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This impressive volume, prepared to mark the fiftieth anniversary of Steig's work for The New Yorker, selects more than 250 of his drawings from the 1970s, the most productive decade in the career of this singular and inexhaustible genius.

William Steig, the godfather of New Yorker cartoonists, began his career at the magazine in 1930. After achieving acclaim with his gang of street urchins, affectionately nicknamed the "Small Fry," he branched out, exploring through his drawings the psychological undercurrents in relationships between parent and child, husband and wife, self and society. In such groundbreaking collections as About People (1939), Persistent Faces (1945), and The Agony in the Kindergarten (1950), Steig laid bare the raw insecurities of childhood. In the process, he introduced symbolic art to mainstream audiences and permanently elevated the place of the cartoon in American culture. Beginning in the 1960s, Steig demonstrated his understanding and awe of children in numerous award-winning picture books, including such classics as Sylvester and the Magic Pebble (1970 Caldecott Medal), Dominic (1972), Gorky Rises (1980), Doctor De Soto (1982 Newberry Award), and Shrek! (1990)—now a major motion picture. His thirteenth book for children, Pete’s a Pizza, was published in 1998.

The definitive work on the career of the beloved New Yorker cartoonist and children’s book illustrator Known for his brilliant cartoons and award-winning children’s books, William Steig (1907–2003) leaves a legacy that spans much of the twentieth century. This lavishly illustrated book features over 280 of Steig’s drawings, many of them previously unpublished, and examines every aspect of his work, from the “Small Fry” cartoons—his earliest submissions to the New Yorker— and haunting symbolic drawings of the late 1930s and 1940s, to his later, bitingly funny cartoons and celebrated books for children. In the seventy-three years that Steig worked for the New Yorker, the magazine published over 120 of his covers and more than 1,600 of his drawings in a wide range of styles, including classic cartoons, psychologically fraught pen-and-ink renderings, and Picasso-esque representations. He brought a new voice to the magazine by creating cartoons that drew on his experience as a son of immigrant Eastern European Jews. In his sixties, Steig embarked on a second career as a writer and illustrator of children’s books, including Sylvester and the Magic Pebble and Shrek! These remarkable projects bring together numerous key elements of Steig’s work: his evocative use of reverie, his interest in cranks and complainers, and his belief in the redeeming power of love, nature, and art. The story of Steig’s work is told by Claudia J. Nahson and the cartoonist’s fellow artists and writers, and his family members. Together they create a portrait of a penetrating social observer with a restless imagination and a love for his craft.

For many aficionados of the New Yorker magazine, the drawings of Peter Arno, William Steig, Charles Addams, and Saul Steinberg epitomize its sophisticated wit and disarming humor. In The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg, the first full-scale scholarly study of the subject, Iain Topliss considers the work of each artist, traces the development of his art, and recalls the cultural and social context in which it was created.Topliss delves into the nature of humor and the elements that make successful cartoons funny, paying special attention to matters of style and technique. He draws particular attention to the ways in which these four artists mocked the status quo without alienating the magazine's readers. Indeed, argues Topliss, the New Yorker's cartoons helped define American consciousness in the mid-twentieth century. Illustrated with more than fifty drawings from the artists published in the magazine between 1925 and 1975, The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg recognizes the achievements of these talented artists and their distinctive contribution to American culture.

Children, octogenarians, and everyone in between know the work of William Steig, the beloved cartoonist and award-winning children’s book author whose work graced the covers and pages of the New Yorker for more than 70 years. In Cats, Dogs, Men, Women, Ninnies & Clowns: The Lost Art of William Steig, Jeanne Steig uncovers more than 450 never-before-published cartoons by her husband and provides personal insight and anecdotes about his work and her relationship with Bill, shedding new light on this celebrated genius.Praise for Cats, Dogs, Men,Women, Ninnies & Clowns: "A treasure trove of hundreds of previously unpublished illustrations by children’s book icon Steig, this compendium is organized thematically (people, dogs, “odd ducks,” etc.); the late Steig’s wife, Jeanne, introduces each section with delightful, insightful anecdotes. “He used to refer to us fondly as ‘a couple of cats,’ or perhaps more romantically as ‘two rolls on a plate,’ ” she writes. Of course, the best sense of the man behind Shrek!, Sylvester and the Magic Pebble, and other favorites is gained from the strange, free, and wholly original artwork that fill the pages with caricatured portraits, animals a’courting, drunken clowns, knife fights, and creatures impossible to name. Taken as a whole, the glorious lunacy is testimony to a true iconoclast."-- Publishers Weekly, starred review“What a splendid gift it would be if the works tearing up the best-seller lists weren’t that of a Stieg Larsson, but a Steig, William.” —New York Times The Moment blog “Pure pleasure from cover to cover” —Booklist “The book details a great character, and does so with a remarkable charm. Highly recommended for all interested in comic history and everyone who likes to look on the lighter side of life.” —Complex.com

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A compendium of William Steig's humorous art covers his career from his first drawings in The New Yorker during the Great Depression through subsequent collections published over five decades. By the author of Male/Female.

William Steig's Tiffky Doofky, a garbage collector for the town of Popville, has a feeling one morning that something special is going to happen, so he goes to a fortune teller. She says he will meet his true love that very day, before the sun goes down. Tiffky Doofky looks everywhere, but he doesn't realize that a bad-tempered witch has tricked him. As the day goes on and the sun sinks lower in the sky, he begins to despair. Will he ever find his beloved? But a perilous encounter at the end of the day may be the most romantic near-death experience of all.

This new Collector's Edition Box Set includes 12 films on 6 discs from the award-winning animator Michael Sporn. Based on stories from such acclaimed writers as William Steig (author of Shrek), Russell Hoban, Hans Christian Andersen, and Lewis Carroll.

The Millennium saga continues with a brand-new original story based on the bestselling novel series by Steig Larsson!Lisbeth Salander returns in this gripping new story written specifically for the graphic novel format. This time around, we find Lisbeth preparing to hack a gigantic data centre and expose the Swedish secret service's secret files. Unfortunately, nothing is simple, and Lisbeth once again finds herself in need of Mickael Blomkvist's help when her friend Trinity is kidnapped. In a world of conspiracy and mistrust, their investigation soon leads them to the obscure group known only as 'Sparta'...

Steig’s witty dialectic on the nature of existence

Steig’s witty dialectic on the nature of existence

Hardcover edition of William Steig's classic illustrated children's story in a simplified Chinese translation.

Fusion (IMPORT) Jeremy Steig - CD 057362220423

"Good pictures come along fairly often, but an original, remarkable book that takes you by surprise is rare. Rejoice over William Steig's latest, in which he spoofs medieval life and takes a crack at bullying older brothers and alchemy as he tells his rattling good story. -- The Philadelphia Inquirer"A riveting tale of sibling rivalry set in medieval times, which is, at the same time, as modern as all get-out." -- Newsday"Readers will delight in Steig's droll expressions, both visual and verbal, but the subtle lesson about brotherly love will not be lost amid teh comic goings-on."-- School Library Journal

Arno, Steig, Addams, Shanahan, Leo Cullum, and other distinguished cartoonists present a zany look at the medical profession, in a collection of eighty-five cartoons from the pages of The New Yorker. 40,000 first printing.

Six fairy tales are told anew,And spiced with picturesquite a few. It took a pair of Steigs to do 'em: 'Twas Jeanne who wrote 'em. William drew 'em. Here's Rumpelstiltskin, in a rage; The Frog Prince hops right off the page; Hansel and Gretel thwart the witch; Jack slays the giant (and gets rich); Red Riding Hood and Gram survive; The Beast and Beauty wed, and thrive. That's quite enough. The book's a killer. To say more would be idle filler.

What do you get when you combine a word and a number? A wumber! Paying tribute to William Steig's CDB!, best-selling book, cre8ors Amy Krouse Rosenthal and Tom Lichtenheld have wri10 and illustr8ed this s2pendous book that is 1derful 4 readers in kindergar10 and up. If we've confused you, just take a look at the book—4tun8ly it has helpful pictures. We are sure you will get it ins10tly!

Steig, Addams, Arno, Shanahan, Thurber, Chast, and other distinguished cartoonists present a humorous look at the medical profession, in a collection of eighty-five cartoons from the pages of The New Yorker. 25,000 first printing.