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A larger-than-life narrative of the making of the classic film, marking the rise of America as a superpower, the ascent of Hollywood celebrity, and the flowering of Texas culture as mythology.Featuring James Dean, Rock Hudson, and Elizabeth Taylor, Giant is an epic film of fame and materialism, based around the discovery of oil at Spindletop and the establishment of the King Ranch of south Texas. Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson’s promiscuity, Taylor’s high diva-dom, and Dean’s egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. In this compelling and impeccably researched narrative history of the making of the film, Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham’s Giant is a comprehensive depiction of the film’s production showing readers how reality became fiction and fiction became cinema.

Everything went wrong. Having crossed the Atlantic for about 3 months and getting stuck in the ice of Hudson's Strait for another three weeks, the band of Swiss emigrants had to row with great hardship up the Hayes River over some 6o portages, and cross Lake Winnipeg in its full length. Arriving starved, exhausted, and deprived of their belongings at the Red River Settlement just before the snows, they were told that nothing had been prepared for them. Lodging and food was there none due to a plague of grasshoppers and floods that had destroyed the harvests of the previous four years. The so-called Promised Land was bare of any prospect. Thoroughly embittered and disgusted, one family after the other headed south between 1821 and 1826, some alone, others in groups, hoping to reach present day Minnesota as their first refuge. But to get there they had to cross over some 350 miles of prairie, a veritable desert of uncharted trails and water holes, peopled by roving Sioux looking out for victims to scalp. How did they survive? That's what the reader will find out by reading this dramatic document, which is illustrated by Peter Rindisbacher, the young artist who participated in this extraordinary venture.

They were on their own -- three kids and one giant chicken. Stuck in Hoboken for the summer, Nick Itch, Loretta Fischetti, and Bruno Ugg are really, really bored. After whiling away their time spitting in the Hudson River and trying to teach Henrietta, Nick's 266-pound chicken, how to juggle marshmallows, they're ready for something -- anything -- to happen.When a mysterious and brilliant chalk artist starts decorating Hoboken's streets, the three friends are blown away. They set off to explore the art world in a frenzy of adventurous drawing, screeving, and eggplant picnics.

They were on their own -- three kids and one giant chicken. Stuck in Hoboken for the summer, Nick Itch, Loretta Fischetti, and Bruno Ugg are really, really bored. After whiling away their time spitting in the Hudson River and trying to teach Henrietta, Nick's 266-pound chicken, how to juggle marshmallows, they're ready for something -- anything -- to happen.When a mysterious and brilliant chalk artist starts decorating Hoboken's streets, the three friends are blown away. They set off to explore the art world in a frenzy of adventurous drawing, screeving, and eggplant picnics.