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692 S. !! Schmutz/Fettfleck auf dem Schnitt !! Akzeptables Exemplar, deutliche Gebrauchsspuren, Flecken am Papierschnitt, innen gut, Schutzumschlag sieht sehr gut aus, Buch mit dunkelgrünem Leinencover, ist noch gut zu gebrauchen A211029aB50 ISBN: 9783484103511 Sprache: Deutsch Gewicht in Gramm: 1431

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A digital copy of "Companion To... Von Strassburg's Tristan" by Hasty. Download is immediately available upon purchase!

A digital copy of "Companion To...Von Strassburg's Tristan" by Will Hasty. Download is immediately available upon purchase!

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This item is printed on demand - it takes 3-4 days longer - Neuware -Die Reihe Texte und Textgeschichte, begründet von der Würzburger Forschergruppe Prosa des deutschen Mittelalters unter ihrem Leiter Kurt Ruh, enthält Ausgaben und Untersuchungen zu breitüberlieferten und wirkungsmächtigen Gebrauchstexten des deutschen Spätmittelalters, dargeboten und aufbereitet unter Betonung der kommunikativen Funktion von Literatur, dem Wechselverhältnis von Autor, Schreiber und Publikum. Das bedeutet die primäre Berücksichtigung der Textmutationen im Verlaufe der Überlieferung; wie diese editorisch optimal darzustellen sind, ist das methodische Ziel jeder der Ausgaben (überlieferungsgeschichtliche Methode). Die Untersuchungen sind auf die je besonderen Gegebenheiten der Überlieferung ausgerichtet textgeographisch, textchronologisch und textsoziologisch , erarbeiten die Quellen und verfolgen die Wirkung. 708 pp. Deutsch

Professor Lienhard deals here primarily with the first half of the 16th century, a momentous period which saw the rise and first triumphs of evangelical Christianity. His focus is upon the town of Strasbourg, one of the places where the Reformation first left its mark, and the articles combine to present an illuminating picture of the town's social and religious evolution over the period. Some approach the subject at an individual level, with studies of the protagonists in the events - such as Martin Bucer, Matthieu Zell or Thomas Murner - and their differing religious viewpoints. Other articles take a broader perspective, analysing the social and political background to the triumph of the Reform, the gradual emergence of a new order, and local attitudes towards the new dissidents, the Anabaptists. An important section of additional notes and comments completes the volume. Le Professeur Lienhard s’attache ici, avant tout, à la premiere motié du XVIe siècles, période capitale, qui vit la montée et les premiers triomphes du christianisme évangélique. Il se concentre sur Strasbourg, un des lieux où la Réforme laissa très tôt sa marque. L’ensemble des articles présente une image clarifante de l’évolution sociale et religieuse de la ville durant cette période. Certains abordent le sujet au travers de l’étude de plusiers des protagonistes aillant pris part aux événements - tels que Martin Bucer, Matthieu Zell ou Thomas Murner - et examinent aussi leurs différents points de vue religieux. D’autres prennent une perspective plus large, analysant le contexte politique et social à la base de triomphe de la Réforme et de la naissance d’un ordre nouveau, ainsi que les prises de position locales envers les nouveaux dissidents, les Anabaptistes. Dès a present, ce recueil est accompagné d’une importante section de notes adittionnelles et de commentaires.

Fleeing from the castle after her father tries to force her to wed her twin sister's lover, Frederica der Esslingen takes refuge in the herbalist's cottage, where the son of a wealthy Strassburg merchant is studying. Original.

Vol. 1 has imprint: Berolini: W. de Gruyter; vol. 2 has imprint: Sumptibus Caroli J. Tr'ubner, Librarii Argentoratensis [Strassburg: C.J. Tr'ubner], 1914, but on cover the imprint is Berolini et Lipsiae, W. de Gruyter.

Vol. 1 has imprint: Berolini: W. de Gruyter; vol. 2 has imprint: Sumptibus Caroli J. Treubner, Librarii Argentoratensis [Strassburg: C.J. Treubner], 1914, but on cover the imprint is Berolini et Lipsiae, W. de Gruyter.

Hartmann von Aue (c. 1170–1215) is universally recognized as the first medieval German poet to create world-class literature. He crafted German into a language of refined literary expression that paved the way for writers such as Gottfried von Strassburg, Walther von der Vogelweide, and Wolfram von Eschenbach. This volume presents the English reader for the first time with the complete works of Hartmann in readable, idiomatic English. Hartmann's literary efforts cover all the major genres and themes of medieval courtly literature. His Arthurian romances, Erec and Iwein, which he modeled after Chrétien de Troyes, introduced the Arthurian world to German audiences and set the standard for later German writers. His lyric poetry treats many aspects of courtly love, including fine examples of the crusading song. His dialogue on love delineates the theory of courtly relationships between the sexes and the quandary the lover experiences. His verse novellas Gregorius and Poor Heinrich transcend the world of mere human dimensions and examine the place and duties of the human in the divine scheme of things. Longfellow would later use Poor Heinrich in his Golden Legend.Arthurian Romances, Tales, and Lyric Poetry is a major work destined to place Hartmann at the center of medieval courtly literature for English readers.

Keine Periode in Hölderlins Leben erscheint den Biographen und Interpreten so rätselhaft und dennoch von Konsequenzen belastet (das Irresein) wie die Frankreichreise von Straßburg über Lyon nach Bordeaux, der Aufenthalt dort beim Consul Meyer und die Rückkehr (mit Raubüberfall, daher Weiterreise zu Fuß) über Paris und Straßburg. Aus Untersuchungen in französischen Archiven ergaben sich zahlreiche neue Details, die auch wichtig für die Interpretation einiger später Hymnen werden. Außerdem wird Hölderlins Verhältnis zu Rousseau, Hemsterhuis, Helvétius und zur Französischen Revolution aus der Deutung des Gesamtwerks neu gewichtet.

Following the success of Jeffrey L. Forgeng’s translation of Joachim Meyer’s The Art of Sword Combat the author was alerted to an earlier recension of the work which was discovered in Lund University Library in Sweden. The manuscript, produced in Strassburg around 1568, is illustrated with thirty watercolor images and seven ink diagrams. The text covers combat with the long sword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a saber), and rapier. The manuscript’s theoretical discussion of guards is one of the most critical passages to understanding this key feature of the historical practice, not just in relation to Meyer but in relation to the medieval combat systems in general.The manuscript offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period as a whole but critical to modern reconstructions of the practice. The translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology, and other essential information for understanding and contextualizing the work.

Hartmann von Aue (c. 1170–1215) is universally recognized as the first medieval German poet to create world-class literature. He crafted German into a language of refined literary expression that paved the way for writers such as Gottfried von Strassburg, Walther von der Vogelweide, and Wolfram von Eschenbach. This volume presents the English reader for the first time with the complete works of Hartmann in readable, idiomatic English. Hartmann's literary efforts cover all the major genres and themes of medieval courtly literature. His Arthurian romances, Erec and Iwein, which he modeled after Chrétien de Troyes, introduced the Arthurian world to German audiences and set the standard for later German writers. His lyric poetry treats many aspects of courtly love, including fine examples of the crusading song. His dialogue on love delineates the theory of courtly relationships between the sexes and the quandary the lover experiences. His verse novellas Gregorius and Poor Heinrich transcend the world of mere human dimensions and examine the place and duties of the human in the divine scheme of things. Longfellow would later use Poor Heinrich in his Golden Legend.Arthurian Romances, Tales, and Lyric Poetry is a major work destined to place Hartmann at the center of medieval courtly literature for English readers.

The Medieval Risk-Reward Society offers a study of adventure and love in the European Middle Ages focused on the poetry of authors such as Marie de France, Chrétien de Troyes, Wolfram von Eschenbach, and Gottfried von Strassburg—showing how a society based on sacrifice becomes a society based on wagers and investments. Will Hasty’s sociological approach to medieval courtly literature, informed by the analytic tools of game theory, reveals the blossoming of a worldview in which outcomes are uncertain, such that the very self (of a character or an authorial persona) is contingent on success or failure in possessing the things it desires—and upon which its social identity and personal happiness depend. Drawing on a diverse selection of contrasting canonical works ranging from the Iliad to the biblical book of Joshua to High Medieval German political texts to the writings of Leibniz and Mark Twain, Hasty enables an appreciation of the distinctive contributions made in antiquity and the Middle Ages to the medieval emergence of a European society based on risks and rewards.  The Medieval Risk-Reward Society: Courts, Adventure, and Love in the European Middle Ages takes a descriptive approach to the competitions in religion, politics, and poetry that are constitutive of medieval culture. Culture is considered always to be happening, and to be happening on the cultural cutting edge as competitions for rewards involving the element of chance. This study finds adventure and love­—the principal concerns of medieval European romance poetry­—to be cultural game changers, and thereby endeavors to make a humanist contribution to the development of a cultural game theory.

Vol. 1 has imprint: Berolini: W. de Gruyter; vol. 2 has imprint: Sumptibus Caroli J. Treubner, Librarii Argentoratensis [Strassburg: C.J. Treubner], 1914, but on cover the imprint is Berolini et Lipsiae, W. de Gruyter.

A digital copy of "Tristan, Band 2: Ubersetzung" by Strassburg. Download is immediately available upon purchase!

Vol. 1 has imprint: Berolini: W. de Gruyter; vol. 2 has imprint: Sumptibus Caroli J. Tr'ubner, Librarii Argentoratensis [Strassburg: C.J. Tr'ubner], 1914, but on cover the imprint is Berolini et Lipsiae, W. de Gruyter.

The Medieval Risk-Reward Society offers a study of adventure and love in the European Middle Ages focused on the poetry of authors such as Marie de France, Chrétien de Troyes, Wolfram von Eschenbach, and Gottfried von Strassburg—showing how a society based on sacrifice becomes a society based on wagers and investments. Will Hasty’s sociological approach to medieval courtly literature, informed by the analytic tools of game theory, reveals the blossoming of a worldview in which outcomes are uncertain, such that the very self (of a character or an authorial persona) is contingent on success or failure in possessing the things it desires—and upon which its social identity and personal happiness depend. Drawing on a diverse selection of contrasting canonical works ranging from the Iliad to the biblical book of Joshua to High Medieval German political texts to the writings of Leibniz and Mark Twain, Hasty enables an appreciation of the distinctive contributions made in antiquity and the Middle Ages to the medieval emergence of a European society based on risks and rewards.  The Medieval Risk-Reward Society: Courts, Adventure, and Love in the European Middle Ages takes a descriptive approach to the competitions in religion, politics, and poetry that are constitutive of medieval culture. Culture is considered always to be happening, and to be happening on the cultural cutting edge as competitions for rewards involving the element of chance. This study finds adventure and love­—the principal concerns of medieval European romance poetry­—to be cultural game changers, and thereby endeavors to make a humanist contribution to the development of a cultural game theory.