fill your performance with the allusion of pressing the right foot petal of a modern piano. In a 'real' piano, when pressed, the sustain pedal "sustains" all the damped strings on the piano by moving all the dampers away from the strings and allowing them to vibrate freely. All notes played will continue to sound until the vibration naturally ceases, or until the pedal is released. This lets the pianist sustain notes which would otherwise be out of reach of the performer. The H&A Keyboard Sustain Pedal is compatible with all electronic and midi keyboards and digital pianos and synthesizers through the 6.0 foot cable with 1/4 inch phono plug connection. Polarity reverse switch assures compatibility with most Kurzweil, Korg, Yamaha, Casio, Roland, Fater, Ensoniq brand keyboards. The rugged rubber base grips maintain position of the footswitch during active performance.

An examination of an early version of the debate over money, debt, and taxes sheds light on current debates regarding public finance, a balanced budget, and paying off the public debt. Stabile shows that while special interest lobbying during the constitutional convention produced tax loopholes as part of the Constitution, determined leaders were able to get a reluctant population used to paying taxes and were capable of putting together plans of public finance that attained their goals. Such historical evidence challenges the view that political leaders are incapable of passing the unpopular taxes needed to balance the federal government's budget and pay off the public debt.Taking a political economy approach that describes how political leaders took economic ideas and made them work, this book combines intellectual history with economic history. Previous books on public finance history have focused on economic issues regarding taxes. Exploring the intellectual history of the debates over money, debt, and taxes as the three potential forms of public finance, Stabile provides insight into the constitutional debate alive at the end of the 20th century.

From the rear cover of this 171 page book: "Alexander Calder, creator of the mobile and the stabile, occupies a unique position as the sculptor generally considered America's greatest, and the American artist with the widest international reputation today. His fame, his career as a sculptor, began almost fifty years ago with his miniature Circus, now on extended loan to the Whitney Museum of American Art in New York. Begun in the mid-twenties with just a few figures and gradually enlarged to encompass dozens of people and animals, the Circus is generally considered the germ from which grew the whole range of Calder's later production: the toys; wire, wood, and bronze sculpture; jewelry; drawings; gouaches; and even the great mobiles, stabiles, and the recent 'animobiles'. [This book] is divided into three parts: the Circus years; color stills from the Pathe film of a Circus performance; and the Circus figures themselves, especially photographed for this book by Marvin Schwartz and displayed with related pieces in all the media used by Calder. The illustrations are accompanied by quotations from Calder's remarks about circus things. An appendix includes detailed captions for each of the 115 illustrations, a chronology of events in Calder's career that relate to the Circus, and an annotated bibliography."

From the rear cover of this 288 page book: "Alexander Calder - artist, creator of stabile and mobile sculptures, marvelous juggler of form and space - needs no introduction. With the casual informality loved by his intimates, the man who changed the direction of art in our time tells the story of his life and work in his 1966 autobiography. In the new introduction for this edition, Jean Davidson, Calder's son-in-law, speaks of this innovative artist's life, revealing glimpses of the man, his art, and his sense of approaching death." Also from the rear cover: "The product is straight Calder, unpretentious, innocent, naively witty, filled with memories of good times, earthiness, bad puns and occasional swipes at past offenders - With its abundant store of pictures - both his works and the many people close to him - the book communicates something of his genius, which has been always to shape and thereby enrich the space through which his life has projected."

An examination of an early version of the debate over money, debt, and taxes sheds light on current debates regarding public finance, a balanced budget, and paying off the public debt. Stabile shows that while special interest lobbying during the constitutional convention produced tax loopholes as part of the Constitution, determined leaders were able to get a reluctant population used to paying taxes and were capable of putting together plans of public finance that attained their goals. Such historical evidence challenges the view that political leaders are incapable of passing the unpopular taxes needed to balance the federal government's budget and pay off the public debt.Taking a political economy approach that describes how political leaders took economic ideas and made them work, this book combines intellectual history with economic history. Previous books on public finance history have focused on economic issues regarding taxes. Exploring the intellectual history of the debates over money, debt, and taxes as the three potential forms of public finance, Stabile provides insight into the constitutional debate alive at the end of the 20th century.

From the rear cover of this 171 page book: "Alexander Calder, creator of the mobile and the stabile, occupies a unique position as the sculptor generally considered America's greatest, and the American artist with the widest international reputation today. His fame, his career as a sculptor, began almost fifty years ago with his miniature Circus, now on extended loan to the Whitney Museum of American Art in New York. Begun in the mid-twenties with just a few figures and gradually enlarged to encompass dozens of people and animals, the Circus is generally considered the germ from which grew the whole range of Calder's later production: the toys; wire, wood, and bronze sculpture; jewelry; drawings; gouaches; and even the great mobiles, stabiles, and the recent 'animobiles'. [This book] is divided into three parts: the Circus years; color stills from the Pathe film of a Circus performance; and the Circus figures themselves, especially photographed for this book by Marvin Schwartz and displayed with related pieces in all the media used by Calder. The illustrations are accompanied by quotations from Calder's remarks about circus things. An appendix includes detailed captions for each of the 115 illustrations, a chronology of events in Calder's career that relate to the Circus, and an annotated bibliography."

Durchgehend bebildert. 549 S. 29 x 22 cm, Ln., OU. Leichte Gebrauchsspuren, Schutzumschlag leicht lichtrandig, sonst gut erhalten. Nachhaltige Buchlieferung - Stabile, plastikfreie Verpackung.

Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog vividly illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder’s longtime home and studio in Roxbury, Connecticut, it includes many previously unseen works.An essay by Jessica Holmes focuses on the artist’s handcrafted domestic objects, offering insight into Calder’s life and inventive practice. Susan Braeuer Dam focuses on Calder’s move to Roxbury in 1933 and the shifts in his work, drawing upon themes of nature, process and monumentality, specifically as related to the 1934 sculptures surveyed here.

239 S. : zahlr. Ill., graph. Darst. ; 31 cm -- OSchU angestossen, hinten oben angerissen. Buch guter bis sehr guter Zustand.Päckchenversand ACHTUNG, ZVAB/ABEbooks-Besteller. Bei DIESEM Artikel (z.B. wg. Gewicht, Format, stabile Verpackung, Überhöhe) berechnen wir PÄCKCHENPORTO 5,20 (Deutschland)Bei einer Bestellung erklären Sie sich damit EINVERSTANDEN! Ggf. Versand als BüWA 2000 für 3,70 möglich. Wir informieren Sie Päckchenporto für nur 1 Buch? Unsere Paketpreise sind FAIR ! Stöbern Sie doch in unserem Angebot - v.a. in unseren Schnäppchen - und stocken Sie auf.! Wir versenden mit DHL! EU-DSGVO: Ihre persönlichen Daten werden ausschließlich zur Bestellbearbeitung verwendet und im Rahmen der steuergesetzlichen Aufbewahrungsfristen nur auf hauseigenen Datenträgern gespeichert. Weiteres siehe AGB. Sprache: Deutsch Gewicht in Gramm: 1750

Alexander Calder was one of the most original artists of the twentieth century and a major figure in American art. Renowned for his mobiles and stabiles, he also created the beloved Calder Circus, an early performance piece now preserved at the Whitney Museum. He was a contemporary and friend of Marcel Duchamp and Joan Miró and collaborated with Martha Graham. His wife, Louisa, was a grandniece of Henry and William James, a liberal society girl from Boston who loved to entertain. Both were characters, full of joie de vivre. When they moved their family to Roxbury, Connecticut, they became a mainstay in a community that included Arthur Miller and Saul Steinberg, who would come to their parties.In this unique and beautiful work, Sandra Calder Davidson remembers growing up as the daughter of this larger-than-life pair and celebrates the family—the children and grandchildren—that grew out of their loving home. Sandra has a gift for caricaturing people as animals—her father as a circus lion, Louisa as a nippy fox—and the book is organized around these portraits, accompanied by vivid recollections and anecdotes about the subjects. The “other critters” include, besides Miller and Steinberg, other family friends and whimsical fauna she has encountered, like St. Louis Cardinal fans in full cardinal regalia or a Florida gator at a cocktail party for retirees.Celebrating family and the joyful dance of life, here is a book with the freshness and grace of a Calder mobile.

«Tu hai disposto ogni cosa con misura, calcolo e peso» (Liber sapientiae, 11, 20). «La tua parola è stabile nei cieli [...] Hai fondato la terra ed essa è salda» (Psalmi, 119, 89-91). La creazione di Dio Padre appare assimilabile ad una costruzione tecnica pari a quella di un orologiaio che permetta alla sua creazione di funzionare e continuare autonomamente il suo movimento. In virtù di tali dettami la scienza non fu ostacolata ab origine dai teologi in quanto cosa di Dio, ma incoraggiata dal momento che, rivolgendosi alla conoscenza della sua opera, suo scopo ultimo è anche quello di rendere onore a Dio e al Creato. Partendo da tali presupposti il volume verifica come, dalla metà del XIII secolo, uomini di Chiesa, quali prelati, cardinali e pontefici, s’interessarono ai fenomeni naturali e all'indagine dei reconditi segreti del mondo, commissionando o scrivendo opere, e come un'eguale speculazione si protrasse nel secolo successivo, una volta abbandonata Roma, ad Avignone.

Celebrated for mobiles and stabiles that enliven city squares and museums around the world, Alexander Calder (1898-1976) is not widely recognized as a portraitist. Throughout his career, however, Calder created portraits of a wide variety of subjects: well-known entertainment and political figures, sports stars, artist friends, family members, and himself. Some of these portraits are traditional likenesses in oil on canvas or ink on paper, but most explore new conceptions of form and identity in the medium of sculpture. Executed over a fifty-year period from the early 1920s to the 1970s, Calder's portraits reveal a real talent for portraiture, for encapsulating individual character traits in both representational and abstract art, and in two and three dimensions. Calder recorded his friendships in a remarkably vivid and generous way. Through his relationship with his subjects he continually defined and redefined himself, and his oeuvre in the genre of portraiture became a life narrative.

Celebrated for mobiles and stabiles that enliven city squares and museums around the world, Alexander Calder (1898-1976) is not widely recognized as a portraitist. Throughout his career, however, Calder created portraits of a wide variety of subjects: well-known entertainment and political figures, sports stars, artist friends, family members, and himself. Some of these portraits are traditional likenesses in oil on canvas or ink on paper, but most explore new conceptions of form and identity in the medium of sculpture. Executed over a fifty-year period from the early 1920s to the 1970s, Calder's portraits reveal a real talent for portraiture, for encapsulating individual character traits in both representational and abstract art, and in two and three dimensions. Calder recorded his friendships in a remarkably vivid and generous way. Through his relationship with his subjects he continually defined and redefined himself, and his oeuvre in the genre of portraiture became a life narrative.