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The Moderne family of light fixtures adds a contemporary touch to your interior decor. With its shimmering chrome finish and frosted glass shade, the Moderne wall sconce is sure to be a conversation piece and a visual joy for years to come. This wall-mounted light is perfect for hallways, bedrooms, bathrooms, and anywhere else you may need some accent lighting. Moderne wall sconces are easy to install with included instructions and hardware, and should be hardwired to an in-wall 120V power source. This sconce light requires (1) RSC 100W max incandescent bulb, or the LED equivalent, which needs to be purchased separately. Be sure to check out other fixtures in the Moderne collection on this site.

The Moderne family of light fixtures adds a contemporary touch to your interior decor. With its shimmering chrome finish and frosted glass shade, the Moderne wall sconce is sure to be a conversation piece and a visual joy for years to come. This wall-mounted light is perfect for hallways, bedrooms, bathrooms, and anywhere else you may need some accent lighting. Moderne wall sconces are easy to install with included instructions and hardware, and should be hardwired to an in-wall 120V power source. This sconce light This wall sconce includes a 100W, incandescent J type, T3 double end halogen bulb (100W). Be sure to check out other fixtures in the Moderne collection on this site.

Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.

The classical elegance of the Regency period in England is considered one of the most sophisticated and refined moments in design history. Throughout the twentieth century, designers took elements of the Regency vocabulary and restyled them to meld with the reigning design aesthetic of the day to extraordinary effect. The book opens with an introduction to the original Regency period, which built its sophisticated aesthetic on the example of the Neoclassical style of Napoleon’s time. It then picks up with the Art Deco designs of Emile-Jacques Ruhlmann and Süe et Mare in France. By the 1930s, the Vogue Regency returned home to England where Sibyl Colefax and Syrie Maugham created stylized classical interiors. In America, the Regency revival took hold in Hollywood on the lavish film sets of the 1930s and ‘40s. Designers and architects to the stars such as Billy Haines and T.H. Robsjohn-Gibbings made a mark with their work for the Hollywood elite. The book concludes with Regency fashions of the 1930s and ‘40s, when Dorothy Draper and Elsie de Wolfe cut a stylish swath with their Regency-infused designs from coast to coast. Rounding out the vintage interiors are designs by acclaimed contemporary designers. Each chapter is illustrated with a rich selection of images of interiors, film sets, and furniture.

Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.

The period between the two world wars was one of extreme upheavals in politics, economics, and society as a whole. It was also a time of intense artistic creativity, culminating in the great Paris Exposition des Arts Decoratifs et Industriels Modernes in 1925, and the subsequent spread of the celebrated Art Deco style. The radical innovations in Art Deco fashion and interior decoration demanded new textile designs, and, as the period progressed, fabrics for clothes, upholstery, wallpaper, and rugs increasingly reflected the modernism, elegance, and vibrancy of the movement. As the French artist Raoul Dufy, himself a brilliant fabric designer, wrote, "Paintings have spilled from their frames and stained our dress and our walls." This sumptuous new book invites the reader to discover the spectacular world of Art Deco fabrics, with examples by designers such as Delaunay, Ruhlmann, Henry, Marrot, Dufresne, Benedictus, and dozens more. Alain-Rene Hardy, a noted French expert in twentieth-century decorative arts, has searched through museum holdings, manufacturers' archives, and private collections to find hundreds of examples of both hand- and machine-made textiles, many of them never before published. From the lavish to the minimalist, from luxurious floral patterns to subtle geometric variations in color and texture, Art Deco textiles continue to enthrall us with their originality, complexity, and vivacity. 310 color illustrations.

The period between the two world wars was one of extreme upheavals in politics, economics, and society as a whole. It was also a time of intense artistic creativity, culminating in the great Paris Exposition des Arts Decoratifs et Industriels Modernes in 1925, and the subsequent spread of the celebrated Art Deco style. The radical innovations in Art Deco fashion and interior decoration demanded new textile designs, and, as the period progressed, fabrics for clothes, upholstery, wallpaper, and rugs increasingly reflected the modernism, elegance, and vibrancy of the movement. As the French artist Raoul Dufy, himself a brilliant fabric designer, wrote, "Paintings have spilled from their frames and stained our dress and our walls." This sumptuous new book invites the reader to discover the spectacular world of Art Deco fabrics, with examples by designers such as Delaunay, Ruhlmann, Henry, Marrot, Dufresne, Benedictus, and dozens more. Alain-Rene Hardy, a noted French expert in twentieth-century decorative arts, has searched through museum holdings, manufacturers' archives, and private collections to find hundreds of examples of both hand- and machine-made textiles, many of them never before published. From the lavish to the minimalist, from luxurious floral patterns to subtle geometric variations in color and texture, Art Deco textiles continue to enthrall us with their originality, complexity, and vivacity. 310 color illustrations.

Renowned designer Michael Berman created his American Moderne kitchen collection exclusively for Rohl. In an exciting contrast to other Rohl collections emphasizing European style, this collection celebrates a glamorous age in American culture. American Moderne is a transitional style combining modern elements with those from the era when transatlantic ocean liners and transcontinental train travel were in their heyday, and Hollywood was in its prime. The Gotham style of the Michael Berman Kitchen Collection was inspired by the fines industrial design of the 1920s, 1930s and 1940s, which lends a sleek aesthetic to any setting. Color: Satin Nickel. Material: Brass.

Renowned designer Michael Berman created his American Moderne kitchen collection exclusively for Rohl. In an exciting contrast to other Rohl collections emphasizing European style, this collection celebrates a glamorous age in American culture. American Moderne is a transitional style combining modern elements with those from the era when transatlantic ocean liners and transcontinental train travel were in their heyday, and Hollywood was in its prime. The Gotham style of the Michael Berman Kitchen Collection was inspired by the fines industrial design of the 1920s, 1930s and 1940s, which lends a sleek aesthetic to any setting. Color: Polished Nickel. Material: Brass.

Renowned designer Michael Berman created his American Moderne kitchen collection exclusively for Rohl. In an exciting contrast to other Rohl collections emphasizing European style, this collection celebrates a glamorous age in American culture. American Moderne is a transitional style combining modern elements with those from the era when transatlantic ocean liners and transcontinental train travel were in their heyday, and Hollywood was in its prime. The Gotham style of the Michael Berman Kitchen Collection was inspired by the fines industrial design of the 1920s, 1930s and 1940s, which lends a sleek aesthetic to any setting. Color: Polished Chrome. Material: Brass.

First published in Paris as Decoration Moderne dans l'Interieur, this rare 1935 portfolio of full-color plates reflects the influence of Art Deco modernism on architects and interior designers. Designs for every space include living rooms, dining rooms, bedrooms, bathrooms, offices, terraces, artists' studios, and other settings. Equally eye-catching are the lighting, chairs, tables, beds, bookcases, desks, accessories, and other furniture along with floor and wall treatments and additional elements of modernist interior design. Captions identify the creator of every design, and the book includes a translation of the original Introduction and a new Publisher's Note. This splendid collection of authentic, hard-to-find designs will provide a treasury of inspiration for architects, interior designers, and designers of furniture and accessories as well as collectors of authentic Art Deco material and students of design, architectural history, and popular culture.

René Herbst's enduring furniture designs provide fundamental lessons for today's interior designers. A staunch modernist, Herbst was a founding member and later president of the Union des artistes modernes (UAM) in France, which sought to make domestic comfort accessible to all, regardless of class. The diversity of his work is testament to his prolific and creative output, and his design is marked by its simplicity and functionality. The French architect turned designer was nicknamed the "man of steel" because he pioneered the use of the material for furniture years before mass production on a large scale was possible. In 1929 he created several versions of his celebrated Sandow Chair, which ignited his research into serial production and inaugurated the era of mass production. This book presents a selection of the best works from the Herbst Collection held by the library of the Musée des Arts décoratifs in Paris, and demonstrates how Herbst was the catalyst of a new style of living that spurred the birth of modernity.

René Herbst's enduring furniture designs provide fundamental lessons for today's interior designers. A staunch modernist, Herbst was a founding member and later president of the Union des artistes modernes (UAM) in France, which sought to make domestic comfort accessible to all, regardless of class. The diversity of his work is testament to his prolific and creative output, and his design is marked by its simplicity and functionality. The French architect turned designer was nicknamed the "man of steel" because he pioneered the use of the material for furniture years before mass production on a large scale was possible. In 1929 he created several versions of his celebrated Sandow Chair, which ignited his research into serial production and inaugurated the era of mass production. This book presents a selection of the best works from the Herbst Collection held by the library of the Musée des Arts décoratifs in Paris, and demonstrates how Herbst was the catalyst of a new style of living that spurred the birth of modernity.

First published in Paris as Decoration Moderne dans l'Interieur, this rare 1935 portfolio of full-color plates reflects the influence of Art Deco modernism on architects and interior designers. Designs for every space include living rooms, dining rooms, bedrooms, bathrooms, offices, terraces, artists' studios, and other settings. Equally eye-catching are the lighting, chairs, tables, beds, bookcases, desks, accessories, and other furniture along with floor and wall treatments and additional elements of modernist interior design. Captions identify the creator of every design, and the book includes a translation of the original Introduction and a new Publisher's Note. This splendid collection of authentic, hard-to-find designs will provide a treasury of inspiration for architects, interior designers, and designers of furniture and accessories as well as collectors of authentic Art Deco material and students of design, architectural history, and popular culture.

The streamline style, which began by rounding corners of immobile objects, ushered in the moderne across America in the 1930's. Railroads decided to streamline with the coming of the diesel locomotive. Featured is the influence of designers such as Cret, Dreyfus, Bel Geddes, Kuhler, and Lowey. The evolution of semi streamlining took place as depression poor railroads attempted to modernize. The coming of Burlington's Zephyr and Union Pacific's, started a mad dash by America's railroads to streamline passenger trains. There is also a chapter on streamlining of trains around the world.