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A cura di C. Giannini e S. Meloni Trkulja. Il gusto per la decorazione barocca ebbe la sua fortuna anche a Firenze, specialmente negli interni dei palazzi aristocratici. Il volume, che esce come catalogo della mostra allestita a Palazzo Medici Riccardi, offre uno spaccato sull'attività dei grandi The taste for baroque decoration also spread to Florence, particularly to the interiors of the palaces of the aristocracy. The present volume, actually the catalogue of an exhibition at the Palazzo Medici Riccardi, presents a cross section of the activiti cm.17x24, pp.XII,352, con 114 ill. n.t. di cui 102 a col., Coll. Cultura e memoria, 35. Firenze, Olschki Ed. cm.17x24, pp.XII,352, con 114 ill. n.t. di cui 102 a col., brossura sopracoperta figurata a colori. Coll. Cultura e memoria, 35. brossura sopracoperta figurata a colori.

Language: italian - 216 pages - color and b/w illustrations - Elevato alla porpora cardinalizia a soli trentacinque anni, Giovanni Battista Pallotta (1594-1668) proseguì la colta tradizione familiare avviata in età sistina dallo zio, il cardinale Evangelista, aggiornando le prospettive della sua intensa attività di collezionista in base ai più moderni indirizzi perseguiti a Roma negli anni del pontificato di Urbano Vili. L'inventario delle opere d'arte conservate nella sua residenza romana è stato il punto di avvio per una complessa indagine archivistica volta a ricostruire la consistenza della collezione del porporato marchigiano che, negli anni trascorsi a Ferrara come legato pontificio, intrattenne rapporti di committenza con Guido Reni, Guercino, Elisabetta Sirani, Cantarmi e Tiarini. Altre opere importanti furono commissionate in tempi diversi anche a Mattia Preti, riallacciando così i rapporti con la città di Cosenza della quale Evangelista Pallotta era stato vescovo. Il n

Language: italian - 216 pages - color and b/w illustrations - Elevato alla porpora cardinalizia a soli trentacinque anni, Giovanni Battista Pallotta (1594-1668) proseguì la colta tradizione familiare avviata in età sistina dallo zio, il cardinale Evangelista, aggiornando le prospettive della sua intensa attività di collezionista in base ai più moderni indirizzi perseguiti a Roma negli anni del pontificato di Urbano Vili. L'inventario delle opere d'arte conservate nella sua residenza romana è stato il punto di avvio per una complessa indagine archivistica volta a ricostruire la consistenza della collezione del porporato marchigiano che, negli anni trascorsi a Ferrara come legato pontificio, intrattenne rapporti di committenza con Guido Reni, Guercino, Elisabetta Sirani, Cantarmi e Tiarini. Altre opere importanti furono commissionate in tempi diversi anche a Mattia Preti, riallacciando così i rapporti con la città di Cosenza della quale Evangelista Pallotta era stato vescovo. Il n

Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Composer: Ludovico Einaudi Stanze Original Version for Harp Publisher: Ricordi Category: Classical Series: Ricordi Format: Softcover Milan,...

No one has, until now, made a serious effort to analyze the meaning of Raphael's Bible. Considering the tomes devoted to theories about the Sistine ceiling or even to Raphael's own Stanze in the Vatican, this default is astonishing.This monograph attempts to identify the most significant cohesive themes of the Logge decorations and to demonstrate that the subjects discussed in the first chapter as an introduction to the enterprise—namely, the ecclesiastical concerns and deep spirituality shown in Raphael's portrait of Leo X and the propaganda arguments of contemporary literature and festivals—come together in the Logge decorations.In the Logge Raphael's genius transforms the common language and imagery of the papal court into an extraordinary masterpiece of art.

The Glass of the Architects: Vienna 1900-1937 is the second exhibition dedicated to international developments in 20th-century glass, after Glass from Finland in the Bischofberger Collection. The exhibitions are part of the “Le Stanze del Vetro” project jointly run by the Fondazione Giorgio Cini and Pentagram Stiftung for the purpose of studying and promoting the art of glassmaking in the 20th and 21st centuries.Published on the occasion of the exhibition in Venice, this volume presents over 300 works from the collection of the MAK Austrian Museum of Applied Arts / Contemporary Art in Vienna and private collections. It focuses for the first time on the history of glassmaking in Austria from 1900 to 1937, a period spanning the last decades of the Austro-Hungarian Empire and the First Republic.In the early 20th century a group of young architects, designers, and fine arts and architecture students developed a special interest in the process of glassmaking. Many of them were to win fame as leading figures in Viennese Modernism, such as Josef Hoffmann (1870-1956), Koloman Moser (1868-1918), Joseph Maria Olbrich (1867-1908), Leopold Bauer (1872-1938), Otto Prutscher (1880-1949), Oskar Strnad (1879-1935), Oswald Haerdtl (1899-1959) and Adolf Loos (1870-1933). They paved the way to the first pioneering developments in 20th-century glass production as they worked with the furnaces in order to gain a thorough understanding of the material. The collaboration between architects and designers and the introduction of their innovations to production created the style of Viennese Glass, found in new projects such as the Wiener Werkstätte or the Austrian Werkbund.

This handy guide designed for travel is a complete reference to the Vatican Museums and Vatican City, including the Sistine Chapel, the Ancient Apostolic Palace with the Raffael Stanze, the Borgia Apartment, and the Chapel of Fra Angelico; covers classical art, Etruscan and Egyptian antiquities; Early Christian and Medieval art; Pinacoteca; contemporary art; ethnology and history; the city and gardens; St. Peter's Basilica.

A new volume from the project “Le Stanze del Vetro” dedicated to Finnish glass design. ?This richly illustrated volume features artworks from 1932 to 1973 in the Bruno Bischofberger Collection, bringing together 330 masterpieces in a celebration of the fascinating and timeless art of Finnish glass design.

The Glass of the Architects: Vienna 1900-1937 is the second exhibition dedicated to international developments in 20th-century glass, after Glass from Finland in the Bischofberger Collection. The exhibitions are part of the “Le Stanze del Vetro” project jointly run by the Fondazione Giorgio Cini and Pentagram Stiftung for the purpose of studying and promoting the art of glassmaking in the 20th and 21st centuries.Published on the occasion of the exhibition in Venice, this volume presents over 300 works from the collection of the MAK Austrian Museum of Applied Arts / Contemporary Art in Vienna and private collections. It focuses for the first time on the history of glassmaking in Austria from 1900 to 1937, a period spanning the last decades of the Austro-Hungarian Empire and the First Republic.In the early 20th century a group of young architects, designers, and fine arts and architecture students developed a special interest in the process of glassmaking. Many of them were to win fame as leading figures in Viennese Modernism, such as Josef Hoffmann (1870-1956), Koloman Moser (1868-1918), Joseph Maria Olbrich (1867-1908), Leopold Bauer (1872-1938), Otto Prutscher (1880-1949), Oskar Strnad (1879-1935), Oswald Haerdtl (1899-1959) and Adolf Loos (1870-1933). They paved the way to the first pioneering developments in 20th-century glass production as they worked with the furnaces in order to gain a thorough understanding of the material. The collaboration between architects and designers and the introduction of their innovations to production created the style of Viennese Glass, found in new projects such as the Wiener Werkstätte or the Austrian Werkbund.